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Drama and Song

Commerce and Material Economy


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International Fashion Model

clothing designer

dramatist + dancer

Aishwarya Rai

Earthbody-Entry Thursday-01-Nov-1973

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cinema drama-model-commerce * 1973- _________* Aishwarya Rai

birth data from http://en.wikipedia.org/wiki/Aishwarya_Rai * tentatively rectified by BP Lama

charts, graphs, and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Feminine Nativities

Chitra-Tvastri * Citthirai * Vismakarma * Azinech * Alaraph * Arista * Dana


BPL commentary

For Chitra-Tvastri births of a feminine valence, the condition of pioneering, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.

For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.

Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.


Designs + Arrangements

Kuja-ruled Vismakarma ladies are blessed with direct, muscular physical and sexual energy. They are often found in environments where beautiful designs plus physical agility are valued. Chitrani typically excel in competitive, vitality-focused fields such as fashion modeling, cinematic acting, musical performance, choreography and dance, and athletics which emphasize balanced movement.

Kanya pada 1-2 expresses Kuja's rulership of 3-writing-commerce + 8-secret transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Budha's Writing skills may emerge in pada 1-2. Kanya-Chaitra are often found in media communications and commercial aspects of design work, where their pro-active process management is distinctive. Trust and relationship integrity may be challenging.

Thula-Vanika Pada 3-4 emphasizes Kuja's rulership of 2-collections, treasuries + 7-contracts, alliances. Zukra's bargaining behavior and financial skills rise in pada 3-4 due to the pleasant attractions of Zukra-Mangala. Ladies often enjoy considerable wealth via face, voice, marriage, and family lineage. In music, arts, and partnership-craft, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. In the arts, entertainment, beauty, and design industries, their contractual deals are often luxuriously beneficial.

Themes of competitive movement, agile beauty, dynamic design, and financial equity may contextualize Chaitra's terrestrial experience. Applies also to Chandra in Chitra

QUOTATION from Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 96.


"An expensive and luxurious person.

  • One who is fond of clothes and beautiful surroundings and revels in them.

  • She spends much money on jewels, perfumes, cosmetics

  • and her taste in these matters is expensive .

She likes to change costumes several times a day

  • and always look like an animated fashion plate .

Variety is the spice of life to this woman

  • and she will be inconstant and fickle in love affairs,

  • having many during her life and marrying often.

Many actresses, musicians, artists and opera singers have Chitra rising.


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Biographical events matched to the Vimshottari Dasha calendar

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Aishwarya Rai in 2011

Zukra Mahadasha * age 0.2 until 9.6

01-Nov-1973 Earth-birth in Mangaluru, Karnataka, India * Zukra-Guru bhukti


Surya Mahadasha * age 9.6 until 15.6


Chandra Mahadasha * age 15.6 until 25.6


Mangala Mahadasha * age 25.6 until 32.6


Rahu Mahadasha * age 32.6 until 50.6

20-April-2007 exchanged the vows of Marriage* Rahu-Rahu swabhukti

16-Nov-2011 celebrated the birth of child-1 * Rahu-Guru bhukti


Guru Mahadasha * age 50.6 until 66.6


Shani mahadasha * age 66.6 until 85.6

Distinctive Features of the Nativity


Recommended Jyotisha-ratna Gems for

Thula nativities

  • Panna * emerald for wise world-traveling dharmapatiDharmesha-9 + imaginative ruler-of-12 Budha

  • Hira * Azira * diamond for physical vitality lagnesha-1 + occult randhresha-8 lagnesha Zukra

  • Nilamani * blue sapphire for parenting, patriotic bandesha-4 + creative political intelligence vidyapathi-5 yogakaraka Shani


RaiAishwarya_photo.jpgSurya * pitrikaraka * jyotikaraka

  • Surya-Vanika * nichha * Hiranya-garbha * golden fetus
  • Surya in bhava-1 * enter of identity, bright embodiment, intelligence for competition, focus on appearance, championship entitlements, eye on personality *sparkling center of the vitality-drama

FATHER

CAREER


Chandra * matrikaraka * garha-karaka

  • Chandra-Dhanuzya * comforted by rhythmic catechesis of belief
  • Chandra in Purva-azadha * comforted by valued beliefs * protectors of inspirational music, philosophical harmony, expansively beautiful design
  • Chandra in classroom-3 * comfort in cohort, familiar with communication, repetitive announcements, needs to feel the tidal pulse of daily chat, sheltered in the parlor, soothed by younger siblings, intuitive information delivery, settled into the habits of writing and commerce, routine messaging; emotionally attuned to the rhythms of conversation, undulating signals, ethno-cultural gestures, intuitive handcraft
  • Somana-yuti-Zukra * Emotionally indulgent, sensitive to sisterly figures, needs pleasuring, seeks sheltering arrangements, soothed by beauty, feels like a partner
  • Somana-yuti-Rahu * Emotionally expedient, sensitive to exotic figures, needs exciting opportunities, soothed by unusual environments, undulating desires, craves nurturing, feels exceptional

MOTHER

CAREER

Chandra rules 10th navamsha = Chandra familiar to the people; motherhood, schoolteacher, cultural roots

Atmakaraka = Chandra familiar faces, patriotism, folkways, motherlandnichha-Guru-4 rules Chandra


Kuja * bhratru-karaka * virya-karaka

  • Mangala-Meza * moolatrikona 0-18 deg. * vigorous pursuit of championship * dynamic, competitive winner * proactive innovation, first-arrival; push toward conquest, innovation, first-arrivals; push toward conquest
  • Mangala in bhava-7 * drive toward bargaining, pursuit of agreement, invasive negotiation, diplomatic dynamics, energized contractual conquests

Budha * bandhava-karaka * zisya-karaka

  • Budha-Vrizchika * hidden communications, articulation of transformative secrets, emergency pronouncements, messages about camouflaged, undisclosed mysteries, defined masking, expertly detailed disguise
  • Budha in bhava-2 * narrative of values, natural resources, history, conservation, banking, treasuries * discusses sound values, speech-song, eyes-face, tells stories, defines storage, describer of family lineage , explainer of wealth preservation, delivers instructions for preservation of collected assets, talks about knowledge base, libraries, databases, languages, memory

Guru * dhavakaraka * bahuta-karaka

  • Guru-Makara * nichha * much social structure, many rules, materialistic beliefs, doctrine of rank and structure, realistic guidance, pragmatic worldview, expands the scope of philosophical realism, multiple interactions with government and institutional authority
  • Guru in bhava-4 * many roots, growth of homes and gardens, many diploma and licenses, abundant owned property, many vehicles and modes of transport, multiple caretakers and mother-figures, extensive lands and deeds of title

Zukra * svadhu-karaka * kalatra-karaka

lagnesha = Zukra + Rahu + Chandra-atmakaraka

  • Zukra-Dhanuzya * appreciation of humanistic belief, pleasures of theory, dogmatic arrangements, aesthetic of philosophical worldview
  • Zukra-3 * pleasure of explanatory description, gracious messaging, enjoys commercial harmony, aesthetic instructions, feminine-figures (sisters, aunts, neighbors) dominate the cohort, appreciation of communications, feminine-figures (sisters, aunts, neightbors) dominate the cohort, appreciation of communications
  • Zukra-yuti-Chandra * sweetened security, gracious caretaking, appreciation for nourishing protection, emotionalized negotiations, sheltering arrangements, soft caretaking beauty, sheltering arrangements, balanced caretaking, soothed by beauty, pleasant emotional response, enjoys local rhythms, arrangements according to the folkways, musical mother-figure, protective contracts
  • Zukra-yuti-Rahu * sweetened adventure, gracious ambition, appreciation for exciting opportunism, masked negotiations, over-reaching agreements, exceptional beauty, enjoys cultural mixing * arrangements support diplomatic equity balanced with exhilarating risk

Zukra rules Karakamsha bhava-1 fleshbody personality physical appearance


Shani * duro-karaka * jara-karaka

Yogakaraka Shani rules 4-foundations, schooling + 5-intelligence, creativity

  • Shani-Mithunaya * tiresome old documents * resistance to change of explanations * obliged to conform to the hierarchical managers * must materialize orderly information delivery * rigid process handling * heavy old discussions * obligatory, strictly scripted conversations * inflexible instructions * must endure the lowest-common-denominator proletarian communication * slow elderly messengers * vital energy compression stress zone = hand-arm-shoulder * restricted breathing * insufficient team cooperation * must continue to collaborate, cooperate, gesture, and signal despite scarce available resources
  • Shani in Bhava-9 * Structured, orderly, time-conscious paradigm of belief. One must preach the old doctrine, old principles; punitive, unyielding ideologies, cautious, conventional father-figures; tense and fearful religious teachers, chronic rigidity of worldview; heavy legacy pressure against freely chosen convictions. Resistance to new teachings. Preacher's fatigue. Resentment toward changes in catechism. Intolerance for sacerdotal innovation. Support for socially-approved, rigidly dutiful roles as high priest, guru-figure, professor, rabbi, sermonizer, proselyte, Old Believer.
  • Shani-yuti-Ketu * resistance against dispersion, pragmatic dissociation, limited surrender, lawful abandonment, spiritual paralysis, disciplined apathy, constrained wandering, regulated dissolution

Shani rules Arudha lagna bhava-5 creativity fashion drama romance

From Chandra-Dhanuzya lagna, the mature voice of sober serious structured hierarchical Professor Shani rules

  1. the emotionally-motivated traditionalism, family lineage conserving, treasure-preserving, language-and-history remembering, acquisitive, genetic conservation of 2nd-from-Chandra
  2. the emotionally talkative, information-delivering, evangelical, publishing, announcing, script-reading, reporting, conversational, process-managing communications of 3rd-from-Chandra

Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Dhanuzya * shimmering illusion of wisdom * craving for philosophical principle * mirage of fatherly generosity * extraordinary theory * unusual approach to higher truth * mask of global humanistic belief * fascinating doctrine * over-reaching catechisms * fabulous patronage * seeks special importance via apparent (but perhaps not authentic) attributes of professorship, guidance, proselytism, guru-roles
  • Rahu in bhava-3 * passion for communication * in swabhava of Busy Budha, the Shadowy Specter seeks privilege via glamorous or unusual writing, photography, journalistic reporting, news announcements, cinema, commentary, messaging. Craves publication. Desires a special, important explanatory, descriptive, or instructional role. Over-reaching in commercial business, internet, cinema, or communications media. Exciting, opportunistic engagement with process management, manufacturing, business administration, instructions, information technology. Trespasses cultural boundaries of cohort-conversations and evangelistic proclamations. Ambitious character of the sibling-cousin, collaborative team, or touring ensemble.
  • Rahu-yuti-Soma * amplified emotion, magnified familiarity exotic habits, tricky comforts, opportunistic mother, fascinating (but perhaps illusory) appearance of sympathetic caretaking, hypnotic rhythms, emotionally attuned to cross-cultural mixing, fascinating (but perhaps illusory) appearance of sympathetic caretaking, hypnotic rhythms, emotionally attuned to cross-cultural mixing
  • Rahu-yuti-Zukra * amplified attractions, magnified beauty. exotic art-music, tricky partners, opportunistic feminine-figures, fascinating (but perhaps illusory) appearance of luxuriously lovely pleasures, hypnotic arrangements, gracious balance of cross-cultural mixing

Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Mithunaya * dissociates from conversations, incomplete message, empty instructions, dissolute signals, not limited by commerce, ignores restriction on communication, applies explanatory gestures to the misty abyss, applies explanatory gestures to the misty abyss
  • Ketu in classroom-9 * incoherent ideology, disinterested in the credenda; wandering worldview; absentee father-figures * no barriers in doctrine, disregards teachings, vacuous philosophy, irrelevance of the catechesis, ambivalence toward the power of principled conviction. One abandons the usual paradigm of belief, ignores the conventional understandings, delivers incoherent theory.
  • Ketu-yuti-Shani * surrendered structures, empty governance, disconnected elders, unsustainable rules, apathetic endurance, social disorder, dissolution of normal conventions
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