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musical bandmate of

friend and fellow musician of:

associated with

born three months after

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John W. Ono Lennon and Yoko Ono Lennon in New York City, 1980


Beatle

John Lennon

Earthbody-Entry . Wednesday-09-Oct-1940

Earthbody-Exit 08-Dec-1980 (age 40)


Social activist, musician

Yoko Ono

Earthbody-Entry Sunday-19-Feb-1933

nativity of Yoko Ono


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Yoko Ono born 9 months before

Yoko Ono born 6 months before

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Imagine Beatle * 1940-1980 * John Lennon

birth information from http://en.wikipedia.org/wiki/John_Lennon * tentatively rectified by BP Lama

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama


born on day-9 Navami of Shukla Paksha

Rising Nakshatra

Masculine Nativities

Revatika * Pashu


BPL commentary

For Revatika births of a masculine valence, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing Kumara may considerably affect the outcome.. Pashu the Pastor is delicately attuned to the signals of the animal kingdom, and He often works for the betterment of all creatures. Many veterinarians and animal-welfare activists are Revatika-born. These way-showers are also found in all aspects of music and dancing, producing melodies, beats, and lyrics.

Whatever the Pashu folk say, others will follow and believe.

Siblings, cousins, schoolmates, bandmates, team-mates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts -- and beasts of every description - may be especially influential.

Instructional guidance is provided by emissaries from the civilizations of stars clustered near Zeta Piscium. Their purpose is to shepherd the flocks in safe passage, calling them to follow with an imaginative, sweet sound and rhythm


The Way-Shower

Revatika expresses the natural tension between Busy Bantering Budha and Guiding Generous Guru. Commercially oriented Budha is a master of writing, reporting, cinema, and detailed communication. Kumara naturally matches the vibration of chatty students and a younger audience. Yet Brihaspati much prefers to preach on broad-scope topics, ideology and inclusive doctrine.

Paushna-born often find themselves in shepherding roles that require delivering a message to their herd of followers. The usual delivery style is musical, oratorical, or imaginative, but any method of Showing the Way may be chosen. Pashu the Pastor combines a broad welcoming vision with a beckoning repeating signal frequency such as a slogan, a jingle, or a melody.

Themes of pastoral guidance, musical messaging, and benevolent outreach to all creatures may contextualize Revatika's terrestrial experience. Applies also to Chandra in Revatika-Pashu

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 89


"... often distinguished by a birthmark on the thigh.

They usually have well formed and beautiful physiques

  • although not necessarily large or robust

They are fond of their family and friends

  • and very sociable and hospitable .

They may not be born to wealth

  • but they have the ability to accumulate the good things of life

  • through their own efforts and usually will.

They will know how to enjoy wisely and well the fruits of their endeavors.

These people are wise and intelligent

  • and make excellent counselors to those who are in trouble
  • or are in a dilemma over some problem of life."


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Biographical information matched to the Vimshottari Dasha calendar


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Chandra Mahadasha * age birth until age 9.6

09-Oct-1940 Earth-birth in Liverpool, Mercia, England * Chandra-Chandra swabhukti


Mangala Mahadasha * age 8.6 until 15.6


Rahu Mahadasha * age 15.6 until 33.6

15-July-1958 (John's age 17) grieved the decease of mother * Rahu-Rahu swabhukti

23-Aug-1962 exchange of vows in marriage-1 (his age 21) * Rahu-Shani bhukti * Shani rules swamsha * gochara R-K via Karkata-Makara * R-K contact Chandra-lagna * Shani marriage of necessity

08-Apr-1963 celebrated the birth of child-1 * Rahu-Shani bhukti * Shani rules Chandra-1

Nov-1968 divorce-1 * Rahu-Ketu bhukti

1969-1970 breakup of the Beatles musical ensemble * Rahu-Zukra bhukti * Zukra rules 8-sudden change of identity

20-Mar-1969 exchange of vows in marriage-2 to Avant-gardiste 1933- Beatle-pair Yoko Ono* * Rahu-Zukra bhukti * gochara R-K via Meena-Kanya * R-K contact radical R-K

Spring-1969 Bed-In conducted in hotels * Rahu-Zukra bhukti * Zukra rules 3-8 publicity-transformation

23-Mar-1973 suddenly deported from the United States by POTUS-37 Watergate 1913-1994 Richard Nixon * Rahu-Chandra bhukti * Chandra rules 11 = 8th-from-4th = sudden evacuation from home


Guru Mahadasha * age 34.6 until decease age 40

01-Apr-1976 grieved decease of father (John's age 36) * Guru-Guru swabhukti * Guru rules 7th-from-Surya

08-Dec-1980 Lightbody Lift-off (murdered by gunshot, age 40) * Guru-Budha bhukti * Budha rules maraka-7

Distinctive Features of the Nativity

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Beatle John Lennon with his first wife Cynthia Lennon in 1960 (his age 20)

Surya * pitrikaraka * jyotikaraka

Atmakaraka

  • Surya in bhava-7 * center of agreements, brightly negotiating, focus on trade, intelligence for equity, peer entitlements, eye on contractual relationships
  • Surya-Kanya * Poshanya * Pushna * the nourisher
  • Surya-yuti-Kuja * confidently progressive, bright warrior, creatively intelligent brother-figures, entitled to conquer, radiantly pioneering
  • Surya-yuti-Rahu * confidently opportunistic, bright mesmerizer, creatively intelligent culture-mixing, entitled to mix and mottle, radiantly risk-rewarding, radiantly risky

FATHER

Dad was a merchant seaman. Surya-Kanya-7 in 4th-from-4th transport, shipping. He worked as a shipboard laborer for most of his adult life Surya-Kanya labor. Dad associated with a great diversity of persons of many backgrounds (Rahu) and his associates (7) were members of the service class Surya-yuti-Rahu Kanya. Dad traveled extensively to distant land within the humble maritime service role. Surya rules-6 = 12th-from-Surya.

Surya in bhava-7 = paternal identity with opportunistic (Rahu) contracts and world travel (7)

Rulers of 1, 4, 9, + Rahu the Amplifier occupy bhava-7 relationships


Chandra * matrikaraka * garha-karaka

  • Chandra in classroom-11 * comfort in networks, familiar with connection, community, soothed by social linkage; undulating friendships
  • Chandra in Shravana* comforted by careful listening * protectors of undulating shamanic sound, customary lawfulness, structured parenting, reputable dwelling
  • Chandra-Makara-Draco * comforted by rhythmic hierarchical ordering

MOTHER

Chandra receives incoming drishti from both Rahu-Kanya-7 and from Shani-nichha-2.

Lennon's mother Julia Lennon was accounted as a friendly (11) person. She came under pressure of raising her children from various fathers, service work (Kanya drishti) in various bars and restaurants, and perhaps an underlying mental health condition which could be indicated by the harsh drishti incoming to the soothing, routine-seeking Chandra-11 via both Shani and Rahu. She was killed (her age 44) by a constable who claimed he was not responsible because he was an inexperienced driver (see bhava-7 Kanya irregular argumentation). He was fully acquitted; young Lennon (age 15) reckoned his mother's death as the definitive trauma of his life.

Marriage * 7th-from-Chandra-11

John Lennon was married twice, in addition to a significant extramarital union.

7th-from-Chandra-11 = Karkata, and the ruler of 7th-from-Chandra is Chandra. The first marriage partner would be a culturally familiar personality with a parental orientation. (They married to accommodate her pregnancy.) suggesting that although The first marriage would have been emotionally authentic yet also rather emotionally self-reflexive due to matrikaraka Chandra.

The second marriage partner is qualitatively different. 2nd-from-Chandra = Kumbha-12. Avant-gardiste 1933- Beatle-pair Yoko Ono matches 12. Partner-2 = concerned with the private bedrooms (famed Spring-1969 Bed-In conducted in hotels) and hailing from a foreign land (Japan) relative to the native's English birth.

The social-cultural features of the public facade of marriage can be seen via bhava-7 (first alliance) and bhava-2 (second alliance). Mangala-Kanya yuti Rahu-Kanya yuti Surya-Kanya in bhava-7 suggest a highly complex first marriage afflicted by Surya rogesha in 7 along with Budha yuvatipathi in 8, as well as a combust mangala-7 and the general boundary-challenging behaviors of Rahu-7.

The public facade of the second marriage is characterized by Shani-Meza * nichha yuti lagnesha Guru, Lennon was more deeply identified socially with the second marriage although emotionally the second life-partner would be somewhat dreamlike and blaming due to 12 ruler nichha-Shani.

Zukra kalatrakaraka

Typically in a husband-figure nativity, when Zukra has no companion graha there is only one marriage. However Zukra joins Surya in navamsha showing the intention (navamsha reveals the underlying expectations).

Zukra located the revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra suggests that women in general provide an emotionally identity-transforming influence. Upheavals and sudden, unexpected changes in marriage and peer relationships would be expected.


Kuja * bhratru-karaka * virya-karaka

  • Mangala in bhava-7 * drive toward bargaining, pursuit of agreement, invasive negotiation, diplomatic dynamics, energized contractual conquests
  • Mangala-Kanya * vigorous pursuit of logical argumentation * proactive medication * thrust toward service * push toward unfairness * champion of litigious accusation
  • Kuja-yuti-Surya * invigorated creativity, invigorated creativity, energized confidence, dynamic genius, masculine force joins willful charm, potential for aggressive political or dramatic actions , potential for aggressive political or dramatic actions , potential for aggressive political or dramatic actions
  • Kuja-yuti-Rahu * energized pretense, dynamic desires, masculine force joins opportunistic ambition, potential for aggressive pursuit of privileges

ashtangata harana combust Mangala-Kanya

sending amplified parashari drishti to

  • 10-career
  • 1-personality
  • 2-voice, face, song, genetics, memory

Budha * bandhava-karaka * zisya-karaka

  • Budha-Thula * articulation of contracts, equable arrangements, balanced designs, agreeable pronouncements, messages about negotiation and parity, equable arrangements, balanced designs
  • Budha in bhava-8 * narrative of hidden information, mysterious facts, unexpected eruptions, shocking revelations, detailed discoveries, describer of unexpected circumstances, explainer of sudden change, delivers instructions for new identity, talks about transformative healing and renewal

Budha rules 4 and 7 ++ Budha resides in 8

Budha-8 governs the childhood home, including the foundational schooling and mother's folk.

ruler of 4-childhood home occupies 8-constant transformation. Lennon's mother suffered mental health challenges which resulted in his being raised by a devoted-but controlling aunt. The father was a rare visitor.

Learning disabilities in childhood; left school at 14


Guru * dhavakaraka * bahuta-karaka

lagnesha

  • Guru in bhava-2 * much hoard, many songs-stories, many accumulated goods, many valuations
  • Guru-Meza * much movement, philosophy of direct movement, many competitions, pioneering beliefs, doctrine of conquest, innovative guidance, expands the scope of championship, multiple engineers and athletes
  • Guru-yuti-Shani atta-karaka * multiple elder-figures

lagnesha Brihaspati rules Meena radical lagna

Rulers of 1, 11, 12, and 10, receiving drishti of Rahu-7. A complex and often aggrieved (nichha-Shani) pattern of speech and song.

The second wife Avant-gardiste 1933- Beatle-pair Yoko Ono (2) was a also a very complex public figure (lagnesh Guru rules 10).


Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Singha * appreciation of royal confidence, pleasures of radiant central roles, enjoys intellectual display, brightly theatrical arrangements
  • Zukra-6 * pleasure of self-medication; enjoys exploitive arrangements, addictions, imbalanced equity, feminine employees, attracted to servants, and slaves; appreciation of enemies, toxicity from sugars, aesthetic of slavery, unfair contracts, relationship injustice, criminal bargains, adjustability in times of poverty and war

randhresha-8 = Zukra in bhava-6 * sarala yoga * hidden power from pleasurable service;

Zukra rules-3/8 for the Meena nativity, and Meena typically experience sudden unexpected challenges from those identified with the feminine gender

Zukra located in the revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra exacerbates the prognosis regarding women. Lennon describes his boyhood as supported by five women, consisting of his mother and her sisters who all lived nearby. His young mother remained close but she had several children and she surrendered John into the nearby home of a childless aunt.

sarala yoga is protective against the dangers of disagreements, drugs and divorce, so that the potentially severe consequences both medical and legal of Lennon's extreme self-medication patterns did not harm him but were rather experiences as forces of identity transformation

Despite the multitude of talented partners, Shukra-6 indicates disagreement in matters of romance, creativity, music, finance, and terms of agreement. Shukra-6 usually indicates an attraction to women who are in some way identified with the victim narrative. The cluster of Kanya graha in bhava-7 adds several layers of intrigue to Lennon's relationship patterns.


Shani * duro-karaka * jara-karaka

  • Shani-Meza * nichha * old feuds, pressured invasions, old competitions, proletarian survival, pressure in the head-brain, imposed competition, must conquer with scarce resources
  • Shani in bhava-2 * Structured, orderly, time-conscious family lineage. One must preserve, have to collect, catalog, must tell tales, obligation to speak-and-sing; cautiously constrained banking; tense eyes, punitive rules for speech, non-permitted comments, financial fatigue, chronic financial depression, undernourished eye-teeth , heavy legacy pressure against speaking out; insufficient nourishment, desiccated preserved food. Limited sight, blindness. Ossified, rigid, rule-bound family culture. Resistance to new languages and direct speech. Resentment toward family ignorance. Support for socially-approved presentationvia face, hair, song, speech, vision, treasuries of older knowledge.
  • Shani-yuti-Guru  * resistance against expansion, limited understanding, doctrinal discipline, constrained growth, regulated beliefs

Shani generates a powerful dhanayoga = ruler of 11 occupies 2, and vriddhipathi-Shani yuti lagnesha-Guru

Nichha Shani-2 is ruled by Kuja in 6th-from-Shani.

Nichha-Shani-2 would normally be an indicator of a highly dysfunctional family. Lennon's family history seems to exemplify the textbook definition of dysfunctionality, including children not being told of their various parents' deaths, a highly controlling maternal aunt, and family-members paying each other small monies for services (although this odd type of contractual exchange is mainly attributable to the Surya-Mangala-Rahu in Kanya-7 which indicates unusual contracts).

Childhood challenges included learning disabilities (Shani-Mesha drishti to Chandra- inter alia), school truancy, and regular outbursts of frustrated, sexualized anger resulting in spousal battery. Lennon famously admitted "I was a hitter. " Combust accusing Mangala-Kanya rules Shani and Kuja drishti to nichha-Shani-2.

Challenges in the family of origin (2) and indeed in the brain itself due to nichha-Shani but there are many compensations due to lagnesha-Guru-2. Although Lennon developed behavior problems, the primary-parenting aunt and uncle provided physical security for him until their deaths and wholeheartedly supported his musical education even when he was disruptive and difficult.


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Kanya *craving for crime * mask of exploitation, argument, medicine, addiction, humble service ministry; fascinated by servitude, injustice, illness * seeks special importance via medicine, remediation, victim-narrative
  • Rahu in bhava-7 * the Shadowy Specter seeks privilege via glamorous or unusual arrangements, amplified alliances, marriages, vows, agreements; desires a special, important, brokerage role in non-standard negotiations, deal-making, match-making, contracts, and trusts. Exciting, opportunistic, ambitious partners (personal and professional). Rahu the Poseur may pose as the Perfect Partner, a middleman, a bargainer, a diplomat, an arranger, an agreeable advocate.
  • Surya-yuti-Rahu * amplified ambition, magnified confidence, exotic creativity, tricky drama, opportunistic father
  • Kuja-yuti-Rahu * * amplified competition, magnified championship, exotic pursuits, tricky innovation, opportunistic brother-warriors

shad-ashtaka 6-8 angle from Shani-Meza-2 toward the Kanya-7 cluster indicating partnerships

Complex and conflicted partnerships

Lennon was much influenced by his many partnerships. The public record documents an intimate friendship with Brian Epstein, the manager of the Beatles who arranged their early performance successes. Partner-songwriter Silly Love Songs 1942- Beatle Paul McCartney is acknowledged to have partially shaped Lennon's world. Partner-songwriter and financial manager Avant-gardiste 1933- Beatle-pair Yoko Ono is another documented identity-defining ally.


Ketu * kavandha-karaka * chidra-karaka

  • Ketu in classroom-1 * * wanders from the fleshly container, disperses coherently unique identity, ambivalent toward the power of muscular movement, absent from embodiment, other-defined chameleon, irrelevance of the personality. One abandons an independent lifestyle, and chooses to depend upon important Others (Rahu-7).
  • Ketu-Meena * dissociates from Otherworldly understanding, incomplete clairsentience, empty dreams, dissolute guidance, not limited by cetacean culture, ignores restriction on intuition, disarrayed wisdom

The core identity of personalities which choose to be born with Ketu-1 is often defined by themes of surrender, abandonment, amputation, disconnection, and apathy. One may live in the certainty that, regardless of the opinion of others, one has been abandoned.

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musician, social-justice activist * 1933- * Yoko Ono Lennon

birth information from http://en.wikipedia.org/wiki/Yoko_Ono * tentatively rectified by BP Lama

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

Biographical information matched to the Vimshottari Dasha calendar

  • Avant-gardiste 1933- Beatle-pair Yoko Ono


Avant-gardiste 1933- Beatle-pair Yoko Ono + Guru-yuti-Kuja * although she had a series of marriages to exotic personalities, the best-known and most defining socially was her third husband = Imagine 1940-1980 Beatle John Lennon


Born one year before

Budha Mahadasha * age birth until 2-months

19-Feb-1933 (rect.) Earth-birth in Tokio, Nippon (Japan) * Budha-Shani bhukti * Shani rules swamsha


Ketu Mahadasha * age 2-months until age 7.2


Zukra Mahadasha * age age 7.2 until age 27.2

1956 exchange of vows in marriage-1 (Ono's age 22) to Japanese celebrity musical composer Toshi Ichiyangi * Zukra-Shani bhukti * Shani rules swamsha


Surya Mahadasha * age 27.2 until 33.2

1962 divorce-1 from exchange of vows in marriage-1 * Surya-Rahu bhukti

28-Nov-1962 (illegal, annulled) exchange of vows in marriage-2 to American jazz musician Anthony "Tony" Cox * Surya-Guru bhukti

6-June-1963 (legal remarriage) * Surya-Shani bhukti * Shani rules swamsha

08-Aug-1963 celebrated the birth of child-1 Kyoko Chan Cox * Surya-Shani bhukti


Chandra Mahadasha * age 33.2 until 43.2

1968 child-2 John Ono Lennon II (died at birth) * Chandra-Rahu bhukti * Rahu-8

02-Feb-1969 divorce-2 * Chandra-Rahu bhukti * Rahu-8

20-Mar-1969 exchange the vows of marriage-3 with Imagine 1940-1980 Beatle John Lennon * Chandra-Rahu bhukti * gochara R-K via Meena-Kanya contact D-9 Chandra

09-Oct-1975 child-3 Sean Ono Taro Lennon * Chandra-Zukra bhukti


Mangala Mahadasha * age 43.2 until 50.2

08-Dec-1980 widowed (Yoko's age 47) decease of husband-3 (he was murdered) * Mangala-Ketu bhukti


Rahu Mahadasha * age 50.2 until age 68.2


Guru Mahadasha * age 68.2 until 84.2


Shani Mahadasha * age 84.2 until 103.2

Distinctive Features of the Nativity


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Yoko Ono as a young child with her parents, 1930's

Surya * pitrikaraka * Jyotikaraka

  • Surya-Kumbha * Arka * the radiator * radio
  • Surya in bhava-8 * center of emergence ,intelligence for trauma healing, brightly transformative, focus on discovery, initiatory entitlements, eye on occulted mysteries
  • Surya-yuti-Budha * confidently conversational, bright messenger, entitled to discuss, creatively intelligent sibling-cohort, radiantly descriptive, creatively intelligent sibling-cohort, radiantly descriptive, entitled to discuss, creatively intelligent sibling-cohort, radiantly descriptive, creatively intelligent sibling-cohort, radiantly descriptive
  • Surya-yuti-Rahu * confidently opportunistic, bright mesmerizer, creatively intelligent culture-mixing, entitled to mix and mottle, radiantly risk-rewarding, radiantly risky

avant-garde artist, musician

FATHER

Dad was Isoko Ono, a privileged international banker from an aristocratic family of To-kyo Surya-yuti-Rahu . He had been trained as a classical western pianist. Due to several job transfers enforcing separation of the family, Yoko met her father for the first time after she turned two years of age. She saw him only sporadically during her childhood. During the war his whereabouts were unknown for several years. Surya in bhava-8 father is a mystery. Surya-yuti-Rahu father is often involved in undisclosed activities, in Kumbha these are of an economic nature.


Chandra * matrikaraka * garha-karaka

Atmakaraka

  • Chandra in classroom-5 * comfort in politics, familiar with gambling and games, charm, children, soothed by celebrity, rhythmic intelligence, artistic performance; undulating creativity
  • Chandra-Vrizchika * nichha * comforted by rhythmic penetration of mystery
  • Chandra in Jyeztha-Kita * comforted by competitive signals * protector of soothing prophetic messages, narrative of cultural pioneering, familiar face of direct announcements

MOTHER

MARRIAGE expectations of partnership support

  1. 7th-from-Chandra-5 exchange of vows in marriage-1 = economic participation, friendship * also karaka = Guru
  2. 2nd-from 7th-from-Chandra-5 = exchange of vows in marriage-2 = bhava-6 disagreements, imbalance * also karaka = Ketu
  3. 9th-from 7th-from-Chandra-5 = marriage-3 Karkata lagna = core personality = Imagine 1940-1980 Beatle John Lennon * * also karaka = yogakaraka Mangala-Simha

Kuja * bhratru-karaka * virya-karaka

yogakaraka

  • Mangala in bhava-2 * drive toward values lineage, pursuit of treasuries, energized face-speech-song, aggressive family hoarding, vigorous capitalization-banking, storage, assets, conservation, family dynamics, acquisitive conquests
  • Mangala-Singha * vigorous pursuit of fame, creative political action * proactive drama * push toward entitlement * champion of games and amusements
  • Kuja-yuti-Guru * multiple competitions, many brother-figures, energized growth, dynamic generosity, masculine force joins optimistic expansion, champion of humanistic worldview, potential for aggressive preaching, indoctrinating actions
  • Ketu-yuti-Kuja * energized pilgrimage, dynamic wandering, masculine force joins apathetic surrender, potential for aggressive annihilation of initiations

Budhana * bandhava-karaka * zisya-karaka

* Vimala Yoga

communicative Budha rules Azlesa radical lagna

  • Budha-Kumbha * connecting communications, systematic pronouncements, articulation of social-scientific networks, descriptive inter-webbed definitions, messages about communities and economies, explains large-scale social participation linkage, large-scale social participation linkage
  • Budha in bhava-8 * narrative of hidden information, mysterious facts, unexpected eruptions, shocking revelations, detailed discoveries, describer of unexpected circumstances, explainer of sudden change, delivers instructions for new identity, talks about transformative healing and renewal
  • Budha-yuti-Surya * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * articulation of radiant authority, message of willpower and charisma, confidently talkative father, talkative father
  • Budha-yuti-Rahu * explainer of thrilling risk * affinity for thrilling, risk-rewarding roles expressing skills of communication, explanation, description, instruction * articulation of ambitious desire, message of exciting opportunities, chatty foreigners and outsiders, talkative mix-masters

Guru * dhavakaraka * bahuta-karaka

  • Guru-Simha * many lights, many displays, much drama, believes in creativity and special entitlement, doctrine of intelligence and unique personality, expands the scope of politics, multiple games, many celebrities and celebrations, much drama, believes in creativity and special entitlement, doctrine of intelligence and unique personality, expands the scope of politics, multiple games, many celebrities and celebrations
  • Guru in bhava-2 * much hoard, many songs, many stories, history, storage, several genetic lineages, much many accumulated goods, numerous languages, many voices, many valuations
  • Guru-yuti-Mangala bhratri-karaka * multiple brother-figures, expansive conquests, much humanistic progressive-invasive philosophy, large-scale competitions, vigorous champion of doctrine and belief
  • Guru-yuti-Ketu upeksha-karaka * multiple disregarder-disperser figures, many disconnections, much surrender, abandons the humanistic perspective, large vacuums, abandons the humanistic perspective

Guru rules Meena-9 karakamsha = Meena lagna John Lennon

Guru-yuti-Mangala with Ketu. During the rock-and-roll years, Ono was a heroin user Guru rogesha ++ Mangala rules 6th-from-Chandra. However the incoming drishti from Surya-8 is preventative, and no graha in 6 would suggest that self-medication would not be a lifelong habit.

Guru-yuti-Ketu-yuti-Mangala * drishti from ruler Surya-8

The eldest child of Avant-gardiste 1933- Beatle-pair Yoko Ono was kidnapped during a custody battle. The child was successfully hidden from her mother until a first reunion when the child was 31. Ono's second child was stillborn.


Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Makara-Draco * appreciation of authoritative status, enjoys social position, pleasures of structure, hierarchical arrangements
  • Zukra-7 * swabhava * pleasure of interpersonal relationships, enjoys contractual harmony, feminine-figures advise and bargain, appreciation of equity
  • Shani-yuti-Zukra * resistance against equity, limited luxury, contractual discipline, constrained harmony, regulated pleasures

Shani * duro-karaka * jara-karaka

* Sasaya Yoga

  • Shani-Makara-Draco * old hierarchies, pressured duty, old rules, pressured knees-calves, imposed laws, proletarian laws, must govern with scarce resources
  • Shani in Bhava-7 * digbala * (beneficial placement) * Structured, orderly, time-conscious partnerships. One must balance and re-balance. Cautious, conventional relationships. Tense negotiations. Chronic responsibilities toward the spouse; compression of the visible genitalia; heavy legacy pressure against freely chosen contracts. Bargaining fatigue. Resistance to new arrangements. Resentment toward changes in partner's behavior. Support for socially-approved, rigidly dutiful roles as married person, contract-holder, match-maker, attorney, diplomat, judge.
  • Zukra-yuti-Shani

Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Kumbha (swakshetra)* craving for community * mask of lawfully interlinked systems; fascinated by networks * seeks special importance via social participation programs
  • Rahu in bhava-8 * the Shadowy Specter seeks privilege via glamorous or unusual secrets recycling, rebirth, reinvention; desires a special, important, therapeutic role in transformative, hidden, revolutionary, catastrophic identity changes. Remarkable in-laws, inheritance, alimonies. Exciting, opportunistic, ambitious family of the partners. Rahu the Poseur may pose ass a tantric initiator, disaster manager, keeper of dangerous secrets ,identity-changing healer, or holder of secret empowerments.
  • Surya-yuti-Rahu * amplified ambition, magnified confidence, exotic creativity, tricky drama, opportunistic father, fascinating (but perhaps illusory) appearance of political genius
  • Budha-yuti-Rahu * amplified articulation, magnified communications, exotic information, tricky signals, opportunistic siblings

Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Singha * dissociates from creative performance, incomplete entitlement, empty intelligence, dissolute brilliance, not limited by celebrity roles, ignores restriction on political opinion
  • Ketu in classroom-2 * wanders from the preserved values, disperses family-knowledge-treasury collections, absent from lineage history, irrelevance of the mouth, the foods, and the stored goods; disregards conventional boundaries of speech-language
  • Mangala-yuti-Ketu * surrendered championship, empty actions, disconnected brothers, unsustainable domination, apathetic competition, disability
  • Guru-yuti-Ketu * surrendered abundance, empty expansions, numerous removals, disconnected teachers, unsustainable doctrine, apathetic diversity, disbelief, dissolution of dogma

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Beatles 1964

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