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  • entertainer Doris Day a.k.a. Mary Ann Kappelhoff




Theatrical singer

Hollywood child-celebrity

Wizard of Oz

Judy Garland

a.k.a. Frances Ethel Gumm

Earthbody-Entry Saturday-10-Jun-1922

Earthbody-Exit 22-June-1969 (age 47)


Wizard of Oz dramatist, singer * 1922-1969 * Judy Garland * born as Frances Ethel Gumm

birth data from * tentatively rectified by BP Lama Jyotisha

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Feminine Nativities

Chitra-Tvastri * Citthirai * Vismakarma * Azinech * Alaraph * Arista * Dana

BPL commentary

For Chitra-Tvastri births of a feminine valence, the condition of pioneering, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.

For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.

Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.

Designs + Arrangements

Kuja-ruled Vismakarma ladies are blessed with direct, muscular physical and sexual energy. They are often found in environments where beautiful designs plus physical agility are valued. Chitrani typically excel in competitive, vitality-focused fields such as fashion modeling, cinematic acting, musical performance, choreography and dance, and athletics which emphasize balanced movement.

Kanya pada 1-2 expresses Kuja's rulership of 3-writing-commerce + 8-secret transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Budha's Writing skills may emerge in pada 1-2. Kanya-Chaitra are often found in media communications and commercial aspects of design work, where their pro-active process management is distinctive. Trust and relationship integrity may be challenging.

Thula-Vanika Pada 3-4 emphasizes Kuja's rulership of 2-collections, treasuries + 7-contracts, alliances. Zukra's bargaining behavior and financial skills rise in pada 3-4 due to the pleasant attractions of Zukra-Mangala. Ladies often enjoy considerable wealth via face, voice, marriage, and family lineage. In music, arts, and partnership-craft, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. In the arts, entertainment, beauty, and design industries, their contractual deals are often luxuriously beneficial.

Themes of competitive movement, agile beauty, dynamic design, and financial equity may contextualize Chaitra's terrestrial experience. Applies also to Chandra in Chitra

QUOTATION from Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 96.

"An expensive and luxurious person.

  • One who is fond of clothes and beautiful surroundings and revels in them.

  • She spends much money on jewels, perfumes, cosmetics

  • and her taste in these matters is expensive .

She likes to change costumes several times a day

  • and always look like an animated fashion plate .

Variety is the spice of life to this woman

  • and she will be inconstant and fickle in love affairs,

  • having many during her life and marrying often.

Many actresses, musicians, artists and opera singers have Chitra rising. ..."


Judy Garland, age 19, in 1941

Biographical data matched to Vimshottari Dasha timeline


Judy Garland (a.k.a. Ethel Gumm) publicity photo 1935, her age 13


Ketu Mahadasha * age birth until age 1.1

10-Jun-1922 Earth-birth in Grand Rapids, Minnesota, USA * Ketu-Shani bhukti * Shani rules 5-entertainment + 6-ailment, drugs

Zukra Mahadasha * age 1.1 until age 21.1

Janma Sade-Sati Dhanuzya Dec-1928 until Apr-1931

1935 first cinema contract with industrial film producers (Judy's age 13) * Zukra-Guru bhukti * Guru rules 7-contracts

17-Nov-1935 (Judy's age 13) sudden death of her father * Zukra-Guru bhukti * Guru-yuti-Rahu * Guru produces effects of Rahu

1939 (her age 17) release of Wizard of Oz and (age 18) wins prize Academy Award (Oscar) * Zukra-Budha bhukti * Budha lagnesha + Budha karmesha

28-July-1941 exchange of vows in marriage-1 (age 19) = songwriter David Rose (union 1941 - 1944) * Zukra-Budha bhukti * Budha rules Kanya swamsha * gochara R-K Kanya-Meena * contact radical R-K axis

1943 (Judy's age 21) announced estrangement from Mother, who is thenceforward banned from the MGM cinema properties * Zukra-Ketu chidradasha

Surya Mahadasha * age 21.1 until age 27.1

15-Jun-1945 (JG age 23) exchange of vows in marriage-2 = cinematic producer Vincente Minnelli (marriage = 1945 - 1951) * Surya-Rahu bhukti

12-Mar-1946 celebrated the birth of child-1 Liza Minnelli * Surya-Guru bhukti

July-1947 nervous breakdown including first suicide attempt * Surya-Budha bhukti * Budha rules all key identity + performance angles

Chandra Mahadasha * age 27.1 until age 37.1

1950 end of employment with MGM studios after 15 years continuous contract * Chandra-Mangala bhukti * Kuja rules 3 + 8 identity transformation

1951 after difficulties, rebounded into successful performance events in UK-Ireland * Chandra-Rahu bhukti * Rahu-1 personality

08-Jun-1952 (JG age 30) exchange of vows in Marriage-3 with Sid Luft until 1965 * Chandra-Rahu bhukti

05-Jan-1953 Lightbody Lift-off of estranged Mother (mom's age 59, heart-attack) * -Guru bhukti * Guru-yuti-Rahu * Guru produces effects of Rahu

Mangala Mahadasha * age 37.1 until age 44.1

1962 wins five Grammy awards * Mangala-Shani bhukti * Shani rules 5-prizes, celebrity, entertainment

1963 receives a lucrative television contract, but the show is cancelled after only 26 episodes * Mangala-Budha bhukti

27-May-1964 Suicide of her eldest sibling, sister Suzy * Mangala-Ketu bhukti

14-Nov-1965 (JG age 42) exchange of vows in marriage-4 = Mark Herron until 1967 * Mangala-Zukra bhukti

Rahu Mahadasha * age 44.1 until decease age 47

15-Mar-1969 exchange of vows in marriage-5 = Mickey Devinko (Deans) until June-1969 * Rahu-Rahu swabhukti

22-June-1969 decease (barbiturate overdose, JG age 47) * Rahu-Guru bhukti * Guru maraka rules-7

Distinctive features of the Nativity



Judy Garland a.k.a. Frances Ethel Gumm with her problematic mother-manager, Ethel Milne Gumm. Matrikaraka Chandra-5 rules withdrawn, imprisoning bhava-12


Surya * pitrikaraka * jyotikaraka

  • Surya-Vrizabha * Ravaye * the noisy one, the roaring one (Ravi = firebird; Rava = howl, yell, or squawk)
  • Surya in bhava-9 * karako bhavo nashto * center of sacred teachings, intelligence for patronage, brightly preaching, focus on beliefs, philosophical entitlements, self-righteous father, eye on worldview, confident ideologue, * sparkling center of the doctrinal drama

Surya-10 receives amplifying drishti of Mangala + Guru-yuti-Rahu

Surya karaka for theatre, celebrity


Surya in bhava-9 Dad = a vaudeville entertainer who owned a local theatre = performance arts, entertainments, choreography = 9 = 5th-from-5th The entertainments included live-performance mixed with early cinema.

Chandra-Surya Tension between the parents

Surya-9 occupies 6th-from-Chandra-4-Mula, indicating a hostile, incompatible electro-magnetic emotional alliance between mother (Mula-Chandra-4) and father (Mriga-Surya-9). Garland's father was a gay man and the parents often disagreed. Surya occupies the emotionally conflicted 6th-from-Chandra while Zukra-10 social reputation rules 6th-from-Chandra

Chandra * matrikaraka * garha-karaka

  • Chandra-Dhanuzya * comforted by rhythmic catechesis of belief
  • Chandra in Mula * comforted by witnessed emptiness * protectors of the eternal root vortex, philosophical watchers, galactic pilgrims
  • Chandra in classroom-4 * digbala * comfort in routines * familiar with ruts * rates, roots, routine rituals * soothed by customary habits * needs to feel the repeating pulse of foundation-building * calmed by anchoring, stabilizing, gardening; settled into the rhythm of home-keeping and kitchens * undulating patriotism


Chandra in classroom-4 receives relationship-defining 7th drishti of entertaining, singing, dramatistic Zukra + Budha. Mom had been herself a vaudevillian performer before her daughters were born.

Mom was said to have been an intensely controlling stage-mother

Mom was involved in every detail of her underage daughter's relationship to the hiring studios. Chandra in Mula rules bhava-11 revenues +++ Chandra rules the emotionally self-transforming, often shocking, change-inducing, revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra = secrets, non-disclosure, sudden unexpected changes, new identities, transformative healing, camouflage, emergencies

According to Ms. Garland, the secret drugs which eventually destroyed Judy's health were originally supplied by her mother = Chandra takes a strong 7th drishti of Zukra ruler of 6th-from-Chandra.

Eventually, Judy gained legal adulthood and Chandra in Mula fulfilled its destiny of emotional annihilation..

Ms. Garland had a volatile relationship with her mother. It is said by observers that Judy Garland idolized and identified with her entertainer father (Surya-9) but held her mother responsible for her father's distress and premature death (Chandra-4 matrikaraka in the father-destroying 8th-from-Surya).

When Judy turned 21, her desire to throw off the yoke of maternal control became materially viable. Following a major fight about her mother's mismanagement of her contract (Ketu-7 in 4th-from-Chandra = contract), her relationship with the mother was completely severed during Zukra-Ketu chidra-dasha

Mom received no further financial support from her famously over-controlled daughter, who asserted that mom had been pilfering her earnings (Chandra rules 11) since childhood. No reconciliation occurred during the "no-contact" years 1943-1953. The alienated mother died in 1953 (mom's age 59).

Post-split from her Mother, Garland bore two additional children bring her family to a total of three kids. Yet no communication was allowed between Garland's mom-manager and the grandchildren. Additional pressure heaped upon Judy due to inability to call upon the living grandmother as a trustworthy caretaker for the grandchildren.

It is speculated that the momager may have displayed the symptoms of Borderline Personality Disorder

BPD produces a mother-figure who for psychological reasons may systematically and gradually causes significant harm to her own children, including the potential to drug them or steal their money. One method for helping families to deal with these personalities is the classic "no contact" policy. This zero-contact stratagem may have been intuitively or professionally recommended; the outcome was absolute severance Chandra in Mula emotional annihilation.


During the downward spiral that began during the nervous breakdown following the birth of her first child , without ability to be supported in early motherhood by her own mother, Ms. Garland was several times accused of irresponsible parenting due to negligence and drug use. Several times she nearly lost legal possession of her children, and effectively she was often separated from the kids by work duties and periods of personal disconnectedness.


Garland endured financial fluctuations on a dramatic scale. She occasionally earned millions in performance contracts, but paid fines for late taxes and penalties for cancelled show-dates. She died (age 47) at the beginning of an unwanted come-back singing tour that she was undertaking solely because she needed income.

MARRIAGE emotional support partnership

With a deceased father and a rejected mother, Ms. Garland -- whose childhood had been overwhelmed with adult work in cinematic drama --- married five times in pursuit of a secure family life.


Mithunaya contains Zukra-Budha = first husband was a songwriter-musician, and a friend. Although Zukra rules the emotionally conflicted 6th-from-Chandra Zukra is also located in the harmony-seeking 7th-from-Chandra. Their separation was amicable.

Kuja * bhratru-karaka * virya-karaka

Kuja rules the fashionable, physically active Chitra-Tvastri radical lagna

  • Mangala-Vrizchika * Swakshetra * vigorous pursuit of secrets * proactive exploration * push toward discovery * champion of emergency action * champion of emergency action
  • Mangala in bhava-3 * drive toward commerce, pursuit of messaging, active touring, invasive management, energized, hyperactive sibling-figures, aggressive sales and marketing, teamwork dynamics, administrative conquests

Kuja = nearly always a challenging graha for the Kanya nativity

Kuja rules 8 ++ Kuja rules 8th-from-8 = 3

Mangala in bhava-3 tends to fight with the ensemble cohort, including her sisters

Yet receives incoming drishti from disciplining, constraining Shani-1

Shani drishti provides a disciplining influence which allowed Garland's career to proceed with regular structure.

Budha * bandhava-karaka * zisya-karaka


* Bhadra Yoga

  • Budha-Mithunaya * swakshetra * business communications * articulation of specific instructions * informative pronouncements * messages about commerce * hands-on management * signaling explanatory information * detailed diagrams * talks about publication * interpretative interactions* commercial translation * hands-arms-shoulders send descriptive gestures
  • Budha in bhava-10 * narrative of leadership, governance, social order * narrative of leadership, responsibility, maintenance of the social order * explainer of governance, describer of decision-making, delivers instructions about the lawful procedures, talks about social authority, hierarchy, promotion, rank, class, status, respect, dignity, position
  • Budha-yuti-Zukra * explainer of balanced arrangements * affinity for diplomatic, parity-seeking roles expressing skills of communication, explanation, description, instruction * explainer of balanced arrangements, articulation of equity in agreements, message of justice and fairly bargained contracts; songwriting , chatty partners, talkative sister-cousin-cohort, lyricist

Budha rules career 10th-navamsha = Mithunaya containing vargottamsha Zukra

Budha rules the 10th-from-Chandra = Kanya-1

Budha rules Kanya swamsha

Budha-10 rules 1 + 10

  • identity Budha in bhava-10 receives the disciplining and restrictive 10th drishti of Shani-1 Kanya creates a heavy workload and social criticism (Kanya)

Guru * dhavakaraka * bahuta-karaka

  • Guru-Kanya * much ministry of service, many servants, many argumentations, much medication, exploitable beliefs, doctrine of humility
  • Guru in bhava-1 * dig-bala * much vitality, jolly personality, generous disposition, numerous identities, much jovial competition, many cheerful sporting activities, may signal expansive aura, tall height, or wide girth, embodiment of optimistic belief
  • Guru-yuti-Shani atta-karaka * multiple elder-figures, abundant structure, many rules, expansive hierarchies and systems, much humanistic social philosophy, large-scale responsibilities
  • Guru-yuti-Rahu mizra-karaka * multiple mix-master figures, many impostors, abundant opportunity, big ambitions, craving for expansion, seeks promotional advantage via globalist philosophy, wide scope of privilege

Guru * dhavakaraka in Bhava-1

  • Guru rules 4 = childhood home, homelife, educational foundations, security
  • Guru rules 7 = marriages

Guru-yuti-Rahu casts enormously amplifying drishti into 5-7-9

As her children (Guru) showed talent, she made them into performers, just as she had done for her family from a very young age.

Rahu-yuti-Guru * Shani-yuti-Rahu occupies career 10th-from-Chandra-4. She and her first child (Guru) daughter Liza Minnelli , performed together at popular concerts.

Blessings from the Marginalized

Guru-Kanya in the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra suggests Garland's lifelong ability to symbolize and appeal to socially marginalized, stigmatized fans in the male gay community. They formed her most loyal fan base. Their purchases of her recordings and tickets to her performances during her failing health years is often accounted as the main reason she was able to keep afloat.

Zukra * svadhu-karaka * kalatra-karaka


  • Zukra-Mithunaya * appreciation of detail, likes accessories, attracted to writers and businesspeople, balanced communications, aesthetic of handiwork, pleasures of specific explanations, enjoys correspondence and conversation, articulated messaging arrangements
  • Zukra-10 * pleasure of regulation, enjoys lawful, socially iconic, feminine-figures harmonious ability to govern and direct * pleasing designs to adorn the upper legs, knees, calves, for overall skeleton * financially visible equity, appreciation of order, legislates justice
  • Zukra-yuti-Budha * * sweetened messages * gracious explanations * singing and songwriting * articulate negotiations * talkative sister-figures * pleasant conversations * bargaining for business * sibling-cohort communicative arrangements * youthful beauty

Celebrated theatrical singer, Hollywood child-actor dramatist Her most celebrated cinematic performance occurred when she was a child-actress (Budha) Wizard of Oz Ms. Garland was reputed (10) for her musical performances

Zukra-Mithunaya occupies 10th-Navamsha = communications media, photographs, cinema

Zukra rules 2+9 = her singing sisters

Zukra rules Vrishabha-Surya in 6th-from-Chandra = Addictive, self-medicating, sweets-seeking

Zukra-Mithunaya rainbow colors. The single most well-remembered song of career of Wizard of Oz 1922-1969 entertainer Judy Garland = "Somewhere Over the Rainbow".

Marketplace Earnings Financial Patterns * Zukra rules 6th-and-11th from Chandra

  • Ms. Garland was a mega-celebrity in the entertainment world and capable of luxurious earnings but she also suffered from massive tax-debt
  • She had both substantial earnings (11th) supporting large debts (6th). Zukra in 6th-from-Chandra produced substantial self-indulgence of luxurious taste exacerbated by the mercurially instant gratification patterns of Zukra-yuti-Budha.

Zukra-10 ruling the economic earning s= emotionally associative, community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra

Creates a volatile economic cycle featuring the extremes of both dynamic earnings via debt, disagreements, and addictive behaviors (6) divorces, and despair along with bhukti periods of exceptionally high earnings from artistic performance (Zukra) and favorable contracts (Zukra). Ms. Garland famously experienced both luxurious wealth from dramatic performance profits, as well as tragic losses of anticipated income and losses due to health issues (6).

beauty, song, face * Zukra drishti to Chandra in Mula-= that charming round child's face, still perfectly recognizable many decades later.

Shani * duro-karaka * jara-karaka

  • Shani-Kanya * heavy old accusations * obliged to sustain litigious disagreements * rigidly persistent disease conditions * vital energy compression stress zone = colon + digestive tract * must materialize orderly ways to aid the injured and help the mistreated * weighty subordinate tasks * strictly imposed hierarchical conditions of enforced servitude * must work within proletarian master-slave systems * must respect slow, elder physicians and their outdated remedies * must accept the limitations of institutionalized service * insufficient pharmacy * must work with aging, dried medications * must continue to minister to the suffering despite scarce available resources
  • Shani in Bhava-1 * Structured, orderly, time-conscious personality. One must act under pressure, have to move but slowly, push forward against stiff limitations; cautious, conventional identity; tense competition, muscular fatigue, chronic impeded movement, seizures and cramps. Heavy legacy pressure against free movement. Resistance to new ideas and direct action. Resentment toward constriction of physical appearance. Support for socially-approved dutiful roles, conventionalized identity, and conduct befitting an elder.
  • Shani-yuti-Guru * resistance against expansion, elder teachers, pragmatic philosophy, limited understanding, doctrinal discipline, constrained growth, regulated beliefs
  • Shani-yuti-Rahu * resistance against ambition, formally regulated cultural mixing, disciplined thrills, class-based limitations upon privilege, socially constrained opportunism, shimmering illusion of systematic conformity, irregular achievements, over-reaching elders, restricted risks

Shani rules

  • 5 = creative or literary arts, fashion, celebrity, drama, gaming, politics.
  • 6 = addiction, divorce, conflict, ailment, broken promises, betrayal, dissatisfaction

Shani + Guru + Rahu = occupies career the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra Onerous burdens of very high public visibility become amplified by Rahu and expanded by Guru. Work schedule begins in early childhood. Public behavioral strictures must be socially approved (Shani).

Shani rogesha amplified by Rahu

She was often accused of stretching the truth or outright fabricating stories. A brilliant singer.

Work ethic

Shani in Bhava-1 - Kanya = identified with a heavy workload and social criticism (Kanya)

Marriages, husband-figures

Shani-yuti-Guru dhava-karaka + Guru-yuti-Rahu suggests that she had a multitude of husband-figures Her father and also her five husbands were generally homo-social men whose sexual-sensual-partnerships were diverse and complex with socially irregular (Rahu) behaviors yet socially regular (Shani) external professional status.

Rahu amplifies the yuvatipathi Guru * Rahu amplifying rogesha-Shani contributes to five marriages before age 46

Rahu-amplified Shani-Kanya-1 sends Shani's 10th drishti into bhava-10 visibility, high position containing Zukra-+Budha business financial contracts. . Shani's professional 10th drishti creates restrictions upon the public behavior (10th)

Shani in Bhava-1 + Shani-yuti-Guru + Shani-yuti-Rahu = 10th-from-Chandra

Despite her mature career in cabaret singing and thousands of adults-only nightclub performances, Judy Garland was forever characterized by her familiar 10th-from-Chandra image . The popular audience saw her forever as homespun character Dorothy Gale, the Midwest farm girl.

Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Kanya * shimmering illusion of humility * craving for crime * mask of exploitation * ambitious medications * intriguing addictions * mirage of humble service ministry * fascinating injuries * over-reaching logic of injustice * amazing illnesses * extraordinary arguments * seeks special importance via apparent (but perhaps not authentic) attributes of medical skill, shrewd management of conflict and war, divorce remediation, accusatory litigation, victim-roles
  • Rahu in bhava-1 * passion for vitality * in swabhava of Competitive Kuja, the Shadowy Specter seeks privilege via glamorous, exotic, or mesmerizing physical visage, extraordinary athletic movement. Smoky, oily aura. Craves an exceptional appearance, exhilarating energy, thrilling champion of non-standard lifestyles. Seeks social mobility via vital, dynamic muscularity. Exciting personality. Challenges the norms with innovative behavior. Unusual combination of identities. Embodiment of socio-cultural mixing. Seeks opportunity via ability to cross customary boundaries. Double agent, representing two or more groups. Over-reaching characteristics. Stirring ambition. Trespasses the conventional dividing cultural boundaries. Remarkable conditions of birth. A fascinating figure.. May represent a cult of personality.
  • Guru-yuti-Rahu* amplified generosity, magnified diversity, exotic beliefs, tricky teachings, opportunistic guides, fascinating (but perhaps illusory) appearance of inspired, high philosophy, hypnotic preaching, expansive worldview includes cross-cultural mixing
  • Shani-yuti-Rahu * amplified orderliness, magnified systematics, exotic rules, tricky regulations, opportunistic elders, fascinating (but perhaps illusory) appearance of strictly lawful structures

Rahu + Shani + Guru in bhava-1 personality, physical body = occupies the emotionally motivated career-directing 10th-from-Chandra. Tremendously well-known American audience-recognizable appearance for many decades.

Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Meena * dissociates from Otherworldly understanding, incomplete clairsentience, empty dreams, dissolute guidance, not limited by cetacean culture, ignores restriction on intuition, disarrayed wisdom, applies symbolic understanding to the misty abyss
  • Ketu in classroom-7 * ambivalent toward agreements, absentee spouse, disregards contractual loyalties, disinterested in negotiations, wanders from the middle-balance, dissolves the alliances, irrelevance of equity and partnership. One abandons the usual covenants, ignores the conventional bargains, delivers incoherent promises.

Ketu in classroom-7 receiving drishti of ruler-Guru + Shani + Rahu == produces a remarkable cycle of "try again" marriages

Ketu located in the defensive, culturally-rooted, routine-loving, patriotic, nationalistic, comfort-seeking, home-loving, foundational, property-owning 4th-from-Chandra exacerbates a feeling of rootlessness and unbelonging and adds to a disconnection from the childhood, from the mother, and from the cultural foundations

4th-from-4th = severed connection to Mother

By Ms. Garland's telling, young Judy was tightly controlled by her stage-manager mother. In Zukra-Ketu bhukti, after a big fight when Judy turned 21, mom was cut-off forevermore via an irrevocable no-contact (Ketu) decision. Despite having three of her own children, young Ms. Garland never spoke to her mother again, and the children grew up sans relationship to their maternal grandmother.


From The Wizard of Oz, 1936 -- characters Dorothy Gale and the Wicked Witch of the West


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