COHORT born 1 year after
born 10 months after
born 2 months after
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Theatrical singer Television host Hollywood cinema child-celebrity famed child role in The Wizard of Oz a.k.a. Frances Ethel Gumm Earth-birth Saturday-10-Jun-1922 dematerialization 22-Jun-1969 [age 47] |
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cinema dramatist + singer 1922-1969 Judy Garland born as Frances Ethel Gumm birth data from https://en.wikipedia.org/wiki/Judy_Garland
tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Feminine Public-Figure Examples Bhaga = Falgun = Utthram BPL COMMENTARY For Uttaraphalguni births of a feminine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome. For those born into the Surya-ruled paradigm of Uttora, father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential. Instructional guidance provided by emissaries from the civilizations of Denebola. Their purpose to brighten and glorify the divine intelligence through spectacular creativity. Brilliantly dramatic Uttara-phalguni women are famously confident and willful. Monarchic entitlement pairs with aristocratic service via noblesse oblige . While much depends upon the characteristics of sparkling nakshatra-pati Surya, the feminine Falgun is often found in bright environments of royalty, celebrity, theatre, creative arts, amusements, and games. Uttaraphalguni ladies radiate a profound love for living creatures, both wild and domestic. On behalf of the animal kingdom and its denizens, the women of Aryaman may undertake political activism. As righteous (and self-righteous) human mistresses of the animal world , their political style may include fiery displays of romantic idealism. They may collect animals. [Simha - Leya] pada-1 features charismatic centrality and stage presence, focused into the physical embodiment. Pada-1 must hold the center of attention, whether in celebrity politics, entertainment and fashion, dramatic acting, or all three. Typically, one attracts an elder husband along with many romances. Kanya Pada 2-3-4 = equally dazzling, idealistic, smart, and flamboyant, but more focused upon expressing the genius of the imagination. Often a splendid dramatist and performing musician due to nakshatra-pati Surya. Typically, one attracts a generous husband. |
QUOTATION Aryaman from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 95 " A joyous healthy disposition yet quietly so.
She is born to a family with social background and loves to mingle with her friends in various social activities
She has fixed principles from which she will not deviate. She prefers to choose her friends
She is efficient and adept at managing her home and her domestic life." [end quote] Judy Garland in 1941 [age 19] |
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Judy Garland [a.k.a. Ethel Gumm] publicity photo 1935, her age 13 |
Judy Garland a.k.a. Frances Ethel Gumm with her problematic mother-manager, Ethel Milne Gumm. Matrikaraka Chandra-5 rules withdrawn, imprisoning bhava-12 |
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From The Wizard of Oz, 1936 characters Dorothy Gale and the Wicked Witch of the West |
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Biographical data matched to Vimshottari Dasha timeline
[Ketu Mahadasha] [age birth until age 5] Sat-10-Jun-1922 Earth-birth in Grand Rapids, Minnesota, USA * Ketu-Shani bhukti [Shukra Mahadasha] [age 5 until age 25] Dec-1928 until Apr-1931 Janma Sade-Sati Dhanus
1935 [JG age 13] first cinema contract with industrial film producers * Shukra-Guru bhukti * Guru rules 7-contracts 17-Nov-1935 [JG age 13] grieved sudden death of her burlesque-theatre operator father * Shukra-Guru bhukti * Guru-yuti-Rahu 1939 [JG age 17] JG's legendary dramatic performance in Wizard of Oz wins Academy Award [Oscar] * Shukra-Shani bhukti * Shani-1 rules 5-celebrity prize glittery-ceremonies 28-Jul-1941 [JG age 19] [DR age 31] consecration of marriage-1-of-5 with television music composer, orchestra leader, award-winning songwriter David Rose [Rosenberg] [separated after 8 months, legal union 1941 - 1944] * Shukra-Budha bhukti * [Shukra-yuti-Budha] ++ gochara R-K Kanya-Meena contact R-K axis 1943 [JG age 21] Pregnancy from JG's romantic affair with the heart-throb actor, Tyrone Power. The studio bosses, and her mother, demand an abortion * Shukra-Ketu chidradasha 1943 [JG age 21] announced estrangement from her manager-mother. Thenceforward, mom is banned from the MGM cinema properties * Shukra-Ketu chidradasha * Ketu banishment [Surya Mahadasha] [age 21.8 until age 27.8] April-1944 [JG age 22] Joins the Committee for the First Amendment which promoted the cause of civil liberties for entertainers being blacklisted for their political beliefs. Using her prestige to publicly support American racial equality, JG formally escorts a Black military General to a ceremony in his honor. * Surya-Surya svabhukti * Surya politics 15-Jun-1945 [JG age 23] consecration of marriage-2-of-5 = set designer and cinematic producer, Vincente Minnelli [union = 1945 - 1951] Their child, Liza Minnelli, became a celebrated cabaret entertainer. * Surya-Rahu bhukti ++ gochara R-K Karkata-Makara contact Makara svamsha https://en.wikipedia.org/wiki/Vincente_Minnelli 12-Mar-1946 [JG age 24] celebrated the birth of child-1, singer-dramatist Liza Minnelli * Surya-Rahu bhukti Jul-1947 [JG age 25] Amid Vincente Minnelli's dalliances with other men, along with growing alcoholism with self-medicating drugs, JG suffered a nervous breakdown including first suicide attempt * Surya-Shani bhukti * Shani rogesha, self-blame, BPD symptoms 10-May-1949 [JG age 26] fired for no-show on the current theatrical set, but retains the cinema-studio contract * Surya-Ketu bhukti * Ketu severance [Chandra Mahadasha] [age 27/8 until age 37.8] 1950 [JG age 27] following 15 years continuous contract renewal, and 30 films with MGM studios, JG is fired from MGM studios entirely, due to behavioral issues * Chandra-Chandra svabhukti * Chandra rules 12-dissolution of tangible identity 1951 [JG age 29] after financial and personal difficulties, rebounded into successful performance events in UK-Ireland * Chandra-Mangala bhukti * yogakaraka Mangala rules 5-performance + 10-reputation, respect 08-Jun-1952 [JG age 30] consecration of marriage-3-of-5 with entertainment impresario/conman, Sid Luft [until 1965] Two children. * Chandra-Rahu bhukti ++ gochara R-K Karkata-Makara contact Makara svamsha 05-Jan-1953 [JG age 31] [mom age 59 ] grieved the decease of estranged Mother , via heart-attack * Chandra-Rahu bhukti Feb-1958 until Feb-1961 Janma Sade-Sati Dhanus
[Mangala Mahadasha] [age 37 until age 44] 1962 [JG age 40] wins five Grammy awards, honoring her creative excellence in the music industry * Mangala-Shani bhukti * Shani-1 rules 5-ceremony, prizes, celebrity 1963 [JG age 41] receives a lucrative television variety-show contract which was expected to clear her financial debt. Show cancelled after only 26 episodes [one season]. Saddled with embezzling managers, JG remains in poor health and financial distress * Mangala-Shani bhukti * Shani-1 rogesha broken contracts, debt, embezzlement 27-May-1964 [JG age 42] grieved the decease of her eldest sibling, sister Suzy, via suicide * Mangala-Budha bhukti 14-Nov-1965 [JG age 43] Wedding-4-of-5 with contract-broker, middleman Mark Herron [until 1967] [partner in relationship with another man, marriage not consummated] * Mangala-Shukra bhukti ++ gochara R-K Urisha-Vrischika contact navamsha-Shukra-Urisha [Rahu Mahadasha] [age 44 until decease age 47]
15-Mar-1969 [JG age 47] wedding-5-of-5 with music-club manager Mickey Devinko [Deans]. The union endured for three months, ending with JG's drug-overdose death, Jun-1969 * Rahu-Rahu svabhukti ++ gochara R-K Meena-Kanya contact R-K axis 22-Jun-1969 [JG age 47] blessed liberation from the Earthen-body, via fatal barbiturate overdose * Rahu-Rahu svabhukti |
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Distinctive features of the Nativity
[Sparkling Splendid Surya] pitri-karaka [father] jyoti-karaka [light] [retreating-contemplative vyaya-pati for Kanya indriya-lagna] [karako bhavo nashto for father, patrons, chieftains, indoctrinators] [righteously radiates private philosophical certainty] [enriched patrons develop the imaginative intelligence] [may luxuriously dramatize the dreamlike inner understanding] [celebrated artistic performance may be drained by private feelings ] [uniquely sensuous patriarchal guides have clandestine behaviors] [financial politics of unseen entitlements or foreign banking] [may travel to distant lands for musical-theatrical performance] [knowledgable choice-making of symbolic sound-color values] [confidently displays intuitive musical creativity] [father-figure may be a politician, entertainer, philosopher, preacher, professor of historical theory] ... [dramatizing-demonstrating Mriga-1] [navamsha Surya-Simha] intuitively displaying sparkling center-stage entertaining confidence
OUTCOMES - SURYA self-reflexively sermonizing, brightly philosophical, charmingly self-righteous, regal style of pontificating, doctrinally focused, radiantly patriarchal, politically ideological, splendidly patronizing, center-stage religious guide [Surya in bhava-9] rules
CAREER - SURYA Surya rules Uttaraphalguni Svamsha Theatrical singer, Hollywood child-actor dramatist Her most celebrated cinematic performance included the legendary songs from Wizard of Oz - a performance pinnacle reached at her age 16. [Surya in bhava-9] drishti incoming
Surya karaka for theatre, celebrity FATHER pitrikaraka [Surya in bhava-9] occupies [6th-from-Chandra] . Surya-Simha occupies the mysterious, impenetrably secretive 8th-Navamsha Dad = a vaudeville entertainer who owned a local theatre [Surya in bhava-9] The entertainments included live-performance music and dance [Urisha] mixed with early cinema. Tension between the parents JG attested that she adored her father Garland's father was a gay man and the father of the three Singing Gumm Sisters. However, the 6/8 angle between Surya-Chandra = a hostile, incompatible electro-magnetic emotional alliance between mother [Mūla- Chandra-4] and father [Mriga-Surya-9] . The parents often disagreed about money [Urisha]. They also argued about his entitlement to conduct a self-determined sexual lifestyle [Surya]. [Comfortable Caretaking Chandra] matrikaraka [mother] * garha-karaka [village] [svabhava] [dikbala] [friendly-gainful vriddhi-pati for Kanya indriya-lagna] [comforted by stable habitual preaching-and-teaching] [culturally sensitive to familiar rhythms of devotional understanding] [needs to sense the ancient pulse of inspirational flow] [protector of the ancestral sacred community pathways] [emotionally aligned to guidance routines] [environmentalist feelings attuned to fiery uplifting deva] [anchoring mother may be a believing schoolteacher, householder, local wisewoman ] ... [cinema-scripts Mūla-3] [navamsha Chandra in Mithuna] intuitively sensitive explanatory description
OUTCOMES - CHANDRA sensitively parental, protecting the ancient ways, routinely stabilizing, sustaining the household, rhythmically seasonal, naeeds a garden,predictable habits, culturally situated, customary guardian, emotionally caretaking, naeeds to defend the security of the vulnerable [Chandra in classroom-4] rules
CAREER-CHANDRA
CHILDHOOD [Chandra in classroom-4] receives relationship-defining 7th drishti of entertaining, singing, dramatic Shukra + Budha. Chandra-Mūla [4] rules 11, so that childhood [4] and the basic rhythmic narratives of cultural routine [4] become sources of earnings for the parents [4] Mom was involved in every detail of her underage daughter JG's relationship to the hiring studios. Chandra-Vichruta rules bhava-11 revenues, income. Mom was focused on profits. MOTHER = momager Mom had worked as a vaudevillian performer before her daughters were born. Mom was said to have been a strict and controlling stage-mother [Mula] Guru-1 bandhesha occupies the Kanya-indriya-lagna with Rahu-and-Shani. This challenging cluster combines the rulers of 4 + 5 + 6 + 7 with over-reaching Rahu The result was the Mom-ager's exceptionally [Rahu] intense, difficult, cloyingly close, punitively regulating, and over-reaching relationship to her super-talented cash-cow daughter, JG. Chandra-Mula-4 enjoys all the benefits of a dik-bala Soma such as a present, supportive, sheltering, meal-provisioning mom. Some children suffer from being ignored, from parental negligence. However, this relationship had the opposite dysfunction = total control, mental manipulation, micro-management of the meals, and dehumanizing [Shani rogesha] belittlement of JG's physical appearance. The emotional character of this mother was - according to JG - so a-moral and devious [Mula] that JG had to break their toxic-yet-protective bond in order to gain her human freedom. Secrecy - financial and medical - 8th-from-Chandra Chandra-Mula-4 activates Karkata-11 = the emotionally self-transforming, often shocking, change-inducing, revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra = secrets, non-disclosure, sudden unexpected changes, evolving identities, transformative healing, camouflage, emergencies
Eventually, Judy gained legal adulthood and Chandra- Vichruta fulfilled its destiny of emotional annihilation.
Biographers comment that Judy Garland idolized and identified with her entertainer father [Surya-9 rules 12, imagination]
When Judy turned 21, her desire to throw off the dehumanizing structure of maternal control [Mūla] became legally viable.
Mom had been long accustomed to a confortable personal budget, even through the Depression, funded by JG's work. But following the end of the Ketu chidradasha at JG's age 22, Mom was cut-off [Ketu] from all further contact and all further monies.
Post-split from her Mother, JG had three kids. Mom had no contact with the grandchildren. No reconciliation whatsoever occurred during the no-contact years 1943-1953. The alienated mother died of heart-failure in 1953 [mom's age 59] . Like JG, her mom displayed symptoms of Borderline Personality Disorder https://en.wikipedia.org/wiki/Borderline_personality_disorder
JG PARENTING CHALLENGES Mula-Chandra4 rules 8th-from-Chandra The same planetary pressures which afflict JG's relationship to her mother, also afflict her troubles as the parent of her three children. In 1946 during Surya-Rahu bhukti - following the birth of her first child, JG began a downward spiral into a pattern of drug misuse and nervous breakdown Despite her sparkling cinema stardom, JG was accused of parental negligence. She nearly lost legal custody of her children on several occasions, and was prevented from undue contact with two of the three. MARRIAGES partnership emotional equity support expectations Husband-figures five marriages before age 46 Rahu amplifies the yuvati-pati Guru ++ Rahu exaggerates rogesha-Shani Following a childhood that had been overwhelmed by the rigors of 12-hour adult workdays in the studio system, abandonment via death by her father, and fierce rejection of her manipulative-punitive mother, JG married five times in pursuit of stability. Shani-yuti-Guru dhava-karaka + [Hasta-Guru-yuti-Rahu-Hasta] suggests that JG had a multitude of husbandly-companions, all of whom were complex and contradictory individuals. Her father and also her five husbands were generally homo-social men - i.e., men who aesthetically and physically prefer the company of other men https://en.wikipedia.org/wiki/Homosociality The sexual-sensual-partnerships of the men in her life were diverse, volatile, and socially irregular [Rahu] Yet social regulator Shani signals their laboring, argumentative, externally normalized professional status. [7th-from-Chandra-4] = lifepartnership-1-of-5 https://en.wikipedia.org/wiki/David_Rose_%28songwriter%29 [JG age 19] [DS age 31] marriage-1-of-5 with Emmy-winning radio-and-television music composer, orchestra leader, award-winning songwriter David Rose [Rosenberg] [union 1941 - 1944] JG was DR's wife 2-of-3.
Although Shukra activates the emotionally conflicted [6th-from-Chandra] Shukra is also located in the harmony-seeking 7th-from-Chandra. DS was 12 years her elder [he 31 and she 19 at time of marriage]. After the banishment of her mother, JG appreciated his parental support and professionalism [10]. The relationship ended eight months after the wedding. Following their amicable divorce, the pair maintained a cordial industry friendship. 2nd-from [7th-from-Chandra-4] = lifepartnership-2-of-5 https://en.wikipedia.org/wiki/Vincente_Minnelli
[1945 - 1951] [JG age 23] marriage-2-of-5 with prize-winning musician, costume designer, stage and cinematic producer, Vincente Minnelli.
Like JG's father, VM was a bisexual man who had a broad social network interlinking many liaisons.
9th-from [7th-from-Chandra-4] = lifepartnership-3-of-5 https://en.wikipedia.org/wiki/Sidney_Luft
[JG age 30] marriage-3-of-5 with Sid Luft [1952-1965] an entertainment impresario
Like JG, Luft was married five times. At the end of their nine-year union which produced two kids, JG suffered severe mood disorder and financial collapse.
4th-from [7th-from-Chandra-4] = lifepartnership-4-of-5 https://en.wikipedia.org/wiki/Mark_Herron
[JG age 43] Wedding-4-of-5 with actor, middleman, contract-broker, Mark Herron.
11th-from [7th-from-Chandra-4] = lifepartnership-5-of-5 https://en.wikipedia.org/wiki/Mickey_Deans
Mar-1969, wedding-5-of-5 with discoteque manager and drug-dealer, Mickey Devinko [Deans].
[Competitive Champion Kuja] bhratru-karaka [brother] virya-karaka [virile] [svakshetra] [collaborative-communicative sahaja-pati for Kanya indriya-lagna] [mysterious-discovering randhresha for Kanya indriya-lagna] ... [friendly-profitable Jyeṣṭha-3] [navamsha Mangala-Kumbha]] intuitively forward-pushing security-seeking [4] pursuing-profitability networking competition
OUTCOMES - MANGALA promotionally communicative, engineer of scripted explanations, energetically instructional, administratively pushy, forcefully broadcasting, muscularly managing, driven to document, producer of media-messaging, maker of meetings, pro-actively publishing, aggressively announcing [Mangala in bhava-3] rules
CAREER - MANGALA communications media, photographs, cinema [3] kinetic energy, performance vitality, innovation, competition, championship, embodiment Career-wise, Kuja = a powerfully energetic yogakaraka as intolerable as JG eventually may have found her mother to be, the parents [4] built the foundation [4] for JG's career Mangala-Vṛścika receives incoming drishti from disciplining, constraining Shani-2 Shani drishti provides a disciplining influence which allowed Garland's career to proceed with regular structure, even during times of severe personal distress [Mula Chandra] [Busy Bantering Budha] jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student]
[svakshetra] [Bhadra Yoga] [bargaining-balancing jaya-pati for Meena indriya-lagna] [homebound-anchoring bandhesha for Meena indriya-lagna] ... ... [optimistic-philosophical Arudra-1] [navamsha Budha-Dhanus] [Arudra-Budha-yuti-Shukra-Puna]
OUTCOMES- BUDHA talkatively authoritative, recognizable in media advertising, verbally commanding, skillfully describes regulation, governance by collaboration [Budha in bhava-10] rules
CAREER - BUDHA BUDHA-lagnesha IDENTITY After her cinema career ended, JG survived as a professional entertainer by singing [Shukra] mainly in burlesque nightclubs and sometimes larger venues. Her volatile, yearning, waiflike persona [lagnesha adolescent Budha] attracted a cult following of gay men. These loyal fans crowded into her sold-out performances, bought her musical recordings, and accepted her frequent cancellations as a fact of her tragic life [mutual drishti Chandra-Mūla with Budha-Shukra] [also Rahu-1] Once fabulously popular and a highly "bankable" asset for the Studio corporations, JG's cinema celebrity era had peaked by the age of 24. She suffered a perilous decline into drugs-and-alcohol addiction punctuated by suicide attempts and a merry-go-round of marriages. Indeed, these marginalized men saved her career [Kanya marginalization]. Without this specific fandom audience [Budha audience, the message] JG's professional singing career would likely have collapsed completely. Yet due to their appreciative [Shukra] purchasing of tickets and recordings [Budha] JG was able to continue a schedule of musical performance touring until her untimely death age 47. touring performance cinema, recordings Budha activates the 10th-from-Chandra = Kanya-2 voice-face-song [Shukra-yuti-Budha] combines 1 + 2 + 9 + 10.
[Generous Growing Guru] dhava-karaka [husband] bahuta-karaka [variety] [dikbala] [kendra-adhipati-dosha] [homebound-anchoring bandesha for Kanya indriya-lagna] [bargaining-balancing yuvati-pati for Kanya indriya-lagna] [multiple ministering personality attributes] [embodiment of logical philosophical beliefs] [identified with an analytical credenda] [iconic personification of service-oriented worldview] [personality exemplifies working-class ideology] [paragon of laboring cheerfulness] [preacher-and-teacher may symbolize the wisdom of remediation strategies] [expansive bargaining skills with a personalized understanding of relationship imbalances] [often a benefactor to the local folk] [Guru-1 rules 4+7 = customary convictions with optimistic partnerships] [In a wifely nativity, may be identified with the beliefs of a deal-making, property-securing husband] ... [musical-financial Hasta-2] [navamsha Guru-Urisha] [Hasta-Guru-yuti-Shani-Aryaman] [Hasta-Guru-yuti-Rahu-Hasta]
OUTCOMES - GURU expansively active, abundantly energized, jovial competitor, multiple identities, naumerous offspring, optimistic innovator, generous grower of children-partnerships-worldview, broad-scope of embodied inspiration [Guru in bhava-1] rules
CAREER - BRIHASPATI dhavakarakaa in Bhava-1 = tangibly identified with husband[s]
Guru-yuti-Rahu casts enormously amplifying drishti into 6-8-10 CHILDREn As JG's birth family had done to her, when JG's very young children [Guru] showed talent, she made them into performers
Rahu-yuti-Guru [Shani-yuti-Rahu] occupies [folk reputation 10th-from-Chandra-5. JG and her first child, daughter Liza Minnelli , performed together at popular concerts. Blessings from the Marginalized Guru-Kanya occupying the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandraa suggests Garland's lifelong ability to symbolize and appeal to socially marginalized, stigmatized fans in the 1950's-and-1960's Euro-American male gay community.
[Sweetly Suave Shukra] svadu-karaka [sweet] kalatra-karaka [wifely companion] [conserving-acquiring dhana-pati for Kanya indriya-lagna ] [philosophical-doctrinal dharmesha for Kanya indriya-lagna ] [dignified gracious conversational diplomacy] [enjoys talking about governance topics] [public policy discussions seek balanced agreement] [smoothly gestures in the normal style] [standardized contractual finance] [reputation for music, finance, art, feminine relationships] [courteously explains hierarchical arrangements] [state-room environments nicely decorated] [taste for elegantly structural process] [pleasantly communicative knowledgable family] [womenfolk may have representational messaging seniority] [feminine partners have respected professional position] ... [scripting-touring Punarvasu-3] [navamsha Shukra-Mithuna]] cinema, radio, ensemble performance, commerce, touring, schedules, management [Puna-Shukra-yuti-Budha-Arudra] [Atmakaraka music, arrangements, marriage, contracts]
OUTCOMES - SHUKRA recognized for pleasantly sensual qualities, enjoys elite social position, harmoniously hierarchical, aesthetic of institutional decision-making, public finance, prefers a luxurious profession, musical-artistic leadership roles, appreciates having a respected rank [Shukra-10] rules
CAREER - SHUKRA [Shukra-yuti-Budha] combines 1 + 2 + 9 + 10. = her professional singing sisters Shukra activates Urisha-3 = the emotionally conflicted [6th-from-Chandra] , suggesting that no matter the social-creative success, her career was experienced as servitutude
Suave Shukra activates Urisha-Surya in [6th-from-Chandra] = Addictive, self-medicating, sweets-seeking Shukra-Mithunarainbow colors.
Marketplace Earnings Financial Patterns Shukra activates 6th-and-11th from Chandra JG had both substantial earnings [11th] supporting large debts [6th] .
[Shukra-Mithuna] ruling community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra Added to the financial contradictions in bhava-2, shukra creates a volatile economic cycle featuring the extremes of both dynamic earnings
[Sober Structural Shani] duro-karaka [endurance] * jara-karaka [Jahre, years] [inimical-medicating rogesha for Kanya indriya-lagna] [creative-gaming vidya-pati for Kanya indriya-lagna] [strict rules for approved action] [obligation to make formal movements] [identified with intractable conflicts] [unbalanced social pressure upon physical appearance] [self-discipline applied to disagreeable tasks] [chronic personality disorder] ... [fantasizing-conceptual Uttaraphalgunī-4] [navamsha Shani-Meena] [Aryaman-Shani-yuti-Guru-Hasta] [Aryaman-Shani-yuti-Rahu-Hasta]
OUTCOMES - SHANI dutifully earth-embodied, identified as a diligent worker, responsibly innovative, mature appearance, must regulate the physical attributes, structured style of movement, slowed vitality, burdensome required maintenance the incarnate form [Shani in Bhava-1] rules
CAREER - SHANI rogesha Shani conformism, social-regulation = amplified by Rahu + Guru
Shani + Guru + Rahu = occupies career the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra Onerous burdens of very high public visibility become amplified by Rahu and expanded by Guru. Work schedule begins in early childhood. Public behavioral strictures must be socially approved [Shani]. Work ethic [Shani in Bhava-1]- Kanya = identified with heavy workload, responsibility which exceeds authority, social criticism [Kanya] Rahu-amplified [Shani in Bhava-1] sends Shani's 10th drishti into bhava-10 public reputation containing Shukra-+Budha business financial contracts. . Shani's professional 10th drishti creates punitive restrictions upon the social behavior 10th-from-Chandra = familiar face of humility, simplicity, few-resources Rahu's Hasta illusion [Shani in Bhava-1-Uttaraphalguni] + [Shani-yuti-Guru-Hasta] + [Shani-yuti-Rahu-Hasta]
Sentimental popular audiences saw her forever as homespun character Dorothy Gale, the Midwest farm girl. [Risk-rewarding Rahu] rajyalobha-karaka [ambition] picchala-karaka [slippery] [for Kanya indriya-lagna] [Rahu-1 casts passionately unique individualizing drishti into 5-7-9] check Budha for defining source of Rahu's apparently logical, articulate argumentation [entrancing cult of ministering-complaining personality] [identified with prestige of service, medication, argument, divorce] [vital embodiment of fascinating imbalances] [potential for fraudulently or fabulously exaggerated accusations, in matters of physicality, embodiment, innovation, style of movement, athletic prowess, vitality, unique identity, personality integrity, or conditions of birth] ... [competitive-initiating Hasta-1] [navamsha Rahu-Mesha] [Hasta-Rahu-yuti-Guru-Hasta] [Hasta-Rahu-yuti-Shani-Aryaman]
OUTCOMES - RAHU Rahu + Shani + Guru in bhava-1 personality, physical body = occupies the emotionally motivated career-directing 10th-from-Chandra. Tremendously well-known American audience-recognizable appearance for many decades. Shani rogesha amplified by Rahu-2 fascinating voice
physique, tangible identity, appearance = instantly recognizable cinema-star [Rahu in bhava-1] + [Rahu-yuti-Guru] + [Rahu-yuti-Shani] JG endured physical-body fluctuations [1] on a Rahu-amplified, Guru-expanded scale.
[Collapsing unshackling Ketu] kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum] [for Kanya indriya-lagna] check Guru for the source of Ketu's ghostly, dreamlike imagery [absence, disappointment, disorientation within quiet, fantasizing relationships] [dispersed engagement with contemplative partnership] [dissolution of visionary advocacies] [surrenders dreamlike alliances] [forgives broken conceptual promises] [abandons unsustainable private guidance arrangements] [disregards bedroom agreements] [eccentric imaginative deals] [passively fixated on ambitiously ministering-assisting Rahu in Partha-1 fabulous physical embodiment] rewarding partner-advisers] ................. [arranging-adjusting Andromeda-3] [navamsha Ketu-Tula]
OUTCOMES - KETU [Ketu in classroom-7] receiving drishti of ruler-Guru + Shani + Rahu Ketu located in the defensive, culturally-rooted, seasonal-calendar, routinized, patriotic, ethno-nationalistic, comfort-seeking, home-loving, foundational, property-owning [4th-from-Chandra]
4th-from-4th = severed connection to Mother According to interviews, young Judy was tightly controlled by her stage-manager mother. In Shukra-Ketu bhukti, after a big fight when Judy turned 21, mom was cut-off forevermore via an irrevocable no-contact [Ketu] decision. Despite having three of her own children, young Ms. Garland never spoke to her mother again, and the children grew up sans relationship to their maternal grandmother. |
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24-Mar-2024
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May all beings venerate life as a state of deep spiritual intimacy. |