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Drama and Song

Writers


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born 13 days before

born 2 months before

  • Purple Rain 1958-2016 Prince

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Madonna Louise Ciccone (born 1958) in 1983 (MLC age 25)

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Madonna Louise Ciccone (born 1958) in 2017 (MLC age 59)


Entertainer * Actress * Dancer * Singer

Cinema Director * Music Producer

Writer * Choreographer

Clothing Designer * Hatha Yogini

Philanthropist for International Children's Causes

Madonna

a.k.a. Louise Ciccone

Earthbody-Entry Saturday-16-Aug-1958

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celebrity entertainer, writer, producer, dramatist * 1958- * Madonna * Louise Ciccone

birth data from https://en.wikipedia.org/wiki/Madonna_(entertainer)* tentatively rectified by BP Lama

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Feminine Nativities

Arudra-Orion * Trinetra


BPL commentary

For Arudra-Orion births of a feminine valence, the disposition of mesmerizing, hypnotic, shadowy, exciting, passionate, ambitious, opportunistic, privilege-seeking Professor Rahu may considerably affect the outcome.

For those born into the Rahu-ruled paradigm of Rudhira, exotics, ethnic mixers, opportunists, fascinators, mesmerizers, privilege-seekers, impostors, rogues, intensifiers of passion and desire, self-proclaimers, self-promoters, agents-provocateur, charlatans, masters of smoke and oils, and entrancingly ambitious persons may be especially influential.

Instructional guidance is provided by emissaries from Orion. Their purpose is to communicate the passionate animal vitality via stormy, turbulent, swaying, exciting gesture and signal.


Passionately Communicative

Rahu-ruled Arudra-Orion ladies have stormy temperament. They may be considered capricious, inconsistent, and demanding. Often they are found in sensuous, writhing, twisting, fascinating roles. Mesmerizing dancers, they use the communicative signaling of hands, shoulders, legs, hips, and pelvic thrust to great advantage.

Depending upon Arudra-Orion's social environment, their seductive appeal may express as private or public When professionalized, Tiruvaatira-born may be stage performers of high excellence, who send waves of desire (Rahu) through an audience numbering one or one-million.

Rahu-ruled Arudra-Orion displays the animal intensity of the storm. Arudra women often are blessed with the capacity to regenerate their physical vitality and recreate their persona.

Arudra-Orion women are often the diva type who are sensuously clever (Rahu) verbally quick, and impatient with those who are less communicatively responsive. Thiruvaathira-born may be gifted in handcraft, commerce, painting, descriptive writing, evocative song-writing, and the arts of seductive imagery such as photography, costume, and arts-of-style (Budha).

Themes of stimulating signal patterns, passionate messaging, volatility, intense cycles of attraction-and-repulsion, and stormy outbursts may contextualize Arudra-Orion's terrestrial experience. Applies also to Chandra in Arudra-Orion.

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra, p 93.


"A critical fault-finding disposition is apparently conferred ...

Her disagreeable disposition,

coupled with a sarcastic manner and speech,

  • makes it difficult for other people to tolerate her.

Although she is extremely clever in her conversation

and many people will be impressed by her speech,

  • while still disliking her.

She is extravagant to the point of wastefulness,

  • but on herself rather than on others,

  • although at times she will be grudgingly generous

  • to those with whom she comes in contact.

She has weak lungs and should be careful of colds and coughs,

  • as there is a tendency towards tuberculosis."


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Biographical details matched to the Vimshottari Dasha
  • Material Girl 1958- dance song cinema Madonna


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Zukra Mahadasha * age birth until age 17.7

16-Aug-1958 Earth-birth in Bay City, Michigan, USA * Zukra-Zukra swabhukti

01-Dec-1963 (LC age 6) grieved the decease of mother via breast cancer * Zukra-Rahu bhukti


Surya Mahadasha * age 17.7 until age 23.7

1977 starts college on a dance scholarship, at the University of Michigan * Surya-Rahu bhukti ++ Sade-Sati

1978 quit college, moved to New York City in pursuit of artistic opportunity + recognition * Surya-Guru bhukti * Guru rules 7 + 10 career ++ Sade-Sati


Chandra Mahadasha * age 23.7 until age 33.7

Oct-1982 (MLC age 24) first record released, along other recordings in 1983, become dance-club hit music, begin solo musical performance career * Chandra-Chandra swabhukti ++ Chandra-3 parivartamsha Surya-2 * Chandra rules 2-singing

Nov-1984 global Anglosphere hit recordings, Like A Virgin + Material Girl. MLC is recognized by friends and foes as a generational fashion icon * Chandra-Rahu bhukti * Rahu in bhava-5 entertainment

1985 begin cinema career * * Chandra-Rahu bhukti * Rahu in bhava-5 entertainment * Guru-yuti-Rahu

16-Aug-1985 exchange of vows in marriage-1 with dramatist Sean Penn (MLC age 27) * Chandra-Guru bhukti * Guru rules Dhanuzya swamsha * samchara Rahu-Ketu via Mesha-Thula contact radical R-K

Jan-1989 controversial advertising campaign + another global hit song Like A Prayer. Audiences either adored the imagery or fought to have it banned for obscenity. * Chandra-Budha bhukti * Budha lagnesha

Nov-1990 (MLC age 32) release of the Immaculate Collection, popular but controversial music videos, and a best-selling large-format photography book entitled Sex. Increasingly polarized opposition to her artistic work from conservative morality groups is matched with ever-increasing product sales + socially measured influence with women and girls * Chandra-Zukra bhukti


Mangala Mahadasha * age 33.7 until age 40.7

1996 intensive dramatic work on the film Evita + its accompanying musical recordings produces praise and awards * Mangala-Budha bhukti * Budha lagnesha

19-Oct-1996 celebrated the birth of child-1 Lourdes Leon * Mangala-Budha bhukti * Budha lagnesha

1997 begin involvement with the Los Angeles faith community "Kabbalah" * Mangala-Zukra * Zukra rules 12-meditation, prayer

1998 recording Ray of Light receives awards and accolades * Mangala-Zukra *Zukra rules 5-entertainment containing * Guru-yuti-Rahu


Rahu Mahadasha * age 40.7 until age 58.7

11-Aug-2000 birth her second child, fathered by cinema director Guy Ritchie * Rahu-Rahu swabhukti * Guru-yuti-Rahu

22-Dec-2000 exchange of vows in marriage-2 with cinema director Guy Ritchie * Rahu-Rahu swabhukti * samchara Rahu-Ketu via Makara-Karkata contact Zukra-Karkata

2002-2003 creative downturn resulting in poorly received performances while based in adopted homeland UK Yet, professional visibility remained high, many contracts were arranged, and a children's book was exceptionally successful. * Rahu-Guru bhukti

Oct-2006 adoption of a Malawi citizen child causes international public outcry, yet is approved by the child's father and by the Malawi authorities * Rahu-Budha bhukti * Budha lagnesha ++ Sade-Sati

2009 divorce from G.Ritchie with split child custody .* Rahu-Budha bhukti * Budha lagnesha ++ Sade-Sati


Guru Mahadasha * age 58.7 until age 74.7

2017 relocation of home base to Lisbon, Portugal, and addition of two Malawian sisters to the family. Increase involvement with charitable agencies, including funding of a children's hospital * Guru-Guru swabhukti * Guru-yuti-Rahu


Shani Mahadasha * age 74.7 until age 93.7

Janma Sade-Sati Simha Aug-2036 until Oct-2048


Budha Mahadasha * age 93.7 until age 110.7

Distinctive features of the nativity
  • Material Girl 1958- dance song cinema Madonna


Surya * pitrikaraka * jyotikaraka

  • Surya-Karkata * Bhanu * ray of light
  • Surya in bhava-2 * center of values, intelligence for storage, conservation, containment, values; focus on treasuries, banking entitlements, bright face-speech-song, eye on capitalization-banking, * father = center of family* sparkling center of the treasury-drama
  • Surya-yuti-Zukra * confidently harmonious, brightly creative bargainer, artistic father-figure, uniquely intelligent sister-figures, entitled to pleasures, aesthetic expressions align with the spiritual rays of the Sun, financial politics, radiantly diplomatic, self-reflexively attractive features
  • Surya-2 parivartamsha Chandra-3

FATHER

CAREER

Surya-2 parivartamsha Chandra-3


Chandra * matrikaraka * garha-karaka

  • Chandra-Simha * comforted by rhythmic creative display
  • Chandra-Purvaphalguni * comforted by sparkling luxury * protectors of musical entertainments, radiant style, brilliant beauty
  • Chandra in classroom-3 * comfort in cohort, familiar with communication, repetitive announcements, needs to feel the tidal pulse of daily chat, sheltered in the parlor, soothed by younger siblings, intuitive information delivery, settled into the habits of writing and commerce, routine messaging; emotionally attuned to the rhythms of conversation, undulating signals, ethno-cultural gestures, intuitive handcraft
  • Somana-yuti-Budha * Emotionally communicative, sensitive to sibling figures, sheltered by workmates and cohort, needs to evangelize, soothed by conversation, feels like a messenger
  • Chandra-3 parivartamsha Surya-2

Treasuries from capitalization of own business

  • Chandra-3 parivartamsha Surya-2
  • According to Wikipedia, as of 2020, Madonna is the wealthiest woman in the music business, with an estimated net worth between US$590 million to $800 million

Kuja * bhratru-karaka * virya-karaka

  • Mangala-Meza * moolatrikona 0-18 deg. * vigorous pursuit of championship * dynamic, competitive winner * proactive innovation, first-arrival; push toward conquest, innovation, first-arrivals; push toward conquest
  • Mangala in bhava-11 * drive toward connectivity, pursuit of earnings, , marketplace dynamics, invasive networking, vigorously active friends, energized scientific systems, economic conquests
  • Kuja-yuti-Ketu * forceful break-up, invigorated collapse, energized pilgrimage, dynamic wandering, masculine force joins apathetic surrender, potential for aggressive annihilation of initiations

Budha * bandhava-karaka * zisya-karaka

lagnesha

  • Budha-Simha * political communications * hand, arm, shoulders make dramatic gestures * articulation of unique creativity * delivers announcements about celebration and bright displays * explains celebrity entitlements * messages about romance and poetic adoration * manages entertainments * details the procedure for theatrical amusements * speaks with royal flamboyance * self-referential discourse style * talks about children, genius, gambling, and games
  • Budha in bhava-3 * narrative of cohort, siblings, announcements * discusses commerce, management, reporting, administration, describer of detailed information, explainer of publication, delivers instructions for books, scripts, lyrics, media-messaging, talks about communications, sales, marketing, advertising, manufacturing, process, collaboration, teamwork
  • Budha-yuti-Chandra * explainer of feelings * affinity for caretaking, parental roles expressing skills of communication, explanation, description, instruction * articulation of comfortable routines, message of sensitivity and emotional flow, intuitively talkative mother

Budha * writing, communications, publications, narrative, lyrics, coupling


Guru * dhavakaraka * bahuta-karaka

  • Guru-Thula * many trades, exchanges, much negotiation, believes in justice, doctrine of contractual exchange, multiple alliances and arrangements, equable guidance, expands the scope of balanced design
  • Guru in bhava-5 * much creativity, many intelligences, many entitlements, numerous games, much speculation, many performances, extensive self-glorification. Children identified with paradigmatic beliefs. Expansion of politics, development of drama. Optimistic in romance.
  • Guru-yuti-Rahu mizra-karaka * multiple mix-master figures, many impostors, abundant opportunity, big ambitions, craving for expansion, seeks promotional advantage via globalist philosophy, wide scope of privilege

Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Karkata * appreciation of comforting routine, likes to nourish, attracted to homeowners and farmers, pleasures of secure borders, enjoys rhythmic seasons, aesthetic of domestic arrangements
  • Zukra-2 * swabhava * pleasure of gathered treasures, enjoys banked assets, bargains toward collected equity; feminine-figures predominate the family, gracious storyteller, preserved, linguistic, voiced, * pleasing designs to adorn the face, mouth, jaw, neck, teeth, and hair * historical values, appreciation of speech-and-song
  • Zukra-yuti-Surya * balanced roles in drama, appreciation for political display, theatrical negotiations, self-focused arrangements, radiant bright beauty * self-reflexive bargaining, sweetly confident entitlements, enjoys politics, negotiating father-figure, intelligently focused on trades, arrangements, contracts * arrangements according to father's choice or self-will


Shani * duro-karaka * jara-karaka

  • Shani-Vrizchika * heavy old secrets * obliged to uncover the camouflaged realities of mass transformation * pressured to regulate the flow of occult identity changes * must explore masked trauma * vital energy compression stress zone = genitals-anus * strictly imposed rules for confidential matters must be respected * must materialize dangerous hidden knowledge * must regulate the threat of disaster * at times, penetration of the mysteries requires great effort * * must work with tightly regulated conditions of emergency * must accept the conventional methods of rigidly slow elder shamans * sustained conditions of proletarian revolution * must engage in continued discovery despite scarce available resources
  • Shani in Bhava-6 * (beneficial placement) * Structured, orderly, time-conscious enemies. One must serve the problematic. One must outlast the adversaries. Endurance in military siege. Tense digestion, Cautious, conventional crimes; chronic conditions of criticism and guilt; constitutional illness-injury syndromes; Physicians resist innovation. Heavy legacy pressure against change in disease condition. Service fatigue; burnout. Resentment toward new treatments or medications. Support for socially-approved dutiful roles as social worker or disadvantaged, healthworker or sick, pharmacist or drug addict, criminal or cop, debtor or loanmaker, underpaid or underpayer, victim or victimizer, slaver or slave.

Shani rules 8 occupies 6 = sarala yoga


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Thula * shimmering illusion of balance * craving for trade * mask of fairly bargained contracts * over-reaching arrangements * marvelous deals * exciting culturally-mixed partnerships * mirage of deal-making * extraordinary terms of agreement * fascinating alliances * ambitious diplomacy * seeks special importance via apparent (but perhaps not authentic) * shimmering illusion of security * craving for customary rhythms * risky policing * mirage of home and shelter * mask of ancestral belonging to a habitual place * illusory acts of protective defense * over-reaching patriotism * fabulous farms and fisheries * fascinating ethnic routines * marvelous localities * intriguing owned properties * extraordinary cetaceans * seeks special importance via apparent (but perhaps not authentic) attributes of motherliness, nationalism, loyalty to the homeland, parent-rolesattributes of negotiation, equity-assurance * seeks privilege via advocacy, counseling, adviser-roles
  • Rahu in bhava-5 * passion for politics, celebrity, games * in swabhava of Splendid Surya, the Shadowy Specter seeks privilege via glamorous or unusual children; out-of-bounds creativity, and amplified poetic romance; Risk-rewarding Rahu generates a charismatic individuality, center-of-attention displays of creative genius. Desires a special, important role in performance arts, literary arts, entertainments, royalty roles, pageantry, celebrity events, or dramatic splendor. Exciting, opportunistic, ambitious children and lovers. Rahu the Poseur may wear the persona (mask) of a dramatic actor, a celebrated intellectual, or a politician. Craves the center stage, the lights, the glory. Rahu-5 trespasses the cultural boundaries in matters of unique personal creativity, children, speculation, gaming. Seeks flamboyant fashion, exceptional offspring, and the thrill of political theatre.
  • Rahu-yuti-Guru * amplified generosity, magnified diversity, exotic beliefs, tricky teachings, opportunistic guides, fascinating (but perhaps illusory) appearance of inspired, high philosophy, hypnotic preaching, expansive worldview includes cross-cultural mixing

Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Meza * dissociates from competitive dominance, incomplete nobility, empty arrival, dissolute conquest, not limited by blood or birth, ignores restriction on innovative movement, applies dynamic action to the misty abyss
  • Ketu in classroom-11 * absent from friendships, disregards profitability * no barriers in community, dissolves the social network, vacuous associations, irrelevance of the material goals, ambivalence toward economic empowerment. One abandons the elder siblings, ignores marketplace earnings, surrenders the electro-magnetic connections. May prefer to live without electricity, or off-the-grid.
  • Ketu-yuti-Kuja * surrendered championship, empty actions, disconnected brothers, unsustainable domination, apathetic competition, disability, unfulfilled innovation, impermanent conquest, incomplete birth, spiritual liberation via forward movement

Mangala-yuti-Ketu in bhava-11 may indicate an older sibling (11) who is male and somewhat aggressive (Kuja) suffering mental-health issues perhaps (Ketu)

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