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Drama-Song


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Flag of Sereněsima Repůblica Včneta * 607-1797



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Vivaldi c. 1723

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Musician, Composer, Teacher

"The Red Priest"

Antonio Vivaldi

Earthbody-Entry Friday-04-Mar-1678

Earthbody-Exit 28-July-1741 (age 63)

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Musician, composer, operatist * 1678-1741 * Antonio Vivaldi

data fromhttps://en.wikipedia.org/wiki/Antonio_Vivaldi * tentatively rectified by BP Lama

charts, graphs, and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Masculine Nativity

Purvazadha * Apah


BPL commentary

For Purva-azadha births of a masculine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Bhrigu may considerably affect the outcome.

For those born into the Zukra-ruled paradigm of Ambudaiva, feminine figures such as sisters, aunts, and wives, along with partnerships, sensual pleasures, arrangements, valuation, pricing, equity, bargains, trades, treaties, trusts, adjustments, justice, finance, artistic beauty, treasuries, alignment, attunement, harmonies, and music, may be especially influential.

Instructional guidance is provided by emissaries from the civilizations of Sinnuntu. Their purpose is expansion of inspirational beauty and melodious sound.


Inspirational diplomatic grace

Purvazadha are often musical entertainers and poets, with a gift for playing many instruments and making lyrical arrangements that appeal to everyday folks. Typically Apah-born are attracted to sacred doctrine. They are self-indulgent and pure of heart. Their complexion may feature a Guru-golden glow. Male births in Asadhash tend toward a discordant costume sense representing the incommensurable agenda of Zukra vs. Guru.

In addition to Zukra endowments in diplomacy, beauty, and musical arrangements, their Guru-influenced humanism and compassion often includes inspirational roles that benefit women, musicians, and creative artists.

Like all Zukra-governed births, Apah-born must take care to avoid the misuse of drugs and alcohol. Ambudaiva's true purpose is inspirational guidance. Yet, Zukra's sweet-seeking may also attract the false balance of intoxication.

Themes of generous arrangements, affluence, favor, harmony, blessing, beauty, artistry, and luxurious indulgence may contextualize Apah's terrestrial experience. Applies also to Chandra in Purva-azadha

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 86


"... corresponds to rather a low type of character .

One who does not wish for and does not get the gracious things out of life.

  • Stupid, yet ostentatious and vulgar ,

  • with very few educational advantages.

Quarrelsome and low in appearance and manner.

  • While he must, because of educational handicaps,

    go through life as a servant or at best an underling ,

He vainly considers himself above his station in life

  • and will be harsh and dominating

  • but ineffectual if put in authority ."


Biographical Events matched to Vimshottari Dasha bhuktis Anto

Shani Mahadasha * age birth until age-14.8

Friday-04-Mar-1678 Earth-birth principality of Venesia, Sereněsima Repůblica Včneta * Shani-Budha bhukti


Budha Mahadasha * age 14.8 until age 31.8

1704 (age 25) ordained as a Roman Catholic priest * Budha-Rahu bhukti


Ketu Mahadasha * age 31.8 until age 38.8


Zukra Mahadasha * age 38.8 until age 58.8

1725 publishes the famed concerti The Four Seasons * Il Quattro Stagioni in Amsterdam* Zukra-Rahu bhukti * Rahu-12 distant lands, extraordinary events

06-May-1728 grieved the decease of mother (AV age 50) * Zukra-Guru bhukti * Surya-yuti-Guru * Guru gives effect of Surya rules 2nd-from-Chandra

14-May-1736 grieved decease of father (AV age 58) * Zukra-Ketu chidradasha


Surya Mahadasha * age 58.8 until decease age 63

28-July-1741 Lightbody Lift-off (due to poverty and bacterial infection) * Surya-Budha bhukti

Prominent Features of the Nativity

Surya * pitrikaraka * jyotikaraka

  • Surya-Kumbha * Arka * the radiator * radio
  • Surya in bhava-3 * center of commerce, intelligence for reports, announcements, descriptions, * brightly explaining, administrative entitlements, focus on communication, eye on management of messaging* bright center of the signaling, gesturing-drama
  • Surya-yuti-Kuja * confidently progressive, bright warrior, creatively intelligent brother-figures, entitled to conquer, radiantly pioneering
  • Surya-yuti-Budha * confidently conversational, bright messenger, entitled to discuss, creatively intelligent sibling-cohort, radiantly descriptive, creatively intelligent sibling-cohort, radiantly descriptive, entitled to discuss, creatively intelligent sibling-cohort, radiantly descriptive, creatively intelligent sibling-cohort, radiantly descriptive
  • Surya-yuti-Guru * confidently expansive, bright self-referential teachers, creatively intelligent approach to doctrine, entitled to philosophize, radiantly generous

Surya occupies the relentlessly transformative, security-cycling 8th-from-Chandra

Dad = Giovanni Battista Vivaldi. Papa was a professional touring violinist. Before professionalizing in music, dad had worked as a barber. Dad taught little Antonio how to play the violin, then father and son toured together. Vivaldi was said to possess an extensive musical knowledge reflecting his acquisition of musical skills at a very young age, and being in the friendly, dense company of musicians for his entire life.


Chandra * matrikaraka * garha-karaka

  • Chandra-Karkata * comforted by rhythmic tidal maternal soothing * swakshetra
  • Chandra in Pushya * Sidhya * comforted by lawful customs * protectors of the ethno-social structure, sensitive legislators, sober caretakers, legally minded environmentalists
  • Chandra in classroom-8 * comfort in crisis, familiar with catastrophic events, needs to feel the repeating pulse of repeating identity transformation, soothed by secrecy, routine of sudden changes, settled into the rhythm of initiations, occult sentience, discovery, settled into the rhythm of self-reinvention; undulating shakti-shocks

Vivaldi was a Roman Catholic priest. He never married and had no (known) children. He lived in his birthplace Venezia Italia for many years, serving primarily as a music teacher in a local orphanage.

His music teaching was generally successful and the musical performances of the children that Vivaldi orchestrated earned important income for the sheltering institution.

AV remained devoted to his parents, who lived either with him or nearby, and they lived long lives. His mother died when Antonio was 50 and his father died when Antonio was 58. Only four years after his life-supporting father parent died, Vivaldi himself took ill on a foreign journey (Rahu) and died suddenly.


Kuja * bhratru-karaka * virya-karaka

  • Mangala-Kumbha * vigorous pursuit of community systems * proactive linking * push toward regulated networks * champion of distributed associations
  • Mangala in bhava-3 * drive toward commerce, pursuit of messaging, active touring, invasive management, energized, hyperactive sibling-figures, aggressive sales and marketing, teamwork dynamics, administrative conquests
  • Kuja-yuti-Surya * invigorated creativity, invigorated creativity, energized confidence, dynamic genius, masculine force joins willful charm, potential for aggressive political or dramatic actions , potential for aggressive political or dramatic actions
  • Kuja-yuti-Budha * communicative competitions, energized communication, dynamic reporting, masculine force joins messaging signal, potential for aggressive gestures, speech, and writing
  • Kuja-yuti-Guru * multiple competitions, many brother-figures, energized growth, dynamic generosity, masculine force joins optimistic expansion, champion of humanistic worldview, potential for aggressive preaching, indoctrinating actions

Mangala occupies the relentlessly transformative, security-cycling 8th-from-Chandra


Budha * bandhava-karaka * zisya-karaka

  • Budha-Kumbha * connecting communications, systematic pronouncements, articulation of social-scientific networks, descriptive inter-webbed definitions, messages about communities and economies, explains large-scale social participation linkage, large-scale social participation linkage
  • Budha in bhava-3 * narrative of cohort, siblings, announcements * discusses commerce, management, reporting, administration, describer of detailed information, explainer of publication, delivers instructions for books, scripts, lyrics, media-messaging, talks about communications, sales, marketing, advertising, manufacturing, process, collaboration, teamwork
  • Budha-yuti-Surya * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * articulation of radiant authority, message of willpower and charisma, confidently talkative father
  • Budha-yuti-Mangala * explainer of competitive energies * affinity for engineering, invasive, exploratory roles expressing skills of communication, explanation, description, instruction *articulator of competitive energies, signals forward action, message of innovation and forward movement, outspoken, fraternal conversations, aggressive communications, talkative brother-figures, outspoken, fraternal conversations, aggressive communications, talkative brother-figures
  • Budha-yuti-Guru * explainer of doctrinal belief * affinity for preaching, professorial, theory-developing roles expressing skills of communication, explanation, description, instruction * articulation of charitable generosity, message of optimism and expansion, talkative teacher

Writing Budha in bhava-3 + lagnesha Guru expander

Budha occupies the relentlessly transformative, security-cycling 8th-from-Chandra

AV was a tremendously prolific writer of Baroque music. according to wikipedia

  • "Vivaldi wrote more than 500 concertos. About 350 of these are for solo instrument and strings, of which 230 are for violin, the others being for bassoon, cello, oboe, flute, viola d'amore, recorder, lute, or mandolin.

  • About forty concertos are for two instruments and strings, and about thirty are for three or more instruments and strings.

  • As well as about 46 operas, Vivaldi composed a large body of sacred choral music.

  • Other works include sinfonias, about 90 sonatas and chamber music. "


Guru * dhavakaraka * bahuta-karaka

lagnesha

  • Guru-Kumbha * much networking, many group associations, scientific beliefs, doctrine of economic linkage, distributed guidance, expands the scope of social participation, multiple communities and friendships
  • Guru in bhava-3 * many messages, much commerce, many photographs, many publications, many collaborators, many transactions, many tours, frequent business trips, many sales, numerous discussions, much detailed interaction, extensive communications. Sibling-cohort ensemble identity = evangelistic growth, expansion of message, more meetings
  • Guru-yuti-Surya pitri-karaka * multiple father-figures, abundant confidence, much radiance, much humanistic political philosophy-policy, large-scale dramatic radiance
  • Guru-yuti-Mangala bhratri-karaka * multiple brother-figures, expansive conquests, much humanistic progressive-invasive philosophy, large-scale competitions, vigorous champion of doctrine and belief, large-scale competitions, vigorous champion of doctrine and belief
  • Guru-yuti-Budha yukta-karaka * multiple sibling-teammate figures, abundant conversational messaging, much detailed humanistic philosophy, large discussions

Guru occupies the relentlessly transformative, security-cycling 8th-from-Chandra

Bhava-3 writing, scripts, notation, choreography, staging, teamwork, announcements = Guru-yuti-Surya + Guru-yuti-Mangala + Guru-yuti-Budha

AV produced voluminous (Guru) musical works including concerti, opera, and children's choir pieces. He wrote in both sacred and secular modalities, and his works were performed throughout Europe


Zukra * svadhu-karaka * kalatra-karaka *

  • Zukra-Meza * appreciation of competitive movement, pleasures of conquest, athletic sensuality, enjoys direct action, aristocratic arrangements
  • Zukra-5 * pleasure of dramatic gaming, enjoys center-stage equity, feminine-figures are prominent in the creative, political environments, literary and fine arts, appreciation of creativity

CAREER

Zukra occupies the career-defining the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra

Zukra vriddhipathi = AV earned his living from musical writings and performances. He directed a famous orphan-children's choir whose earnings paid the operating expenses of their school.


Shani * duro-karaka * jara-karaka

  • Shani-Vrizabha * old values, proletarian speech-and-song, old assets, elder evaluators, pressured storage, old treasuries, pressured neck-jaw, imposed collections, must preserve with scarce available resources
  • Shani in Bhava-6 (beneficial placement) * Structured, orderly, time-conscious enemies. One must serve the problematic. One must outlast the adversaries. Endurance in military siege. Tense digestion, Cautious, conventional crimes; chronic conditions of criticism and guilt; constitutional illness-injury syndromes; Physicians resist innovation. Heavy legacy pressure against change in disease condition. Service fatigue; burnout. Resentment toward new treatments or medications. Support for socially-approved dutiful roles as social worker or disadvantaged, healthworker or sick, pharmacist or drug addict, criminal or cop, debtor or loanmaker, underpaid or underpayer, victim or victimizer, slaver or slave.
  • Shani-yuti-Ketu* resistance against dispersion, limited surrender, lawful abandonment, spiritual paralysis, disciplined apathy, constrained wandering, regulated dissolution

Shani in Bhava-6occupies the emotionally associative, community-linking, economically gainful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra

Typical of Shani in Bhava-6 , AV endured a chronic medical condition. Despite his musical genius, AV could not play wind instruments due to a type of breathing illness which might have been equivalent to modern asthma.


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Vrizchika * craving for mystery * mask of undisclosed, secret power; fascinated by exploration, recycling seeks special importance via sudden discovery, via apparent (but perhaps not authentic) exposure of hidden assets
  • Rahu in bhava-12 * passion for privacy * in swabhava of Saptarishi Guru, the Shadowy Specter seeks privilege via glamorous or unusual retreat environments, withdrawal, sanctuary; desires an important, invisible role in invisibility, intuitive guidance, private prayer, isolation, enclosures, research laboratories and libraries, Other-Worlds. Exciting, opportunistic, ambitious ancestor guides. Thrives in culturally-mixed monasteries, spiritual sanctuaries, hospitals, prisons, rehab centers, and other secluded spaces. Rahu-12 trespasses the cultural boundaries of dreamwork, imagination, sanctuary, and sleep. Rahu the Poseur may pose as a dream-interpreter, an ancestor spirit-guide, a magician from distant lands.

Rahu occupies the creative, genius, celebrity-seeking 5th-from-Chandra


Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Vrizabha * dissociates from collections, incomplete acquisition, empty values , dissolute treasury, not limited by storage, disarrayed lineage, ignores restriction on speech-voice-sight, applies preservation containment to the misty abyss
  • Ketu in classroom-6 (beneficial)* absentee enemies, disregards criminal boundaries, dissolves the medications, ambivalent toward the power of exploitation, disinterested in disagreement, irrelevance of accusations. One walks away from sickness, abandons the usual suffering behaviors, ignores the conventional conflicts, delivers incoherent arguments.
  • Ketu-yuti-Shani * surrendered structures, empty governance, disconnected elders, unsustainable rules, apathetic endurance, social disorder, dissolution of normal conventions

Ketu occupies the emotionally associative, community-linking, economically gainful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra

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