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Drama and Song




born 11 months after

born six weeks before

born four months before

born six months before

born seven months before

professional collaborator with



musical recording artist


entertainment producer


theatrical performer

stage designer



George Michael

a.k.a. Yog

a.k.a. Georgios Kyriacos Panayiotou

Earth-birth Tues-25-Jun-1963

dematerialization 25-Dec-2016 [age 53]


pop-music singer


center-stage dancer

commercial music producer

musician orchestrator

1963 - 2016

George Michael - Georgios Kyriacos Panayiotou

birth data from

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star - adapted by BP Lama

Rising Nakshatra

Masculine Nativities

Chitra - Spica

Citthirai - Vismakarma - Azinech - Alaraph - Arista - Dana

BPL commentary

For Chitra - Tvastri births of a masculine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.

For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.

Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.

Designs + Arrangements

[Kuja] -ruled Chaitra fellows have a knack for competition. Goal-oriented and kinetic in building, patterning Tvastri, they strive for dominant power in engineering, artisan mechanics, architecture, and applied design arts such as skilled handcraft. As authors, Chaitrika often illustrate their works with fine drawings. Tvastri-born have a natural affinity for tools, engines, driving, building.

Kanya pada 1-2 express Kuja's rulership of 3-writing + 8-mystical transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Literary Budha plays a stronger role for pada 1-2, producing scholars and writers who argue about architectonics, engineering design, color values, and mechanics. Pada 1-2 = also skilled in handcraft and may be professors-cum-tradesmen, fine-arts painters, model-builders, or manually gifted musicians.

[Tula - Vanika] pada 3-4 express Kuja's rulership of 2-collections, assets + 7-contractual equity. Shukra's bargaining behavior and financial skills play a stronger role for pada 3-4, who enjoy the mutual attractions of Shukra-Mangala. In music, arts, and engineering, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. Chaitrika pada 3-4 can be found in the design world, in financial negotiations, and in dynamic meditator roles.

Themes of productive touch including artistic design, musical instruments, mechanical engineering, and crafting of dynamic arrangements contextualize Vismakarma's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Chitra - Spica.


George Michael with entertainer Elton John at the 1997 funeral of UK-Princess of Wales 1961-1997 Diana Spencer


George Michael [age young-adult] with his parents

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra. p 84

" Chitra natives are quiet, thoughtful, and profound.

Very slow in movement and of great dignity in bearing and manner.

  • they like to read books on serious and philosophical subjects.

they make good students in their youth.

they are also extremely clever with their hands ,

  • which are strong, supple, and dexterous.

they like to do things or fashion things with their hands

  • and could be sculptors or artists or surgeons."


Yorgos Kyriacos Panayiotou in 1983, age 20

Yorgos Kyriacos Panayiotou age 19, in London

Biographical details matched to Vimshottari Dasha bhukti

[Ketu Mahadasha] [age birth until age 6.3]

Tues-25-Jun-1963 Earth-birth in East Finchley, Middlesex, England * Ketu-Shukra bhukti

[Shukra Mahadasha] [age 6.3 until age 26.3]

Sep-1977 until Nov-1979 Janma Sade-Sati Simha

  • [12, imagination, interiority, distant lands, sanctuary, privacy, seclusion]
  • [Somana-yuti-Kuja ]
  • [age 14-17]

1971 [GM age 8] a head injury provokes worldview shift, and GM's thence-forward fascination with music begins * Shukra-Shukra svabhukti * Shukra music

1979 [GM age 16] as a teenager, GM wrote the lyrics and musical orchestration for several emotionally evocative songs. When recorded two years later, these would become huge pop-dance-hits * Shukra-Rahu bhukti * Rahu-Mithuna-Punarvasu amplified writing talent

1981 [GKP age 18] forms the instantly successful musical partnership Wham! * Shukra-Guru bhukti * Guru rules Meena 7th-navamsha partnerships

1984 [GKP age 21] the song Careless Whisper becomes a multinational top-seller * Shukra-Shani bhukti * Shani rules 5-celebrity, genius, applause

Apr-1985 [GKP age 22] becomes the first western pop-musician to perform in the newly opened China, to intl acclaim * Shukra-Budha bhukti * Budha-9 international = lagnesha karmesha ++ [Budha-yuti-Shukra] occupies 10th-from-Chandra

1988 [GKP age 25] the popular song Faith wins Grammy Award * Shukra-Budha bhukti [Budha-yuti-Shukra] music * Budha-9 lagnesha-karmesha rules [Surya-yuti-Rahu-10] ++ Budha occupies 10th-from-Chandra

[Surya Mahadasha ] [age 26.3 until age 32.3]

1992 [GKP age 29] begin life-defining romance with Brazilian dress designer, Anselmo Feleppa * Surya-Guru bhukti * Guru-7 rules Meena 7th-navamsha

Mar-1993 [GKP age 30] grieved the decease of beloved Anselmo Feleppa, via AIDS-related brain hemorrhage * Surya-Shani bhukti * Shani rules 12th-from-7th-from-Chandra, loss of intimate partner

[Chandra Mahadasha] [age 32.3 until age 42.3]

1997 [GKP age 34] grieved the decease of mother, Lesley Angold, via cancer * Chandra-Rahu bhukti

1997 [GKP age 31] begin 12-year lifepartnership with sportswear executive, Kenny Goss. * Chandra-Rahu bhukti

07-Apr-1998 [GKP age 35] arrested in Los Angeles for "lewd acts". GKP protests that the crime-screen was set-up by morality-police entrapment * Chandra-Guru bhukti * Guru rules 8th-from-Chandra * secretive operations

[Mangala Mahadasha] [age 42.3 until age 49.3]

2006, 2006, 2007, 2008 [GKP age 43-45] multiple arrests for sex and drug offenses * Mangala-Rahu until Mangala-Shani [rogesha]++ janma Sade-Sati

Nov-2006 until Sep-2009 Janma Sade-Sati Simha

  • [12, imagination, interiority, distant lands, sanctuary, privacy, seclusion]
  • [Somana-yuti-Kuja ]
  • [age 44-47]
  • overlaps with Mangala-Guru until Mangala-Ketu

2008 [GKP age 45] enters retirement due to turbulent personal life, drug issues, and arrests * Mangala-Shani bhukti * Shani rules 6 + 6th-from-Chandra = imbalance, toxicity, drugs, unfair contracts ++ janma Sade-Sati

spr-2010 [GKP age 46] break-up of 12-year lifepartnership with Kenny Goss, due to disagreements about substance abuse. Followed by drunk-driving car-crash which damaged a residence. * Mangala-Ketu bhukti * Ketu break-up + Ketu-4 disoriented driving, property-breakage

Sep-2010 [GKP age 47] sentenced to jail [released after 4 weeks] for driving intoxicated, car-crash, property damage * Mangala-Shukra bhukti * Shukra fair consequences

Nov-2011 hospitalized for pneumonia [grief]. Enters and exits comatose status. Tracheotomy * Mangala-Chandra chidradasha - Chandra-12-hospitals, retreat, emotional exhaustion

[Rahu Mahadasha] [age 49.3 until decease age 53]

2013 [GKP age 50] hospitalization following severe inury to back of head, sustained while falling from his moving car * Rahu-Rahu svabhukti * [Rahu-yuti-Surya] Surya rules 12-hospitalization

25-Dec-2016 [GKP age 53] dematerialization via heart failure, at home in Goring-on-Thames, Oxfordshire, England * Rahu-Guru bhukti * maraka Guru rules 7

Salient features of the Nativity


pitri-karaka [father] jyoti-karaka [light]


[retreating-contemplative vyaya-pati for Kanya indriya-lagna]

[bright center of commercial project leadership]

[intelligence for high-visibility private narratives]

[elite detailed messaging roles]

[decision-maker for writing-publishing organizations]

[radiantly confident display of imaginative information]

[creative public media communications]

[socially recognized explanatory instructions]

[father may be businessman executive-boss-announcer]


[inspirational-dogmatic Arudra-1] [navamsha Surya-Dhanus] intuitively believing principled philosophical doctrinal optimistic humanistic confidence


  • [Surya-Mithuna] Mithra - neighbor, companion * brightly charismatic confidence of Center-stage Surya radiates through the conversational gesturing rashi of Budha
  • [Surya in bhava-10] bright center of hierarchy * confidently governing * legislative intelligence * focus on social order * regulatory entitlements * political authority * brilliant career * eye on elite positions * radiant reputation * sparkling center of the leadership drama * father may be a governor-regulator-boss
  • [Surya-yuti-Rahu] confidently opportunistic * bright mesmerizer * passion for creative culture-mixing * boundary-breaching entitlements * craves important center-stage roles * ambitious father-figure * adventurously aligned with the spiritual rays of the Sun * radiantly risk-rewarding


Surya occupies the profitable 11th-from-Chandra

[Surya in bhava-10] rules

  • 12-imagination, distant lands, foreign-ness, seclusion, privacy
  • Surya rules [Somana-yuti-Kuja]-Simha creative performance


Raised bilingual/bicultural [Surya-yuti-Rahu] in England, Georgios [Yorgos] Kyriacos Panayiotou worked under the stage name // George Michael //.

Performer, vocalist-dancer [Surya-Arudra] event-staging, business management, recordings producer

Radiantly bi-lingual, bi-sexual, bi-cultural public identity [Rahu]

[Surya-yuti-Rahu] super-performer with ambivalent gay identity supported worldwide by a youth-culture audience [Rahu]

mesmerizing dancer [navamsha Rahu-Arudra]

Mithuna = media-messaging expertise, detailed planning for tours, boundary-breaching commercial productions, successfully phrased-and-paced danceable song-writing


Dad = Kyriacos Panayiotou, a prominent restaurateur of Greek Cypriot nationality .

Surya activates 12-distant lands.


Dad married a British wife and raised his family in London.

Young George was named Georgios [Yorgos] Kyriacos Panayiotou.

  • [Surya in bhava-10]

  • Dad acquired substantial executive authority over a range of businesses [Surya-yuti-Rahu]

  • the family enjoyed social status.

  • Dad made his fortune in commercial endeavor [Mithuna] such as restaurants. Dad was a prominent figure in London business elite [Surya-Mithuna]


matrikaraka [mother] * garha-karaka [village]

[friendly-economic vriddhi-pati for Parthya indriya-lagna]

[Mother may be privately dramatic personality with community connections]


[inventive-pioneering Magha-1] [navamsha [Chandra-Mesha] intuitively sensitive pursuing competitive champion

emotional sensitivity, mothers-and-children, feeding, shelter-care

  • [Chandra-Simha] comforted by creative display * settled into dramatic rhythms * needs attention
  • [Chandra in Magha - Regulus] protectors of three-fires ceremony * feels the glorious magnetism * soothed by unlimited light magic
  • [Chandra in classroom-12] comfort in dreams * familiar with ancestor guidance * accustomed to private prayer * nested into secluded enclosures * needs to fantasize * acculturated to Other Worlds * soothed by imaginative inspiration * repeating pulse of intuition * anchored by contemplation * seeks protective sanctuary * comfortable with isolation * undulating sleep * mother may be unavailable, withdrawn, foreign, sleepy, a researcher
  • [Somana-yuti-Kuja] emotionally pro-active * sensitive to brotherly figures * needs to win * comforted by direct forward movement * invigorates the undulating routine * soothed by pioneering innovation * competitive mother * calmed by routine exercise * feels like a champion


CAREER - 10th-from-Chandra

[Rohini-Budha-yuti-Shukra-Rohini] pop music tour-de-force

Super-powered musical career, enriched by the Rohini characteristic of a need to receive continuous lavish attention.

[Somana-yuti-Kuja emotionally effusive, kinetically sexualized]

Although he did not study choreography, a central feature of GM's celebrated stage performance was his sexualized dancing while singing.

A super-powered vargottamsha navamsha Rahu-Arudra amplifies his mesmerizing natural dance ability.

Chandra also formed the basis for GM's relationship challenges, due to Shani-5 entitlement ruling both 6 and 5th-from-Chandra.


Mom had been a professional dancer.

  • Mom = Lesley Angold, a theatrical dancer [Somana-yuti-Kuja] and philanthropist.
  • While raising her family, Mom taught stage-performance skills to her children, emphasizing their innate creative intelligence [Chandra-Simha]

MARRIAGE partnership emotional equity support expectations


  • bhava-6 = disagreement, medication, service ministry, helpfulness, disease-discomfort, injury, servitude
  • Kumbha = large groups, fan clubs, social networking, collectivity

6 forecasts illness-injury of the partner, or a pattern of repeating disagreements within the first alliance.

  • partner eportedly suffered from alcoholism and its pitfalls, which ended the alliance
  • First lifepartner died tragically of AIDS-related illness.
  • Second lifepartner departed due to disagreement with drug use.


  • bhava-1 Kanya identity, with the built-in Mangala 3-8 lordships
  • Kenny Goss, Texan businessman and art dealer. 1996-2009 committed partnership with Goss as at-home mate. Termination of alliance, reportedly due to GM escalating addictions, during Mangala-Ketu bhukti was said to have destroyed GM's personal stability [Ketu-4]

[Chandra Mahadasha] [age 32.3 until age 42.3

Chandra-Simha Ten years = Focused on earnings. Popular vocalist, world touring, large fan base, successful romantic songs. Turbulent personal life marked by promiscuity and private parties [Somana-yuti-Kuja = 12] .


bhratru-karaka [brother] virya-karaka [virile]

[Sarala Yoga]

[Kuja Dosha for alliance-1]

[busy-messaging sahaja-pati for Kanya indriya-lagna]

[mysterious-revealing randhresha for Kanya indriya-lagna]

[vigorous heart-centered clandestine sexuality]

[behind-the-scenes fiery entitled romance]

[flamboyantly dramatizes romantic private conversations]

[brilliantly active imagination]

[unseen energies promote sudden political change]

[creative drive produces energized messaging-conflict-bargains]


[ministering-logistical Pūrvaphalgunī-2] [navamsha Kuja-Kanya] intuitively innovative ministries-of-service

  • [Mangala-Singha] vigorous pursuit of fame * creatively moving political theatre * proactive drama * push toward celebrity entitlement * champion of pageantry * military parades * brilliantly energized celebrations * invigorating parties * charmingly dominating at games * Sexually active romance * flamboyant gambling
  • [Mangala in bhava-12] drive toward privacy * pursuit of inner guidance * invaders from distant lands * hyperactive ancestors * restless sanctuary * fights isolation * clairsentient dynamics * bedroom vitality * invisible conquests * aggressive phantoms * innovative research * progressive action in distant lands * imaginative discovery
  • [Kuja-yuti-Chandra] invigorated feelings * energized intuition * dynamic nurturance * competitive caretaking * often the dominant parent * needs to win * forward thrusting emotions * seeks security via conquest


[Mangala in bhava-12] rules

  • 3-ensemble, committee, musical-band, siblings, commerce, publication, messaging, business, administration, writing, correspondence
  • 8-sudden unexpected transformative events, identity change, tantric initiations, volatile eruptive energies, surgery, mysterious forces, hidden assets, interventions

[Mangala in bhava-12] drishti into 3 + 6 + 7

  • kuja dosha for most types of relationships - needs space due to moodiness due to Simha-[Kuja-yuti-Chandra]

energizes the Chitra - Spica Genius for musical instrument touch [3]

  • GM played much of the music for his recordings on a variety of instruments, including several kinds of keyboards, stringed, and percussive

Challenging Years hasten the end of career and life

[Mangala Mahadasha] [age 41.3 until age 48.3]

Sade-Sati years 2006-2009 overlap with Mangala-Rahu until Mangala-Ketu

Mangala Rahu

  • 2006, 2006, 2007, 2008 multiple arrests for sex and drug offenses

Mangala-Shani bhukti = Shani rogesha

  • 2008 [GKP age 45] enters retirement due to turbulent personal life, drug issues, and arrests

Mangala-Ketu bhukti

  • 2009 [GKP age 46] break-up of 13-year-duration lifepartnership-2
  • Sep-2010 [GKP age 47] sentenced to jail [released after 4 weeks] for driving intoxicated, car-crash, property damage

Mangala-Surya bhukti - Surya rules 12-hospitals, retreat

  • Oct-2011 hospitalized for pneumonia, tracheotomy


Sex and Kanya

Typically for Kanya indriya-lagna, Mangala-driven human sexual pursuits [Kuja] can provoke transformative, even catastrophic events. During the Mangala Mahadasha, which included a challenging Sade-Sati-Simha-12 invoking [Somana-yuti-Kuja ] in [private spaces-12] GM was twice arrested for " lewd public acts" in sordid circumstances, involving illegal solicitation for sex with men.

[Sarala Yoga] provides more-than-sufficient protection against unmanageable scandal. The catastrophic sexual-emotional upheavals provoked by the intensely affective pair [Kuja-yuti-Chandra] [12] cannot cause significant harm to the body or the career.

Nevertheless, during the seven years of Kuja Mahadasha, the salacious nature of the sex-and-crime scandals threatened to dominate his magnificent vocal talents and stage genius. GM continued theatrical performances [Simha] yet the changes [8] in his communicative energy [3] were obvious.

The second half of Mangala Mahadasha marked a decline in mental and physical vitality, followed by GM's widely mourned premature decease in the subsequent Rahu-Guru bhukti.


jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student]

[energizing-identifying lagnesha for Kanya indriya-lagna]

[dutiful-hierarchical karmesha for Kanya indriya-lagna]

[talks about historical beliefs]

[pronounces narratives of heritage doctrinal value]

[detailed assessment of music-tone-color]

[represents the wealth of tribal chieftains]

[publicly identified with paternal legacy]

[calculates the itemized treasury]

[delivers storytelling guidance to youth]

[exponent of financially principled charity]

[father may be banker-financier-musician]


[rhythmic-protective Rohiṇī-4] [navamsha Budha-Karkata] intuitively explaining caretaking-shelter


  • [Budha-Urisha] financial communications - articulation of tonal value * talks about stored goods * discusses collected assets * delivers descriptive evaluations * sends historic messages * skillfully signals the music * preservation methods * describes sound frequencies * hands-arms-shoulders send sensual gestures
  • [Budha in bhava-9] narrative of father-figure * witty guru * broad-scope communicator * repeats the catechism * ideological reasoning * reiterates the doctrine * skillful grandchildren * discusses patronage * detailed articulation of worldview * explains the paradigm of belief * talks about sacred texts * examines the dharma * interprets theoretical claims * delivers quick sermons * logical investigations into philosophical truths * chatty priests * religious dialogues
  • [Budha-yuti-Shukra] explainer of balanced arrangements * diplomatic conversations * parity-seeking discussions * manual adjustments * enjoys words * sweet descriptions * delivers instruction about relationships * articulator of equity in agreements * message of fairly bargained contracts * skilled in songwriting * talkative sister-cousin-cohort * detailed lyricist * attracts chatty partners


[Budha-yuti-Shukra] sensual Shukra-entangled Budha communications messaging publicity planning tours = Urisha-9 = 10th-from-Chandra-Simha

from the celebrated pop-group Wham! r

Budha songwriting + Shukra singing = GM was a widely recognized high-value aesthetic musical artist and songwriter


dhava-karaka [husband] bahuta-karaka [variety]


[Hamsha Yoga]

[homebound-anchoring bandesha for Kanya indriya-lagna]

[bargaining-arranging jaya-pati for Kanya indriya-lagna]

[many imaginative peers]

[advisors have broad-scope viewpoint]

[contemplative understanding of partnership]

[multiple marriages with visionary spouses]


[hierarchical-normalizing Revatī-2] [navamsha Guru-Makara-nicha] intuitively expansive materialistic philosophy

  • [Guru-Meena] much sleep * theoretical understanding * broad inner guidance * optimistic imaginings * inspirational dreams * intuitive beliefs * doctrine of esoteric understandings * expands the scope of contemplative awareness * multiple prayers * permission to envision
  • [Guru in bhava-7] many contracts * optimistic negotiations * much partnership * abundant agreement * numerous alliances * extensive bargaining * multiple trusts * expansion of advocacy * fertile match-making * typically more than one spouse * patron of legal arrangements * proliferation of promises * extensive bargaining * in a wifely nativity, husbandly-companion may be an attorney-counselor-broker


In maturity, George Michael devoted much of his time to charity work. GM's legendary philanthropy = both individual and organizational. ++ ability to inspire listeners through his music

[Guru-Meena] charities for mothers and children

GM's most famous song Faith inspired young listeners worldwide with a message of ultimate faith in love, despite the reality of disappointment in human relationships

Children and Charity

no acknowledged children [although the nativity would suggest that children were produced + Guru activates -8] . Meena- Guru drishti into bhava-5 + putra-pati Budha-1 = Devoted supporter of charities for women and families.


svadu-karaka [sweet] kalatra-karaka [wifely companion]

[acquisitive-sensual dhanesha for Kanya indriya-lagna]

[doctrinal-philosophical dharmesha for Kanya indriya-lagna]


[rhythmic-protective Rohiṇī-4] [navamsha Shukra-Karkata] intuitively harmonious sentimental caretaking


  • [Shukra-Urisha] [svakshetra] valuable arrangements * attuned to capital resources [including human capital] * appreciates wealth * pleased by worthy collections * attracted to beautiful sounds * acquisitive sensuality * cherished accruals * financial harmony * richly historic environments * delighted by precious goods * prefers luxury-loving partners
  • [Shukra-9] seeks pleasure via philosophical doctrine * enjoys wide worldview * believes in beauty * feminine-figures preach-teach on higher principles * broad scope of negotiations * expansive musical taste * pleasing designs to adorn the pelvic floor * graceful hips * balanced femoral sockets * sweet sacral plexus * appreciation of theory * father may be financier-broker-arbitrator-artist * in a husbandly nativity, wifely-companion may hold a guidance position
  • [Shukra-yuti-Budha] sweetened messages * gracious explanations * talented in singing-songwriting * articulate negotiations * advocates for reasoning process * talkative feminine-figures * pleasant conversations * bargaining for business * sibling-cohort collaborative harmony * enjoys the company of students * detailed contracts * prefers logical arrangements


[Shukra-yuti-Budha] Urisha sensuality occupies 10th-from entertainment-genius Chandra-Simha

Shukra rules Urisha-pleasures, values, finance in career-profession [10th navamsha]

emotionally evocative vocalist, musician, dancer, media producer, philanthropist. Fanclubs.

activates 11 friendship, social networking, economic gains


duro-karaka [endurance] * jara-karaka [Jahre, years]


[witty-creative vidya-pati for Kanya indriya-lagna]

[inimical-medicating rogesha for Kanya indriya-lagna]

[imposes lawful order upon creative arts performance]

[heavy responsibilities for regulating orderly entitlements]

[strict social rules impose limitations on children]

[politics of conventional government hierarchy]

[normalizing restrictions on romantic games]


[ministering-complaining Dhaniṣṭha-2] [navamsha Shani-Kanya] intuitively hierarchical service ministries

[Atmakaraka respecter of hierarchies, social ordering, regulator, maintains old structures]

  • [Shani-Makara-Draco] heavy old institutions * obliged to conform to the time-clock * rigidly ranked class-systems * strict regimes * pressure to complete socially required duties * structural compression upon knees-calves-skeleton * strictly imposed protocols * must normalize old rules * unyielding pressure of public judgment * class-conscious elders * punitive regulators * must endure proletarian manners * must continue disciplined work * scarce building resources * maintainer of old hierarchies
  • [Shani in Bhava-5] steady time-structured intelligence * heavy responsibility for children * pessimistic in romance * cautious financial speculation * resists ceremony * limits special entitlements * obligatory entertainments * dreads political games * tightly disciplined creativity * mother's family often rigidly conventional * blocked heart-and-spine * subdued sparkle * performance fatigue * intolerant of time-wasting amusements * elders maintain ordinary rights


Shani rules 6 + 6th-from-Chandra

Mangala-Shani bhukti


rajyalobha-karaka [ambition] picchala-karaka [slippery]


[for Kanya indriya-lagna]

[Rahu-10 casts passionately lawful institutional drishti into 2-4-6]

check Budha for defining source of Rahu's message

[regulatory authority based in mixed-culture commerce]

[fascinating icon of publicity messaging]

[elite commander of exciting scripted announcements]

[astonishing social rise of businesspeople, writers, publicists, schedulers, shopkeepers, clerks, team-managers]

[reputed for fabulous communication skills]


[publishing-writing Punarvasu-3] [vargottamsha] [navamsha Rahu-Mithuna] intuitively over-reaching passion for communications-messaging


  • [Rahu-Mithuna] shimmering illusion of cooperation * craving for conversation * mask of messaging * boundary-breaching broadcasts * extraordinary explanations * ambitious administration * preposterous propaganda * extravagant commercial transactions * marvelous advertising * thrilling photographs * unusual ensembles * exciting cohort * mesmerizing instructions * over-reaching management * seeks special importance via apparent [but perhaps not authentic] attributes of information delivery * sensational scripts * exaggerated announcements * exceptional business methods * seeks privilege via communicator-roles

  • [Rahu in bhava-10] passion for prestige positions * in svabhava of Sober Shani, the Shadowy Specter seeks glamorous leadership roles * thrilled by iconic status * craves symbolic importance * hungers for outstanding recognition * outsider who cleverly insinuates into respected hierarchies * authoritatively challenges official rules * mesmerizing ascent to high social status * may pose as a boss * shimmering smoky illusion of legitimate command * trespasses cultural limits of rigid old order * boundary-breaching public reputation * ambition for elite rank * desire for eminence * opportunistic climb to top of the corporate pyramid * prominent cultural-mixing figurehead * ambition of the father's family
  • [Rahu-yuti-Surya] amplified ambition for center-stage roles * magnified confidence * passion for exotic display * trickster with dramatic flair * opportunistic father * creative pursuit of social mobility * fascinating [but perhaps illusory] appearance of exceptional intelligence * thrilling political genius * hypnotic charm * seeks privilege via bright celebrity * sparkling center of cross-cultural mixing


Generous Guru-ruled [Rahu-Punarvasu-3] is exceptionally charitable with an aim to restore the original blessings of the Vasu. The public reputation is mixed, expansive, philosophical . However, Rahu must content with His sworn enemy, Lord Surya [the dad] .


kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]

[for Kanya indriya-lagna]

[unrooted in customary folk beliefs]

[unconcerned with parental ideologies]

[liberated from the bonds of ancestral convictions]

[passively fixated on ambitiously messaging-commercial Rahu-Mithuna-10 leaders, commanders, hierarchs]


[principled-believing Uttarāṣāḍha-1] [navamsha Ketu-Dhanus] [pushkara pada] [vargottamsha]

  • [Ketu-Dhanus] philosophically dissociates from sacred convictions * odd professors * dissolves indoctrination * empty paradigm of belief * dispersed worldview * not limited by conventional beliefs * eccentric teachings * peculiar convictions * ignores restricted catechesis * releases a warm golden cloud of broad inclusivity into the misty abyss
  • [Ketu in classroom-4] ambivalent toward the cultural foundations * absentee mother-figure * disregards local customs * dissolved property boundaries * wanders from the ancestral home * often away * ignores conventional schooling * irrelevance of habitual folkways * surrenders nationality * dismisses bondage to parents * abandons the established routines * may prefer to live free from fixed roots


Dissociative Ketu in disregards social conventions = arrests for lewd behavior, drunk driving during Mangala-Ketu bhukti.

Random acts of kindness in support of local mothers-and-children [4 ruled by Meena-Guru-in 4th-from-4].

Disinterest in formal schooling [4]. His affluent father strongly wished for his only son GM to earn a college diploma, in order to lay a foundation for his adult future. However, GM was drawn into high-energy dancing-and-singing since his high-school days.

Therefore, while GM's material success in the entertainment business [Mithuna-Rahu-10] was widely admired, GM lacked the foundational, grounding conferred by college methodical study.

Basic categorical sorting skills ; would have helped to analyze lifestyle problematics, such as rectifying habitual [4] rhythms of addiction . Instead, with Ketu-7 under Guru's tolerant rulership, one tends to succumb to the underlying nothingness.


on a publicist-arranged date in 1980's, George Michael and the fashion model Brooke Shields


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