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born two months before + 350 miles NW of
born two months before + 400 miles W of
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International Music Celebrity entertainer guitar virtuoso fashion-designer artist a.k.a. Prince Rogers Nelson a.k.a. the artist formerly known as Prince a.k.a. Skipper Earth-birth 07-Jun-1958 dematerialization 21-Apr-2016 [age 57] |
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Touring musician
songwriter
fashion-designer
artist
1958-2016
Prince Rogers Nelson
birth information from https://en.wikipedia.org/wiki/Prince_[musician]
tentatively rectified by BP Lama Jyotishavidya
charts + graphs + tables = produced by
Shri Jyoti Star
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adapted by BP Lama
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Rising Nakshatra Masculine Nativities Hasta - Savitri * Athram BPL commentary For Hasta births of a masculine valence, the condition of reflective, sheltering, undulating, rhythmic, routinized, culturally rooted, boundary-defending, security-seeking, nourishing, parental, matrikaraka Chandra may considerably affect the outcome. For those born into the Soma-ruled paradigm of Pundarikaksa, mother-figures, protectors, guardians, elemental spirits, natural environments, waters, roots, eggs, gardeners, farmers, fisher-folk, caretakers, foundation-builders, police, schoolteachers, parents, providers of nourishment, and defenders of the root culture, may be especially influential. Instructional guidance provided by emissaries from the civilizations of Corvus. Their purpose = making secure nests to soothe, protect, and nourish the workers. Careful handling Savitra-born fellows are often found in handcraft trades, home-building and real-estate, in caretaking and protective roles, or in specialties of nourishment, sheltering, schoolteaching, policing, or local safety. Their purpose is supporting the local welfare. Typically masculine births in Hasta indicate a comfortable, grounded focus into the home realms including parenting, gardening, and environmental care. All four pada of Hasta occur within Kanya rashi. Athram-born express the tension between the handy busy-ness of mental, commercial Budha versus the emotionally based, calming routines of non-verbal Chandra. Known for their skillful handwork, Hasta are found in service professions where daily communications and family-style conversations are engaged in a routine of protective, sustaining care. Hasta chaps are socially reliable and available emotionally due to Chandra influence. This nice combination wins them many friends and long-term business customers. Hasta are specialists in customer care. Once they have established a relationship whether personal or professional, the Athram-born values consistency and loyalty. Generally not risk-takers unless Rahu is prominent in the nativity. Hasta fellows tend to be engaged parents, restaurateurs, home builders, social workers, home health nurses, protection officers, schoolteachers, and supervisors of caretaking operations. Although their own family usually comes first, Hasta are concerned with the well-being of their complete natural and social environment. Themes of manufacturing and handcraft, local business, housing and shelter, nourishment, and protective service may contextualize Hasta's terrestrial experience. Applies also to Chandra in Hasta - Savitra |
QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra .p 83 " ...clever, witty, and entertaining. They like social contacts
When in trouble, go to a Hasta person; but do not try to pull the wool over their eyes,
they are very likable and are good company,
Prince in 1980 [his age 22] - scion of Corvus |
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07-Jun-1958 Earth-birth in Minneapolis, Minnesota, USA * Rahu-Rahu svabhukti 24-Sep-1968 [PRN age 10] parents divorce * Rahu-Ketu bhukti ++ R-K opposition 1978 [PRN age 20] first musical recording contract with Warner Bros. * Guru-Shani bhukti * Shani activates 5-entertainment + 6-exploitation 1982 [PRN age 24] musical double-album 1999 yields widespread critical acclaim * Guru-Budha bhukti * Budha lagnesha karmesha recognition, authority 28-Feb-1984 [PRN age 26] earns first Grammy Award * Guru-Shukra bhukti* Shukra rules 9-fortunes, celebrity 1984 [PRN age 27] cinema-and-music production Purple Rain gains both critical and popular acclaim * Guru-Shukra bhukti* Shukra rules 9-fortunes, celebrity Mar-1993 until Jun-1995 - Janma Sade-Sati Kumbha [6, chronic imbalance] 14-Feb-1996 [PRN age 38] celebrated consecration of marriage-1-of-2 * Shani-Budha bhukti * Budha rules Mithuna svamsha * gochara R-K transit via Kanya-Meena contact Kanya lagna] 16-Oct-1996 [PRN age 38] celebrated the birth of child-1 [lived 1 week only, died of congenital disorder] * Shani-Budha bhukti * Budha activates 8th-from-Chandra 1998 [PRN age 40] marital separation-1 * Shani-Shukra bhukti [Shukra-yuti-Ketu] 2001 [PRN age 43] joined Jehovah's Witness congregation * Shani-Shukra bhukti* Shukra rules 9-doctrine 25-Aug-2001 [PRN age 43] grieved the decease of father * Shani-Surya bhukti - Budha-yuti-Surya - enabled Budha rules 2nd-from-Surya 31-Dec-2001 [PRN age 43] [Manuela age 25] consecration of marriage-2-of-2 with businesswoman Manuela Testolini * Shani-Surya bhukti [Budha-yuti-Surya] * enabled Budha rules Mithuna Svamsha * gochara R-K transit via Mithuna-Dhanus contact navamsha [Mūla-Chandra] 15-Feb-2002 [PRN age 43] grieved the decease of mother - Shani-Surya bhukti * Surya rules 7th-from- Chandra-Kumbha Apr-2005 [PRN age 46] separation from alliance-2 * Shani-Rahu bhukti 2006 [PRN age 47] divorce from alliance-2 * Shani-Rahu bhukti 2015 [PRN age 56] onset of severe hip pain * Budha-Shukra bhukti [Shukra-yuti-Ketu] dissolution of cartilage [Ketu] produces arthritis ++ Shani-Return 21-Apr-2016 [PRN age 57] dematerialization via drug overdose fentanyl. Drug dependency following medication for severe hip pain * Budha-Shukra bhukti * maraka Shukra activates -2 |
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pitri-karaka [father] jyoti-karaka [light] [retreating-contemplative vyaya-pati for Kanya indriya-lagna] [karako bhavo nashto for father, patrons, chieftains, indoctrinators] ... [rhythmic-protective Rohiṇī-4] [navamsha Surya-Karkata] inuitively confident local folkways radiance
OUTCOMES - SURYA FATHER Dad = John Lewis Nelson [b. 1916 d. 2001] = jazz musician and songwriter. Dad collaborated with his son Prince on songs, as a credited co-writer. in the 1980's. [Surya in bhava-9] resides in the security-seeking, local-culture, parental, protective 4th-from-Chandra
[Chandra] matrikaraka [mother] * garha-karaka [village] [friendly-gainful vriddhi-pati Kanya indriya-lagna] ... [populist-profitable Varuna-3] [navamsha Chandra-Kumbha] [vargottamsha] intuitively sensitive to populist sentiment
OUTCOMES - CHANDRA
MOTHER Mom = Mattie Della Shaw = a jazz singer MARRIAGE partnership emotional equity support expectations [7th-from-Chandra-6] lifepartnership-1-of-2
8th-from- [7th-from-Chandra-6] lifepartnership-2-of-2
[Kuja] bhratru-karaka [brother] virya-karaka [virile] [busy-collaborative sahaja-pati for Parthya indriya-lagna]4 [mysterious-transformative randhresha for Parthya indriya-lagna] ... [calculating-assisting Andromeda-2] [navamsha Mangala-Kanya]
OUTCOMES - MANGALA [Mangala in bhava-7] occupies [2nd-from-Chandra] contentious, argumentative family who are mainly sparring about philosophical, visionary issues ++ matters of promise, covenant, oath, pledge, contract [Budha] jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student] [energizing-identifying lagnesha for Kanya indriya-lagna] [dutiful-hierarchical karmesha for Kanya indriya-lagna] ; [talks about historical beliefs] [pronounces narratives of heritage doctrinal value] [detailed assessment of music-tone-color] [represents the wealth of tribal chieftains] [publicly identified with paternal legacy] [calculates the itemized treasury] [delivers storytelling guidance to youth] [exponent of financially principled charity] [father may be banker-financier-musician] ... [pioneering-champion Rohiṇī-1] [navamsha Budha-Mesha] intuitively explaining innovative distinctions in historical sound-color values
OUTCOMES - BUDHA [Budha in bhava-9] resides in the security-seeking, parental [4th-from-Chandra] Budha = lagnesha ++ karmesha Prince has been described by music critics as a music-marketing genius due to his narrative focus on hedonistic sexual language. In Guru-Guru svabhukti, PRN's career was launched with an explosive combination of explicit lyrics appealing to restless younger audiences, along with extraordinary musical arrangements. He combined this astounding artistic blend with truly extraordinary, even transcendent, stage performance charisma. [Guru] dhava-karaka [husband] bahuta-karaka [variety] [dikbala] [kendra-adhipati-dosha] [homebound-anchoring bandesha for Kanya indriya-lagna] [bargaining-balancing yuvati-pati for Kanya indriya-lagna] [multiple ministering personality attributes] [embodiment of logical philosophical beliefs] [identified with an analytical credenda] [iconic personification of service-oriented worldview] [personality exemplifies working-class ideology] [paragon of laboring cheerfulness] [preacher-and-teacher may symbolize the wisdom of remediation strategies] [expansive bargaining skills with a personalized understanding of relationship imbalances] [often a benefactor to the local folk] [Guru-1 rules 4+7 = customary convictions with optimistic partnerships] [Masculine nativities identitifed with married status.] ... [ministering-complaining Chitra-2] [navamsha Guru-Kanya] [vargottamsha] intuitively expansive contemplative understanding of imbalanced inequity
OUTCOMES - GURU Permanent cycle of self-transformation via Guru in bhava-1 in 8th-from-Chandra [Shukra] svadu-karaka [sweet] kalatra-karaka [wifely companion] [collecting-preserving dhanesha for Kanya indriya-lagna] [philosophical-believing dharmesha for Kanya indriya-lagna] .... [creative-displaying Bharani-1] [navamsha Shukra-Simha] intuitively harmonizing balanced theatrical romantic arrangements
OUTCOMES - SHUKRA Complex situation for Shukra * art, music, design, relationships. Mental fragmentation ++ eccentric writing Shukra-yuti-Ketu resides in the mentalized, writing, lyrical 3rd-from-Chandra Younger sister = a recognized singer [Shani] duro-karaka [endurance] * jara-karaka [Jahre, years] [witty-speculative vidya-pati for Kanya indriya-lagna] [inimical-medicating rogesha for Kanya indriya-lagna] ... [imaginative-philanthropic Jyeṣṭha-4] [navamsha Shani-Meena] [Atmakaraka duty, structure, legal systems, persistence, normalcy, conventional behavior]
OUTCOMES - SHANI Atmakaraka Shani after a long and persistent legal battle with a dominant corporation, in a landmark case that was celebrated by musicians worldwide, Prince famously won the legal ownership rights to his catalog of songs He was also a member of a religious group that forbids college education and requires rigorous uniformity of conduct and belief [Shani in Bhava-3] resides in 10th-from-Chandra Above all his astounding varieties of creative talent, Prince is remembered primarily as a lyrical writer Shani in Bhava-3 may also be a dogmatic thinker[Rahu] rajyalobha-karaka [ambition] picchala-karaka [slippery] [for Kanya indriya-lagna] [Rahu-2 casts passionately enriching capitalizing drishti into 6-8-10] [passively fixated on ambitiously diplomatic-partnering Rahu-Tula--2 treasuries, store-holds, family-members, bankers, memory-collectors, warehousers, knowledge-preservers, or second-spouse] ... [mysterious-emerging Chitra-4] [navamsha Rahu-Vrischika] intuitively over-reaching passion for transformation-discovery
OUTCOMES - RAHU -Chitra-bhava-2 Rahu-Chitra is fascinatingly gifted with the hands. In the Tula pada 2-4, musical instruments and cosmetic surgery. Design arts, drawing, architecture, financial contracts, family heritage of music. Capitalization, Voice-Face, Rahu-challenge to rigid social practices in finance, politics, worthiness, truth. Entrancing speakers, cleverly sonorous values-based speech. Rahu in bhava-2 seeks privilege via important - often risky - cultural-mixing roles in evaluation, assessment, language, memory, knowledge, voice-speech-song, face-genetics, heritage, tradition, family lineage, food, seeds, herds-hoards, storage-stories-history, libraries, museums, databases, collections, banking, reserves, preservation, assets, capital wealth. Rahu in bhava-2 resides in [9th-from-Chandra] Mother's father has a risk-rewarded, exciting, boundary-breaching character Challenge to the Old Financial Order Prince was widely appreciated and admired among musical artists for his extraordinary, boundary-challenging decision to obtain the financial rights to his own musical works. Via a prolonged series of lawsuits [Tula] against the powerful legal force of big-money in music, Prince eventually won a precedent-setting judgment that the industry captains could not permanently own any artists creative work. [Ketu] kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum] [for Kanya indriya-lagna] [beneficial placement] [dispersed engagement with innovative rebirths] [dissolution of wartime catastrophe] [surrenders pioneering initiations] [forgives broken fresh-start transformations] [abandons unsustainable physical eruptions] [absent from empty blood eruptions] [disregards invasive surgical conventions] [eccentric kinetic trauma-healing] [passively fixated on ambitiously diplomatic-partnering Rahu-Tula-2 passionate financial partnerships] .... ... [musical-financial Aśvini-2] [navamsha Ketu-Urisha]
OUTCOMES - KETU |
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