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Divinity and Doctrine

Drama and Song


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Sister Aimee at the height of her ministry, during the 1920's


Pentecostal Christian non-denominational Evangelist

inspirational preacher

healer

dramatist

Aimee Semple McPherson

a.k.a Aimee Elizabeth Kennedy

Earthbody-Entry Thursday-09-Oct-1890

Earthbody-Exit 27-Sep-1944 (age 53)

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Pentecostal Christian non-denominational Evangelist * 1890-1944 * Aimee Kennedy Semple McPherson

birth data from https://en.wikipedia.org/wiki/Aimee_Semple_McPherson * tentatively rectified by BP Lama

charts, graphs, and tables produced by Shri Jyoti Star software * adapted by BP Lama

Rising Nakshatra

Feminine Nativities

Uttaraphalguni * Aryaman * Bhaga * Falgun * Utthram


BPL commentary:

For Uttaraphalguni births of a feminine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome.

Father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Denebola. Their purpose to brighten and glorify the divine intelligence through spectacular creativity.


Uttara-phalguni women are famously confident and willful. Monarchic entitlement pairs with aristocratic service via noblesse oblige. While much depends upon the characteristics of sparkling Surya, the feminine Falgun favors brilliant displays in royalty, celebrity, and theatre.

Simha pada-1 features charismatic centrality and stage presence, focused into the physical embodiment.

Kanya Pada 2-3-4 = equally smart and flamboyant, but more focused upon expressing the genius of the imagination. Often a splendid dramatist and performing musician. Kanya pada 2-3-4 radiate love for animals, and may undertake political activism on their behalf.

Themes of political power, radiant confidence, and bright celebrity drama may contextualize Utthram's terrestrial experience. Applies also to Chandra in Uttaraphalguni

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 95


"A joyous healthy disposition yet quietly so.

  • She has a very soft pleasing voice,

  • bubbling over with fun and humor.

She is born to a family with social background

and loves to mingle with her friends in various social activities

  • yet she is not frivolous,

  • but beneath her joyous manner, rather serious minded.

She has fixed principles from which she will not deviate.

She prefers to choose her friends

  • from among the people who are artistically inclined and cultured.

She is efficient and adept at managing her home and her domestic life."

Biographical events matched to the Vimshottari Dasha calendar

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Aimee McPherson preaching to a large crowd in her Angelus Temple, 1923, Los Angeles CA


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Ketu Mahadasha * age birth until age 5.8

Thu-09-Oct-1890 Earth-birth * Ketu-Zukra bhukti * Zukra karmesha


Zukra Mahadasha * age 5.8 until age 25.8

Dec-1907 born-again religious conversion (age 17) * Zukra-Guru bhukti * Guru rules 8-transformation of identity * samchara R-K via Dhanuzya-Mithunaya

12-Aug-1908 marriage-1 (age 17) * Zukra-Guru bhukti * Guru rules navamsha * samchara Rahu-Ketu via Dhanuzya-Mithunaya contact swamsha

1910 decease of husband-1(her age 19)* Zukra-Shani bhukti * Shani rules 2nd-from-7th

19-Sept-1910 celebrated the birth of child-1 (her age 19) * Zukra-Shani bhukti * Shani-yuti-Chandra born into widowhood

05-May-1912 marriage-2 * Zukra-Shani bhukti * samchara Rahu-Ketu via Meza-Thula * contact navamsha-Chandra-Meza


Surya Mahadasha * age 25.8 until age 31.8

1921 divorce from marriage-2 * Surya-Ketu bhukti


Chandra Mahadasha * age 31.8 until age 41.8

May-1926 famed reported kidnapping and escape from the Mexican desert * Chandra-Guru bhukti * Guru rules 8-initiations

20-Oct-1927 grieved decease of father * Chandra-Shani bhukti

1929 Great Depression begins * Chandra-Ketu bhukti

13-Sept-1931 marriage-3 * Chandra-Zukra bhukti * samchara Rahu-Ketu via Meena-Kanya * contact navamsha-nichha-Zukra


Mangala Mahadasha * age 41.8 until age 48.8

1934 divorce from husband-3 * Mangala-Guru bhukti * nichha-Guru rules-8

autumn-1934 nationwide revival tour with a cast of set designers, costumers, and stage directors * Mangala-Guru * Guru rules 5-theatre


Rahu Mahadasha * age 48.8 until decease age 53

27-Sept-1944 (age 53) Lightbody Lift-off * Rahu-Shani bhukti * Shani rules 7

posthumous

23-Nov-1947 decease of her mother Minnie Kennedy

Distinctive features of the Nativity

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Surya * pitrikaraka * jyotikaraka

  • Surya-Kanya * Poshanya * Pushna * the nourisher
  • Surya in bhava-2 * center of values, intelligence for storage, conservation, containment, values; focus on treasuries, bright face-speech-song, eye on capitalization-banking, * father = center of family
  • Surya-yuti-Budha * confidently conversational, bright messenger, entitled to discuss

Surya rules radical Uttaraphalguni nakshatra = entertainment, celebrity, theatre


Chandra * matrikaraka * garha-karaka

  • Chandra-Simha * comforted by rhythmic creative display
  • Chandra in Magha * comforted by dramatic, wandering observance * protectors of three-fires ceremony, glorious visions, unlimited magic
  • Chandra in classroom-1 * comfort in glowing incandescent embodiment, familiar with forward action, innovation, first-arrival, aristocracy, soothed by new birth, routine movements, undulating personality
  • Somana-yuti-Shani * Emotionally constricted * Emotionally disciplined

MOTHER

Somana-yuti-Shani * Nishturabashi Yoga

Chandra rules-6 joins Shani rules-12 and nichha-Guru creates a sarala-yoga. This extraordinary combination provided a very difficult mother who was also deeply supportive (in fact demanding) of her continued ministry (and mom outlived Aimee).

As a religious authority figure and charismatic healer, Aimee Kennedy Semple McPherson channeled the spirits, healed the sick, transformed the wicked, and took in donations enough to operate extensive charities based in the first megachurch in Los Angeles.

Three Marriages

7th from Chandra-1 = bhava-1 self-identity

  • Shani rules Kumbha-7 occupies lagna-Simha-1. The marriage although brief would have been influenced by vyayapathi-12 distant lands and Shani ripabhava-6 illness/animosity.

2nd-from 7th from Chandra-1 = bhava-2 finance, family, face, food

  • Second marriage to an accountant (Kanya containing accurate-counter Budha). The marriage endured for one Rahu-cycle (9-10 years) This alliance produced one child and ended during Surya-Ketu bhukti. The second marriage requires the native to remain somewhat obscured (8) which would not have been tolerable indefinitely for this vibrant performer.

9th-from-7th from Chandra-1 = bhava-9 patronage, ideology, privilege, philosophy

  • Third marriage to a dramatist who was working in the New York burlesque entertainment industry during the 1930's economic depression. Mangala ruler of 9 occupies purvashadha-5 suggesting entertainment, song-and-dance, and likely some politics.

Kuja * bhratru-karaka * virya-karaka

  • Mangala-Dhanuzya * vigorous pursuit of humanistic worldview* push toward doctrinal expansion, proactive teaching-preaching, philosophical globalism
  • Mangala in bhava-5 * drive toward creativity, pursuit of games, invasive drama, display dynamics, energized by romantic and political conquests

Budha * bandhava-karaka * zisya-karaka

  • Budha-Kanya * uttama * moolatrikona * ministering service communications, articulation of logical arguments, detailed pronouncements, messages about accuracy and error
  • Budha in bhava-2 * narrative of values, natural resources * narrative of speech-song, eyes-face, values, history, stories, storage, describer of family lineage ,explainer of treasuries, delivers instructions for preservation of natural resources
  • Budha-yuti-Surya * articulation of radiant authority, message of willpower and charisma, confidently talkative father

Guru * dhavakaraka * bahuta-karaka

* sarala yoga

  • Guru-Makara-Draco * nichha * much social structure, many rules, materialistic beliefs, doctrine of rank and structure\
  • Guru in bhava-6 * much service, many ailments, much medication, abundant imbalance, many grievances, numerous accusations

Guru rules Dhanuzya swamsha = doctrine, catechesis, paradigms of belief, philosophy, theory, guru, preaching, pope, proselyte, propagation of the faith


Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Vrizchika * appreciation of penetrating discovery, pleasures of covert power, enjoys hidden assets, aesthetic of occult secrecy
  • Zukra-4 * digbala * pleasure of home-based routines; enjoys domestic equity, feminine-figures are prominent in the home environment, appreciation of owned properties
  • Zukra-yuti-Ketu * gracious dissolution, dispersed beauty, sweet surrender, empty negotiated unions, disintegrating contracts

Shani * duro-karaka * jara-karaka

  • Shani-Simbha * old entitlements, old drama, pressured heart, imposed politics, proletarian entertainments, must do ceremony with scarce resources
  • Shani in Bhava-1 * must act under pressure, have to move but slowly, push forward against stiff limitations; cautious, conventional identity; tense competition, chronic impeded movement; heavy pressure against free movement
  • Shani-yuti-Chandra * nishturabhashi yoga * resistance against protection, limited comfort, emotional discipline. constrained flow

Shani aripathi occupies Simha-lagna suggesting chronic health conditions since birth, focused in heart and spine; exacerbated by the expansive capabilities of nichha-Guru-6


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Vrizabha * uttama * craving for preserved collections, treasure-hoards * mask of historic conservatism; fascinated by banking, hoarding * seeks special importance via accrued values, via apparent (but perhaps not authentic) stored acquisitions
  • Rahu in bhava-10 * passion for leadership power * in swabhava of Sober Shani, the Shadowy Specter seeks privilege via glamorous or unusual iconic, symbolic, representational, government, executive authority, social status. Rahu-10 desires an important regulating role in materially privileged, socially visible ranks. Exciting, potentially fraudulent, opportunistic character of the leaders, bosses and government officials. Thrives in culturally-mixed legislative, executive settings. Rahu the Poseur may pose as a boss, an authority-figure, a decision-maker, a legislator, a tyrant. Rahu-10 trespasses the cultural boundaries of governance authority, social dignity. Thrilling hunger for high-recognition, empowered reputation, respect. Ambition of the father's family

Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Vrizchika * uttama * dissociates from hidden empowerments, incomplete discovery, empty secrets, dissolute penetrations, not limited by catastrophic change, ignores restriction on initiations
  • Ketu in classroom-4 * ambivalent toward the homestead, absentee mother-figure, disregards local customs, dissolved property boundaries, wanders from home, irrelevance of the established folkways. One abandons the nationality, the parents, the ancestral routines.
  • Zukra-yuti-Ketu * surrendered arrangements, empty promises, disconnected negotiations, unsustainable contracts, apathetic music, disappointment and dissatisfaction in relationships
"And now my friends,

all that is true, all that is noble, all that is just and pure,

all that is loveable and gracious, whatever is excellent and admirable -

fill all your thoughts with these things."

~~ Epistle to the Philippians 4:8

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