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Drama and Song

Songwriter


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born six weeks after

born two months before

born four months before

born five months before


honorary niece of

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musical recording artist

songwriter

theatrical performer

fashion model

philanthropist

Whitney Houston

a.k.a. Whitney Elizabeth Houston

Earthbody-Entry Friday-09-Aug-1963

Earthbody-Exit 11-Feb-2012 (age 48)


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balladeer, musical entertainer, fashion model * 1963 - 2012 * Whitney Elizabeth Houston

birth data from http://en.wikipedia.org/wiki/Whitney_Houston * tentatively rectified by BP Lama Jyotisha

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Feminine Nativities

Uttaraphalguni * Aryaman * Bhaga * Falgun * Utthram


BPL commentary:

For Uttaraphalguni births of a feminine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome.

Father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Denebola. Their purpose to brighten and glorify the divine intelligence through spectacular creativity.


Uttara-phalguni women are famously confident and willful. Monarchic entitlement pairs with aristocratic service via noblesse oblige. While much depends upon the characteristics of sparkling Surya, the feminine Falgun favors brilliant displays in royalty, celebrity, and theatre.

Simha pada-1 features charismatic centrality and stage presence, focused into the physical embodiment.

Kanya Pada 2-3-4 = equally smart and flamboyant, but more focused upon expressing the genius of the imagination. Often a splendid dramatist and performing musician. Kanya pada 2-3-4 radiate love for animals, and may undertake political activism on their behalf.

Themes of political power, radiant confidence, and bright celebrity drama may contextualize Utthram's terrestrial experience. Applies also to Chandra in Uttaraphalguni

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 95


"A joyous healthy disposition yet quietly so.

  • She has a very soft pleasing voice,

  • bubbling over with fun and humor.

She is born to a family with social background

and loves to mingle with her friends in various social activities

  • yet she is not frivolous,

  • but beneath her joyous manner, rather serious minded.

She has fixed principles from which she will not deviate.

She prefers to choose her friends

  • from among the people who are artistically inclined and cultured.

She is efficient and adept at managing her home and her domestic life."

Biographical details matched to Vimshottari Dasha bhukti


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Budha Mahadasha * age birth until age 16.6

09-Aug-1963 Earth-birth in Newark, New Jersey, USA * Budha-Budha swabhukti


Ketu Mahadasha age 16.6 until 23.6

1981 high school diploma * Ketu-Zukra * Zukra rules 9-guidance

1985 begin ascent into musical fame, hit recordings, video, and live performances * Ketu-Shani bhukti * Shani rules 5-fame


Zukra Mahadasha age 23.6 until 43.6

18-July-1992 marriage-1 * Zukra-Chandra bhukti * Chandra rules navamsha-7 * samchara Rahu-Ketu via Dhanuzya-Mithunaya * contact radical R-K

04-Mar-1993 celebrated the birth of child-1 * Zukra-Chandra bhukti * Chandra rules 5th-from-Chandra

02-Feb-2003 grieved decease of father * Zukra-Shani bhukti * pitrimaraka Shani rules 7th-from-Surya

2007 divorce-1 * Zukra-Ketu bhukti


Surya Mahadasha * age 43.6 until decease age 48

11-Feb-2012 Lightbody Lift-off (age 48) * Surya-Ketu bhukti

posthumous

26-July-2015 decease of daughter, Bobby Christina Brown * Chandra-Rahu bhukti

Salient features of the Nativity

Surya * pitrikaraka * jyotikaraka

  • Surya-Karkata * Bhanu * ray of light
  • Surya in bhava-11 * center of community, brightly earning, intelligence for networks, focus on economy, revenue entitlements, distributed light, eye on friendships
  • Surya-yuti-Zukra * confidently harmonious, bright bargainer, entitled to pleasures, radiantly diplomatic, self-reflexively attractive [azlesa]

FATHER

Surya in bhava-11 Dad was a military officer (Karkata protectors). He managed her career and functioned as a friend (11)

Chandra-Surya share a 5/9 angle suggesting a mutually supportive affinity between the parents.


Chandra * matrikaraka * garha-karaka

  • Chandra-Meena * comforted by rhythmic ancestral guidance
  • Chandra in Revatika * comforted by wayfaring rhythms * protector of poetic interpretations, wise familiar lyrics, soothing dreamlike songs, ancient folk narratives * Pushana * The Pied Piper
  • Chandra in classroom-7 * comfort in arrangements; familiar with bargaining, soothed by equity, needs to feel the rhythm of deal-making routine partnership, balanced contracts; undulating agreements
  • Somana-yuti-Guru * Emotionally effusive, needs to expand, sensitive to guidance figures, feels like a teacher-preacher

Somana-yuti-Guru-Revati music. Her musical and dramatic performances appealed emotionally to a very broad (Guru) cross-section of the public.

Guru-Meena diversity with a doctrinal quality. Her musical style was admired by fans young and old, rich and poor, black and white, men and women.

MOTHER

Mom = the popular singer Cissy Houston. Chandra-yuti-Guru suggests that her mom's music also appealed to a wide demographic swath of listeners since she sang in several styles ranging from religious devotional church music (Guru) to drug-and-exploitation influenced nightclub material.

Chandra in classroom-7 receives incoming Parashari drishti from both disciplining, orderly, Shani-5 (suggesting oppressive entertainment workload) Drishti from sexualized, verbally critical Mangala-Kanya-1 also influences the mother's persona and her own marriage environment.

MARRIAGE emotional support partnership

7th-from-Chandra-7 = bhava-1 personality, physique


Kuja * bhratru-karaka

  • Mangala-Kanya * vigorous pursuit of logical argumentation; thrust toward service, push toward unfairness
  • Mangala in bhava-1 * drive toward embodied performance vitality, pursuit of competition, direct physical action, thrusting vigor, personality dynamics, energized muscular conquests

Kuja-Kanya-1 occupies the marital 7th-from-Chandra, indicating a physically active and critically-investigating life mate

Kuja rules 3-touring, entourage, writing + 8-crisis, sudden changes

Whitney Houston wrote much of her own music. * musical touring throughout career; entourage, ensemble drama; songwriting


Budha * bandhava-karaka * zisya-karaka

lagnesha + karmesha

  • Budha-Simha * dramatic communications, articulation of bright celebrity entitlements, messages about politics and creativity

  • Budha in bhava-12 * narrative of sanctuary, quietude, research, contemplation, describer of astral inner terrain, explainer of spiritual guidance, delivers instructions for distant worlds

Budha represents the team, the entourage, the ensemble, the promoters, the handlers, the managers

Budha-Simha occupies the electro-magnetic emotionally adversarial 6th-from-Chandra suggesting that the greatest source of psycho-emotional stress. = the business activity of constantly producing musical performances, both live shows (Simha) and recordings (Budha), in part to support a legion of managers and handlers (Budha), was


Guru * dhavakaraka * bahuta-karaka

* Hamsha Yoga

  • Guru-Meena * much guidance, many imaginings, many dreams, intuitive beliefs, doctrine of astral guidance
  • Guru in bhava-7 * many contracts, much negotiation, much partnership, abundant agreement, numerous alliances
  • Guru-yuti-Chandra matri-karaka * multiple mother-figures, much expansion of folkways, much humanistic cultural philosophy

Guru rules Ketu in the reputation-defining the emotionally motivated, social-ordering, leadership-seeking; 10th-from-Chandra

Chandra-yuti-Guru expands both the scope of her musical reach and the number of her partnerships

Guru in bhava-7 suggests that the husband-figure (the first husband) displayed qualities of bargaining, negotiation, deal-making. He may be greatly talented in making arrangements, both musical and financial.

Guru rules the emotionally motivated, social-ordering, leadership-seeking; 10th-from-Chandra.

Chandra-7 rules gainful bhava-11 suggesting that the partnerships formed by the multiple mother figures were fruitful Chandra-yuti-Guru

Uttaraphalguni lagna attracts many entertainers into the life, yet Whitney Houston's many mothers supported the talented young girl as she rose through the ranks in the notoriously exploitive entertainment industry. The nativity is naturally fragile due to constant volatility of randhresha ++ ruler of 8th-from-8th dominating the Kanya lagna. Yet to the extent possible, her many-mothers sheltered and protected a delicate flower.


Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Karkata * appreciation of comforting routine, pleasures of secure borders, enjoys rhythmic seasons, aesthetic of domestic arrangements
  • Zukra -11 * pleasure of community linkage, enjoys network equity, feminine-figures inter-knit community, appreciation of friendships
  • Zukra-yuti-Surya * gracious brightness, radiant beauty, self-reflexive bargaining, sweetly confident entitlements, enjoys politics, negotiating father-figure, intelligently focused on trades, arrangements, contracts
Zukra rules Thula 10th navamsha song, beauty, grace

Zukra-11 = her music had a notable community focus and expressed most vibrantly in larger groups such as church choirs.

Splendid dhana-yoga =

  1. Zukra rules-2 ++ Zukra occupies-11. Extraordinary profitability in music (Zukra) and creative entertainment performance (Surya) * Surya-yuti-Zukra
  2. Zukra-11 rules 11th-from-11th bhava-9 Vrishabha music

Zukra rules 2-genetics, ancestry * How Will I Know 1963-2012 singer fasion model Whitney Houston * scion of an African-American musical dynasty


Shani * duro-karaka * jara-karaka

  • Shani-Makara-Draco * old hierarchies, pressured duty, old rules, pressured knees-calves, imposed laws, proletarian laws, must govern with scarce resources
  • Shani in Bhava-5 * must create drama with scarce confidence; cautious of politics, conventional intelligence; heavy weight of children; resistance to celebrity, tense performance, chronic pressure on the heart + spine ; heavy resistance to free creativity

Shani occupies the emotionally motivated community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra

Shani casts disciplining drishti into 7-arrangements + 11-profits + 3-commerce, writing, productions

Shani-5 in any rashi faces a peculiar restriction-obligation vortex: one must (Shani must) hold the center of attention (5, center) * yet it is not permitted to be special or unique (cold, dark Shani = anti-Simha)

Shani rules 5 + 6 ++ Shani casts drishti into 7 adds loyalty to the marriage contract, even when other pressures would erode the vow.

Houston famously suffered a challenging but enduring marriage situation which involved children (5) creative performance (5) drugs (6) and domestic abuse (6) among other features.

Shani drishti to Chandra and Shani drishti to Surya suggest that both parents were constrained to produce an appearance of social decorum and uphold a standard of public behavior, despite personal strain.

Shani in bhava-5 suggests that children constitute a heavy responsibility


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Mithunaya *craving for conversation * mask of explanatory, evangelistic messaging; fascinated by evangelism, announcements, declarations, instructions * seeks special importance via commercial transactions, via apparent (but perhaps not authentic) explanations
  • Rahu in bhava-10 * in swabhava of Sober Shani, the Shadowy Specter seeks privilege via glamorous or unusual iconic, symbolic, representational, government, executive authority, social status; desires a special, important, regulating role in privileged socially visible ranks. Exciting, opportunistic leaders, ambitious bosses and government officials. Thrives in culturally-mixed legislative, executive settings. Rahu the Poseur may pose as a boss, an authority-figure, a decision-maker, a legislator, a tyrant. Bhava-10 social authority = a publicly recognized environment for boundary-breeching, risk-rewarding Rahu.

Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Dhanuzya * dissociates from sacred convictions, incomplete doctrine, empty beliefs, dissolute worldview, not limited by philosophy, disarrayed theory, ignores restriction on paradigms of belief
  • Ketu in classroom-4 * ambivalent toward the homestead, absentee mother-figure, disregards local customs, dissolved property boundaries, wanders from home, irrelevance of the established folkways

Ketu occupies the emotionally motivated, social-ordering, leadership-seeking; 10th-from-Chandra, suggesting an emotionally evocative image of dissolution, characterizing a tragic, martyred, public symbolic role

11-Feb-2012 Lightbody Lift-off (age 48) * Surya-Ketu bhukti Commentators broadly agreed that she suffered from exhaustion (Ketu).

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