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dramatist * singer

entertainment producer

Bollywood Matinee Idol

commercial investor

1984-1987 * Member of Parliament-India Lok Sabha

cultural icon * master of self-reinvention

Amitabh Bachchan

a.k.a. Amitabh Harivansh Srivastava

Earthbody-Entry Sunday-11-Oct-1942

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Bollywood cinema, politician * 1942- * Amitabh Harivansh Bachchan

birth data from http://en.wikipedia.org/wiki/Amitabh_Bachchan * tentatively rectified by BP Lama Jyotisha

charts, graphs and tables produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Masculine Nativity

Purvazadha * Apah


BPL commentary

For Purva-azadha births of a masculine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Bhrigu may considerably affect the outcome.

For those born into the Zukra-ruled paradigm of Ambudaiva, feminine figures such as sisters, aunts, and wives, along with partnerships, sensual pleasures, arrangements, valuation, pricing, equity, bargains, trades, treaties, trusts, adjustments, justice, finance, artistic beauty, treasuries, alignment, attunement, harmonies, and music, may be especially influential.

Instructional guidance is provided by emissaries from the civilizations of Sinnuntu. Their purpose is expansion of inspirational beauty and melodious sound.


Inspirational diplomatic grace

Purvazadha are often musical entertainers and poets, with a gift for playing many instruments and making lyrical arrangements that appeal to everyday folks. Typically Apah-born are attracted to sacred doctrine. They are self-indulgent and pure of heart. Their complexion may feature a Guru-golden glow. Male births in Asadhash tend toward a discordant costume sense representing the incommensurable agenda of Zukra vs. Guru.

In addition to Zukra endowments in diplomacy, beauty, and musical arrangements, their Guru-influenced humanism and compassion often includes inspirational roles that benefit women, musicians, and creative artists.

Like all Zukra-governed births, Apah-born must take care to avoid the misuse of drugs and alcohol. Ambudaiva's true purpose is inspirational guidance. Yet, Zukra's sweet-seeking may also attract the false balance of intoxication.

Themes of generous arrangements, affluence, favor, harmony, blessing, beauty, artistry, and luxurious indulgence may contextualize Apah's terrestrial experience. Applies also to Chandra in Purva-azadha

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 86


"... corresponds to rather a low type of character .

One who does not wish for and does not get the gracious things out of life.

  • Stupid, yet ostentatious and vulgar ,

  • with very few educational advantages.

Quarrelsome and low in appearance and manner.

  • While he must, because of educational handicaps,

    go through life as a servant or at best an underling ,

He vainly considers himself above his station in life

  • and will be harsh and dominating

  • but ineffectual if put in authority ."


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Biographical events matched to the Vimshottari Dasha calendar

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Amitabh Bachchan with his father and mother


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03-June-1973 Marriage (age 30) * Guru-Rahu bhukti * samchara Rahu-Ketu contact Dhanuzya-Mithunaya contact navamsha R-K


Rahu Mahadasha * age birth until age 15.4

11-Oct-1942 Earth-birth in Allahabad (Prayagraj) Uttar Pradesh, India * Rahu-Guru bhukti


Guru Mahadasha * age 15.4 until age 31.4

1969 first cinematic film * Guru-Surya bhukti * Surya rules 9-creative fortunes

1973 cinematic success with iconic Zanjeer film (age 20) * Guru-Rahu bhukti * Rahu-9 drishti to 3-5-7

03-Jun-1973 exchange the vows of marriage with dramatist Jaya Bhaduri (AB's age 30) * Guru-Rahu chidradasha * samchara Rahu-Ketu contact Dhanuzya-Mithunaya contact navamsha R-K


Shani Mahadasha * age 31.4 until age 50.4

17-Mar-1974 celebrated the birth of child-1 * Shani-Shani swabhukti * Shani rules 5th-from-Chandra

26-July-1982 near-fatal spleen injury while filming Coolie * Shani-Zukra bhukti * Zukra rules 6-injuries ++ Sade-Sati

1984 enters politics * Shani-Surya bhukti * Surya rules 9 = 5th-from-5th

  • 1984-1987 served as a member of parliament in the Indian Lok Sabha

1988 successful film Shahenshah * Shani-Rahu bhukti * Rahu-9 celebrity drama


Budha Mahadasha * age 50.4 until age 67.4

1997 collapse of production company ABCL * Budha-Zukra bhukti * rogesha Zukra broken contracts

2000 success as presenter of Kaun Banega Crorepati * Budha-Surya bhukti * Surya rules 9-celebrity fortune

2001 awarded the Padma Bushan title * Budha-Mangala bhukti * Mangala rules 5-prizes

18-Jan-2003 decease of father, the eminent poet Harivansh Rai Srivastava * Budha-Rahu bhukti

21-Dec-2007 grieved the decease of mother * Budha-Shani chidra-dasha * Shani rules 12th-from-4th


Ketu Mahadasha * age 67.4 until age 74.4

Nov-2011 until Nov-2014 Janma Sade-Sati via Thula


Zukra Mahadasha * age 74.4 until age 94.4

Distinctive Features of the Nativity


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Amitabh Bachchan in the 1980's

Bachchan_Amitabh_photo2.jpgSurya * pitrikaraka * jyotikaraka

atmakaraka

  • Surya-Kanya * Poshanya * Pushna * the nourisher
  • Surya in bhava-10 * digbala * center of hierarchy, brightly governing, intelligence for regulation, focus on social order, regulatory entitlements, eye on high position, radiant reputation * sparkling center of the leadership drama
  • Surya-yuti-Kuja * confidently progressive, bright warrior, creatively intelligent brother-figures, self-reflexive political pursuits, champion of brilliant ideals, competitive father, entitled to conquer and win, radiantly pioneering
  • Surya-yuti-Budha * confidently conversational, bright messenger, entitled to discuss, creatively intelligent sibling-cohort, radiantly descriptive, articulate in drama and games, self-confident announcements, talks about politics
  • Surya-yuti-Zukra * confidently harmonious, brightly creative bargainer, artistic father-figure, uniquely intelligent sister-figures, entitled to pleasures, aesthetic expressions align with the spiritual rays of the Sun, financial politics, radiantly diplomatic, self-reflexively attractive features

FATHER

Harivansh Rai Srivastava

CAREER

Surya in bhava-10 rules karakamsha Simha-9


Chandra * matrikaraka * garha-karaka

  • Chandra-Thula * comforted by rhythmic negotiation of agreements
  • Chandra in Swatika * comforted by risky alliances * protectors of shape-shifting negotiation, fascinating bargains, opportunistic arrangements
  • Chandra in classroom-11 * comfort in networks, familiar with connection, routine webworks, settled into the rhythm of community participation, needs to feel the repeating pulse of economic gain, soothed by social linkage; undulating friendships

MOTHER

MARRIAGE partnership expectations

7th-from-Chandra-11


Kuja * bhratru-karaka * virya-karaka

  • Mangala-Kanya * vigorous pursuit of logical argumentation * proactive medication * thrust toward service * push toward unfairness * champion of litigious accusation
  • Mangala in bhava-10 * dig-bala * drive toward high position, pursuit of social authority, fights for rank and status, , invasive regulation, ,hierarchical dynamics, energized governing conquests, champion of leadership elites
  • Kuja-yuti-Surya * invigorated creativity, invigorated creativity, energized confidence, dynamic genius, masculine force joins willful charm, potential for aggressive political or dramatic actions , potential for aggressive political or dramatic actions
  • Kuja-yuti-Budha * communicative competitions, energized communication, dynamic reporting, masculine force joins messaging signal, potential for aggressive gestures, speech, and writing
  • Kuja-yuti-Zukra * dual sexuality, energized bargaining, dynamic trading, masculine force joins feminine allure, potential for aggressive mating, partnering actions, innovative arrangements

Budha * bandhava-karaka * zisya-karaka

Budha Moudhya -dosha * ashtangata-harana

  • Budha-Kanya * uttama * moolatrikona * ministering service communications, articulation of logical arguments, detailed pronouncements, messages about accuracy and error
  • Budha in bhava-10 * narrative of leadership, responsibility, maintenance of the social order * explainer of governance, describer of decision-making, delivers instructions about the lawful procedures, talks about social authority, hierarchy, promotion, rank, class, status, respect, dignity, position
  • Budha-yuti-Surya * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * articulation of radiant authority, message of willpower and charisma, confidently talkative father
  • Budha-yuti-Mangala * explainer of competitive energies, articulation of forward action, message of innovation and forward movement, outspoken, fraternal conversations, aggressive communications, talkative brother-figures
  • Budha-yuti-Zukra * explainer of balanced arrangements, articulation of equity in agreements, message of justice and fairly bargained contracts; songwriting , talkative sister-cousin-cohort, lyricist

Guru * dhavakaraka * bahuta-karaka

lagnesha

  • Guru-Karkata * uttama * much shelter, many caretakers, believes in ancestral ways and rhythms, doctrine of ancient ways, expansive security, expands the scope of the local settlement, develops farms and gardens, multiple dwellings, many parent-figures
  • Guru in bhava-8 * much secrecy, many sudden changes. many confidences, multiple trauma healings, numerous identity transformations, abundant initiation, extensive hidden assets

Guru-7-uttama occupies the career-defining 10th-from-Chandra. Due partly to his physical stature and partly to his celebrity aura of fatherly wisdom, Bachchan is view by many as a generous patron (Guru).


Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Kanya * nichha * appreciation of service -or- victimization, likes logical argument, * attracted to laboring classes, servants, and animals * prefers exploitive, unbalanced arrangements * pleasures of medication and toxic pain relief * enjoys humility * aligned to unfair, distrusting contracts * alliance in ministries of service * aesthetic of rremedies for injustice
  • Zukra-10 * pleasure of regulation, enjoys lawful, socially iconic, feminine-figures harmonious ability to govern and direct, financially visible equity, appreciation of order, legislates justice
  • Zukra-yuti-Surya * balanced roles in drama, appreciation for political display, theatrical negotiations, self-focused arrangements, radiant bright beauty * self-reflexive bargaining, sweetly confident entitlements, enjoys politics, negotiating father-figure, intelligently focused on trades, arrangements, contracts * arrangements according to father's choice or self-will
  • Zukra-yuti-Mangala * sweetened conquests, gracious competition, appreciation for pioneering innovation, proactive negotiations, musical brother-figure, competitive contracts, pursuit of new  arrangements, relationships with masculines and  feminines, athletic beauty
  • Zukra-yuti-Budha * sweetened messages, gracious explanations, singing and songwriting, articulate negotiations, sibling-cohort communicative arrangements, youthful beauty, sibling-cohort communicative arrangements, youthful beauty

Zukra rules 10th navamsha singing, finance

vidyapathi Zukra-nichha rules-5 ++ occupies 5th-from-5th = fortunate for creativity, politics, drama, children, games, speculation

Kanya cluster in bhava-9 patriarchal figures: Victim narrative and popular appeal

Many of AB's most celebrated dramatic roles have prominently featured the victim narrative (Kanya). In youthful portrayals, he specialized in the character of the Angry Young Man. Surya-9 grants Credibility; his representation of the unfairly treated man are supremely believable.

More mature roles tended to dramatize betrayal, false accusation, humiliation, and unmet expectations. Kanya represents "soap opera" narrative of injustice, that is continuously popular among the service classes Kanya.

According to the eminent Jyotisha Shri B.V. Raman, every land and people is governed by a particular rashi, and Raman asserts that the rashi of Mother India is Kanya. When Mr. Bachchan's finances failed or he experienced injuries or disgrace, his popular appeal in Kanya-land has steadily increased.


Shani * duro-karaka * jara-karaka

Shani rules Arudha lagna bhava-3 cinema, commercial production, scripts

  • Shani-Vrizabha * heavy old valuables * must endure the sounds of proletarian speech-and-song * obliged to conform to the official bankers * dry, antique genetic stock * required preservation of aging assets * must materialize orderly values conservation * slow elderly evaluators judge the worth of hoards * must endure pressure to store the precious inventories * must bear the weight of historic treasuries * vital energy compression stress zone = neck-jaw * strictly imposed rules governing warehoused collections * lack of necessary seeds and foodstuffs * must preserve lineage knowledge despite scarce available resources
  • Shani in Bhava-6 (beneficial placement) * Structured, orderly, time-conscious enemies. One must serve the problematic. One must outlast the adversaries. Endurance in military siege. Tense digestion, Cautious, conventional crimes; chronic conditions of criticism and guilt; constitutional illness-injury syndromes; Physicians resist innovation. Heavy legacy pressure against change in disease condition. Service fatigue; burnout. Resentment toward new treatments or medications. Support for socially-approved dutiful roles as social worker or disadvantaged, healthworker or sick, pharmacist or drug addict, criminal or cop, debtor or loanmaker, underpaid or underpayer, victim or victimizer, slaver or slave.

Shani-Vrizabha-6= yogakaraka from Chandra-Thula . Oddly, this angle causes beneficial improvements following injury, indebtedness, false accusation, disease, or disagreement. The benefits come slowly but assuredly.

Shani in Bhava-6 located in the emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra

= permanent Shani-ashtamsha ++ both Shani and Chandra are ruled by nichha-Zukra-10


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Magha magic * Rahu-Singha * nichha * shimmering illusion of charisma * craving for attention * extraordinary entertainments * mask of radiant confidence * over-reaching, unique intelligence * marvelous drama *   fascinating entitlements * illusory flash of brilliant gambling and games* seeks special importance via apparent (but perhaps not authentic) attributes of  brilliant risk-taking, fabulous speculation, political power, celebrity roles
  • Rahu in bhava-9 * passion for philosophy, preaching * in swabhava of Saptarishi Guru, the Shadowy Specter seeks privilege via glamorous or unusual doctrine, theory, dharma, worldview. Rahu-9 desires a thrilling, important guidance role in catechesis, principled discourses of abstract ideas, ideology, philosophy, indoctrination. Extraordinary father-figure, ambitious professors and holy teachers. Thrives in culturally-mixed preaching environments, university, temple, sangha, congregation. Surreptitious attempt to appear as a global, humanistic, ideologically-framed agent of understanding. Rahu the Poseur may pose as a charitable philanthropist, a wisdom-purveyor, a proselyte of principled understanding, a guru-figure, a philosopher, or a globalist humanitarian. Rahu-9 trespasses the cultural boundaries of patronage, fatherhood, paradigm of belief. Exciting, opportunistic third marriage (if any). .

Rahu in bhava-9 -Simha: in politics and entertainment for a lifetime

son's wife is a major celebrity: 7th-from- Chandra-11 = second child.= Bhava-5. Lifepartner of the second child = bhava-11 Devdas 1973- drama-fashion Aishwarya Rai


Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Kumbha * dissociates from distribution webs, incomplete economy, empty profits, dissolute systems, severed connections, not limited by community, disarrayed ecology, ignores restriction on network linkage, applies linkage to the misty abyss, severed connections, not limited by community or ecology, ignores restriction on network linkage
  • Ketu in classroom-3 * absentee sibling, off-topic communications, disinterested in daily discourse, dissolved messaging boundaries, disregards conventional discussions, eccentric or esoteric modes of writing, irrelevance of the mental narrative. One abandons the management tasks, dismisses the standard explanations, walks away from the usual descriptions.

Planetary Yogas:from B.V. Raman, Three Hundred Important Combinations

3.Anapha Yoga

"Definition:

  • If there are planets in the 12th from the Moon, Anapha Yoga is formed.

Results

  • Well-formed organs, majestic appearance, good reputation, polite, generous, self-respect, fond of dress and sense Pleasures .

  • In the later life, renunciation and austerity."

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