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COHORT born 10 months after
born four months after
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celebrated dramatist of cinema + stage famed for artistically disciplined performances enduring, high-recognition theatrical career admired for communicative skill ability to mimic [Rahu] language a.k.a. Mary Louise Streep Earth-birth Wōdnesdæg-22-Jun-1949 |
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prize-winning dramatist of stage and screen 1949- Meryl Streep
birth data from https://en.wikipedia.org/wiki/Meryl_Streep
tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = generated by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama born on Ekadashi Krishna Paksha |
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Rising Nakshatra Ardraka Feminine Nativities Trinetra BPL COMMENTARY For Arudra - Betelgeuse births of a feminine valence, the disposition of mesmerizing, hypnotic, shadowy, exciting, passionate, ambitious, opportunistic, privilege-seeking Professor Rāhu may considerably affect the outcome . For those born into the Rahu-ruled paradigm of Rudhira, exotics, ethnic mixers, opportunists, fascinators, mesmerizers, privilege-seekers, impostors, rogues, intensifiers of passion and desire, self-proclaimers, self-promoters, agents-provocateur , charlatans, masters of smoke and oils, and entrancingly ambitious persons may be especially influential. Instructional guidance is provided by emissaries from Orion. Their purpose is to communicate the passionate animal vitality via stormy, turbulent, swaying, exciting gesture and signal. Passionately Communicative [Risk-rewarding Rāhu] -ruled Ardraka ladies have stormy temperament. They may be considered capricious, inconsistent, and demanding. Often they are found in sensuous, writhing, twisting, fascinating roles. Mesmerizing dancers, they use the communicative signaling of hands, shoulders, legs, hips, and pelvic thrust to great advantage. Depending upon the social environment of Arudra - Betelgeuse, their seductive appeal may express as private or public. When professionalized, tiruvaatira-born may be stage performers of high excellence, who send waves of desire [Rahu] through an audience numbering one or one-million. Rahu-ruled Arudra - Betelgeuse displays the animal intensity of the storm. Arudra women often are blessed with the capacity to regenerate their physical vitality and recreate their persona. Ardraka women are often the diva type who are sensuously clever [Rahu] verbally quick, and impatient with those who are less communicatively responsive. Thiruvaathira-born may be gifted in handcraft, commerce, painting, descriptive writing, evocative song-writing, and the arts of seductive imagery such as photography, costume, and arts-of-style [Budha]. Themes of stimulating signal patterns, passionate messaging, volatility, intense cycles of attraction-and-repulsion, and stormy outbursts may contextualize Arudra - Betelgeuse 's terrestrial experience. Applies also to Chandra in Arudra - Betelgeuse |
QUOTATION Arudra - Betelgeuse from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra, p 93. " A critical fault-finding disposition is apparently conferred ... Her disagreeable disposition, coupled with a sarcastic manner and speech,
Although she is extremely clever in her conversation and many people will be impressed by her speech,
She is extravagant to the point of wastefulness,
She has weak lungs and should be careful of colds and coughs,
[end quote, Shil Pondey, 1939]
Meryl Streep in 1979 - photographed by Jack Mitchel [MLS age 30] | |
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Meryl Streep in 2015 [MLS age 66] |
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![]() Mary Louise Streep, 2019 [age 70] |
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Biographical data matched to Vimshottari Dasha timeline
Shukra Mahadasha [age birth until age 9.8]
Wed-22-Jun-1949 = Earth-birth as Mary Louise Streep, in Summit, New Jersey, USA * Shukra-Guru bhukti [Surya Mahadasha ] = [age 9.8 until age 15.8]
1962 [MLS age 12] began a four-year course of study in opera singing, but ultimately prefered more natural voicework * Surya-Shani * Shani-3 = skills training [Chandra Mahadasha] = [age 15.8 until age 25.8 ]
1967 [MLS age 18] earned HS diploma from Bernards High School in Bernardsville, New Jersey * Chandra-Rahu bhukti ++ dvadasa Sade-Sati Jun-1968 until May-1971 = Janma Sade-Sati Mesha
1971 [MLS age 22] earned B.A. diploma, Vassar College * Chandra-Budha bhukti = Budha diploma ++ dvithya Sade-Sati [Mangala Mahadasha] = [age 25.8 until age 32.8 ]
1975 [MLS age 26] earned MFA diploma in drama from Yale University * Mangala-Mangala svabhukti * Kuja rules 11-achievements 1975 [MLS age 26] moves to New York City and begins professional stage-drama * Mangala-Mangala svabhukti * Kuja rules 11-goals, aims, income 1977 [MLS age 28] first major cinema role in the film Julia * Mangala-Guru bhukti * nicha-Guru karmesha = professional positions Mar-1978 [MLS age 29] grieved the tragic lung-cancer death of dramatist fiancé, John Cazale * Mangala-Shani bhukti * Shani rules 8-shock, trauma ++ R-K samchara Kanya-Meena contact dual R-K axis 30-Sep-1978 [MLS age 29] consecration of wedding-1 with sculptor, Don Gummer, a friend of MLS brother Harry * Mangala-Shani bhukti * Shani rules Makara svamsha ++ R-K samchara Kanya-Meena contact dual R-K axis Apr-1979 [MLS age 30] wins career-boosting Academy Award [Oscar] for Kramer vs. Kramer * Mangala-Budha bhukti * Budha lagnesha ++ [Shukra-1 parivartamsha Budha-12] ++ R-K samchara Kanya-Meena contact R-K axis 13-Nov-1979 [MLS age 30] celebrated the birth of child-1, son Harry * Mangala-Budha bhukti * Budha lagnesha ++ R-K samchara Kanya-Meena contact dual R-K axis [Rahu Mahadasha] = [age 32.8 until age 50.8]
1982 [MLS age 33] wins career-boosting Academy Award [Oscar] for performance in the Holocaust drama, Sophie's Choice * MRahu-Rahu sva bhukti * Rahu in bhava-10 professional recognition Apr-1998 until Jun-2000 - Janma Sade-Sati Mesha
[Guru Mahadasha] = [age 50.8 until age 64.8]
29-Sep-2001 [MLS age 52] [mom age 86] grieved the bio-decease of mother via heart disease * Guru-Guru svabhukti * nīcha-Guru-8 rules 12th-from-matrimaraka-Chandra ++ dvithya Sade-Sati 22-Jul-2003 [MLS age 54] [dad age 93] grieved bio-decease of father via renal failure * Guru-Shani bhukti * Shani rules 12th-from-pitristhana 2012 [MLS age 63] Academy Award for Lead Actress in The Iron Lady * Guru-Chandra bhukti * Chandra-11 awards, goal-achievement rules-2 monies, assets, resources [Shani Mahadasha] = [age 64.8 until age 93.8]
2017 [MLS age 68] tangible marital separation from husband of nearly 40 years, sculptor Don Gummer * Shani-Shani svabhukti * Shani randhresha = identity change + Shani bheda-karaka, separations 2023 [MLS age 74] following 45-yrs of marriage with sculptor D. Gummer, publicly announced marital separation * Shani-Ketu bhukti 2024 [MLS age 75] publicity highlights new romantic relationship * Shani-Shukra bhukti * Shukra rules 5-romance Jun-2027 until Aug-2029 = Janma Sade-Sati Mesha
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![]() Salient features of the nativity
[Sparkling Splendid Surya] pitri-karaka [father] -- jyoti-karaka [light] [busy-messaging sahaja-pati for Mithuna indriya-lagna] check Budha + Budha-drishti to source Surya's transactional dramatizing, instructional entitlement , collaborative demonstration [witty political conversation] [commercial sahaja-pati self-confidence] [creative event management] [intelligence for dramatic physical gestures] [radiantly charismatic messenger] [identified with brightly mercantile communications] [charmingly entertaining dialog] [confidently detailed script writing-editing] [self-referntial ensemble instructions] [informative father-figure may be talkative businessman sahaja-pati, transactional salesman, skilled craftsman, neighborly journalist] ... [optimistic-philosophical Arudra-1] = [navamsha Surya-Dhanus] + [Arudra-Surya-yuti-Shukra-Puna] = combined rulers of 3 + 5 + 12
OUTCOMES - MAGNIFICENT MARTANDA self-reflexively confident, bright Earthen-body aura, regal style of movement, embodied intelligence, radiantly kinetic, politically competitive, splendidly innovative [Surya in bhava-1] rules
CAREER - SPARKLING SURYA FATHER [Surya-Mithuna] = marketing, advertising, sales, writing or handcraft.
[Surya-yuti-Shukra] suggests dad's management, financial ability, and commercial involvement with drugs and drug-research [Shukra-1 rules 12 research]. [Comfortable Caretaking Chandra] matrikaraka [mother] -- garha-karaka [village] [conserving-acquiring dhana-pati for Mithuna indriya-lagna] check Kuja + Kuja-drishti to source Chandra's competitive feelings, conquesting rhythms, engineering sensibilities [Dhanayoga = Mesha-Chandra-11 rules affluent Karkata-2] [comforted by familiar innovative friendships] [culturally sensitive to new connecting movements] [needs to feel forward-pushing pulse in mass-participation assemblies] [habitually earns from competitive collecting behaviors dhana-pati] [protector of the gainful ancestral group of champions] [community belonging confers supreme first-arriver heritage sensibility] [emotionally attached to dynamic goal achievement] [environmentalist sensibilities attuned to warlike fiery nature-deva] [soothed by economic linkage to original conquerors] [pioneering mother usually vigorous socialite, energetic fundraiser, community activist ] ... [arranging-trading Bharani-3] = [navamsha-Chandra-Tula][Svati] intuitively sensitive to gracious relationship diplomacy = [Pushkara Navamsha]
OUTCOMES - ANCESTRAL SOMA sentimentally friendly, emotionally gainful, feels grounded through mass gatherings, anchored into community linkage, sensitive to elder sibling, needs profitable market connections, sense of belonging to social participation networks [Chandra in classroom-11] rules
CAREER - CARETAKING CHANDRA
In the cinema industry that promotes youthful beauty, MLS continues to deliver prize-winning character roles into her 70's [10th-from-Chandra contains shape-shifting, rejuvenating Guru-8 Makara - Draco karmesha = honors age, experience, endurance - and expansive identity-transformation comfortable with [2, family, food, face, finance, history, voice, values, knowledge, collections, language, sound, tradition] Chandra-11 dhana-pati - astonishing number of prizes and awards for work-accomplished MOTHER Mom = Mary Wilkinson. In addition to raising three children, mom was a commercial artist and home-decor magazine art editor. [Chandra rules 2, artistic assets, aesthetic values, color, heritage decor] Shukra ruled [Chandra in Bharani] + gainful Chandra-11 rules 2 = valuable collections Tula - design arts, equity. Husband = a nationally acclaimed Sculptor. Shukra-1 identity rules 5-display, demonstration, center-of-attention. Husband-1 Don Gummer produces celebrated [5] art that is valued for appreciation and display Husband-1 was previously married, albeit briefly. 2nd-from-Guru = husband's second-lifepartner [= MLS] = 9-celebrity, drama, guidance, worldview [Competitive Champion Kuja] bhratru-karaka [brother] -- virya-karaka [virility] = [Harsha Yoga] [inimical-medicating rogesha for Mithuna indriya-lagna] [friendly-profitable labha-pati for Mithuna indriya-lagna] [Kuja Dosha for alliance-1] check Shukra + Shukra-drishti to source Kuja's actively knowledgeable, dynamicly acquisitive, competitive valuations [energetic pursuit of luxurious sanctuary spaces] [effective but unseen quest for worthiness within quiet enclosures] [entreasured enemies rogesha get invisibly attacked - while one remains unharmed Harsha Yoga] [financially profitable labha-pati private collections] [historically knowledgeable interior-guides may promote community labha-pati envisioning] [speaks-and-sings in imaginary warrior narratives] [dynamic background engineering of banking resources, shielded from the public eye] [behind-the-scenes acquisitive brotherly-figures may do vigorous storytelling] [endowed brother-figures or co-workers may be invisible financiers, foreign collectors, profitable labha-pati warehousers, clandestine keepers of memory] ... [speech-memory Rohiṇī-2] = [vargottamsha] [navamsha Kuja-Urisha] + [Rohiṇī-Kuja-yuti-Budha-Rohiṇī] [permanent tension = Simha-Shani -3 = mutual drishti = Urisha-Mangala-12]
OUTCOMES - MOVING MANGALA invisibly penetrating, subconsciously discovering, pursues therapeutic sanctuary, surgically contemplative, incisively clairsentient, drilling into private spaces, unseen explorations, sexually clandestine, pushing-forward into dreamworlds [Mangala in bhava-12]
CAREER - COMPETITIVE KUJA rules affluent Chandra-Mesha-11 in Mesha-11-Arudha Lagna
[Busy Bantering Budha] jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student] [energizing-identifying lagnesha for Mithuna indriya-lagna] [homebound-anchoring bandesha for Mithuna indriya-lagna] check Shukra + Shukra-drishti to source Budha's sensual discourse, enriching information, musical instructions [imaginative narrative of sensual pleasure] [richly detailed interior conversation] [historically knowledgeable research] [identified with lagnesha beautifully crafted sound-and-color of Other-worldly scenarios] [mentally anchored bandesha by financial acquisition] [sonorously suave delivery of bedroom dialog] [skilled foreign language instruction] [intuitively transmitted precious symbolic diagrams] [computational evaluation of real-estate bandesha pricing] [talks about fantasized family heritage] [identified with lagnesha traditional discussions about clairsentient vision] ... [ensemble-managing Rohiṇī-3] = [navamsha Budha-Mithuna] + [Rohiṇī-Budha-yuti-Mangala-Rohiṇī] + + [Shukra-1- parivartamsha Budha-12]
OUTCOMES - BANTERING BUDHA abstractly conceptual announcements, backchannel communication, private discussions, talks about intuitive meanings, clandestine projects, enclosed messages, dissolved information, specifically fantasizing, imaginative dialogs, invisible transactions, questioning research, interior translating Budha in bhava-12] rules
CAREER - BUSY BUDHA precision in voice and music famed for her ability to precisely mimic language accents and play musical instruments lagnesha Budha = listening, hearing
[Budha-yuti-Mangala] [both in Rohini] occupy the facial, linguistic, historical, pronouncing, verbal [2nd-from-Chandra] known for her extraordinary ability to produce linguistic accents [Urisha] and mold her face [Urisha] to written role descriptions.
MLS reports that her skill arises from her attention to listening carefully listening Śrāvaṇa-Guru-11 in 10th-from-Chandra +++ Budha ears = and then acquire pronunciation and vocabulary of personalities, accents, intonations, prosodies, and the phonological features of foreign languages.
[Generous Growing Guru] dhava-karaka [husband] -- bahuta-karaka [variety] = [nīcha] = [potentially nīcha-bhanga if yuti-uchcha-Kuja + in kendra from indriya-lagna or from Chandra-lagna] [bargaining-partnering jaya-pati for Mithuna indriya-lagna] [dutiful-hierarchical karmesha for Mithuna indriya-lagna] check Shani + Shani-drishti to source Brihaspati's realistic generosity, materialistic philosophy, pragmaticly limited wisdom [disguised faith in caste-class hierarchy] [ optimistic arrangements jaya-pati for lawfully obscuring material assets] [philosophy of secrecy maintains public status karmesha] [misguidedly permissive relationships jaya-pati hide behind mask of conventionality] [numerous cheerful initiation formalities] [materialistic ideology regulates healing empowerments] [pragmatic philosophy of undisclosed interventions] [many large institutional emergencies] [class-conscious understanding of commmand karmesha during revolutionary change] [camouflaged operatives may provide misleading government guidance] [for wifely nativity, dignified husbandly-companion may be a respected but misunderstood secret-keeper] ... [imaginative-guiding Uttarāṣāḍha-4] = [navamsha Guru-Meena]
OUTCOMES - GENEROUS GURU generously disguised, hidden patrons, expansively veiled, cheerfully non-disclosing, doctrinally opaque, many surgeries, multiple emergencies, believes in healing, guidance via secret initiation, mystically transformative, inspirationally recycling, jovially rebirthing, optimisticly discovering, suddenly extensively eruptive [Guru in bhava-8] rules
CAREER - BENEVOLENT BRIHASPATI commentary by B.V. Raman A Catechism of Astrology . p. 33 " Q. 39 -- Is Jupiter's aspect in debilitation good?
CAREER - BENEVOLENT BRIHASPATI [Guru-Makara-Draco] occupies [10th-from-Chandra] = Makara-8 masks, identity-change, rejuvenation, emergence [Sweetly Suave Shukra] svadu-karaka [sweet] -- kalatra-karaka [wifely companion] [political-theatrical vidya-pati for Mithuna indriya-lagna] [retreating-contemplative vyaya-pati for Mithuna indriya-lagna] check Budha + Budha-drishti to source Shukra's suavely announcing, sweetly described, mutually informative dialogs [embodies communicative grace in theatrical display vidya-pati] [negotiating teamworking character] [collaborative bargaining within the cohort] [vividly personalized dreamlike announcements vyaya-pati] [identified with harmonious writing and publishing] [physically enacts scripted instructions for relationship exchange] [musical-artistic interaction in peer relationships] [discusses contractual methods for acquisition of treasury] [pleasure of smooth conversation and balanced gesture] [chatty partners may be pleasant event-planner, equable merchant, accommodating editor, suave project manager] ... ... [language-history Punarvasu-2] = [navamsha Shukra-Urisha] [ātmakāraka visual beauty, grace, balance, relationships, marriage, finance, contracts, equity, values, speech] + [Puna-Shukra-yuti-Surya-Arudra] = combined rulers of 3 + 5 + 12 ++ [Shukra-1- parivartamsha Budha-12]
OUTCOMES - SWEETENING SHUKRA pleasantly competitive, aesthetically postured, balanced style of movement, natural maker of arrangements, energetic mediator, fair bargains, gracious appearance, diplomatic personality, harmoniously embodied, prefering luxurious attributes, attracted to active companions [Shukra-1] rules
CAREER - BRIGHT BHRIGUTANAYA + [Puna-Shukra-yuti-Surya-Arudra] = combined rulers of 3 + 5 + 12 ++ [Shukra-1- parivartamsha Budha-12]
ātmakāraka Shukra rules Urisha-12 kārakāmsha famed cinema dialogues [Budha], richly expressive face-hands, communicates meaning [Urisha] [Sober Structural Shani] duro-karaka [endurance] -- jara-karaka [Jahre, years] [secretive-revealing randhresha for Mithuna indriya-lagna] [inspirational-preaching dharmesha for Mithuna indriya-lagna] check Surya + Surya-drishti to source Shani's dramatized discipline, displayed restrictions, showcase conventionalism [obligation to message about the tenets of entitlement] [must report upon bright entertainments] [drafty red-and-gold parlors] [must display formalized gestures] [cautiously dramatizing cohort] [must conduct ceremonially structured discussions about sacred beliefs dharmesha] [slow gaming model for daily business] [lawfully flashy scheduling itineraries] [strictly self-referential mental regulation] [sober scripted intellectual conversations about transformative upheaval randhresha] [responsible for maintaining simplified communication for the theatrical audience] [in an orderly fashion, must talk about political rights] [stodgy gambling sibling-cousin or collegial team-mate may be poetic instructor, romantic merchant, showcasing manager] ... [talkative-teamworking Magha-3] = [navamsha Shani-Mithuna] [permanent tension = Simha-Shani -3 = mutual drishti = Urisha-Mangala-12]
OUTCOMES - STRUCTURAL SHANI soberly commercial, class-conscious administrator, regulatory documentor, responsible for orderly business, maintains stepwise bureaucratic process, applies strict reporting standards, mentally constricted, lawfully managerial, pragmatically instructional [Shani in Bhava-3]
CAREER - SOBER SHANI
rajyalobha-karaka [ambition] -- picchala-karaka [slippery] = [svabhava] = [for Mithuna indriya-lagna] [Rahu-10 casts passionately ambitious visible lighthouse iconic recognition-seeking drishti into 2+4+6] check Guru + Guru-drishti to source Rahu's apparently dreamy, mirage of imaginative intuition [regulatory authority based in mixed-culture dreamlike imagery] [fascinating icon of inner knowing] [elite captain of exciting symbolism] [amazing public contemplative leadership] [reputed for fabulous private guidance in high-visibility roles] [publically respected for intuitively wholistic understanding of human nature] [craving to achieve social importance via amplified imagination] ... [dreamworld-fantasizing Revatī-4] = [vargottamsha] [navamsha Rahu-Meena] intuitively over-reaching visionary dreamlike imagination
OUTCOMES - RISK-REWARDING RAHU [Rahu Mahadasha] = [age 32.8 until age 50.8]
[Collapsing unshackling Ketu] kavandha-karaka [headless] -- chidra-karaka [gaping] -- vasana-karaka [vacuum] [for Mithuna indriya-lagna] check Budha + Budha-drishti to source Ketu's dispassionate analysis, witnessing logic, distanced criticism [laboring wanderers have dispersed homeland roots] [unfairly scattered secure foundations] [overworked absentee mother-caretaker] [neutral witness to local exploitation] [may be passively fixated upon ambitiously imaginative-symbolic Rahu-Meena-10 leaders, commanders, iconic-figures, bosses, hierarchs] ... [calculating-assisting Chitra-2] = [vargottamsha] [navamsha Ketu-Kanya] intuitively assisting helpmate observing witness
OUTCOMES - EVACUATING KETU Disinterest in home routines Ketu-4 occupies 6th-from-Chandra |
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