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Drama-Song


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Britney Spears in 2008


born 1 month before

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born 4 months after

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Britney Spears in 2016

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musical entertainer

Britney Jean Spears

Earthbody-Entry Wednesday-02-Dec-1981


nativity of Kevin Federline

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Musical entertainer * 1981- * Britney Jean Spears

birth data from https://en.wikipedia.org/wiki/Britney_Spears * tentatively rectified by BP Lama

charts, graphs, and tables produced by Shri Jyoti Star * adapted by BP Lama


published birth time

Rising Nakshatra

Feminine Nativities

Uttaraphalguni * Aryaman * Bhaga * Falgun * Utthram


BPL commentary

For Uttaraphalguni births of a feminine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome.

For those born into the paradigm of Surya-ruled Uttora, father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Denebola. Their purpose to brighten and glorify the divine intelligence through spectacular creativity.


Brilliantly dramatic

Uttara-phalguni women are famously confident and willful. Monarchic entitlement pairs with aristocratic service via noblesse oblige. While much depends upon the characteristics of sparkling nakshatrapathi Surya, the feminine Falgun is often found in bright environments of royalty, celebrity, theatre, creative arts, amusements, and games.

Uttaraphalguni ladies radiate a profound love for living creatures, both wild and domestic. On behalf of the animal kingdom and its denizens, the women of Aryaman may undertake political activism. As righteous (and self-righteous) human mistresses of the animal world, their political style may include fiery displays of romantic idealism. They may collect animals.

Simha pada-1 features charismatic centrality and stage presence, focused into the physical embodiment. Pada-1 must hold the center of attention, whether in celebrity politics, entertainment and fashion, dramatic acting, or all three. Typically an elder husband and many romances.

Kanya Pada 2-3-4 = equally dazzling, idealistic, smart, and flamboyant, but more focused upon expressing the genius of the imagination. Often a splendid dramatist and performing musician due to nakshatrapathi Surya. Typically a younger husband and many romances.

Themes of political power, radiant confidence, and bright celebrity drama may contextualize Utthram's terrestrial experience. Applies also to Chandra in Uttaraphalguni

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 95


"A joyous healthy disposition yet quietly so.

  • She has a very soft pleasing voice,

  • bubbling over with fun and humor.

She is born to a family with social background

and loves to mingle with her friends in various social activities

  • yet she is not frivolous,

  • but beneath her joyous manner, rather serious minded.

She has fixed principles from which she will not deviate.

She prefers to choose her friends

  • from among the people who are artistically inclined and cultured.

She is efficient and adept at managing her home and her domestic life."


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Britney Spears in 2018, age 37

Biographical Details matched to the Vimshottari Dasha calendar


Chandra Mahadasha * age 0-3.5

02-Dec-1981 Earth-birth in McComb, Mississippi, USA * Chandra-Budha bhukti * Budha lagnesha and karmapathi


Mangala Mahadasha * age 3.5 - 10.5 *


Rahu Mahadasha * age 10.5 until 28.5

1993 begin professional dance-song career (age 12) * Rahu-Rahu swabhukti * Rahu-11 top earnings

1999 sudden worldwide success * Rahu-Shani bhukti * Shani vidyapathi-5 in lagna

Jan-2004 exchange of vows in marriage-1 * Rahu-Zukra bhukti * gochara R-K via Mesha-Thula contact Guru lagna * Chandra-yuti-Ketu + Zukra-yuti-Ketu

Jan-2004 annulment exchange of vows in marriage-1 * Rahu-Zukra bhukti * gochara R-K via Mesha-Thula contact Guru lagna * Chandra-yuti-Ketu + Zukra-yuti-Ketu

2004 begin Kabbalah Center * Rahu-Zukra bhukti * Zukra Dharmesha-9 doctrine * Chandra-yuti-Ketu + Zukra-yuti-Ketu

18-Sept-2004 exchange of vows in marriage-2 to Kevin Federline * Rahu-Zukra bhukti * gochara R-K via Mesha-Thula contact Guru lagna * Chandra-yuti-Ketu + Zukra-yuti-Ketu

14-Sept-2005 celebrated the birth of child-1 * Rahu-Zukra bhukti * Zukra vidyapathi-5 from Chandra * Chandra-yuti-Ketu + Zukra-yuti-Ketu

June-2006 announces separation from Kabbalah Center * Rahu-Zukra bhukti * Zukra rogesha-6 from9, animosity toward doctrine * Chandra-yuti-Ketu + Zukra-yuti-Ketu

Sept-2006 child-2 * Rahu-Zukra bhukti * Zukra vidyapathi-5 from Chandra * Chandra-yuti-Ketu + Zukra-yuti-Ketu

Nov-2006 files divorce * Rahu-Surya bhukti * Surya rogesha-6 navamsha, Surya ruler-of-12 radix

Feb-2007 public displays of mental instability (head shaving incident) * Rahu-Surya bhukti * Surya rogesha-6 navamsha, Surya ruler-of-12 radix

Nov-2007 divorce completed * Rahu-Chandra bhukti * Chandra Vriddhipathi-11 earnings, friendship

Jan-2008 psychiatric breakdown * Rahu-Chandra bhukti * Chandra-yuti-Ketu


Guru Mahadasha * age 28.5 until 44.4

Dec-2012 * named top-earning women i music industry $58million_USD * Guru-Shani bhukti

2016 *numerous recognitions and awards * Guru-Budha bhukti * Budha lagnesha and karmapathi


Shani Mahadasha * age 44.5 until 63.5


Budha Mahadasha * 63.5 until 80.5


Ketu Mahadasha * 80.5 until 87.5

Distinctive features of the nativity

Surya * pitrikaraka * jyotikaraka

  • Surya-Vrizchika * Maricha * particle of light
  • Surya in bhava-3 * center of commerce, intelligence for reports, announcements, descriptions, * brightly explaining, administrative entitlements, focus on communication, eye on management of messaging
  • Surya-yuti-Budha * confidently conversational, bright messenger, entitled to discuss, creatively intelligent sibling-cohort, radiantly descriptive, creatively intelligent sibling-cohort, radiantly descriptive, entitled to discuss, creatively intelligent sibling-cohort, radiantly descriptive, creatively intelligent sibling-cohort, radiantly descriptive
  • Surya-3 parivartamsha Mangala-12

FATHER'

Dad = a businessman and her manager Surya in bhava-3


Chandra * matrikaraka * garha-karaka

  • Chandra-Makara-Draco * comforted by rhythmic hierarchical ordering
  • Chandra in Shravana * comforted by careful listening * protectors of undulating shamanic sound, customary lawfulness, structured parenting, reputable dwelling
  • Chandra in classroom-5 * comfort in politics, familiar with gambling and games, charm, children, soothed by celebrity, needs to feel the repeating pulse of confident self-expression, emotionally attuned to uniqueness, settled into the rhythm of romance, routine intelligence, artistic performance; undulating creativity
  • Somana-yuti-Zukra * Emotionally indulgent, sensitive to sisterly figures, needs pleasuring, seeks sheltering arrangements, soothed by beauty, feels like a partner
  • Somana-yuti-Ketu * Emotionally scattered, sensitive to disoriented figures, indifferent to local customs, disengaged mother, soothed by disintegration, dissolves the comforting routines, needs to wander, feels like a pilgrim

MOTHER

MARRIAGE partnership support expectations


Kuja * bhratru-karaka * virya-karaka * Mangala

  • Mangala-Singha * vigorous pursuit of fame, creative political action * proactive drama * push toward entitlement * champion of games and amusements
  • Mangala in bhava-12 * drive toward privacy, pursuit of inner guidance, distant lands, invasive ancestors, seeking sanctuary, clairsentient dynamics, energized invisible conquests
  • Surya-3 parivartamsha Mangala-12

ruler of 8 occupies 12 Viparita Raja-Yoga * Sarala Yoga

Typically for the Kanya nativity, Professor Mangala's curriculum, based in classrooms 3 and 8, provide particularly challenging circumstances in regard to mental processing (3) and unexpected interventions, particularly via hidden relationships and sudden changes of identity (8).

Atmakaraka parivartamsha Mangala occupies the revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra , suggesting continuous emotional upheaval expressed via kinetic movement

Sarala Yoga

In the present nativity, Atmakaraka Mangala delivers a variety of effects. As the ruler-of-8 in bhava-12 = Viparita Raja-Yoga * Sarala Yoga Mangala gives protection from the potentially destructive consequences of sudden identity change, physical and emotional upheaval, catastrophic circumstances. When Mangala provides Sarala Yoga, one generally comes out fighting after a disaster and is made more proactive by revolutionary change.

Furthermore Mangala-Simha-12 enjoys a parivartamsha yoga with Surya-Vrischika-3, which inter alia provides vast reserves of kinetic energy and the ability to verbalize (3) fantasies (12).


Budha * bandhava-karaka * zisya-karaka

lagnesha

  • Budha-Vrizchika * hidden communications, articulation of transformative secrets, emergency pronouncements, messages about camouflaged, undisclosed mysteries, defined masking, expertly detailed disguise
  • Budha in bhava-3 * narrative of cohort, siblings, announcements * discusses commerce, management, reporting, administration, describer of detailed information, explainer of publication, delivers instructions for books, scripts, lyrics, media-messaging, talks about communications, sales, marketing, advertising, manufacturing, process, collaboration, teamwork
  • Budha-yuti-Surya * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * explainer of dramatic intelligence * affinity for central roles expressing skills of communication, explanation, description, instruction * articulation of radiant authority, message of willpower and charisma, confidently talkative father

Guru * dhavakaraka * bahuta-karaka

  • Guru-Thula * many trades, exchanges, much negotiation, believes in justice, doctrine of contractual exchange, multiple alliances and arrangements, equable guidance, expands the scope of balanced design
  • Guru in bhava-2 * much hoard, many songs, many stories, history, storage, several genetic lineages, much many accumulated goods, numerous languages, many voices, many valuations, extensive accounts and assets, family identity = growth, belief, expansion of the lineage , family identity = growth, belief, expansion of the lineage

Zukra * svadhu-karaka * kalatra-karaka

  • Zukra-Makara-Draco * appreciation of authoritative status, enjoys social position, pleasures of structure, hierarchical arrangements
  • Zukra-5 * pleasure of dramatic gaming, enjoys center-stage equity, feminine-figures are prominent in the creative, political environments, literary and fine arts, appreciation of creativity
  • Zukra-yuti-Ketu * gracious dissolution, dispersed beauty, sweet surrender, empty negotiated unions, unsatisfying pleasures, disengaged feminine-figures, disintegrating contracts
  • ukra-yuti-Chandra * sweetened security, gracious caretaking, appreciation for nourishing protection, emotionalized negotiations, sheltering arrangements, soft caretaking beauty, sheltering arrangements, balanced caretaking, soothed by beauty, pleasant emotional response, enjoys local rhythms, arrangements according to the folkways, musical mother-figure, protective contracts

Shani * duro-karaka * jara-karaka

  • Shani-Kanya * old accusations, pressured colon, imposed servitude, proletarian medication, elder physicians, dried medications, must do service ministry with scarce available resources
  • Shani in Bhava-1 *Structured, orderly, time-conscious personality. One must act under pressure, have to move but slowly, push forward against stiff limitations; cautious, conventional identity; tense competition, muscular fatigue, chronic impeded movement, seizures and cramps. Heavy legacy pressure against free movement. Resistance to new ideas and direct action. Resentment toward constriction of physical appearance. Support for socially-approved dutiful roles, conventionalized identity, and conduct befitting an elder.

Shani * double-edged sword of work ethic and intractable conflicts

Shani occupies the elder-respecting, old-faith, strict philosophies, punitive, scarcity-preaching 9th-from-Chandra

Shani-1 indicates a relentlessly hard worker distinguished by a practice-based work ethic. For the Kanya nativity, Professor Shani will deliver His curriculum via bhava-5 entertainment, creativity and also via bhava-6 conflict, illness. Shani rules Makara-Shraviztha (hearing the drumbeat) and also Shani rules 2nd-from-Chandra (family) bhava-6.

Generally a graha provides stronger results for its mulatrikona. Shani's mulatrikona being Kumbha, His results in life overall are stronger for Kumbha-6. However the remarkable cluster of Zukra + Chandra-yuti-Ketu in bhava-5 certainly indicate an entertainment career which succeeds via disciplined practice of the performer's craft.


Rahu * rajyalobha-karaka * picchala-karaka (slippery)

  • Rahu-Karkata * craving for customary rhythms * mask of ancestral, protective parental shelter; fascinated by ethnicity, locality, property ownership * seeks special importance via nationalism, via apparent (but perhaps not authentic) policing, patriotic defense
  • Rahu in bhava-11 * passion for prizes, achievements * in Roguish Rahu's swabhava co-ruled with Sober Shani ,* the Shadowy Specter seeks privilege via glamorous or unusual social goals and economic attainments. Desires an important, linkage role in social participation and financial networks. Exciting, opportunistic, ambitious friends. Craves profit and gain. Rahu-11 thrives in culturally-mixed commodity-exchange systems. Rahu the Poseur may pose as a friend, a voluntary linker, an economic achiever, a relative of the father's people. Rahu-11 trespasses the cultural boundaries of friendship and community. Boundary-breeching, risk-rewarding Rahu typically enjoys material success in marketplace profits, revenue, earnings due to His social-participation genius.

Ketu * kavandha-karaka * chidra-karaka

  • Ketu-Makara-Draco * dissociates from social authority, incomplete hierarchy, empty rules, dissolute laws, severed execution of duties, not limited by conventions, ignores restriction on rank and status, applies structure to the misty abyss
  • Ketu in classroom-5 * ambivalent toward entitlements, may have eccentric children, disregards limitations on financial speculation, displays fragmented or esoteric intelligence, dissolves the glamour of center-stage roles, disperses the romantic adoration. One abandons the usual political behaviors, ignores the conventional creativity, plays an incoherent game.
  • Ketu-yuti-Zukra * surrendered arrangements, empty promises, disconnected negotiations, unsustainable contracts, apathetic music, disappointment and dissatisfaction in relationships
  • Ketu-yuti-Chandra * surrendered sensitivity, empty feelings, unsustainable comfort, disconnected mother, ambivalent toward cultural routines, apathetic parenting, emotional disengagement, disinterested parenting, disinterested parenting
SpearsFederlineK_14h15m_d1d9d10.png

Dancer, rapper, entertainment industry * 1981- * Kevin Federline

birth data from https://en.wikipedia.org/wiki/Kevin_Federline * tentatively rectified by BP Lama

charts, graphs, and tables produced by Shri Jyoti Star * adapted by BP Lama

Oops-pair 1978- Kevin Federline


Rising Nakshatra

Masculine Nativities

Azlesa * Naga * Azreshasha * Hydra * Aayilyam * Bhujamaghabha


BPL commentary

For Azlesa births of a masculine valence, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing Kumara may considerably affect the outcome.

For those born into the paradigm of Uraga, siblings, cousins, schoolmates, bandmates, team-mates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Hydra. Their purpose is to hold securely, twist, and control.


Call to Roots

Budha-ruled Asresas are typically storytellers. They are protective, parentally concerned, emotionally responsive communicators. Intensely patriotic and often xenophobic, Naga-born harken to the old ways, the ancient rhythms, the folk stories which bind an ethnic people to their roots.

Emotionally engaged and gesturing (Budha) in their messaging style, Hydra-born are often accomplished writers in literary genre ranging from political speech-scripters to parenting advice to folktale raconteurs. They specialize in tropes of root-culture, customs and habits, protection of the genetic stock, stabilization of the place of settlement, and defense of a way of life.

Bhujamaghabha speak the stories of a people in their land. It is the tale of a beginning in the watery mists, travel by ship, the struggle to farm and build, the cry for protection of a parental god, and finally the rooted possession of their place. They are natural environmentalists who prefer conversations about parenthood, ritual worship and holidays, food and farms, schools, roads and housing, with an emphasis on ensuring continuity of culture. Depending upon the condition of parental Chandra, Azlesa fathers may bind their children closely.

In leadership roles, the Naga-born may communicate in a swaying, hypnotic jargon, talking in the most common style, appealing to the base layers of the society, recalling an ancient past. Their sentimental audience is rapt with feeling. Their rhetoric is soothing, repetitive, simple, and familiar, like a parental lullaby, soothing the baby's cries.

Once lulled, the Naga;s quarry may be bound and captured, lashed to the safe place. It is a bondage ritual, repeated to ensure that nourishment can continue and& familiar customs can repeat in an unbroken, rhythmic flow.

Asresa-born may be found in socially powerful messaging roles. They come to prominence when a tribe is weakened at the root and feeling vulnerable. An ancient racial narrative is invoked. This storyline may beseech a people to strap themselves to the land and waters which give sustenance. Its clarion call rallies the fyrd, the farmers' army, the simple folk's defense of their habits, their sustenance. To this place they are bound by hunger, by vulnerability, by a need for protection.

Themes of tight bindings, holding to roots, emotional restraint, and defense of ancient folkways may contextualize Naga's terrestrial experience. Applies also to Chandra in Azlesa.

QUOTATION from: Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra. p 82.


"Outstanding characteristic of these people

  • is their rather unpleasant and unsociable disposition.

They are awkward and gauche in their manners

  • and are not quick to profit by their mistakes

  • because of their inability to adapt themselves to their surroundings

  • and their apparent reluctance to be gracious or kind to others.

This attitude militates against success in life

  • and is a barrier to progress.


These people should live less introspectively

  • and learn to appreciate the good in other people.

They should cultivate the habit of doing things for others."


Yogakaraka Mangala rules 5-intelligrnce, creativity, celebrity ++ 10 social visibility, respect, reputation, leadership

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