Britney Spears in 2008
Britney Spears in 2016
Musical entertainer * 1981- * Britney Jean Spears
birth data from https://en.wikipedia.org/wiki/Britney_Spears * tentatively rectified by BP Lama
charts, graphs, and tables produced by Shri Jyoti Star * adapted by BP Lama
published birth time
Uttaraphalguni * Aryaman * Bhaga * Falgun * Utthram
For Uttaraphalguni births of a feminine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome.
For those born into the Surya-ruled paradigm of Uttora, father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential.
Instructional guidance provided by emissaries from the civilizations of Denebola. Their purpose to brighten and glorify the divine intelligence through spectacular creativity.
Uttara-phalguni women are famously confident and willful. Monarchic entitlement pairs with aristocratic service via noblesse oblige. While much depends upon the characteristics of sparkling nakshatrapathi Surya, the feminine Falgun is often found in bright environments of royalty, celebrity, theatre, creative arts, amusements, and games.
Uttaraphalguni ladies radiate a profound love for living creatures, both wild and domestic. On behalf of the animal kingdom and its denizens, the women of Aryaman may undertake political activism. As righteous (and self-righteous) human mistresses of the animal world, their political style may include fiery displays of romantic idealism. They may collect animals.
Simha-Leya pada-1 features charismatic centrality and stage presence, focused into the physical embodiment. Pada-1 must hold the center of attention, whether in celebrity politics, entertainment and fashion, dramatic acting, or all three. Typically an elder husband and many romances.
Kanya Pada 2-3-4 = equally dazzling, idealistic, smart, and flamboyant, but more focused upon expressing the genius of the imagination. Often a splendid dramatist and performing musician due to nakshatrapathi Surya. Typically a younger husband and many romances.
Themes of political power, radiant confidence, and bright celebrity drama may contextualize Utthram's terrestrial experience. Applies also to Chandra in Uttaraphalguni
QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 95
"A joyous healthy disposition yet quietly so.
She is born to a family with social background
and loves to mingle with her friends in various social activities
She has fixed principles from which she will not deviate.
She prefers to choose her friends
She is efficient and adept at managing her home and her domestic life."
Britney Spears in 2018, age 37
Biographical Details matched to the Vimshottari Dasha calendar
Chandra Mahadasha * age 0-3.5
02-Dec-1981 Earth-birth in McComb, Mississippi, USA * Chandra-Budha bhukti * Budha lagnesha and karmapathi
Mangala Mahadasha * age 3.5 - 10.5 *
Rahu Mahadasha * age 10.5 until 28.5
1993 begin professional dance-song career (age 12) * Rahu-Rahu swabhukti * Rahu-11 top earnings
1999 sudden worldwide success * Rahu-Shani bhukti * Shani vidyapathi-5 in lagna
Nov-2006 files divorce * Rahu-Surya bhukti * Surya rogesha-6 navamsha, Surya ruler-of-12 radix
Feb-2007 public displays of mental instability (head shaving incident) * Rahu-Surya bhukti * Surya rogesha-6 navamsha, Surya ruler-of-12 radix
Nov-2007 divorce completed * Rahu-Chandra bhukti * Chandra Vriddhipathi-11 earnings, friendship
Jan-2008 psychiatric breakdown * Rahu-Chandra bhukti * Chandra-yuti-Ketu
Guru Mahadasha * age 28.5 until 44.4
Dec-2012 * named top-earning women i music industry $58million_USD * Guru-Shani bhukti
2016 *numerous recognitions and awards * Guru-Budha bhukti * Budha lagnesha and karmapathi
Shani Mahadasha * age 44.5 until 63.5
Budha Mahadasha * 63.5 until 80.5
Ketu Mahadasha * 80.5 until 87.5
features of the nativity
Dad = a businessman and her manager Surya in bhava-3
MARRIAGE partnership support expectations
ruler of 8 occupies 12 Viparita Raja-Yoga * Sarala Yoga
Typically for the Kanya nativity, Professor Mangala's curriculum, based in classrooms 3 and 8, provide particularly challenging circumstances in regard to mental processing (3) and unexpected interventions, particularly via hidden relationships and sudden changes of identity (8).
Atmakaraka parivartamsha Mangala occupies the revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra , suggesting continuous emotional upheaval expressed via kinetic movement
In the present nativity, Atmakaraka Mangala delivers a variety of effects. As the ruler-of-8 in bhava-12 = Viparita Raja-Yoga * Sarala Yoga Mangala gives protection from the potentially destructive consequences of sudden identity change, physical and emotional upheaval, catastrophic circumstances. When Mangala provides Sarala Yoga, one generally comes out fighting after a disaster and is made more proactive by revolutionary change.
Furthermore Mangala-Simha-12 enjoys a parivartamsha yoga with Surya-Vrischika-3, which inter alia provides vast reserves of kinetic energy and the ability to verbalize (3) fantasies (12).
Shani * duro-karaka * jara-karaka
Shani * double-edged sword of work ethic and intractable conflicts
Shani occupies the elder-respecting, old-faith, strict philosophies, punitive, scarcity-preaching 9th-from-Chandra
Shani-1 indicates a relentlessly hard worker distinguished by a practice-based work ethic. For the Kanya nativity, Professor Shani will deliver His curriculum via bhava-5 entertainment, creativity and also via bhava-6 conflict, illness. Shani rules Makara-Shraviztha (hearing the drumbeat) and also Shani rules 2nd-from-Chandra (family) bhava-6.
Generally a graha provides stronger results for its mulatrikona. Shani's mulatrikona being Kumbha, His results in life overall are stronger for Kumbha-6. However the remarkable cluster of Zukra + Chandra-yuti-Ketu in bhava-5 certainly indicate an entertainment career which succeeds via disciplined practice of the performer's craft.
Rahu * rajyalobha-karaka * picchala-karaka (slippery)
Ketu * kavandha-karaka * chidra-karaka
Dancer, rapper, entertainment industry * 1981- * Kevin Federline
birth data from https://en.wikipedia.org/wiki/Kevin_Federline * tentatively rectified by BP Lama
charts, graphs, and tables produced by Shri Jyoti Star * adapted by BP Lama
Oops-pair 1978- Kevin Federline
For Azlesa births of a masculine valence, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing Kumara may considerably affect the outcome.
For those born into the paradigm of Uraga, siblings, cousins, schoolmates, bandmates, team-mates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts may be especially influential.
Instructional guidance provided by emissaries from the civilizations of Hydra. Their purpose is to hold securely, twist, and control.
Call to Roots
Budha-ruled Asresas are typically storytellers. They are protective, parentally concerned, emotionally responsive communicators. Intensely patriotic and often xenophobic, Naga-born harken to the old ways, the familiar rhythms, the folk stories which bind an ethnic people to their roots. Azresa have a particular genius for evoking ethnic narratives and ancient resentments.
Emotionally engaged and gesturing (Budha) in their messaging style, Hydra-born are often accomplished writers in literary genre ranging from political speech-scripters to parenting advice to folktale raconteurs. They specialize in tropes of root-culture, customs and habits, protection of the genetic stock, stabilization of the place of settlement, and defense of a way of life.
Bhujamaghabha speak the stories of a people in their land. It is the tale of a beginning in the watery mists, travel by ship, the struggle to farm and build, the cry for protection of a parental god, and finally the rooted possession of their place. They are natural environmentalists who prefer conversations about parenthood, ritual worship and holidays, food and farms, schools, roads and housing, with an emphasis on ensuring continuity of culture. Depending upon the condition of parental Chandra, Azlesa fathers may bind their children closely.
In leadership roles, the Naga-born may communicate in a swaying, hypnotic jargon, talking in the most common style, appealing to the base layers of the society, recalling an ancient past. Their sentimental audience is rapt with feeling. Their rhetoric is soothing, repetitive, simple, and familiar, like a parental lullaby, soothing the baby's cries.
Once lulled, the Naga's quarry may be bound and captured, lashed to the safe place. It is a bondage ritual, repeated to ensure that nourishment can continue and familiar customs can repeat in an unbroken, rhythmic flow.
Asresa-born may be found in socially powerful messaging roles. They come to prominence when a tribe is weakened at the root and feeling vulnerable. An ancient racial narrative is invoked. This storyline may beseech a people to strap themselves to the land and waters which give sustenance. Its clarion call rallies the fyrd, the farmers' army, the simple folk's defense of their habits, their sustenance. To this place they are bound by hunger, by vulnerability, by a need for protection.
Themes of tight bindings, holding to roots, emotional restraint, and defense of ancient folkways may contextualize Naga's terrestrial experience. Applies also to Chandra in Azlesa.
QUOTATION from: Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra. p 82.
"Outstanding characteristic of these people
They are awkward and gauche in their manners
This attitude militates against success in life
These people should live less introspectively
They should cultivate the habit of doing things for others."
Yogakaraka Mangala rules 5-intelligrnce, creativity, celebrity ++ 10 social visibility, respect, reputation, leadership
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