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COHORT born six weeks after
born two months before
born four months before
born five months before
honorary niece of
![]() Whitney Houston in 1992 [WEH age 29] |
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musical recording artist songwriter theatrical performer cinema producer fashion model philanthropist a.k.a. Whitney Elizabeth Houston Earth-birth Friday-09-Aug-1963 dematerialization 11-Feb-2012 [age 48]
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musical entertainer cinema dramatist fashion model 1963 - 2012 Whitney Elizabeth Houston birth data from https://en.wikipedia.org/wiki/Whitney_Houston tentativelyrectified by BP Lama Jyotishavidya charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Feminine Nativity Agneya - Riksya - Karthika - Alcyone BPL COMMENTARY For Krittika births of a feminine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome. For those born into the splendidly Surya-ruled paradigm of Riksya, father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential. Instructional guidance provided by emissaries from the civilizations of the Pleyades. Their purpose is confidence-raising and light-bringing in creative pursuit of values fulfillment. Radiant Certainty Agneya-born ladies are often found in politics, in gambling and speculation, or in creative finance.. Riksya-born are brightly idealistic + self-directed seekers of attention. Mesha pada 1 represents nakshatra-pati Surya's empowerment in romance and celebrity entitlements. In the rashi of champion Mangala, sparkling Surya asserts radiant genius. Typically pada 1 = dramatists, politicians, royalty, celebrity, creative artists, and unique ly charismatic figures. Feminine births in pada-1 are often distinguished by an athletic figure and personal independence [Vrishabha - Urisha] -pada-2-3-4 express the tension between two-party bargainer Shukra versus one-party autocratic singular nakshatra-pati Surya. Often the intelligence of pada 2-3-4 is focused into the Values-fulfilling sectors of uniquely central, creative roles. They often serve as independent evaluators within the artistic and financial worlds, in the music industry, dealing with wines + perfumes, and in all aspects of tangible beauty. Depending on [Yogakaraka] Shani ruler of 9+10, the Vrishabha pada of Krittika have a stronger propensity toward organizational leadership positions. Themes of valuation, individual intelligence, creativity, and confidence may contextualize Krittika's terrestrial experience. Applies also to Chandra in Kṛttikā - Pleyades |
QUOTATION Kṛttikā from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 91 " ... a thin and quite tall woman. One with a weak constitution and rather given to chronic ailments:
A tendency to be morbid and depressed
She will no doubt live by herself away from her family,
She has a very jealous disposition and is difficult to please." [end quote, Shil Pondey, 1939]
Whitney as a young woman, with her famed Mother, singer Cissy Houston |
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Biographical details matched to Vimshottari Dasha bhukti
[Shani Mahadasha] = [birth until age 7.1] Fri-09-Aug-1963 = Earth-birth in Newark, New Jersey, USA * Shani-Chandra bhukti Apr-1966 until Jun-1968 Janma Sade-Sati Meena
[Budha Mahadasha] = [age 7.1 until age 24.1]
1981 [WEH age 18] earned high school diploma, by "special arrangement" * Budha-Rahu bhukti * 1981 [WEH age 18] represented by friends of her parents [Chandra + Guru] WEH enters contract as a professional fashion model. As one of the first young Black teen models, her image graced the cover of a famous teen-audience magazine, generating income and fame. * Budha-Rahu bhukti * Rahu-2 face, hair, genetics 1984 [WEH age 21] begin ascent into musical stardom, hit recordings, video, and live performances * Budha-Guru bhukti * Guru rules Dhanus 10th-navamsha contains Shukra [Ketu Mahadasha] = [age 24.1 until age 31.1] 13-Apr-1989 first meeting at a Soul Train event, with husband-to-be, singer Bobby Brown * Ketu-Shukra bhukti 1991 [WEH age 27] parents' divorce * Ketu-Rahu bhukti 18-Jul-1992 [WEH age 28] celebrated wedding-1-of-1 with singer, Bobby Brown * Ketu-Guru bhukti * Guru rules Meena svamsha ++ samchara Rahu-Ketu via Dhanus-Mithuna contact natal R-K 1992 [WEH age 28] WEH first major cinema role in The Bodyguard . The performance received both disdain of theatre critics for its poor dramatic values, and popular applause with high sales profits. The film's musical soundtrack was a colossal best-seller. * Ketu-Guru bhukti * Guru rules Dhanus 10th-navamsha contains Shukra ++ samchara Rahu-Ketu via Dhanus-Mithuna 04-Mar-1993 [WEH age 29] celebrated the birth of child-1, a daughter * Ketu-Shani bhukti * Shani rules 9 + dvadasa Sade-Sati [Shukra Mahadasha] = [age 31.1 until decease age 48]
Jun-1995 until Apr-1998 Janma Sade-Sati Meena
1995 [WEH age 31] cinema role in Waiting to Exhale. Both panned by critics and embraced by audiences. Played by an entirely African-American cast of actors and singers, mainly women [Shukra] the movie was heralded for its visual appeal [Shukra] and its beautifully scripted authentic [Surya] dialog [3] . Once again, the film's musical soundtrack [Shukra] was a colossal best-seller. * Shukra-Shukra svabhukti * Shukra lagnesha +rogesha + Shukra rules 3rd-from-Chandra media-messaging, audiences ++ janma Sade-Sati 1996 [WEH age 32] one of the highest-paid actresses in Hollywood, earning 10M-USD for her role in The Preacher's Wife. Again enacted by mainly Black dramatists, the film was financially successful and the soundtrack won top awards in the Gospel Music category. * Shukra-Shukra svabhukti * Shukra lagnesha +rogesha + Shukra rules 3rd-from-Chandra media-messaging, audiences ++ janma Sade-Sati 1997 [WEH age 33] with astounding paychecks along with producers awards for both music and cinema, WEH is recognized as an elite figure in the entertainment industry. She is respected as both a commercial businesswoman and an artistic super-performer. * Shukra-Shukra svabhukti * Shukra lagnesha +rogesha + Shukra rules 3rd-from-Chandra media-messaging, audiences ++ janma Sade-Sati 2000 [WEH age 36] following cancellations, no-shows without notice, poor voicing, and erratic behavior, WEH is fired and released from numerous performance contracts. Rumored drug abuse and marital abuse. * Shukra-Mangala bhukti * Kuja vyaya-pati rules 6th-from- marital disagreements + Mangala in 7th-from-Chandra 2002 [WEH age 38] high-profile lawsuit by WEH entertainment management company accuses WEH of fraud and demands exhorbitant payment. * Shukra-Rahu bhukti 02-Feb-2003 [WEH age 40] grieved the bio-decease of her career manager-father * Shukra-Rahu bhukti 2003 [WEH age 40] lawsuit by management company = dismissed ; plaintiff receives nothing * Shukra-Rahu bhukti Dec-2004 [WEH age 41] begin series of domestic violence and spousal promiscuity events, compounded by long-term drug-and-alcohol addictions of both partners * Shukra-Guru * Guru rules Ketu-8 dissolution, masked emergency 08-Sep-2006 [WEH age 42] Following years of drug-fueled, violent spousal interaction, masked by publicity statements of domestic harmony and affection, WEH files Legal separation alleging verbal, emotional, and physical abuse * Shukra-Guru bhukti * Guru randhresha = exposure, discovery, revelation 24-Apr-2007 [WEH age 44] divorce-1 = official end to 14-year marriage with singer, Bobby Brown. WEH receives sole custody of their child. * Shukra-Guru bhukti * Guru randhresha = identity-change 11-Feb-2012 [WEH age 48] blessed liberation from the Earthen-body, via drugged drowning in a hotel bathtub * Shukra-Budha bhukti * maraka Budha rules Rahu-2 Jun-2012 = six months after WEH decease, ex-spouse BB remarries * Shukra-Budha bhukti * Budha rules Rahu-2 |
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Salient Features of the Nativity
[Sparkling Splendid Surya] pitri-karaka [father] -- jyoti-karaka [light] [homebound-anchoring bandesha for Urisha indriya-lagna] check Chandra + Chandra-drishti to source Surya's rhythmic certainty, sensitive radiance, soothingly confident display [bright center of messages about ancestral culture] [radiant evangelist for protection of ancient folkways] [confidently communicates about familiar household routines] [dramaticly presents patriotic information about foundational dwellings] [center-stage roles in signaling about national defense and local security] [charming explainer on topics of housing, gardening, vehicles] [administrative politics of basic schooling and local worship] [may show detailed expertise in burial rituals and final resting grounds] [sentimental father-figure may be a parental process manager, habitual salesman, building construction planner, or writer-publisher on domestic topics] ... [regulatory-corporate Aśleṣa-2] = [navamsha Surya-Makara] intuitively confident class-conscious hierarchical artistic performance [Aśleṣa-Surya-yuti-Shukra-Aśleṣa-asta] - combines the rulers of 2 + 9 + 12
OUTCOMES - MAGNIFICENT MARTANDA self-reflexively announcing, brightly messaging, intelligently editing, confidently translating, glittering interpretation, regal style of gesture, communicative intelligence, radiantly descriptive, politically collaborative, splendidly explanatory [Surya in bhava-3] rules
CAREER - SPARKLING SURYA [Aśleṣa-Surya-yuti-Shukra-Aśleṣa] = entertainment, celebrity relationships, women's fashion display, singing
Surya-Chandra mutually beneficial 5-9 angle =
FATHER - Manager of Teams [regulatory-rankinge Aśleṣa-2] Dad military career = Surya rules 4-national defense ++ Simha 6th-navamsha Dad was originally a military officer, Surya-Karkata ++ Shani-Makara mutual-exchange-Surya-Karkata When the talent of his wife and daughter began to ascend, dad became the official family career manager .
Dad and his deputies managed every aspect of their professional life. His military background [Shukra rules-6] emphasized security [Surya rules 4].
Chandra-Surya share a 5/9 angle suggesting that [despite their 1991 divorce when WEH was 27] there was long-term creative affinity between mother-and-father. Surya pitrikaraka rules emotionally adversarial Simha-6th-from-Chandra. Dad was adversarial to the applause received by WEH, and litigiously greedy. He launched a lawsuit demanding lavish payment [which failed]. Yet, mom and dad maintained a mutually beneficial professional relationship. Shani mutual-drishti Surya = permanent tension between entitlement vs. Obligation Yogakaraka Shani rules 9-10. Shani's drishti into [Surya in bhava-3]-Karkata
[Comfortable Caretaking Chandra] matrikaraka [mother] -- garha-karaka [village] team-working bhratru-pati for Urisha indriya-lagna] check Guru + Guru-dristi for defining source of Chandra's broad philosophical worldview [comforted by dreamlike friendships] [culturally sensitive to philanthropic goals in economic linkage] [needs to sense the privately-prayerful pulse of connection in mass-participation assemblies] [protector of the ancestral symbolic associative gridworks] [interior-guidance leads profitable business transaction bhratru-pati ] [contemplative sibling-cousins bhratru-pati stabilize the social life] [emotionally attached to envisioned goal achievement] [environmentalist feelings attuned to oceanic mists] [managing bhratru-pati mother may be a visionary socialite, intuitive fundraiser, imaginative community participant] ... [arranging-harmonizing Andromeda-3] = [navamsha Chandra-Tula] intuitively sensitive equity-seeking, diplomatic-dealing-brokering-bargaining [Andromeda-Chandra-yuti-Guru-Revatī] = combined rulers of 3 + 8 + 11
OUTCOMES - ANCESTRAL SOMA entimentally friendly, emotionally gainful, feels grounded through mass gatherings, anchored into community linkage, sensitive to elder sibling, needs profitable market connections, sense of belonging to social participation networks [Chandra in classroom-11] rules
CAREER - CARETAKING CHANDRA
MOTHER Mom = nationally popular singer Cissy Houston. Chandra-yuti-Guru combines the rulers of 3 + 8 + 11
Mother and Community Chandra-yuti-Guru = wise guidance from multiple mother figures, within an interlinked community of friendship [11]
PARENTS Socially Conservative, orthodox Believer
Shani-9 conservative church-going believers both parents adhered to standards of social decorum.
MARRIAGE partnership emotional equity support expectations [7th-from-Chandra-11] = Lifepartnership-1-of-1
WEH married a fellow singer and touring performer. He was a father to a considerable number of offspring. The union was reputed to suffer from domestic abuse, including dehumanizing behaviors and self-medication with alcohol-and-drugs [Kanya] [Competitive Champion Kuja] bhratru-karaka [brother] -- virya-karaka [virility] [balancing-bargaining yuvati-pati for Urisha indriya-lagna] [contemplative-enclosing vyaya-pati for Urisha indriya-lagna] [vigorously argumentative political campaigns] [energetically victimized stage performance] [brilliant theatrical enactment of loss, betrayal , disappointmen t] [expresses dramatic creativity with logical precision and planning] [promotes dynamic demonstrations of specific grievance] [wins praising applause from the disenfranchised] [physicalized service actions while playing romantic poetic games] [may battle over accusatory litigation with one's own children or students] ... [musical-financial Hasta-2] = [navamsha Mangala-Urisha]
OUTCOMES - MOVING MANGALA energetic center-stage performer, brightly kinetic dramatist, champion of romantic pursuit, vigorously gambling, dynamically creative, competitively political, sparkling entertainer, pioneering displays, dominant winner in gambling and games [Mangala in bhava-5] rules
CAREER - COMPETITIVE KUJA RELATIONSHIPS - KUJA Mangala-Kanya occupies the marital 7th-from-Chandra, indicating a physically active and critically-investigating life mate Such a lifemate may be aggressively critical also.
WEH endured an abusive marriage with her accusing, battering, competitive peer-vocalist-entertainer [5] Mangala] . In addition, he contested her sexual identity [Kuja]. [Busy Bantering Budha] jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student] [collecting-preserving dhana-pati for Urisha indriya-lagna] [creative-witty vidya-pati for Urisha indriya-lagna] see Surya + Surya-drishti to source Budha's willful dialogs, solipsistic interpretations, center-stage discourse [charmingly familiar self-expression of speech-song dhana-pati and creative amusement vidya-pati] [talks brightly about security and defense] [interested in scripted ancestral celebrations vidya-pati ] [describes flamboyant domestic routines] [charismaticly explains the intelligent protection of life-basis] [uses detailed dialog to dramatize ethnic culture] [curious analysis of local political problems] [clever theatrical worship routines] [verbally-gesturally brilliant folkways rhythms] [mentally grounded through romance and children] [communicates in family-based dhana-pati style about land-use, vehicles, real-estate] [childhood home managed by entitled, affluent dhana-pati nationalistic parents] [entertaining mother may be a smart schoolteacher, fashionable property-owner, gambling gardener] ... [theatrical-sparkling Pūrvaphalgunī-1] = [vargottamsha] [navamsha Budha-Simha] intuitively explaining dramatic romantic artistic performance display
OUTCOMES - BANTERING BUDHA talkative parents and caretakers, at-home instruction, discusses security, describes cultural foundations, articulates familiar rhythms, describes habitual places, repeats routine conversations, communicates about household, explains the folkways, follows a customary mental pathway [Budha in bhava-4] rules
CAREER - BUSY BUDHA Budha rules 2-voice-face-lyrical storytelling = contains Rahu-Mithuna signaling a potent, articulate, ambitious family-of-origin Budha = the team, the entourage, the ensemble, the promoters, the handlers, the managers [Generous Growing Guru] dhava-karaka [husband] -- bahuta-karaka [variety] = [svakshetra] [mysterious-revealing randhresha for Urisha indriya-lagna] [friendly-gainful vriddhi-pati for Urisha indriya-lagna] ... [networking-revenues Revatī-3] = [navamsha Guru-Kumbha] [Revatī-Guru-yuti-Chandra-Uttarabhādra] = combined rulers of 3 + 8 + 11
OUTCOMES - GENEROUS GURU expansively friendly within the social rank, inspirationally lawfully profitable, philosophy of institutional marketplace linkage, generous status mentoring, conventionally community-connected, class-consciously associative [Guru in bhava-11] rules
CAREER - BENEVOLENT BRIHASPATI community, crowds, earnings, friends, social networking, revenues Guru rules inspirational-music Shukra-Dhanus in 10th navamsha WEH musical- dramatic performances appealed emotionally to a broad and diverse [Somana-yuti-Guru] range of people. Guru-Meena-11 = social-participation collectives, wide {Guru] cultural [Chandra] community [11] immersed in intuitive, personally meaningful, non-rational, symbolic vision [Meena]
HUSBAND - GURU [11] suggests that the marriage partners were connection through a large [Guru] friendship network. Mutual drishti between Guru-and-Mangala can produce fertility along with a great amount of kinetic energy for community engagement. RELATIONSHIPS Chandra-yuti-Guru expands the scope and number of social connections to caretakers [Chandra]
svadu-karaka [sweet] kalatra-karaka [[wifely companion] [energizing-identifying lagnesha for Urisha indriya-lagna] [inimical-medicating rogesha for Urisha indriya-lagna] ... [preaching-optimistic Aśleṣa-1] = [navamsha Shukra-Dhanus] + [asta-Aśleṣa-Shukra-yuti-Surya-Aśleṣa] = combined rulers of 1 + 4 + 6
OUTCOMES - SWEETENING SHUKRA pleasantly sensual communication style, enjoys balanced conversation, harmoniously collaborative teamwork, aesthetic of beautiful project presentation, likes the process of writing-and-publishing, commercial finance, prefers a luxurious office, mentally engaged in making fair arrangements, musical-artistic media-messaging transactions, appreciates having a gracious neighborly cohort [Shukra-3] rules
CAREER - BRIGHT BHRIGUTANAYA lagnesha = aslesha Shukra-3, beauty in communicative messaging, teams, ensemble, cooperation Shukra ashtangata harana] [Shukra-Karkata] occupies the emotionally-driven creative performance genius 5th from Chandra
[Shukra Mahadasha] = [age 17.1 until age 37.1]
Known first as a live-audience Church singer [Shukra-music = mutual drishti with Shani-9, sangha, believers] WEH 's inspirational recordings [navamsha-10 Shukra-Dhanus, inspirational music] developed a wide audience [3, audience, the listeners] . WEH cinema performances [Surya,3] garnered even more financial [Shukra,3] commercial success [3, communications media] PROJECTS, MANAGERS, TEAMS 20 years duration of Shukra Mahadasha was overall commercially-artistically beneficial not only for WEH but also for her substantial beauty-music team. Her dad [Surya] was WEH top career manager, but there were numerous specialty team managers as well [3 management, skills, tasks, projects]
[Shukra-3] rules team-working
3rd-from-Chandra
[Urisha]
although a solo artist on stage [Surya], WEH was a businesswoman [3] . A sparkling charismatic individual [Surya] she was also continuously surrounded by technicians, stylists, stage managers, agents, and innumerable teammies [Shukra music business, 3-attendants, retainers, co-workers] Lawsuits by Father against Daughter - ] Shukra-yuti-Surya pitrikaraka] Shukra is rogesha ++ Shukra = ruler of 8th-from-Chandra = sudden emotional shocks, danger, or attack. beautiful musical Shukra is partly responsible for self-medication and unfair, exploitive relationships. Shukra drishti introduces a perpetual inflow of jealousy, addiction, and abuse into pitristhana-Makara-9, producing the lawsuits of her father-manager against his own daughter in the attempt to appropriate her assets. . [Sober Structural Shani] duro-karaka [endurance] -- jara-karaka [Jahre, years] = [svakshetra] [Yogakaraka doctrinal-guiding dharmesha for Urisha indriya-lagna] [Yogakaraka dutiful-exective karmesha for Urisha indriya-lagna] [class-concious orthodox catechesis] [believes in the conventional rule of law-and-order] [steadily maintains the orderly credenda] [old priesthood continues mandatory conformism] [lawfully governing patriarchs] [strict standards for bureaucratic regulation] [fear of punitive religious beliefs] [dharmesha socially approved ideology] [karmesha leadership proceeds from ideological convictions] [pragmatic patronage of universities and temples] [philosophical understanding limited by social norms] [prefers older respected religious teachings] [rigidly disciplined dogmatic responsible father] [father may impose orderly principled judgments upon the sangha] [father-figure may be a presbyter, governor, director, professor of law, elite hierarch] ...... [ministering-complaining Dhaniṣṭha-2] = [navamsha Shani-Kanya] [ātmakāraka duty, the burden of responsibility, workload, timeclock, class-consciousness, status]
OUTCOMES - STRUCTURAL SHANI ideologically rigid, religiously regulatory, philosophically conventional, staunchly sermonizing, respectfully patronizing, doctrinally disciplined [Shani in Bhava-9] rules
CAREER - SOBER SHANI orthodox dogma, orderly worldview, structured beliefs [Shani in Bhava-9] occupies conventional, conforming Makara within the emotionally associative, community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra Shani-Makara-9 mutual-drishti Surya-Karkata-3 a permanent tension between media-messaging entitlements vs. doctrinal-sacerdotal obligation . Surya rules household-4 while publicly responsible Shani rules 9-10 Their fraught territories are constantly activated in a polarized tug-of-war. One is constantly called into the duties of public life [Shani] and there is no rest [4, retirement, shelter] until the end.. [Risk-rewarding Rāhu] rajyalobha-karaka [ambition] -- picchala-karaka [slippery] [for Urisha indriya-lagna] check Budha + Budha-drishti to source Rahu's apparently explanatory, shimmering mirage of communicative flair [Rahu-2 casts passionately enriching capitalizing drishti into 6-8-10] [passionately detailed messaging via voice-face-hair] [opportunistic discussions about asset collection and finance] [fascinating process for documenting sound values] [astonishing commercial acquisitions] ... [financial-heritage Punarvasu-2] = [navamsha Rahu-Urisha-uchcha]
OUTCOMES - RISK-REWARDING RAHU scion of an African-American musical dynasty [2] When the ruler is endowed with effectiveness and the navamsha position is also supported [Rahu in bhava-2] = super-power of mix-master in the worlds of values, heritage, the genetic story that is told by the face, the complexion ... hair, eyes, mouth, teeth, voice, speech, song, -- storytelling and record-keeping. WEH was called in the entertainment industry a "cross-over artist" Her high-profile fashion-and-entertainment package easily crossed-over [Rahu] most of the race-and-class boundaries of the American pop-culture audience [Mithuna, audience]. WEH was praised for a commercially viable [Mithuna] mixed sacred-and-secular music, culturally both black-and-white fashion styles, and fluid gender-identity boundaries. [Collapsing unshackling Ketu] kavandha-karaka [headless] -- chidra-karaka [gaping] -- vasana-karaka [vacuum] [for Urisha indriya-lagna] [beneficial placement for Urisha indriya-lagna] check Guru + Guru-drishti to source Ketu's ungrounded convictions, disengaged belief [unconcerned with threats of doctrinal disintegration] [apathetic toward catastrophic consequences of credenda] [liberated from terrifying beliefs about death-and-rebirth] [may be passively fixated upon ambitiously messaging, instructional, commercial Rahu-Mithuna-2 treasuries, store-holds, family-members, bankers, memory-collectors, warehousers, knowledge-preservers, or second-spouse] ... [secretive-emerging Pūrvāṣāḍhā-4] = [navamsha Ketu-Vṛścika-uchcha]
OUTCOMES - EVACUATING KETU
[accidental death, randomness] occupies [exploring-disguising Pūrvāṣāḍhā-4] inspirational mysteries Pūrvāṣāḍhā-4 is a notably powerful position for Ketu the Annihilator. The power of any Vṛścika-pada is the power of non-disclosure. In the years preceding WEH tragic 2012 suicide by drowning, the odd location of Ketu in 10th-from-Chandra was perplexing to observers. External public appearances [10] would not have confirmed WEH ongoing energetic erosion typical of Evacuator Ketu. Collapsing Ketu in 10th-from-Soma typically signifies a spiritually detached figure, amystical recluse or renunciate, aperson demonstrating surrender or annihilation, or [in the worst case] an astrologer.
The site of WEH victimization was not visible to outsiders. The self-medication and marital abuse that slowly unraveled her celebrated performance genius was bhava-4 Simha= 6th-from-Chandra = the home. Her own parents, her parenting, her foundational security, and her safety within her own household became the site of emotional battering. Simha = also 6th-navamsha, and ruler Surya implicates the father-figures in management roles.
-------- 8] occupies 10th-from-Chandra = camouflaged professional exhaustion
Ultimately, wEH gained highest familiar repute 10th-from-Chandra. for her unexpected [8] disembodiment [Ketu] = end-of-things
The red flag of Ketu is no-show, absenteeism, and cancellation. WEH had developed a pattern of erratic and dissociative professional behaviors [Ketu 10th-amsha] Excessive cancelled performances spurred lawsuits and peer concern. Despite frequent time-off, the cause was opined to be exhaustion [Ketu]. Confirmation of the hidden meaning of Ketu-8 in 10th-from-Chandra was ultimately provided by WEH tragic suicide, which left behind a cherished daughter. As the years have rolled by, wEH reputation is less framed by a brilliant artistic career - but rather by the circumstances of her mortal exit and final relief, combined with the subsequent suicide of her only child, her daughter. WEH widely grieved death by drowning while drug-numbed, under stress from pressured re-entrance into a career she had wished to exit [Ketu], produced an emotionally evocative image of despair, incoherent tragedy, hopeless failure, and martyrdom to unsustainable public expectations [10] |
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