born 11 months after
born six weeks before
born four months before
born six months before
born seven months before
professional collaborator with
musical recording artist
a.k.a. Georgios Kyriacos Panayiotou
dematerialization 25-Dec-2016 [age 53]
commercial music producer
1963 - 2016
George Michael - Georgios Kyriacos Panayiotou
birth data from https://en.wikipedia.org/wiki/George_Michael
tentatively rectified by BP Lama Jyotishavidya
charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com
- adapted by BP Lama
Masculine Public-Figure Examples
Vasu - Slaviztha - Avittam - Hrsikesha
For Dhaniṣṭha births of a masculine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.
For those born into the Kuja-ruled paradigm of Vasava, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, drivers, drillers, diggers, exploders, aggressors, pushers, invaders, pursuers, competitions and battles may be especially influential.
Dhaniṣṭha-born often respond to a deep inner fear [Shani] which manifests as aggressive survival-driven competition [Kuja]. The result = orderly, direct, empowered, and dynamic structured action.
Instructional guidance is provided by emissaries from the civilizations of Delphinus. Their purpose is social engineering, economic competition, and achievement of dominant positionsr.
Hierarchical Power Climber
Kuja-ruled Vasu-born fellows endure acute Shani-Mangala tension. They are intensely competitive. In no uncertain terms, these men play to win. Goal-directed and often ruthless, their playing fields are typically located in the corporate-institutional hierarchies of Shani, where they strive for alpha-dominant positions.
Operating in orderly Shani-controlled environments of Makara and Kumbha, Vasu champions are surrounded by lawful, systematic, and often timid folks who rarely resist Hrsikesha's powerful ascent to the peak of the hierarchy.
Dhaniṣṭha + Sraviztha are a pair, similar to the Purva-Uttara pairs. Like genteel śrāviṣṭha, those born within Dhaniṣṭha are highly sensitive to rhythm, pace, and tone. They can develop successful careers in music and dance performance. When Dhaniṣṭha fellows choose an entertainment career, it is often full of drumming, loud singing, vigorous dance, sexual strutting, and dominated by men.
Unlike demure Soma-ruled śrāviṣṭha, those born into Kuja-ruled Dhaniṣṭha favor athletic, competitive movement. These men thrive where the blood-stirring beat of the war-drums is pulsing, energizing, and strong. They set high-achievement goals. Dhaniṣṭha are determined to win the contest, at any cost.
Makara pada 1-2 express Kuja's control of 4-lands-roots + 11-earnings. Pro-actively patriotic (4) and driven to achieve profits (11), they are often found in real-estate (4) education (4) agriculture (4) transportation (4) police + defense industry (4) minerals + mining (4) or in any marketplace where the path to economic gain (11) is open to Kuja's dominating, goal-oriented, competitive vigor.
Since Mangala activates a 6/8 pair, their Achilles Heel = economic protectionism (4-11). Outcome depends upon the character of Mangala.
Kumbha pada 3-4 express Kuja's control of 3-commerce + 10-leadership. Any commercial endeavor suits the pada 3-4 Hrsikesha-born, so long as they find a path toward governing power. Gifted in manufacturing (3) programming and process (3) sales-marketing (3) and all business functions, this breed competes aggressively for leadership.
Kumbha pada 3-4 = famed as dominating, irascible, intimidating personalities who may have been bullied in their youth. Their innovative actions may change the course of civilization. Since Kuja activates a 6/8 pair, their Achilles Heel = micro-management (3-10). Outcome depends upon the characteristics of Mangala. Like all Kumbha-born, their wealth expands via globalist, philosophical Brihaspati.
Themes of band-of-brothers, survival, vitality, forceful movement, controlled explosion, exploration, winning, pioneering, discovery, invention, drilling, penetration, invasion, intimidation , sexual pursuit, and conquest may contextualize Vasu's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Dhaniṣṭha
George Michael with entertainer Elton John, at the 1997 funeral of Diana Spencer
QUOTATION from: Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra. p 87
" Two entirely different types are born with Dhaniṣṭha rising.
It depends on the part of this asterism, which lies on the Rising Point, as to which type predominates.
They both have thick necks and heavy thighs.
Yorgos Kyriacos Panayiotou in 1983, age 20
Yorgos Kyriacos Panayiotou age 19, in London
George Michael [age young-adult] with his parents
on a publicist-arranged date in 1980's, a visibly annoyed George Michael poses with the polite fashion model Brooke Shields
Biographical details matched to Vimshottari Dasha bhukti
[Ketu Mahadasha] [age birth until age 3.3]
Tue-25-Jun-1963 Earth-birth as Georgios Kyriacos Panayiotou, in East Finchley, Middlesex, England * Ketu-Shukra bhukti
[Shukra Mahadasha] [age 3.3 until age 23.3]
Sep-1977 until Nov-1979 Janma Sade-Sati Simha
1971 [GM age 8] a head injury provokes worldview shift, and GM's thence-forward fascination with music begins * Shukra-Surya bhukti * Surya randhresha, identity-change
1979 [GM age 16] as a teenager, GM wrote the lyrics and musical orchestration for several emotionally evocative songs. When recorded two years later, these would become huge pop-dance-hits * Shukra-Guru bhukti * Guru-3 rules Meena-3 abundant songwriting
1981 [GKP age 18] while still in high-school, forms the instantly successful musical partnership Wham! * Shukra-Shani bhukti * Shani-1 rules Kumbha 7th-navamsha partnerships
1984 [GKP age 21] his song Careless Whisper becomes a multinational top-seller * Shukra-Budha bhukti * Budha-5 rules 9-fortune, celebrity
Apr-1985 [GKP age 22] becomes the first western pop-musician to perform in the newly opened China, to intl acclaim * Shukra-Budha bhukti * Budha-5 rules 9-fortune, celebrity ++ [Budha-yuti-Shukra-karmesha] occupies 10th-from-Chandra
[Surya Mahadasha ] [age 23.3 until age 29.3]
1988 [GKP age 25] the popular song Faith wins Grammy Award * Surya-Rahu bhukti
1992 [GKP age 29] begin life-defining love relationship [Shukra] with Brazilian dress designer, Anselmo Feleppa * Surya-Shukra chidradasha
[Chandra Mahadasha] [age 29.3 until age 39.3]
Mar-1993 [GKP age 30] grieved the decease of beloved partner, Anselmo Feleppa, via AIDS-related brain hemorrhage * Chandra-Chandra svabhukti * Chandra rules 12th-from-Chandra, emotional loss
1997 [GKP age 34] grieved the decease of mother, Lesley Angold, via cancer * Chandra-Shani bhukti * matrimaraka Shani rules 7th-from-matrikaraka-Chandra
1997 [GKP age 31] begin 12-year lifepartnership with sportswear executive, Kenny Goss. * Chandra-Shani bhukti * Shani rules 7th-navamsha
07-Apr-1998 [GKP age 35] arrested by Los Angeles Police for "lewd acts". GKP protests that the crime-screen was set-up by morality-policing entrapment * Chandra-Shani bhukti * Shani-1 rules adversarial, exploitive 6th-from-Chandra
[Mangala Mahadasha] [age 39.3 until age 46.3]
2006, 2006, 2007, 2008 [GKP age 43-45] multiple arrests for sex and drug offenses * Mangala-Shani until Mangala-Surya [randhresha]++ janma Sade-Sati
Nov-2006 until Sep-2009 Janma Sade-Sati Simha
2008 [GKP age 45] enters retirement due to turbulent personal life, drug issues, and multiple police arrests * Mangala-Surya bhukti * Surya randhresha identity-change ++ janma Sade-Sati
[Rahu Mahadasha] [age 46.3 until decease age 53]
spr-2010 [GKP age 46] break-up of 12-year lifepartnership with Kenny Goss, due to disagreements about substance abuse. Followed by drunk-driving car-crash which damaged a residence. * Rahu-Rahu svabhukti * Rahu-6
Sep-2010 [GKP age 47] sentenced to jail [released after 4 weeks] for driving intoxicated, car-crash, property damage * Rahu-Rahu svabhukti * Rahu-6
Nov-2011 hospitalized for pneumonia [grief]. Enters and exits comatose status. Tracheotomy * Rahu-Rahu svabhukti * Rahu-6 ailment, medical treatment + [Rahu-yuti-Surya] Surya rules 8-surgeries
2013 [GKP age 50] hospitalization following severe inury to back of head, sustained while falling from his moving car * Rahu-Guru bhukti * Guru-3 rules 8th-from-Chandra trauma + Guru rules Ketu-12 falling
25-Dec-2016 [GKP age 53] dematerialization via heart failure, at home in Goring-on-Thames, Oxfordshire, England * Rahu-Shani bhukti * maraka Shani rules 2
Salient features of the Nativity
pitri-karaka [father] jyoti-karaka [light]
[shocking-transformative randhresha for Makara - Draco indriya-lagna]
[bright managing center of planning ministry]
[political discussions about helping the stigmatized or marginalized]
[bright center of planning ministry]
[communicative intelligence for media-messaging medicine]
[celebrated aid to the disadvantaged]
[hidden power arising from administrative interventions]
[self-certain presentation of conflicted evolutionary lifestyles]
[confident exemplar of living with suffering narratives]
[intelligence for initiating self-certain change among the victims]
[inspirational-dogmatic Arudra-1] [navamsha Surya-Dhanus] intuitively believing principled philosophical doctrinal optimistic humanistic confidence
OUTCOMES - SURYA
medicating, litigating, ministering to the exploited, helpful, [Surya in bhava-6] rules
Surya rules [Somana-yuti-Kuja]-Simha creative performance
Advantageous Outrageous [Surya-yuti-Rahu]
engages a powerful Sarala Yoga
Revenie-making friendly Surya occupies the profitable 11th-from-Chandra
Brilliant youth-culture icon, challenges social boundaries
Raised bilingual/bicultural [Surya-yuti-Rahu] in England, Georgios [Yorgos] Kyriacos Panayiotou worked under the stage name // George Michael //.
Performer, vocalist-dancer [Surya-Arudra] event-staging, business management, recordings producer [Mithuna]
Radiantly bi-lingual, bi-sexual, bi-cultural public identity [Mithuna]
[Surya-yuti-Rahu] super-performer with ambivalent gay identity
Mithuna = media-messaging expertise, detailed planning for tours, boundary-breaching commercial productions, successfully phrased-and-paced danceable song-writing
[Surya Mahadasha ] [age 23.3 until age 29.3]
Dad = Kyriacos Panayiotou, a prominent restaurateur of Greek Cypriot nationality .
Dad married a British wife and raised his family in London. [Surya-yuti-Rahu]
Young George, his father's only son, was named Georgios [Yorgos] Kyriacos Panayiotou.
His dad was an immigrant Greek Cypriot [Rahu]. Dad was deeply identified with the language and culture of his homeland. Dad was passionately focused [Rahu] on earnings.
Starting from a low rung, [6, servitude] Dad became a capitalized businessman
GM acknowledged the material benefits of his dad's business acumen [Surya-Mithuna] and the personal enrichment of his own biculturalism [Rahu]
Dad saw his son's singing business as a foppish British lifestyle, which brought dishonor to the hardworking patriarch [Surya-6, aggrieved father]
Like dad, GM became a commercial success in music selling and tour production within the entertainment industry.
matrikaraka [mother] * garha-karaka [village]
[balancing-bargaining jaya-pati for Makara - Draco indriya-lagna]
[comforted by creative crisis]
[familiar with shocking transformative displays]
[settled into rhythmic pulse of dramatic renewals]
[at some juncture in the lifespan, previous entitlements utterly die, catalyzing an emotional rebirth into new intelligence]
[needs center-stage attention for ceremonial initiations]
[soothed by praise in mysterious celebrity roles]
[need to receive lavish applause for break-through performance]
[nourished by bright fame for revelatory discovery]
[mother may be fiery midwife-healer, secretive political influence, or divinely confident trance-channel]
[media-messaging Magha-1] [navamsha Chandra in Mithuna] intuitively sensitive commercial communications
emotional sensitivity, mothers-and-children, feeding, shelter-care
OUTCOMES - CHANDRA
sensitive to mystery, attuned to danger, trauma-needing, shockingly transformative, trance-channeling [Chandra in classroom-8]
[Rohini-Budha-yuti-Shukra-Rohini]  + in 10th-from-Chandra
[Somana-yuti-Kuja emotionally effusive, kinetically sexualized]
From his first public performances until the end of Chandra Mahadasha [age 40] GM displayed [Simha] a mesmerizing emotionally-drivenl dance ability.
[Chandra Mahadasha] [age 29.3 until age 39.3]
Mom had been a professional dancer.
MARRIAGE partnership emotional equity support expectations
2 forecasts the partner's focus on beauty, heritage knowledge, language, money, family genetics, hoarding, conservation of historical values, and overall aesthetics as governed by the dhanesha.
For GM, dhanesha = Shani-1 rules 2, effectively pulling most of the relationship energy back into himself.
bhratru-karaka [brother] virya-karaka [virile]
[homebound-anchoring bandhesha for Makara - Draco indriya-lagna]
[gainful-friendly labha-pati for Makara - Draco indriya-lagna]
[ministering-logistical Pūrvaphalgunī-2] [navamsha Kuja-Kanya] intuitively innovative ministries-of-service
OUTCOMES - MANGALApenetrating, discovering, therapeutic, surgical, drilling, exploratory, secretive, disaster-responding, emerging [Mangala in bhava-8]
finance [Mangala in bhava-8] casts energizing drishti into 11 + 2 + 3
Mangala-8 bandhesha formal schooling . Via personal discipline [Shani-1] GM was able to complete high school. His affluent father insisted that GM - his only son - earn a college diploma, in order to lay a foundation for his adult future.
However, GM was drawn into high-energy dancing-songwriting-singing. Despite his father's preferences and resources, self-determining [Shani-1] Shukra-Shani bhukti = marked the end of his academic studies.
KUJA MAHADASHA [age 39.3 until age 46.3]
Volatility of [Somana-yuti-Kuja] = Challenging Years
hasten the end of career Mangala Mahadasha
Despite continuous earnings  ++ acquisition of vehicles and real-estate , Mangala Mahadasha featured outbursts  of provocative indeed disastrous energy. As bandhesha, Mangala signals retirement.
not surprisingly, inner turmoil was concentrated into the Sade Sati
Nov-2006 until Sep-2009 Janma Sade-Sati Simha [age 44-47]
Mangala-Shani until Mangala-Surya [randhresha]++ janma Sade-Sati
Mangala-Surya bhukti * Surya randhresha identity-change ++ janma Sade-Sati
jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student]
[inimical-accusing rogesha for Makara - Draco indriya-lagna]
[believing-principled dharmesha for Makara - Draco indriya-lagna]
[rhythmic-protective Rohiṇī-4] [navamsha Budha-Karkata] intuitively explaining caretaking-shelter
OUTCOMES - BUDHA
artisticly performing, center-stage explaining, dramatic writing [Budha in bhava-5]
CAREER - BUDHA
[folk reputation 10th-from-Chandra = entertainment, politics, celebrity, gambling historical-financial values Urisha-5]
[Budha-yuti-Shukra] writing, planning, managing, arranging
GM lyrical impact from Budha. Content generally about distress and disappointment  in relationships [Shukra].
dhava-karaka [husband] bahuta-karaka [variety]
[busy-managing vikrama-pati for Makara - Draco indriya-lagna]
[retreating-contemplative vyaya-pati for Makara - Draco indriya-lagna]
[hierarchical-normalizing Revatī-2] [navamsha Guru-Makara-nicha] intuitively expansive materialistic philosophy
OUTCOMES - GURU
writing, publishing, touring, collaborating [Guru in bhava-3] rules
CHARITY and INSPIRATION
In maturity, George Michael devoted much of his time to charities for mothers and children. [Guru-Meena]
legendary philanthropy = both individual and organizational.
++ ability to inspire listeners  through his music
GM's most famous song - Faith - inspired young listeners worldwide with a message of ultimate faith in love, despite the reality of disappointment in human relationships
Genius for writing songs and playing musical instrument touch 
GM played much of the music for his recordings
He produced no acknowledged children.
Meena- Guru-3 drishti into 7-9-11, but there is a 6/8 shadashtakya angle between Guru and Chandra-8, along with Ketu-12 in 5th-from-Chandra, which preclude biological offspring.
Nevertheless, GM improved the lives of countless children via philanthropic giving [Guru generosity]
svadu-karaka [sweet] kalatra-karaka [wifely companion]
[Yogakaraka entitled-creative vidya-pati for Makara - Draco indriya-lagna]
[Yogakaraka dutiful-governing karmesha for Makara - Draco indriya-lagna]
[pleased by luxurious celebrity]
[sweetly entreasured political bargains]
[harmoniously sensual game-playing]
[appreciation for artistic ornamental fashions]
[graciously dramatic display of entitled wealth]
[rhythmic-protective Rohiṇī-4] [navamsha Shukra-Karkata] intuitively routinized, undulating, harmonious sentimental caretaking parental
OUTCOMES - SHUKRA
philosophical, patronizing, wisdom-guiding, doctrinal [Shukra-9] rules
CAREER - SHUKRA
10th-from entertainment-genius Chandra-Simha
[Shukra-yuti-Budha] Urisha-5 musical entertainments, singing, arrangements, sensuality
Yogakaraka Shukra rules Urisha-10th navamsha
duro-karaka [endurance] * jara-karaka [Jahre, years]
[energizing-identifying lagnesha for Makara - Draco indriya-lagna]
[conserving-evaluating dhana-pati for Makara - Draco indriya-lagna]
[ministering-complaining Dhaniṣṭha-2] [navamsha Shani-Kanya] intuitively hierarchical service ministries
[Atmakaraka respecter of hierarchies, social ordering, regulator, maintains old structures]
OUTCOMES - SHANI
physicalized, structured, hard-working, sturdy-appearing [Shani in Bhava-1] rules
Shani rules Makara-6th-from-Chandra
IDENTITY = Work, work, work
singing = a type of work, when Shani rules-2
1981 [GKP age 18] forms the instantly successful musical partnership Wham! * Shukra-Shani bhukti * Shani-1 rules Kumbha 7th-navamsha partnerships
rajyalobha-karaka [ambition] picchala-karaka [slippery]
[for Makara - Draco indriya-lagna]
[Rahu-6 casts passionately adversarial ministering drishti into 10-12-2]
check Budha for defining source of Rahu's communicative flair
[passionately amplified publicity about service in times of distress]
[ambitious craving for mixed-caste conversations]
[seeks prestigious opportunity via interaction with military or medicine]
[shrewd management of conflicted narratives]
[successful taboo-breaking communication with mistreated, marginalized, criminal, impoverished, diseased, or victim audiences]
... ... ...
[publishing-writing Punarvasu-3] [vargottamsha] [navamsha Rahu-Mithuna] intuitively over-reaching passion for communications-messaging
OUTCOMES - RAHU
Generous Guru-ruled [Rahu-Punarvasu-3] is charitable with an aim to restore the original blessings of the Vasu. The public reputation is mixed, expansive, philosophical . However, Rahu must contend with His sworn enemy, Lord Surya [the dad] .
[Rahu-yuti-Surya] usually has a heroic dimension. GM became a global icon in the pop-romance genre, representing the glamour of gay artistic culture but also the social liberation mistreated gay persons, often criminalized or held in toxic contempt.
The advantageous which enable this confident emergence =
while the [Rahu-yuti-Surya] pair occupies revenue-making friendly 11th-from-Chandra
Rahu in 6/8 from Shani-1 indicates profound internal discord in regard to social regulations, deeply exacerbated by his criticizing, demeaning father. [Surya in bhava-6][Arudra-1]
kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]
[beneficial placement for Makara - Draco indriya-lagna]
[disengaged from isolated theological roles]
[few/no boundaries within doctrinal private spaces]
[no barriers to inspirational movement between foreign lands]
[release from ideolologically-caused imprisonment]
[unencumbered meditation upon dematerialized essence of inner faith]
[unlimited theoretical fantasy worlds]
[may perceive non-verbal intuitive philosophical guidance]
[passively fixated on ambitiously messaging-commercial Rahu-Mithuna-6 enemies, animals, assistants, servants]
[principled-believing Uttarāṣāḍha-1] [vargottamsha] [navamsha Ketu-Dhanus] [pushkara pada]
OUTCOMES - KETU
Dissociative Ketu in disregards social conventions. Also largely disregards or is not prone to be influenced by occurrences in distant worlds.
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