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Drama and Song

Songwriter

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COHORT

born 11 months after

born six weeks before

born four months before

born six months before

born seven months before

professional collaborator with

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musical recording artist

Songwriter

entertainment producer

vocalist

theatrical performer

stage designer

philanthropist

empath

George Michael

a.k.a. Yog

a.k.a. Georgios Kyriacos Panayiotou

Earth-birth Tues-25-Jun-1963

dematerialization 25-Dec-2016 [age 53]

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pop-music singer

songwriter

center-stage dancer

commercial music producer

musician orchestrator

1963 - 2016

George Michael - Georgios Kyriacos Panayiotou

birth data from https://en.wikipedia.org/wiki/George_Michael

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com

- adapted by BP Lama

Rising Nakshatra

Masculine Public-Figure Examples

Dhaniṣṭha - Delphinus

Vasu - Slaviztha - Avittam - Hrsikesha

BPL COMMENTARY

For Dhaniṣṭha births of a masculine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.

For those born into the Kuja-ruled paradigm of Vasava, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, drivers, drillers, diggers, exploders, aggressors, pushers, invaders, pursuers, competitions and battles may be especially influential.

Dhaniṣṭha-born often respond to a deep inner fear [Shani] which manifests as aggressive survival-driven competition [Kuja]. The result = orderly, direct, empowered, and dynamic structured action.

Instructional guidance is provided by emissaries from the civilizations of Delphinus. Their purpose is social engineering, economic competition, and achievement of dominant positionsr.

Hierarchical Power Climber

Kuja-ruled Vasu-born fellows endure acute Shani-Mangala tension. They are intensely competitive. In no uncertain terms, these men play to win. Goal-directed and often ruthless, their playing fields are typically located in the corporate-institutional hierarchies of Shani, where they strive for alpha-dominant positions.

Operating in orderly Shani-controlled environments of Makara and Kumbha, Vasu champions are surrounded by lawful, systematic, and often timid folks who rarely resist Hrsikesha's powerful ascent to the peak of the hierarchy.

Dhaniṣṭha + Sraviztha are a pair, similar to the Purva-Uttara pairs. Like genteel śrāviṣṭha, those born within Dhaniṣṭha are highly sensitive to rhythm, pace, and tone. They can develop successful careers in music and dance performance. When Dhaniṣṭha fellows choose an entertainment career, it is often full of drumming, loud singing, vigorous dance, sexual strutting, and dominated by men.

Unlike demure Soma-ruled śrāviṣṭha, those born into Kuja-ruled Dhaniṣṭha favor athletic, competitive movement. These men thrive where the blood-stirring beat of the war-drums is pulsing, energizing, and strong. They set high-achievement goals. Dhaniṣṭha are determined to win the contest, at any cost.

Makara pada 1-2 express Kuja's control of 4-lands-roots + 11-earnings. Pro-actively patriotic (4) and driven to achieve profits (11), they are often found in real-estate (4) education (4) agriculture (4) transportation (4) police + defense industry (4) minerals + mining (4) or in any marketplace where the path to economic gain (11) is open to Kuja's dominating, goal-oriented, competitive vigor.

Since Mangala activates a 6/8 pair, their Achilles Heel = economic protectionism (4-11). Outcome depends upon the character of Mangala.

Kumbha pada 3-4 express Kuja's control of 3-commerce + 10-leadership. Any commercial endeavor suits the pada 3-4 Hrsikesha-born, so long as they find a path toward governing power. Gifted in manufacturing (3) programming and process (3) sales-marketing (3) and all business functions, this breed competes aggressively for leadership.

Kumbha pada 3-4 = famed as dominating, irascible, intimidating personalities who may have been bullied in their youth. Their innovative actions may change the course of civilization. Since Kuja activates a 6/8 pair, their Achilles Heel = micro-management (3-10). Outcome depends upon the characteristics of Mangala. Like all Kumbha-born, their wealth expands via globalist, philosophical Brihaspati.

Themes of band-of-brothers, survival, vitality, forceful movement, controlled explosion, exploration, winning, pioneering, discovery, invention, drilling, penetration, invasion, intimidation , sexual pursuit, and conquest may contextualize Vasu's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Dhaniṣṭha

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George Michael with entertainer Elton John, at the 1997 funeral of Diana Spencer

QUOTATION from: Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra. p 87

" Two entirely different types are born with Dhaniṣṭha rising.

It depends on the part of this asterism, which lies on the Rising Point, as to which type predominates.

  • The key notes of both are optimism and ambition .

They both have thick necks and heavy thighs.

  • But there the similarity stops." [end quote]

Yorgos Kyriacos Panayiotou in 1983, age 20

Yorgos Kyriacos Panayiotou age 19, in London

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George Michael [age young-adult] with his parents

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on a publicist-arranged date in 1980's, a visibly annoyed George Michael poses with the polite fashion model Brooke Shields

Biographical details matched to Vimshottari Dasha bhukti

[Ketu Mahadasha] [age birth until age 3.3]

Tue-25-Jun-1963 Earth-birth as Georgios Kyriacos Panayiotou, in East Finchley, Middlesex, England * Ketu-Shukra bhukti

[Shukra Mahadasha] [age 3.3 until age 23.3]

Sep-1977 until Nov-1979 Janma Sade-Sati Simha

  • [8 mystery, non-disclosure, therapeutic exploration, surgery, disasterous eruptions of force]]
  • [Somana-yuti-Kuja]
  • [age 14-17]

1971 [GM age 8] a head injury provokes worldview shift, and GM's thence-forward fascination with music begins * Shukra-Surya bhukti * Surya randhresha, identity-change

1979 [GM age 16] as a teenager, GM wrote the lyrics and musical orchestration for several emotionally evocative songs. When recorded two years later, these would become huge pop-dance-hits * Shukra-Guru bhukti * Guru-3 rules Meena-3 abundant songwriting

1981 [GKP age 18] while still in high-school, forms the instantly successful musical partnership Wham! * Shukra-Shani bhukti * Shani-1 rules Kumbha 7th-navamsha partnerships

1984 [GKP age 21] his song Careless Whisper becomes a multinational top-seller * Shukra-Budha bhukti * Budha-5 rules 9-fortune, celebrity

Apr-1985 [GKP age 22] becomes the first western pop-musician to perform in the newly opened China, to intl acclaim * Shukra-Budha bhukti * Budha-5 rules 9-fortune, celebrity ++ [Budha-yuti-Shukra-karmesha] occupies 10th-from-Chandra

[Surya Mahadasha ] [age 23.3 until age 29.3]

1988 [GKP age 25] the popular song Faith wins Grammy Award * Surya-Rahu bhukti

1992 [GKP age 29] begin life-defining love relationship [Shukra] with Brazilian dress designer, Anselmo Feleppa * Surya-Shukra chidradasha

[Chandra Mahadasha] [age 29.3 until age 39.3]

Mar-1993 [GKP age 30] grieved the decease of beloved partner, Anselmo Feleppa, via AIDS-related brain hemorrhage * Chandra-Chandra svabhukti * Chandra rules 12th-from-Chandra, emotional loss

1997 [GKP age 34] grieved the decease of mother, Lesley Angold, via cancer * Chandra-Shani bhukti * matrimaraka Shani rules 7th-from-matrikaraka-Chandra

1997 [GKP age 31] begin 12-year lifepartnership with sportswear executive, Kenny Goss. * Chandra-Shani bhukti * Shani rules 7th-navamsha

07-Apr-1998 [GKP age 35] arrested by Los Angeles Police for "lewd acts". GKP protests that the crime-screen was set-up by morality-policing entrapment * Chandra-Shani bhukti * Shani-1 rules adversarial, exploitive 6th-from-Chandra

[Mangala Mahadasha] [age 39.3 until age 46.3]

2006, 2006, 2007, 2008 [GKP age 43-45] multiple arrests for sex and drug offenses * Mangala-Shani until Mangala-Surya [randhresha]++ janma Sade-Sati

Nov-2006 until Sep-2009 Janma Sade-Sati Simha

  • [8 mystery, non-disclosure, therapeutic exploration, surgery, disasterous eruptions of force]]
  • [Somana-yuti-Kuja]
  • [age 44-47]

  • overlaps with Mangala-Guru until Mangala-Ketu

2008 [GKP age 45] enters retirement due to turbulent personal life, drug issues, and multiple police arrests * Mangala-Surya bhukti * Surya randhresha identity-change ++ janma Sade-Sati

[Rahu Mahadasha] [age 46.3 until decease age 53]

spr-2010 [GKP age 46] break-up of 12-year lifepartnership with Kenny Goss, due to disagreements about substance abuse. Followed by drunk-driving car-crash which damaged a residence. * Rahu-Rahu svabhukti * Rahu-6

Sep-2010 [GKP age 47] sentenced to jail [released after 4 weeks] for driving intoxicated, car-crash, property damage * Rahu-Rahu svabhukti * Rahu-6

Nov-2011 hospitalized for pneumonia [grief]. Enters and exits comatose status. Tracheotomy * Rahu-Rahu svabhukti * Rahu-6 ailment, medical treatment + [Rahu-yuti-Surya] Surya rules 8-surgeries

2013 [GKP age 50] hospitalization following severe inury to back of head, sustained while falling from his moving car * Rahu-Guru bhukti * Guru-3 rules 8th-from-Chandra trauma + Guru rules Ketu-12 falling

25-Dec-2016 [GKP age 53] dematerialization via heart failure, at home in Goring-on-Thames, Oxfordshire, England * Rahu-Shani bhukti * maraka Shani rules 2

Salient features of the Nativity

MichaelGeorgios_younger.jpg[Surya]

pitri-karaka [father] jyoti-karaka [light]

[Sarala Yoga]

[shocking-transformative randhresha for Makara - Draco indriya-lagna]

[bright managing center of planning ministry]

[political discussions about helping the stigmatized or marginalized]

[bright center of planning ministry]

[communicative intelligence for media-messaging medicine]

[celebrated aid to the disadvantaged]

[hidden power arising from administrative interventions]

[self-certain presentation of conflicted evolutionary lifestyles]

[confident exemplar of living with suffering narratives]

[intelligence for initiating self-certain change among the victims]

...

[inspirational-dogmatic Arudra-1] [navamsha Surya-Dhanus] intuitively believing principled philosophical doctrinal optimistic humanistic confidence

[Surya-yuti-Rahu]

  • [Surya-Mithuna] Mithra - neighbor, companion * brightly charismatic confidence of Center-stage Surya radiates through the conversational gesturing rashi of Budha
  • [Surya in bhava-6] center of sparkling service * brightly conflicted * focus on imbalance * eye on exploitation * charming social worker * poverty entitlements * shines light into broken promises * confident litigation * self-righteous accusations * politics of pollution * intelligence for medicine * smart crimes * dramatizes suffering * gambles with addictions * central roles in conflict zones * bright center of war * father may serve in medicine-military-ministry * or father may be sick-addicted-abusive-poor
  • [Surya-yuti-Rahu] confidently opportunistic * bright mesmerizer * passion for creative culture-mixing * boundary-breaching entitlements * craves important center-stage roles * ambitious father-figure * adventurously aligned with the spiritual rays of the Sun * radiantly risk-rewarding

OUTCOMES - SURYA

medicating, litigating, ministering to the exploited, helpful, [Surya in bhava-6] rules

  • 8-opaque operations, undisclosed assets, mysterious, healing, transformation, disaster, catastrophic unexpected identity-change, upheaval, surgery, revelation

Surya rules [Somana-yuti-Kuja]-Simha creative performance

Advantageous Outrageous [Surya-yuti-Rahu]

engages a powerful Sarala Yoga

  • [Sarala Yoga] [सरल - straight, direct, easy] prevents unrecoverable harm from catastrophic upheavals, instead energizing the crisis into transformative rebirth.

Revenie-making friendly Surya occupies the profitable 11th-from-Chandra

CAREER-SURYA

Brilliant youth-culture icon, challenges social boundaries

Raised bilingual/bicultural [Surya-yuti-Rahu] in England, Georgios [Yorgos] Kyriacos Panayiotou worked under the stage name // George Michael //.

Performer, vocalist-dancer [Surya-Arudra] event-staging, business management, recordings producer [Mithuna]

Radiantly bi-lingual, bi-sexual, bi-cultural public identity [Mithuna]

[Surya-yuti-Rahu] super-performer with ambivalent gay identity

  • supported worldwide by a youth-culture audience [Rahu]
  • mesmerizing flashing stage-dancer [Somana-yuti-Kuja-Purvaphalguni]

Mithuna = media-messaging expertise, detailed planning for tours, boundary-breaching commercial productions, successfully phrased-and-paced danceable song-writing

[Surya Mahadasha ] [age 23.3 until age 29.3]

Surya-Rahu bhukti

  • 1988 [GKP age 25] the popular song Faith wins Grammy Award, catapulting GM into the high-velocity world of pop music celebrity

Surya-Shukra chidradasha

  • 1992 [GKP age 29] begin life-defining love relationship [Shukra] with Brazilian dress designer, Anselmo Feleppa . GM's cleverly ambivalent on-stage gender-fluid identity was crafted to appeal to a new-generation youth audience. However, in reality, his sexual identity was not ambivalent.

FATHER

Dad = Kyriacos Panayiotou, a prominent restaurateur of Greek Cypriot nationality .

Dad married a British wife and raised his family in London. [Surya-yuti-Rahu]

Young George, his father's only son, was named Georgios [Yorgos] Kyriacos Panayiotou.

  • [Arudra-Surya-yuti-Rahu-Puna] [Mithuna] [6] occupies the profitable 11th-from-Chandra in Magha [8].

  • GM was born and raised in London, where his pop-musical career was rooted and flourished.

His dad was an immigrant Greek Cypriot [Rahu]. Dad was deeply identified with the language and culture of his homeland. Dad was passionately focused [Rahu] on earnings.

  • GM went on the record to say that his dad //was the typical Greek coming to London, working 24-hours a day //.

Starting from a low rung, [6, servitude] Dad became a capitalized businessman

GM acknowledged the material benefits of his dad's business acumen [Surya-Mithuna] and the personal enrichment of his own biculturalism [Rahu]

  • Yet, GM described his dad as unavailable due to his constant work. Furthermore, Dad was experienced as being constantly, over-the-top criticizing [6] toward GM's music career.

Dad saw his son's singing business as a foppish British lifestyle, which brought dishonor to the hardworking patriarch [Surya-6, aggrieved father]

Like dad, GM became a commercial success in music selling and tour production within the entertainment industry.

  • According to GM, Dad never accepted GM's gay sexual identity, and dad never praised his son's artistic or financial achievements. [Surya in bhava-6]
  • Dad survived GM's death.

[Chandra]

matrikaraka [mother] * garha-karaka [village]

[balancing-bargaining jaya-pati for Makara - Draco indriya-lagna]

[comforted by creative crisis]

[familiar with shocking transformative displays]

[settled into rhythmic pulse of dramatic renewals]

[at some juncture in the lifespan, previous entitlements utterly die, catalyzing an emotional rebirth into new intelligence]

[needs center-stage attention for ceremonial initiations]

[soothed by praise in mysterious celebrity roles]

[need to receive lavish applause for break-through performance]

[nourished by bright fame for revelatory discovery]

[mother may be fiery midwife-healer, secretive political influence, or divinely confident trance-channel]

... ...

[media-messaging Magha-1] [navamsha Chandra in Mithuna] intuitively sensitive commercial communications

emotional sensitivity, mothers-and-children, feeding, shelter-care

  • [Chandra-Simha] comforted by creative display * settled into dramatic rhythms * needs attention
  • [Chandra in Magha - Regulus] protectors of three-fires ceremony * feels the glorious magnetism * soothed by unlimited light magic
  • [Chandra in classroom-8] comfortable with crisis * familiar with catastrophe * unpredictable mother * feels the pulse of cyclical rebirth * soothed by secrecy * consoled by calamity * sensitive to danger * revolutionary sentiment * accustomed to frequent upheaval * seeks deeply rhythmic initiation * acculturated to masked exploration * occult sensitivities * needs eruptive energies * nourished by non-disclosure * emotionally attuned to trauma * undulating shakti-shocks * mother may be a mystic, healer, concealer, agent of disguise
  • [Somana-yuti-Kuja] emotionally pro-active * sensitive to brotherly figures * needs to win * comforted by direct forward movement * invigorates the undulating routine * soothed by pioneering innovation * competitive mother * calmed by routine exercise * feels like a champion

OUTCOMES - CHANDRA

sensitive to mystery, attuned to danger, trauma-needing, shockingly transformative, trance-channeling [Chandra in classroom-8]

  • rules 7-relationships, contracts, advocacy, fairness, legal judgments, lawcourts, appeals, representation, equity, diplomacy, bargaining, partners, negotiations, justice

CAREER- CHANDRA

  • [folk reputation 10th-from-Chandra = entertainment, politics, celebrity, gambling historical-financial values Urisha-5]

[Rohini-Budha-yuti-Shukra-Rohini] [5] + in 10th-from-Chandra

  • pop music tour-de-force

[Somana-yuti-Kuja emotionally effusive, kinetically sexualized]

  • Kuja yogakaraka rules 4 + 9 from Simha Chandra

From his first public performances until the end of Chandra Mahadasha [age 40] GM displayed [Simha] a mesmerizing emotionally-drivenl dance ability.

  • Although GM did not study choreography, a central feature of GM's celebrated stage performance was his sexualized dancing while singing.

[Chandra Mahadasha] [age 29.3 until age 39.3]

  • Chandra-Simha Ten years = Focused on relationships [7] both personal and professional. .
  • Turbulent personal life marked by promiscuity and private parties [Somana-yuti-Kuja = 8, can be self-destructive] .
  • Mangala labhapati continues to generate global earnings.

MOTHER

Mom had been a professional dancer.

  • Mom = Lesley Angold, a theatrical dancer [Somana-yuti-Kuja] and philanthropist.
  • While raising her family, Mom taught stage-performance skills to her children, emphasizing their innate creative intelligence [Chandra-Simha]

MARRIAGE partnership emotional equity support expectations

[7th-from-Chandra-8]

  • bhava-2 arts, beauty, song, languages, mouth-face-teeth, heritage values, sense pleasures
  • Kumbha = large groups, fan clubs, social networking, collectivity

2 forecasts the partner's focus on beauty, heritage knowledge, language, money, family genetics, hoarding, conservation of historical values, and overall aesthetics as governed by the dhanesha.

For GM, dhanesha = Shani-1 rules 2, effectively pulling most of the relationship energy back into himself.

  • Shani-1 occupies 12th-from-2, and Shani rules 6th-from-Chandra.
  • Emotional conflict, oftern regarding things that go into the mouth [2] would be anticipated.
  • Following challenges with alcoholism and emotional imbalance, tragically lifepartner-1 died of of AIDS-related illness.

8th-from-[7th-from-Chandra-8]

  • bhava-9 Kanya father-figures, patronage, paradigmatic beliefs, worldview
  • Kenny Goss, Texan businessman and art dealer. 1996-2009 committed partnership with Goss as at-home mate.
  • Termination of alliance, reportedly due to GM escalating addictions [Rahu-6] during Rahu-Rahu svabhukti was said to have destroyed GM's personal stability [9 = 6th-from-4, imbalance to the stable life foundations]

[Kuja]

bhratru-karaka [brother] virya-karaka [virile]

[svabhava]

[homebound-anchoring bandhesha for Makara - Draco indriya-lagna]

[gainful-friendly labha-pati for Makara - Draco indriya-lagna]

...

[ministering-logistical Pūrvaphalgunī-2] [navamsha Kuja-Kanya] intuitively innovative ministries-of-service

  • [Mangala-Singha] vigorous pursuit of fame * creatively moving political theatre * proactive drama * push toward celebrity entitlement * champion of pageantry * military parades * brilliantly energized celebrations * invigorating parties * charmingly dominating at games * Sexually active romance * flamboyant gambling
  • [Mangala in bhava-8] drive toward discovery * pursuit of rebirth * revolutionary dynamics * aggressive approach to emergency events * energetic transformations * urge to dig-drill -dive-excavate-plumb-explode-explore * vigorous revelations * explosive eruptions * unexpected force * pushes through camouflage * mysterious conquests * pro-active rejuvenating surgeries
  • [Kuja-yuti-Chandra] feels like a champion * energized intuition * dynamic nurturance * competitive caretaking * often the dominant parent * needs to win * forward thrusting emotions * seeks security via conquest

OUTCOMES - MANGALA

penetrating, discovering, therapeutic, surgical, drilling, exploratory, secretive, disaster-responding, emerging [Mangala in bhava-8]
  • 4-stability, cultural foundations, childhood, household, parenting, caretaking, nourishment, protection, safety, routines, rhythms, familiarity, localism
  • 11-community connections, distributive systems, marketplace rules, earnings, friendship networks, gains-and-goals, revenues, economics

finance [Mangala in bhava-8] casts energizing drishti into 11 + 2 + 3

  • invigorates the income - 11
  • stimulates the savings - 2
  • injects masculine athleticism into cohort-cooperative small groups - 3

  • activates 11 Fanclubs., friendship, social networking, economic gains

Schooling

Mangala-8 bandhesha formal schooling [4]. Via personal discipline [Shani-1] GM was able to complete high school. His affluent father insisted that GM - his only son - earn a college diploma, in order to lay a foundation for his adult future.

However, GM was drawn into high-energy dancing-songwriting-singing. Despite his father's preferences and resources, self-determining [Shani-1] Shukra-Shani bhukti = marked the end of his academic studies.

KUJA MAHADASHA [age 39.3 until age 46.3]

Volatility of [Somana-yuti-Kuja] = Challenging Years

hasten the end of career Mangala Mahadasha

Despite continuous earnings [11] ++ acquisition of vehicles and real-estate [4], Mangala Mahadasha featured outbursts [8] of provocative indeed disastrous energy. As bandhesha, Mangala signals retirement.

not surprisingly, inner turmoil was concentrated into the Sade Sati

Nov-2006 until Sep-2009 Janma Sade-Sati Simha [8][age 44-47]

Mangala-Shani until Mangala-Surya [randhresha]++ janma Sade-Sati

  • 2006, 2006, 2007, 2008 [GKP age 43-45] multiple arrests for // lewd public acts // and drug offenses

Mangala-Surya bhukti * Surya randhresha identity-change ++ janma Sade-Sati

  • 2008 [GKP age 45] enters retirement due to turbulent personal life, drug issues, and numerous police arrests

[Budha]

jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student]

[inimical-accusing rogesha for Makara - Draco indriya-lagna]

[believing-principled dharmesha for Makara - Draco indriya-lagna]

......

[rhythmic-protective Rohiṇī-4] [navamsha Budha-Karkata] intuitively explaining caretaking-shelter

[Budha-yuti-Shukra]

  • [Budha-Urisha] financial communications - articulation of tonal value * talks about stored goods * discusses collected assets * delivers descriptive evaluations * sends historic messages * skillfully signals the music * preservation methods * describes sound frequencies * hands-arms-shoulders send sensual gestures
  • [Budha in bhava-5] narrative of splendid signaling * discusses entitlements * self-referential conversations * describer of divine intelligence * explainer of romance * delivers political instructions * writes poetry * proclaims love * defines creative literature * plays games * discusses fame * lectures about idealism * debates with royalty * chats with children * publishes unique opinions * articulator of artistic performance * declaims with radiant confidence
  • [Budha-yuti-Shukra] explainer of balanced arrangements * diplomatic conversations * parity-seeking discussions * manual adjustments * enjoys words * sweet descriptions * delivers instruction about relationships * articulator of equity in agreements * message of fairly bargained contracts * skilled in songwriting * talkative sister-cousin-cohort * detailed lyricist * attracts chatty partners

OUTCOMES - BUDHA

artisticly performing, center-stage explaining, dramatic writing [Budha in bhava-5]

  • 6 = disagreement, medication, service ministry, helpfulness, disease-discomfort, injury, servitude
  • 9 - paradigm of belief, father-figures, patronage, priesthood, indoctrination, exegesis

CAREER - BUDHA

[folk reputation 10th-from-Chandra = entertainment, politics, celebrity, gambling historical-financial values Urisha-5]

[Budha-yuti-Shukra] writing, planning, managing, arranging

GM lyrical impact from Budha. Content generally about distress and disappointment [6] in relationships [Shukra].

  • sensual Shukra-entangled Budha communications messaging publicity planning tours

10th-from-Chandra-Simha

  • Urisha-5 singing stage performance
  • first musical group was a high-school duo [Shukra]

[Guru]

dhava-karaka [husband] bahuta-karaka [variety]

[svakshetra]

[busy-managing vikrama-pati for Makara - Draco indriya-lagna]

[retreating-contemplative vyaya-pati for Makara - Draco indriya-lagna]

...

[hierarchical-normalizing Revatī-2] [navamsha Guru-Makara-nicha] intuitively expansive materialistic philosophy

  • [Guru-Meena] much sleep * theoretical understanding * broad inner guidance * optimistic imaginings * inspirational dreams * intuitive beliefs * doctrine of esoteric understandings * expands the scope of contemplative awareness * multiple prayers * permission to envision
  • [Guru in bhava-3] many messages * extensive commerce * many photographs * numerous publications * several collaborators * multiple transactions * many tours * frequent business trips * many sales * numerous discussions * much detailed interaction * extensive planning operations * variety of ensemble performances * evangelistic growth * so many meetings * patron of communications technologies * in a wifely nativity, husbandly-companion may be a businessman-writer-announcer

OUTCOMES - GURU

writing, publishing, touring, collaborating [Guru in bhava-3] rules

  • 3-publication, itinerary, project management, production, instruction, lyrics, presentation
  • 12, imagination, interiority, distant lands, sanctuary, privacy, seclusion, foreignness, creative isolation, expansion of permission in bedroom

CHARITY and INSPIRATION

In maturity, George Michael devoted much of his time to charities for mothers and children. [Guru-Meena]

legendary philanthropy = both individual and organizational.

++ ability to inspire listeners [3] through his music

GM's most famous song - Faith - inspired young listeners worldwide with a message of ultimate faith in love, despite the reality of disappointment in human relationships

Genius for writing songs and playing musical instrument touch [3]

  • In addition to abundant songwriting, which produced generationally defining pop-romance lyrics

GM played much of the music for his recordings

  • although he cooperated successfully with cohort musicians,
  • GM also played and recorded a variety [Guru] of rhythmic tone instruments, including several kinds of keyboards, plus string, and percussion

Children

He produced no acknowledged children.

Meena- Guru-3 drishti into 7-9-11, but there is a 6/8 shadashtakya angle between Guru and Chandra-8, along with Ketu-12 in 5th-from-Chandra, which preclude biological offspring.

Nevertheless, GM improved the lives of countless children via philanthropic giving [Guru generosity]

[Shukra]

svadu-karaka [sweet] kalatra-karaka [wifely companion]

[svakshetra]

[Yogakaraka entitled-creative vidya-pati for Makara - Draco indriya-lagna]

[Yogakaraka dutiful-governing karmesha for Makara - Draco indriya-lagna]

[pleased by luxurious celebrity]

[sweetly entreasured political bargains]

[harmoniously sensual game-playing]

[appreciation for artistic ornamental fashions]

[graciously dramatic display of entitled wealth]

...

[rhythmic-protective Rohiṇī-4] [navamsha Shukra-Karkata] intuitively routinized, undulating, harmonious sentimental caretaking parental

[Shukra-yuti-Budha]

  • [Shukra-Urisha] [svakshetra] valuable arrangements * attuned to capital resources [including human capital] * appreciates wealth * pleased by worthy collections * attracted to beautiful sounds * acquisitive sensuality * cherished accruals * financial harmony * richly historic environments * delighted by precious goods * prefers luxury-loving partners
  • [Shukra-5] seeks pleasure via refined gaming * enjoys center-stage beauty * creative feminine-figures * pleasing children * talented students * delights in financial speculation * political grace * aesthetic designs to adorn the heart * graceful solar plexus * dramatic relationships * sweet celebrity romance * delights in fine arts * appreciation of entitlements * in a husbandly nativity, wifely-companion may be a dramatist-politician-artist-genius
  • [Shukra-yuti-Budha] sweetened messages * gracious explanations * talented in singing-songwriting * articulate negotiations * advocates for reasoning process * talkative feminine-figures * pleasant conversations * bargaining for business * sibling-cohort collaborative harmony * enjoys the company of students * detailed contracts * prefers logical arrangements

OUTCOMES - SHUKRA

philosophical, patronizing, wisdom-guiding, doctrinal [Shukra-9] rules

  • 2-legacy values, historical knowledge, banking, financial accounts, beauty, family heritage, genetics, treasuries, food, music, sensual pleasure
  • 9 faith, father-figures, patriarchal beliefs, worldview, preaching, sacred understanding, public spiritual guidance, globalism, philosophical convictions, priesthood, patronage

CAREER - SHUKRA

10th-from entertainment-genius Chandra-Simha

folk-reputation 10th-from-Chandra

  • Urisha-5 singing stage performance
  • first musical group was a high-school duo [Shukra]

[Shukra-yuti-Budha] Urisha-5 musical entertainments, singing, arrangements, sensuality

Yogakaraka Shukra rules Urisha-10th navamsha

  • Urisha-pleasures, values, finance in career-profession

  • vocalist, musician, dancer, media producer [Budha]

[Shani]

duro-karaka [endurance] * jara-karaka [Jahre, years]

[svakshetra]

[Śaśaka Yoga]

[energizing-identifying lagnesha for Makara - Draco indriya-lagna]

[conserving-evaluating dhana-pati for Makara - Draco indriya-lagna]

......

[ministering-complaining Dhaniṣṭha-2] [navamsha Shani-Kanya] intuitively hierarchical service ministries

[Atmakaraka respecter of hierarchies, social ordering, regulator, maintains old structures]

  • [Shani-Makara-Draco] heavy old institutions * obliged to conform to the time-clock * rigidly ranked class-systems * strict regimes * pressure to complete socially required duties * structural compression upon knees-calves-skeleton * strictly imposed protocols * must normalize old rules * unyielding pressure of public judgment * class-conscious elders * punitive regulators * must endure proletarian manners * must continue disciplined work * scarce building resources * maintainer of old hierarchies
  • [Shani in Bhava-1] time-structured personality * mature conduct * must produce under pressure * strictly orderly movement * regimented appearance * grim determination to survive * tense competition * muscular fatigue * required activity drills * chronically impeded self-expression * bodily seizures * identified with heavy responsibility * resists unnecessary change * often looks older * lives to work * elders preserve class-conscious identity

OUTCOMES - SHANI

physicalized, structured, hard-working, sturdy-appearing [Shani in Bhava-1] rules

  • 1-attributes of personality, dense physical appearance, unique style of movement, embodiment vitality
  • 2-banking, family heritage, hoards, collections, historical values, memory, languages, face, voice, knowledge, preservation, lineage assets, capital

Shani rules Makara-6th-from-Chandra

IDENTITY = Work, work, work

singing = a type of work, when Shani rules-2

1981 [GKP age 18] forms the instantly successful musical partnership Wham! * Shukra-Shani bhukti * Shani-1 rules Kumbha 7th-navamsha partnerships

[Rahu]

rajyalobha-karaka [ambition] picchala-karaka [slippery]

[for Makara - Draco indriya-lagna]

[Rahu-6 casts passionately adversarial ministering drishti into 10-12-2]

check Budha for defining source of Rahu's communicative flair

[passionately amplified publicity about service in times of distress]

[ambitious craving for mixed-caste conversations]

[seeks prestigious opportunity via interaction with military or medicine]

[shrewd management of conflicted narratives]

[successful taboo-breaking communication with mistreated, marginalized, criminal, impoverished, diseased, or victim audiences]

... ... ...

[publishing-writing Punarvasu-3] [vargottamsha] [navamsha Rahu-Mithuna] intuitively over-reaching passion for communications-messaging

[Rahu-yuti-Surya]

  • [Rahu-Mithuna] shimmering illusion of cooperation * craving for conversation * mask of messaging * boundary-breaching broadcasts * extraordinary explanations * ambitious administration * preposterous propaganda * extravagant commercial transactions * marvelous advertising * thrilling photographs * unusual ensembles * exciting cohort * mesmerizing instructions * over-reaching management * seeks special importance via apparent [but perhaps not authentic] attributes of information delivery * sensational scripts * exaggerated announcements * exceptional business methods * seeks privilege via communicator-roles

  • [Rahu in bhava-6] tricks the enemies [beneficial placement] * passion for prestige conflicts* in svabhava of Busy Budha, the Shadowy Specter chatters cleverly in hostile environments *glamorous ministries of service * unusual servants * cunning arguments * thrilling surge of rule-breaking assistance * treats misery with unorthodox medication * astonishing accusations in criminal lawsuits * fascinating outsider insinuates into military-medical-ministry roles * craves the delusion of disagreement * mesmerizing mistreatment of laborers and animals * desires an important role in litigation * exciting injuries * opportunistic warfare * disguised as a victim * marvelous assistance to the disadvantaged * entrancing claims of alleged misdoing * may pose as a poor-sick-harmed patient * may appear as a helpful relative of the mother's people * social mobility sought via appearance of servitude

  • [Rahu-yuti-Surya] amplified ambition for center-stage roles * magnified confidence * passion for exotic display * trickster with dramatic flair * opportunistic father * creative pursuit of social mobility * fascinating [but perhaps illusory] appearance of exceptional intelligence * thrilling political genius * hypnotic charm * seeks privilege via bright celebrity * sparkling center of cross-cultural mixing

OUTCOMES - RAHU

Generous Guru-ruled [Rahu-Punarvasu-3] is charitable with an aim to restore the original blessings of the Vasu. The public reputation is mixed, expansive, philosophical . However, Rahu must contend with His sworn enemy, Lord Surya [the dad] .

[Rahu-yuti-Surya] usually has a heroic dimension. GM became a global icon in the pop-romance genre, representing the glamour of gay artistic culture but also the social liberation mistreated gay persons, often criminalized or held in toxic contempt.

The advantageous which enable this confident emergence =

Surya contributes

  • Sarala Yoga] [सरल - straight, direct, easy] prevents unrecoverable harm from catastrophic upheavals, instead energizing the crisis into transformative rebirth.

while the [Rahu-yuti-Surya] pair occupies revenue-making friendly 11th-from-Chandra

Rahu in 6/8 from Shani-1 indicates profound internal discord in regard to social regulations, deeply exacerbated by his criticizing, demeaning father. [Surya in bhava-6][Arudra-1]

[Ketu]

kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]

[beneficial placement for Makara - Draco indriya-lagna]

[disengaged from isolated theological roles]

[few/no boundaries within doctrinal private spaces]

[no barriers to inspirational movement between foreign lands]

[release from ideolologically-caused imprisonment]

[unencumbered meditation upon dematerialized essence of inner faith]

[unlimited theoretical fantasy worlds]

[may perceive non-verbal intuitive philosophical guidance]

[passively fixated on ambitiously messaging-commercial Rahu-Mithuna-6 enemies, animals, assistants, servants]

... ...

[principled-believing Uttarāṣāḍha-1] [vargottamsha] [navamsha Ketu-Dhanus] [pushkara pada]

  • [Ketu-Dhanus] philosophically dissociates from sacred convictions * odd professors * dissolves indoctrination * empty paradigm of belief *  dispersed worldview * martyr's faith * not limited by conventional beliefs * eccentric teachings * peculiar convictions * ignores restricted catechesis * releases a warm golden  cloud of broad inclusivity into the misty abyss
  • [Ketu in classroom-12] forsaken by ghosts [beneficial] * eccentric research * limitless imagination * scattered intuitive insights * ambivalent toward foreigners * peculiar paternal grandmother * blurs fantasy boundaries * unstructured meditations * passive isolation * foggy clairsentience * releases invisibility * dissolves privacy * abandons the veil between perceptual worlds * ignores imprisonment * unless other graha in 12, may prefer to live free from father's mother + mother's father

OUTCOMES - KETU

Dissociative Ketu in disregards social conventions. Also largely disregards or is not prone to be influenced by occurrences in distant worlds.

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