born two months before + 350 miles NW of
born two months before + 400 miles W of
Prince eponymous album cover, 1979 [age 21] |
International Musical Celebrity entertainer guitar virtuoso fashion-designer artist a.k.a. Prince Rogers Nelson a.k.a. the artist formerly known as Prince a.k.a. Skipper Earth-birth 07-Jun-1958 dematerialization 21-Apr-2016 [age 57] |
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Touring musician songwriter fashion-designer - artist 1958-2016 Prince Rogers Nelson birth information from https://en.wikipedia.org/wiki/Prince_[musician]
tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = generated by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Masculine Public-Figure Examples Pashu - Pushana-vana - Antyabha BPL COMMENTARY For Revatika births of a masculine valence, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing, evangelical Kumara may considerably affect the outcome. Pashu the Pastor may be sensitively attuned to the signals of the animal kingdom. Hearing [Budha] the voices of mineral, plant, animal, and human worlds, antyabha-born often work for the welfare of all creatures. Many veterinarians and animal-welfare activists are Revatī-born. These way-showers are also found in all aspects of music and dancing, producing melodies, beats, and lyrics. Whatever the Pashu folk say, others will follow and believe. For those born into the Budha-ruled paradigm of Antyabha, siblings, cousins, schoolmates, bandmates, team-mates, castmates, classmates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts -- and beasts of every description - may be especially influential. Budha's amsha favors business of all types. Revati may produce imaginatively talkative attorneys especially commercial lawyers. Partners, siblings, and companions may also follow the logical argumentor's trade. Instructional guidance is provided by emissaries from the civilizations of stars clustered near Zeta Piscium. Their purpose is to shepherd the flocks in safe passage, calling them to follow with an imaginative, sweet sound and rhythm The Way-Shower Revatika expresses the natural tension between Busy Bantering Budha and Guiding Generous Guru. Commercially oriented Budha is a master of writing, reporting, cinema, and detailed communication. Kumara naturally matches the vibration of chatty students and a younger audience. Yet, brihaspati much prefers to preach on broad-scope topics, ideology and inclusive doctrine. Paushna-born often find themselves in shepherding roles that require delivering a message to their herd of followers. The usual delivery style is musical, oratorical, or imaginative, but any method of Showing the Way may be chosen. Pashu the Pastor combines a broad welcoming vision with a beckoning repeating signal frequency such as a slogan, ajingle, or a melody. Themes of pastoral guidance, musical messaging, and benevolent outreach to all creatures may contextualize Revatika's terrestrial experience. Applies also to Chandra in Revatī - Pashu |
Revati QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 89 " ... Often distinguished by a birthmark on the thigh. They usually have well formed and beautiful physiques
They are fond of their family and friends
They may not be born to wealth
They will know how to enjoy wisely and well the fruits of their endeavors. These people are wise and intelligent and make excellent counselors
[end quote]
Prince Rogers Nelson - known mononymously as Prince - in 1980 [his age 22] | ||
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Biographical Details matched to Vimshottari Dasha calendar
[Mangala Mahadasha] [age birth until age 3.1]
Sat-07-Jun-1958 Earth-birth in Mount Sinai Hospital in Minneapolis, Minnesota, USA [44°58′21″N 93°15′43″W]. Both Parents = jazz musicians and subscribers to the evangelical faith = Seventh-Day Adventist * Mangala-Budha bhukti [Rahu Mahadasha] [age 3.1 until age 21.1]
Jan-1964 until Dec-1966 Janma Sade-Sati Kumbha
24-Sep-1968 [PRN age 10] parents divorce * Rahu-Shani bhukti ++ R-K opposition 1970-1971 [PRN age 12-13] attends classical ballet training via Minneapolis Urban Arts program. Prince would become a lifelong advocate for dancers. * Rahu-Budha bhukti * Budha rules 4-schooling 1978 [PRN age 20] first musical recording contract with Warner Bros. * Rahu-Chandra bhukti * Chandra rules 5-creativity, entertainment [Guru Mahadasha] [age 21.1 until age 37.1]
27-Oct-1982 [PRN age 24] commercial release of musical double-album, 1999. The production garnered widespread critical acclaim * Guru-Shani bhukti * Shani-9 rules 11-revenues, social participation 28-Feb-1984 [PRN age 26] earns first Grammy Award * Guru-Shani bhukti * Shani-9 fortunes rules 11-awards for work accomplished 1984 [PRN age 27] cinema-and-music product Purple Rain gains both critical and popular acclaim. PRN is acknowledged as a generational artist. * Guru-Shani bhukti * Shani-9 fortunes rules 11-community, collective, generational network 1990 [PRN age 32] [MG age 16] after her mother [also a dancer] sent Mayte Garcia's audition video to Prince, the pair met backstage. Mayte's family was stationed in Germany, where she danced with Wiesbaden Ballet * Guru-Shukra bhukti * Shukra rules 3-video, meetings Mar-1993 until Jun-1995 - Janma Sade-Sati Kumbha
1992 [PRN age 34] [MG age 18] Four-year romance begins with dancer-choreographer, Mayte Garcia, a salaried member of PRN's stage entourage. * Guru-Chandra bhukti * Chandra rules Karkata 7th-navamsha [Shani Mahadasha] [age 37.1 until age 56.1]
14-Feb-1996 [PRN age 38] [MG age 22] consecration of marriage-1-of-2 with dancer-choreographer, Mayte Garcia * Shani-Shani svabhukti * Shani rules Makara svamsha ++ gochara R-K transit via Kanya-Meena contact Meena indriya-lagna 16-Oct-1996 [PRN age 38] birth of child-1 with Garcia* Shani-Shani svabhukti * Shani rules Kumbha-Chandra 22-Oct-1996 [PRN age 38] grieved the tragic infant decease of child-1, due to Pfeiffer syndrome congenital disorder of the skull. * Shani-Shani svabhukti * Shani rules 7th-from-5 = decease of children 1998 [PRN age 40] following two years of marriage, miscarriage followed by marital separation * Shani-Shani svabhukti * Shani rules 7th-from-5 = decease of children + Shani rules 12 = 6th-from-7 2000 [PRN age 42] finalization of divorce-1, officially ending alliance-1 with dancer-choreographer, Mayte Garcia. * Shani-Budha bhukti * [Rohiṇī-Budha-yuti-Surya- Rohiṇī] Surya rogesha divorce early-2001 [PRN age 43] joined Jehovah's Witness religious congregation * Shani-Budha bhukti * Budha-3 meetings, reading 2001 [PRN age 43] [Manuela age 24] first meeting with philanthropist-businesswoman, Manuela Testolini * Shani-Ketu bhukti [Ketu-yuti-Shukra] 25-Aug-2001 [PRN age 43] grieved the decease of jazz-musician father * Shani-Ketu bhukti 2001 [PRN age 43] [Manuela age 24] consecration of marriage-2-of-2 with philanthropist-businesswoman, Manuela Testolini * Shani-Ketu bhukti [Ketu-yuti-Shukra] ++ gochara R-K transit via Urisha-Vrishabha contact navamsha R-K 15-Feb-2002 [PRN age 43] [mom age 68] five months after the death of his father, PRN grieved the decease of his jazz-singer mother, Mattie Baker * Shani-Ketu bhukti 2004 [PRN age 45] marital separation * Shani-Surya bhukti * Surya rogesha dissolution of agreement Oct-2007 [PRN age 47] finalization of divorce-2, officially ending legal marriage-2 with philanthropist-businesswoman, Manuela Testolini * Shani-Chandra * Chandra rules 6th-from-Chandra emotional discord [Budha Mahadasha] [age 56.1 until decease age 57]
2015 [PRN age 56] onset of severe hip pain and drug dependency upon the painkiller medication * Budha-Budha svabhukti * [Rohiṇī-Budha-yuti-Surya- Rohiṇī] Surya rogesha injury distress ++ Shani-Return 21-Apr-2016 [PRN age 57] blessed liberation from the Earthen-body, via fatal overdose of opioid fentanyl . Death alone, inside an elevator carriage within his music compound, discovered the next day * Budha-Budha svabhukti * maraka Budha rules-7 |
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Biographical Details matched to Vimshottari Dashahottari Dasha bhukti
[Sparkling Splendid Surya] pitri-karaka [father] jyoti-karaka [light] [inimical-medicating rogesha for Meena - Antya indriya-lagna] check Shukra + Shukra-drishti to source Surya's sensual radiance, sweet charisma, financial entitlements [confident in commercial finance] [entreasured center of banking discussions] ... [rhythmic-undulating Rohiṇī-4] [navamsha Surya-Karkata] intuitively confident of ancestral boundaries, rhythmic performance, intelligence for protections [Rohiṇī-Surya-yuti-Budha- Rohiṇī]
OUTCOMES - SURYA self-reflexively announcing, bright messages, regal style of gesture, communicative intelligence, radiantly descriptive, politically collaborative, splendidly explanatory [Surya in bhava-3] rules
CAREER - SURYA FATHER Dad = John Lewis Nelson [b. 1916 d. 2001] [Rohiṇī-Surya-yuti-Budha- Rohiṇī] Dad was a jazz musician and songwriter. In the 1980's, dad collaborated as a credited co-songwriter with his son Prince R. Nelson. Prince and his younger sister were the product of Dad's second marriage. From Dad's earlier union, Prince R. Nelson had many step-siblings [Surya in bhava-3] resides in the security-seeking, local-culture, parental, protective 4th-from-Chandra-Kumbha-12, suggesting that dad may have been the more effective parent. [Comfortable Caretaking Chandra] matrikaraka [mother] * garha-karaka [village] [witty-creative vidya-pati for Meena indriya-lagna] check Shani + Shani-drishti to source Chandra's friendly feelings, community rhythms, mass-participation sensibilities [charmingly populist entertainer needs sanctuary space] [deeply private collectivist intellect with a flair for brilliant displays of profitable genius] [sympathic emotional attunement to mass-participation imagery] [needs anonymous networking to fundraise for community goals] [soothed by invisible intergalactic links of vast-association] [subtly protected by friendly ancestral guides] [comfortable with silently re-distributing revenues to care for children] [socialite mother may be radiant artistic performer or popular poet - yet emotionally unavailable] ... ... [aligning-arranging Dhaniṣṭha-3] [navamsha [Chandra-Tula] intuitively sensitive adjusting arranging bargaining contracts alliances terms-of-agreement
OUTCOMES - CHANDRA sensitively imaginative, soothingly reflective, protectively clairsentient, absorptively routinized, rhythmically meditative, safely interior [Chandra in classroom-12] rules
CAREER - CHANDRA
PRIVACY NEED 12= seclusion, privacy, artistic studio, research labs, spiritual retreat Powerfully imaginative, inward-gazing, isolating Comfortable with the rhythms of interiority, dreamlike imagery, private feelings
Chandra-12-Kumbha vidya-pati is often a charming entertainer [5] who nonetheless needs [Chandra-12] sanctuary space.
HEALTH suffering health problems due to nerve-pain = 12 Kumbha nervous system rules 6th-from-Chandra COMMUNITY 11th-from-goal-oriented Chandra in Dhaniṣṭha = Dhanus-10 public reputation = visible leadership
MOTHER Chandra rules 5-artistic performance Mom = Mattie Della Shaw = a jazz ensemble musician-singer MARRIAGE partnership emotional equity support expectations challenges to sustainable partnership include:
Plus points
lifepartnership-1-of-2 = Mayta Garcia
theatrical bellydancer, ballerina, choreographer = artistic musical center-stage dance performer [Simha] [marr. 1996-2000, separation after 2 years] ------------------- 8th-from-[7th-from-Chandra-12] = [2nd-from-Chandra] lifepartnership-2-of-2 = Manuela Testolini
Meena-1 contains dynamic, restless, forward-moving [Mangala-Meena] in helping, assisting Andromeda-pada-2 Mangala rules bhava-2 [Bharani-Shukra-yuti-Ketu-Aśvini] = 8th-from-7 The pair met while philanthropist MT with PRN's charity [Meena] and were quickly married during 2001 Shani-Ketu bhukti = death of both of his parents
[marr. 2001-2007, separation after 2 years] [Competitive Champion Kuja] bhratru-karaka [brother] virya-karaka [virile]--- [svabhava] [collecting-preserving dhana-pati for Meena indriya-lagna] [believing-principled dharmesha for Meena indriya-lagna] check Guru + Guru-drishti to source Kuja's symbolically expansive push, actively philosophical movement [Kuja Dosha for alliance-1] ... [calculating-assisting Andromeda-2] [navamsha Mangala-Kanya]
OUTCOMES - MANGALA dynamically competitive, vigorously self-promoting, forward-pushing conquestor, naturally dominating, kinetically pioneering, energetically innovative, champion of direct action Mangala in bhava-1 rules
CAREER - KUJA During Rahu-Mangala chidradasha for [[Mangala in bhava-1]
Kuja rules 10th-from-Chandra = contains ātmakāraka [Shani-Vṛścikaka] Well-known for principled Legal Victory after a long and persistent [ātmakāraka Shani] legal battle with a dominant entertainment corporation, in a landmark case that was celebrated by musicians worldwide, PRN famously won the legal ownership rightsts to his catalog of songs In the David-and-Goliath struggle for creative artists to retain the copyright to their works, prince became a champion-hero [Mangala] against the predation of the music-entertainment industry which often unfairly appropriated those rights.
[Busy Bantering g Budha] jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student] [svabhava] [homebound-anchoring bandhesha for Meena - Antya indriya-lagna] [bargaining-balancing yuvati-pati for Meena - Antya indriya-lagna] check Shukra + Shukra-drishti to source Budha's sensual discourse, enriching information, musical instructions [values-based discussions] [talks about treasuries] [sweetly enriching announcements] [communicative sweet-toned speechwriting songwriting] [suavely lyrical use of language] ......... [visionary-charitable Kṛttikā-4] [navamsha Budha-Meena-nīcha ] [Kṛttikā-Budha-yuti-Surya- Rohiṇī]
OUTCOMES - BUDHA commercially adept, administratively detailed, skilled manager, articulately gesturing, descriptive writer, mercantile mentality, cohort communicating, committeeworker, defining announcer, specific explanations, chatty conversations, handcraft manufacturing, neighborly meeting [Budha in bhava-3] rules
CAREER - BUDHA managed [Budha] a long-running and ultimately successful author's song-copyright lawsuit, cooperating with a dedicated legal team [3] Prince has been described by music critics as a a music-marketing genius Urisha-Budha-3 business-documentation rules 4-licensing
Among PRN's several varieties of musical and management talent, PRN = remembered primarily as a lyrical writer [3] TOURING - HOMEBASE [Budha-Urisha] bandesha = resides in writing-publishing, ensemble teamwork Urisha-3 = comfortable, safe [4th-from-Chandra] [Budha in bhava-3] resides in the security-seeking, caretaking [4th-from-Chandra] Calculating the benefits of anchoring his office-and-studios in his Midwest city of birth, PRN disproved the belief that commercial musical success was only possible when the artists lived in LA-or-NY. PRN built his recording studio and corporate compound in his birthplace of Minneapolis. built his own music compound in hometown of Minneapolis, staying and investing in a familiar place even though an international star He toured frequently [Budha-3] but always returned to his expansively personalized, familiar home base.
21-Apr-2016 [PRN age 57] blessed liberation from the Earthen-body, via fatal overdose of opioid fentanyll * Budha-Budha svabhukti * maraka Budha rules-7 [Generous Growing Guru] dhava-karaka [husband] bahuta-karaka [variety] [energizing-identifying lagnesha for Meena - Antya indriya-lagna] [dutiful-hierarchical karmesha for Meena - Antya indriya-lagna] check Budha + Budha-drishti to source Brihaspati's broadly logical, extensively aggrieved, cheerfully analytical complaint [multiple partnerships with helpful spouses] ... [ministering-complaining Chitra-2] [vargottamsha] [navamsha Guru-Kanya] intuitively expansive contemplative understanding of imbalanced inequity
OUTCOMES - GURU expansively agreeable, abundantly contractual, multiple alliances, numerous arrangements, optimistic negotiator, broad-scope of brokerage [Guru in bhava-7] rules
CAREER - BRIHASPATI Guru = lagnesha ++ karmesha Permanent cycle of changing relationships via [Guru in bhava-7] occupies the distruptive, emotionally transformative 8th-from-Chandra [Guru in bhava-7] lagnesha-karmesha = generously favorable judicial settlement many beneficial 7-contracts, negotiations, bargaining, deal-making, arrangments Prince is widely remembered as the musical recording artist who won a David-and-Goliath lawsuit against Big Profit studio bosses. The paternalistic bosses had misappropriated [Surya-3 rogesha commerce] the copyrights to his music catalog [3, catalog, lists]. Prince's unlikely win was fueled by his litigators [Surya-3 Urisha music industry attorneys] and broad public support [10] . This landmark lawsuit indeed reversed the predatory practices of the entertainment corporations which had been historically [Urisha] following an immoral business practice [3] Prince's ability to prevail in the lawcourts was the result of his legal team [3] and his own understanding of the process. His win benefitted countless creative musicians worldwide. [Sweetly Suave Shukra] svadu-karaka [sweet] kalatra-karaka [wifely companion]--- [svabhava] [busy-messaging sahaja-pati for Meena - Antya indriya-lagna] [mysterious-revealing randhresha for Meena - Antya indriya-lagna] .... [creative-displaying Bharani-1] [navamsha a Shukra-Simha] intuitively harmonizing balanced theatrical romantic arrangements [Bharani-Shukra-yuti-Ketu-Aśvini]
OUTCOMES - SHUKRA sensually acquisitive, appreciates artistic traditions, harmoniously speaking, historical aesthetics, finances from mother-and-father, lovely eyes, musical feminine-figures, beautiful collections, family-based relationships Shukra-2] rules
CAREER - BHRIGU Ketu fragments Shukra in areas of art, music, design, relationships. Shukra-yuti-Ketu resides in the mentalized, writing, explaining lyrical [Urisha sensual- sound] 3rd-from-Chandra
Younger sister
According to the younger sister, despite most of their family tree being musically gifted, there was never artistic collaboration with her famous elder brother. Shukra-yuti-Ketu.
[Sober Structural Shani] duro-karaka [endurance] * jara-karaka [Jahre, years] [gainful-friendly labha-pati for Meena - Antya indriya-lagna] [contemplative-visionary vyaya-pati fpr Meena - Antya indriya-lagna] check Kuja + Kuja-drishti to source Shani's forward-driving discipline, penetrating restriction, regulated rejuvenation [Dhanayoga ruler of 11 occupies 11th-from-11] [class-concious orthodox beliefs resist evolutionary force] [committed to principled slow transformation of higher wisdom] [strictly maintains the initiatory credenda] [old priesthood continues mandatory recycling of catechism] [lawfully invasive patriarchal preachers] [rigid rules for formally governed identity-changing rebirth] [fear of weighty philosophical secrets] [vyaya-pati required regulation of the hidden private realms] [labha-pati [pragmatic profitability of shockingly sudden eruptions] [disguising father may be publicly piously sober] [father may impose threatening limitations and judgments] ...... ... [imaginative-philanthropic Jyeṣṭha-4] [navamsha Shani-Meena] intuitively structured meditative fantasy regulated dreaming imagination [ātmakāraka duty, structure, legal systems, persistence, normalcy, conventional behavior]
OUTCOMES - SHANI ideologically rigid, religiously regulatory, philosophically conventional, staunchly sermonizing, respectfully patronizing, doctrinally disciplined [Shani in Bhava-9] rules
CAREER - SHANI [ātmakāraka ] -- [Shani in Bhava-9] resides in public-familiarity 10th-from-Chandra-12
[Risk-rewarding Rāhu] rajyalobha-karaka [ambition] picchala-karaka [slippery] [for Meena - Antya indriya-lagna] [Rahu-8 casts passionately secretive revelatory drishti into 12-2-4] check Shukra + Shukra-drishti to source Rahu's apparently fair, shimmering mirage of contractual equity [ambitious negotiations in times of revolutionary change] [seeks alliance via prestige initiations] [desire to transform legal agreements] [craves secret deal-making] [intriguing hidden arrangements] [fascinating disguised bargains] [fascinating mirage of balanced secret empowerments] ... [mysterious-emerging Chitra-4] [navamsha Rahu-Vrischika] intuitively over-reaching passion for transformation-discovery
OUTCOMES - RAHU Rahu-Vrischika-3rd-navamsha = writing, commercial music production, tours Chitra-pada-4 Rahu-Chitra is fascinatingly gifted with the hands. In the Tula pada 2-4, musical instruments and cosmetic surgery. Design arts, drawing, architecture, financial contracts, family heritage of music. Capitalization, Voice-Face, rahu-challenge to rigid social practices in finance, politics, worthiness, truth. Entrancing speakers, cleverly sonorous values-based speech. [Rahu in bhava-2] seeks privilege via important - often risky - cultural-mixing roles in evaluation, assessment, language, memory, knowledge, voice-speech-song, face-genetics, heritage, tradition, family lineage, food, seeds, herds-hoards, storage-stories-history, libraries, museums, databases, collections, banking, reserves, preservation, assets, capital assets . resides in [9th-from-Chandra] ++ Rahu-2casts drishti into Chandra-6 Kumbha Mother's father has a risk-rewarded, exciting, boundary-breaching character Challenge to the Outdated Old Payments Hierarchy Prince was widely appreciated and admired among musical artists for his extraordinary, boundary-challenging decision to obtain the financial rights to his own musical works. [2] Via a prolonged series of lawsuits [Tula] against the powerful legal force of big-money in music, prince eventually won a precedent-setting judgment that the industry captains could not permanently own any artists creative work. [Collapsing unshackling Ketu] kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum] [for Meena - Antya indriya-lagna] check Kuja + Kuja-drishti to source Ketu's ambivalently forward-pushing, disintegrating inventiveness [disregards original capitalization conventions] [eccentric conquesting verbosity] [vigorous but incoherent start-up speeches] [empty challenges in first-arriver proclamations] [restless apathy toward physical asset acquisition] [typically disconnected from dominating family-of-origin] [second marriage, if any, may be kineticly wandering, bodily distant or pro-actively spiritualized] [champion of oddly innovative approach to sound and lineage knowledge] [ambivalent toward hot food-and-drink] [energetically liberating sound-color knowledge] [scattered competitive heritage] [passively fixated on ambitiously diplomatic, instrumentally partnering Rahu-Tula-8 healers, explorers, transformers] ... [musical-financial Aśvini-2] [navamsha Ketu-Urisha] [Aśvini-Ketu-yuti-Shukra-Bharani]
OUTCOMES - KETU Extraordinary lyricism, craggy distinctive iconic face. [Ketu-yuti-Shukra] may be an indication of self-medication with no limits, even when 6th-angles appear healthy. Rahu drishti into Shukra may exacerbate risk-taking in pursuit of pain-numbing or bitterness-sweetening. |
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