COHORT born five months after
born two months after
born one month after
born one month before
close personal friend and sitar teacher of
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master sitarist lyricist choreographer dancer international ambassador of classical Indian music a.k.a. Rabindra Shankar Chowdhury a.k.a. Robindro Shaunkor Chowdhury a.k.a. Pandit Ravi Shankar Earth-birth 07-Apr-1920 dematerialization 11-Dec-2012 [age 92] |
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internationally acclaimed master sitarist classical dancer 1920 - 2012 Ravi Shankar - Robindro Shaunkor Chowdhury birth data from https://en.wikipedia.org/wiki/Ravi_Shankar tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Masculine Public-Figure Examples Pashu - Pushana-vana - Antyabha BPL COMMENTARY For Revatika births of a masculine valence, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing, evangelical Kumara may considerably affect the outcome. Pashu the Pastor may be sensitively attuned to the signals of the animal kingdom. Hearing [Budha] the voices of mineral, plant, animal, and human worlds, antyabha-born often work for the welfare of all creatures. Many veterinarians and animal-welfare activists are Revatī-born. These way-showers are also found in all aspects of music and dancing, producing melodies, beats, and lyrics. Whatever the Pashu folk say, others will follow and believe. For those born into the Budha-ruled paradigm of Antyabha, siblings, cousins, schoolmates, bandmates, team-mates, castmates, classmates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts -- and beasts of every description - may be especially influential. Budha's amsha favors business of all types. Revati may produce imaginatively talkative attorneys especially commercial lawyers. Partners, siblings, and companions may also follow the logical argumentor's trade. Instructional guidance is provided by emissaries from the civilizations of stars clustered near Zeta Piscium. Their purpose is to shepherd the flocks in safe passage, calling them to follow with an imaginative, sweet sound and rhythm The Way-Shower Revatika expresses the natural tension between Busy Bantering Budha and Guiding Generous Guru. Commercially oriented Budha is a master of writing, reporting, cinema, and detailed communication. Kumara naturally matches the vibration of chatty students and a younger audience. Yet, brihaspati much prefers to preach on broad-scope topics, ideology and inclusive doctrine. Paushna-born often find themselves in shepherding roles that require delivering a message to their herd of followers. The usual delivery style is musical, oratorical, or imaginative, but any method of Showing the Way may be chosen. Pashu the Pastor combines a broad welcoming vision with a beckoning repeating signal frequency such as a slogan, ajingle, or a melody. Themes of pastoral guidance, musical messaging, and benevolent outreach to all creatures may contextualize Revatika's terrestrial experience. Applies also to Chandra in Revatī - Pashu |
QUOTATION Revati from Shil-Ponde. [1939] . Hindu Astrology Joytisha-Shastra . p 89 " ... Often distinguished by a birthmark on the thigh. They usually have well formed and beautiful physiques
They are fond of their family and friends
They may not be born to wealth
They will know how to enjoy wisely and well the fruits of their endeavors. These people are wise and intelligent
[end quote]
My Sweet Lord 1943-2001 Beatle George Harrison with close friend, pt. Ravi Shankar together in Dec-1974 at a White House performance
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Biographical events matched to the Vimshottari Dasha timeline
[Shani Mahadasha] [age birth until age 17.3]
07-Apr-1920 Earth-birth in Varanasi [Benares] Benares State, British Raj * Shani-Shani svabhukti [Budha Mahadasha] [age 17.3 until age 34.3]
15-May-1941 [RS age 21] consecration of marriage-1 with Annapurna Devi, the daughter of RS' acclaimed master music teacher Allauddin Khan * Budha-Shukra bhukti ++ samchara Rahu-Ketu via Kanya-Meena * contact Meena indriya-lagna 30-Mar-1942 [RS age 22] celebrated the birth of child-1, son Shubendra Shankar * Budha-Shukra bhukti 1944 [RS age 24] end of intensive classical music training with teacher Allauddin Khan * Shukra-Surya bhukti * Surya rogesha 1947 [RS age 27] marital separation from Annapurna Devi also ends contact with moody, often violent, father-in-law Allauddin Khan * Budha-Rahu bhukti 1948 [RS age 28] on the somber occasion of the assassination of Satyagraha 1869-1948 Mahatma Mohandas Gandhi, rS composes and plays on All India Radio the celebrated new raga Mohankauns * Budha-Rahu bhukti 1949 [RS age 29] begin position as music director of All India Radio [AIR] [until 1956] * Budha-Guru bhukti * Guru karmesha [Ketu Mahadasha] [age 34.3 until age 41.3]
1956 [RS age 36] begins international performance touring * Ketu-Shukra bhukti * Shukra music rules 3-tours [Shukra Mahadasha] [age 41.3 until age 61.3]
1966 [RS age 46] RS first meeting in London with My Sweet Lord 1943-2001 Beatle George Harrison. Despite RS being 22 years senior to GH and clearly RS the master musician, these two would become long-standing friends and collaborators * Shukra-Chandra bhukti * Chandra-9 activates 5- celebrity 1969 [RS age 49] RS performs at the legendary Woodstock Music Festival , raising his visibility and associating him with western rock music * Shukra-Rahu bhukti 1971 [RS age 51] famed charity Concert for Bangladesh featuring notable rock-and-roll figures such as Eric Clapton establishing the cultural pattern of the large-scale benefit concert. Already world-renowned, rS' visibility is further raised before the young Anglosphere audience. * Shukra-Rahu bhukti 30-Mar-1979 [RS age 59] = child-2 Norah [Geetali] Jones * Shukra-Budha bhukti 09-Jun-1981 [RS age 61] = child-3 Anoushka Shankar * Shukra-Ketu chidra-dasha [Surya Mahadasha] [age 61.3 until age 67.3]
1982 [RS age 62] composed and performed the celebrated musical score for [David Attenborough's] film Gandhi, earning an Oscar nomination * Surya-Chandra bhukti * Chandra-9 activates 5 = creativity, artistic performance, genius [Chandra Mahadasha] [age 67.3 until age 77.3] 1989 [RS age 69] consecration of marriage-2-of-2 with musician, soukanya Rajan * Chandra-Rahu bhukti 1992 [RS age 72] decease of eldest child [son b. 1942] via pneumonia * Chandra-Shani bhukti [Mangala Mahadasha] [age 77.3 until age 84.3]
1999 [RS age 79] awarded the top national honor title of India, Bharat Ratna * Mangala-Guru bhukti *Guru karmesha respect [Rahu Mahadasha] [age 84.3 until decease age 92]
11-Dec-2012 [RS age 92] blessed liberation from the Earthen-body, via heart failure, in San Diego, California * Rahu-Budha bhukti * maraka Budha rules-7 |
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Biographical events matched to the Vimshottari Dasha timeline
[Sparkling Splendid Surya] pitri-karaka [father] jyoti-karaka [light] [inimical-medicating rogesha for Meena - Antya indriya-lagna] [bright center of imaginative performance] [intuitive center-stage personality] [intelligence for romantic exploitation] [identified with creative conflicts] [father-figure may be selfish-unfair-dreamlike] ... [networking-revenues Revatī-3] [navamsha Surya-Kumbha] intuitively confident in large assemblies [Revatī-Surya-yuti-Shukra-Pūrvābhādra-uchcha]
OUTCOMES - MAGNIFICENT MARTANDA self-reflexively confident, bright Earthen-body aura, regal style of movement, embodied intelligence, radiantly kinetic, politically competitive, splendidly innovative [Surya in bhava-1] rules
CAREER - SPARKLING SURYA FATHER Dad was a lawyer who handled contentious cases with charisma and skill Surya in bhava-1 rogesha. After Dad had established an early career and had fathered a family in Bengal, dad moved to London and remarried a British lady. RS was born and raised in Varanasi, where the mother's brother provided paternal guidance under aggrieved circumstances. Considered a vow-breaker [6] Dad met RS for the first time when RS was eight years old. [Comfortable Caretaking Chandra] matrikaraka [mother] * garha-karaka [village] [nīcha] [witty-creative vidya-pati for Meena indriya-lagna] check Kuja + Kuja-drishti to source Chandra's penetrating feelings, rejuvenating rhythms, invasive sensibilities [comforted by an inner flow of deeply mysterious intelligence] [sensitive to hidden trauma-healing] [one's children may undertake creatively intuitive, globally symbolic guidance roles] [needs domestic healing discovery] [entitled to feel caretaking emotions] [ethno parental wisdom on a global scale] ... [dramatic-creative Maitra-1] [navamsha-Chandra-Simha] intuitively sensitive to entertaining political display
OUTCOMES - ANCESTRAL SOMA sensitively theorizing, protectively guiding, routinely preaching, parentally philosophizing, rhythmically indoctrinating, customary beliefs, predictably dogmatic, culturally ethnoreligious, emotionally patronizing, needs to be righteous [Chandra in classroom-9] rules
CAREER - CARETAKING CHANDRA
Chandra in Anuradha - Maitra is a disciplined position for emotionally active, competitive Chandra-Vṛścika. It grants a relatively more conservative, law-abiding nature to both mother and son RS. Chandra in Anuradha - Maitra is particularly gifted in mitigating dangerous or threatening circumstances by imposing normal codes of behavior, to the point of lying and denial of facts. [nīcha] Chandra in classroom-9 also accounts for the famously irascible, explosive temperament of master music teacher Allauddin Khan. Bhava-9 = guru figures. RS was a romantic adventurer in many ways, due to the high permissiveness of [uchcha] Guru drishti into both Surya-1 and into Chandra-9. Yet, rS maintained a public image of respectable conformity to social norms. [Also Chandra-rules Śrāvaṇa Svamsha = attention to the public reputation.] MOTHER Mom was devout and focused upon her large brood of musicians, dancers, and other talented performers. Despite nīcha status. Mom would have provided a nourishing environment that supported the genius [5] of her children. Chandra ia not only ruler of 5 residing in 5th-from-5th, but also both Chandra and Surya [mom and dad] accept the highly auspicious drishti of [uchcha] Guru-5. [Competitive Champion Kuja] bhratru-karaka [brother] virya-karaka [virile] [svabhava] [collecting-preserving dhanesha for Meena indriya-lagna] [believing-preaching dharmesha for Meena indriya-lagna] ... [conventional-orderly Svati-2] [navamsha Mangala-Makara-uchcha] intuitively competitive forward-pushing class-conscious status championship [Svati-Kuja-yuti-Rahu-Viśākha]
OUTCOMES - MOVING MANGALA progressively discovering, competitively exploring, energized transformation, pro-active disaster response, dives deep into secrets, reveals hidden power, innovative initiations, vigorously identity-changing, kinetically traumatic, pursuing rejuvenation, promotes sudden eruption, champion of revolutionary renewal [Mangala in bhava-8] rules
CAREER - MOTIVATED MANGALA [Busy Bantering Budha] jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student] [homebound-anchoring bandhesha for Meena indriya-lagna] [bargaining-balancing jaya-pati for Meena indriya-lagna] check Shani + Shani-drishti to source Budha's interlinking discourse, associative conversations, systematic explanations [imaginative scientific narrative of linked systems] [private talk about economic connections] ............ [publishing-explaining Pūrvābhādra-3] [navamsha Budha-Mithuna] [ātmakāraka manual skills, playing instruments, scripts, touch, touring, entourage, cohort]
OUTCOMES - BANTERING BUDHA abstractly conceptual announcements, backchannel communication, private discussions, talks about intuitive meanings, clandestine projects, enclosed messages, dissolved information, specifically fantasizing, imaginative dialogs, invisible transactions, questioning research, interior translating Budha in bhava-12] rules
CAREER - BUSY BUDHA [Generous Growing Guru] dhava-karaka [husband] bahuta-karaka [variety] [uchcha] [energizing-identifying lagnesha for Meena - Antya indriya-lagna] [dutiful-commanding karmesha for Meena - Antya indriya-lagna] ... [mysterious-disguising Pushya-4] [navamsha Guru-Vrischika] intuitively expansive discovery of wise mysteries
OUTCOMES - GENEROUS GURU abundantly celebrated, inspirationally center-stage, jovially entertaining, tolerant genius, globally creative, divinely guided gambling, confidently speculative, believes in romance, idealistic indoctrinator [Guru in bhava-5] rules
CAREER - GENEROUS GURU multiple intuitive intelligences * growth of clairsentient guidance * dramatic display of dreamlike genius RS became an internationally recognized karmesha icon of classical Indian music via his extraordinary musicianship. RS took an expansive teacher-philosopher approach [Guru] toward educating a western audience deeply unfamiliar with the instruments, the melodies, the scale, and the historic tradition. lagnesha Uchcha-Guru drishti blesses
Ketu-2 does limit the scope of financial wealth. Although he was granted with a magnificent wealth of apparently unlimited [Ketu] traditional musical knowledge, mr. Shankar's lifestyle was not materially opulent. [Sweetly Suave Shukra] svadu-karaka [sweet] kalatra-karaka [wifely companion] -- [uchcha] -- [Malavya Yoga] [busy-messaging sahaja-pati for Meena - Antya indriya-lagna] ;[mysterious-revealing randhresha for Meena - Antya indriya-lagna] check Guru + Guru-drishti to source Shukra's dreamlike attractions, contemplative balance, symbolic relationships [imaginatively harmonious personality] ;[team manager sahaja-pati following spiritually guided instruction] ;[dreamlike often intensely beautiful appearance] [intuitively attracted to occult cohorts randhresha] ; [conceptually oriented to evolutionary randhresha energies] ;[contemplative figure embodies abstract understanding] ; [visionary personality, aligned with fair trade and equity] [closely identified with wifely-figure who is musically gifted and mercantile sahaja-pati] [feminine companions may be luminously beautiful but forbidden love may need to be hidden randhresha] ... ... [rhythmic-customary Pūrvābhādra-4] [navamsha Shukra-Karkata] intuitively harmonizing folkways familiar rhythms [uchcha-Pūrvābhādra-Shukra-yuti-Surya-Revatī]
OUTCOMES - SWEETENING SHUKRA pleasantly competitive, aesthetically postured, balanced style of movement, natural maker of arrangements, energetic mediator, fair bargains, gracious appearance, diplomatic personality, harmoniously embodied, prefering luxurious attributes, attracted to active companions [Shukra-1] rules
CAREER - BRIGHT BHRIGU [Sober Structural Shani] duro-karaka [endurance] jara-karaka [Jahre, years] [profitable-friendly labha-pati for Meena - Antya indriya-lagna] [retreating-private vyaya-pati for Meena - Antya indriya-lagna] check Surya + Surya-drishti to source Shani's dramatized discipline, displayed restrictions, showcase conventionalism [rigidly ceremonial acts of service] [maintains corrupt displays] [old enemies in drama-politics] [chronic heart-spine ailment] ... [rhythmic-habitual Magha-4] [navamsha Shani-Karkata]
OUTCOMES - STRUCTURAL SHANI formally aggrieved, chronic complaints, old injuries, rigidly adversarial, constricted crime, enduring accusations, regulatory litigation, orthodox exploitation, conventionally laboring, responsible service ministry, systematically helping, imposing argumentation, lawfully unjust, seriously serves the disadvantage [Shani in Bhava-6] rules
CAREER - SOBER SHANi [Risk-rewarding Rāhu] rajyalobha-karaka [ambition] picchala-karaka [slippery] [for Meena - Antya indriya-lagna] [Rahu-8 casts passionately secretive revelatory drishti into 12-2-4] check Shukra + Shukra-drishti to source Rahu's apparently fair, shimmering mirage of contractual equity [ambitious negotiations in times of revolutionary change] [seeks alliance via prestige initiations] [desire to transform legal agreements] [craves secret deal-making] [intriguing hidden arrangements] [fascinating disguised bargains] [fascinating mirage of balanced secret empowerments] ... [musical-historical Viśākha-2] [navamsha Rahu-Urisha-uchcha]
[Viśākha-Rahu-yuti-Mangala-Svati]
OUTCOMES - RISK-REWARDING RAHU [Collapsing unshackling Ketu] kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum] [for Meena - Antya indriya-lagna] check Kuja + Kuja-drishti to source Ketu's ambivalently forward-pushing, disintegrating inventiveness [disregards original capitalization conventions] [eccentric conquesting verbosity] [vigorous but incoherent start-up speeches] [empty challenges in first-arriver proclamations] [restless apathy toward physical asset acquisition] [typically disconnected from dominating family-of-origin] [second marriage, if any, may be kineticly wandering, bodily distant or pro-actively spiritualized] [champion of oddly innovative approach to sound and lineage knowledge] [ambivalent toward hot food-and-drink] [energetically liberating sound-color knowledge] [scattered competitive heritage] [passively fixated on ambitiously diplomatic, instrumentally partnering Rahu-Tula-8 healers, explorers, transformers] ... [secretive-erupting Bharani-4] [navamsha Ketu-Vṛścika-uchcha]
OUTCOMES - EVACUATING KETU |
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