Fine Arts
COHORT Born seven months after
Born six months after
born 6 months before
Five marriages, five divorces notable substance addiction significant mental-health challenges |
Dennis Hopper in 1969, playing the iconic sneering "Easy Rider" role Hollywood dramatist film director fine-arts painter art collector photographer Counterculture Icon Earth-birth Sunday-17-May-1936 dematerialization 29-May-2010 [age 74] |
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dramatist cinematic director fine-arts painter + sculptor 1936-2010 Dennis Hopper birth data from
https://en.wikipedia.org/wiki/Dennis_Hopper
tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = generated by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Masculine Public-Figure Examples Kita - Thrikketta BPL COMMENTARY For Jyeṣṭha births of a masculine valence, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing, evangelical Kumara may considerably affect the outcome. For those born into the Budha-ruled paradigm of Varta, siblings, cousins, schoolmates, bandmates, team-mates, castmates, classmates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts may be especially influential. Instructional guidance is provided by emissaries from the civilizations of Antares. Their purpose is to communicate a forceful, dynamic, healing regeneration cycle via sexual energy transfer and discovery of secrets. Penetrating Communications [Budha-ruled] Jyeṣṭha gentlemen are typically outspoken, incisive and decisive, competitive, descriptive, and energetic communicators. Thrikketta-born maintain a deep sense of mental seniority. Capable writers, Ketta men are quick-witted and skilled in handcraft. Articulate and pro-active to the point of verbal aggression, they find a ready audience on topics of a mysterious, apocryphal, hidden, or forbidden nature. Thriketta fellows may be handlers of secrets of a sexual, psychological, political, military, engineering, or financial nature. Masters of verbal control and manipulation, Zakra chaps are often found in politics. Due to the influence of nakshatra-pati Budha, often Jyeṣṭha -born use words to manage an ever-transforming experience of power. In the process of channeling these mysterious and compelling kinetic energies, thriketta men may engage in sexual intrigue and dangerous liaisons. Ketta-born are natural psychologists. Jyestha can become transformative healers when their sexual energy consciousness evolves. Themes of verbal contest, sexual energy transfer, and healing discovery may contextualize Jyeṣṭha 's terrestrial experience. Also applicable to Chandra in Jyeṣṭha - Antares |
QUOTATION Jyeṣṭha from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra .p 85 " A dark and sensitive nature ...
On the surface they are respectable, law abiding citizens, ostensible church-goers,
Smooth, oily, and suave to all appearances,
[end quote]
Dennis Hopper at Cannes 2008 en.wikipedia.org/wiki/Dennis_Hopper#/media/File:Dennis_Hopper_Cannes_2008.jpg
Dennis Hopper in character for 1960's rural American role |
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Biographical events matched to the Vimshottari Dasha
Budha Mahadasha [age birth until age 6.5]
17-May-1936 Earth-birth in Dodge City, Kansas, USA * Budha-Rahu bhukti ++ dvadasa Sade-Sati Feb-1937 until Apr-1939 Janma Sade-Sati Meena
Ketu Mahadasha [age 6.5 until age 13.5]
[Shukra Mahadasha] [age 13.5 until age 33.5]
1954 [DH age 18] career begins with first television role , followed by recognized cinema roles * Shukra-Mangala bhukti * [Kuja=7 parivartamsha Shukra-6] Aug-1961 [DH age 25] consecration of marriage-1-of-5 with actress Brooke Hayward * Shukra-Guru bhukti * Guru rules Dhanus 7th-navamsha ++ samchara Rahu-Ketu via Simha-Kumbha contact navamsha Chandra-Kumbha 26-Jun-1962 [DH age 26] celebrated the birth of child-1 daughter, marin Hopper * Shukra-Shani bhukti Apr-1966 until Jun-1968 Janma Sade-Sati Meena
[Surya Mahadasha] [age 33.5 until age 39.5]
1968 [DH age 30] DH begins camera work on Easy Rider, the cinema-role which will make him a Hollywood star. At the same time, lifepartnership 1-of-1 is unraveling. * Surya-Surya svabhukti ++ dvithya Sade-Sati 1969 [DH age 31] divorce from alliance-1 * Surya-Rahu bhukti ++ dvithya Sade-Sati 1970 [DH age 33] co-writer + director + actor in the counterculture classic film Easy Rider. DH portrayed a macho, oppositional-defiant motorcycle personality that became emblematic for 1960's anti-establishment attitude * Surya-Rahu bhukti ++ dvithya Sade-Sati 31-Oct-1970 [DH age 36] consecration of marriage-2-of-5 with the celebrated singer, michelle Phillips * Surya-Guru bhukti * Guru rules Dhanus svamsha ** samchara Rahu-Ketu via Simha-Kumbha contact navamsha Chandra-Kumbha 08-Nov-1970 [DH age 36] divorce from alliance-2, following eight days of marriage * Surya-Guru bhukti 1972 [DH age 38] marriage 3-of-5 with actress [later, expressive arts therapist] Daria Halprin, until-1976 * Surya-Budha bhukti * Budha rules Mithuna 7th-navamsha ** samchara Rahu-Ketu via Simha-Kumbha contact navamsha Chandra-Kumbha [Chandra Mahadasha] [age 39.5 until age 49.5] 1976 [DH age 42] divorce 3-of-5, following three years of marriage- and two children born into the union * Chandra-Rahu bhukti 1979 [DH age 45] following a string of critical failures, wins acclaim for portraying a photojournalist in Apocalypse Now * Chandra-Shani bhukti * Shani rules 11th-from-Chandra achievement + Shani rules 3-cinema 07-Aug-1982 [DH age 46] grieved decease of father * Chandra-Shukra bhukti * [Kuja-7 parivartamsha Shukra-6] * Mangala rules 12th-from-Surya 1983 [DH age 47] highly publicized rage-wander in the Mexican desert following his father's death * Chandra-Shukra bhukti [Kuja-7 parivartamsha Shukra-6] * Shukra-6 intoxication 1983 [DH age 47] DH enters drug rehabilitation for the first time * Chandra-Shukra bhukti [Kuja-7 parivartamsha Shukra-6] * Shukra-6 medication, medical treatments [Mangala Mahadasha] [age 49.5 until age 56.5]
1989 [DH age 53] begins lifetime sobriety [no alcohol, no drugs] * Mangala-Ketu bhukti ++ samchara Rahu-Ketu via Kumbha-Simha contact navamsha Chandra 17-Jun-1989 [DH age 53] consecration of marriage 4-of-5 with actress [dancer, choreographer] Katherine LaNasa * Mangala-Budha bhukti * Budha rules Mithuna svamsha ** * samchara Rahu-Ketu via Simha-Kumbha contact navamsha Chandra-Kumbha [Rahu Mahadasha] [age 56.5 until decease age 74 ]
Jun-1995 until Apr-1998 Janma Sade-Sati Meena
Apr-1992 [DH age 56] divorce 4-of-5 * Rahu-Rahu svabhukti 13-Apr-1996 [DH age 60] consecration of marriage 5-of-5 with actress Victoria Duffy * Rahu-Guru bhukti * Guru rules Dhanus svamsha *** samchara Rahu-Ketu via Kanya-Meena contact Chandra-Meena ++ janma Sade-Sati 12-Jan-2007 [DH age 71] grieved the decease of mother - Rahu-Surya bhukti * * Surya rules 7th-from-matristhana Jan-2010 [DH age 74] begin proceedings for divorce 5-of-5 accompanied by vicious and paranoid accusations on both sides. * Guru-Guru svabhukti 29-May-2010 [DH age 74] blessed liberation from the Earthen-body, via liver failure, prostate cancer * Guru-Guru svabhukti * maraka Guru rules-2 |
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Salient features of the nativity
[Sparkling Splendid Surya] pitri-karaka [father] * jyoti-karaka [light] [friendly-gainful vriddhi-pati for Tulā indriya-lagna] [camouflaged center of financial revenues] [intelligence for discovery of richly rejuvenating transformations] [hidden healing entitlements trigger new vitality via neck-throat-eyes-mouth-tongue-teeth] [focused into luxurious demonstrations of mysterious pleasurable initiations] [sensually enriching presence in crisis intervention environments] [political connections linked to undisclosed investments] [community-focused father may express revolutionary political values] [father or self, may make catastrophic financial decisions, yet recover] [secretive suddenly-changing father-figure may be surgeon, undercover missionary, tax evaluator, asset-insurer, or forensic banker] ... [populist-profitable Kṛttikā-3] [navamsha Surya-Kumbha] intuitively confident community-commons economic distribution systems . Usually some sort of popular hero. [Surya-yuti-Kuja] -- [Surya-yuti-Budha] combines rulers of 2 + 7 + 9 + 11 + 12
OUTCOMES - SURYA self-reflexively emerging, brightly transformative, charmingly volatile, regal style of self-reinvention, discovery focused, radiantly recycling, politically camouflaged, splendidly disguised, center-stage rejuvenator [Surya in bhava-8] rules
CAREER - SURYA Surya yuti Mangala yuti Budha [8, undercover identities] = combined rulers of 2 + 7 + 9 + 11 + 12 entertainment arts [Mangala-Budha-Surya] and fine arts [Shukra] [Surya in bhava-8] rules 11-proletarian roles, hidden sources of income from undiscovered assets Confident Surya intakes expansive drishti from Guru-2 = family capital + face-voice + values- knowledge FATHER James Millard Hopper [1916-1982] Purportedly a local postmaster, dad was also a secret agent for the American OSS [pre-CIa] [Surya in bhava-8] [Surya in bhava-8] -- [Surya-Urisha] reveals that dad was using the postmaster job as a camouflager. [Comfortable Caretaking Chandra] matrikaraka [mother] * garha-karaka [village] [dutiful-hierarchical karmesha for Tulā-indriya-lagna] [comfortable with visionary public service ministry] [status-minded offering of compassionate aid to the exploited] [intuitively helps those who suffer from otherworldly distress] [routinely feels overworked by divinatory guidance, then sick] [imaginatively disposed toward defensive argumentation] [mother may be an ancestral dream guide, yet her dissolved identity may attach her to illness, victimization, servitude, or abuse] [in scapegoated 6, one may be chastized, blamed, or accused for visionary, symbolic, imaginative, contemplative, clairsentient activities -or dreaming-sleeping] ... [populist-profitable Revatī-3] [navamsha Chandra in Kumbha] intuitively sensitive mass-market populist
OUTCOMES - CHANDRA sensitively ministering, protectively helping, routinely analyzing, parentally criticizing, rhythmically complaining, customary service, predictably laboring, culturally exploiting, emotionally unbalanced, needs to be argumentative [Chandra in classroom-6] rules
CAREER - CHANDRA
Karkata-10 = Arudha lagna = ruled by [Revatī-Chandra in classroom-6] 10th-from-Chandra contains [Mula=Rahu in bhava-3] cinema dramatist-producer-director, gallery photography shows, artistic presentations, ADDICTION and RECOVERY Chandra-6 intakes permission, expansive, optimistic drishti from I-know-better-than-you [Jyeṣṭha-Guru-Vṛścika] [2, food-and-drink]
MOTHER Marjorie Mae Davis Hopper [1917-2007]. Mom was a drama teacher [Chandra in Revatī - Pashu] MARRIAGE partnership emotional equity support expectations five marriages + 5 divorces. All five of his wives outlived him. Lifepartnership 1-of-5
actress Brooke Hayward, recognized dramatist and divorced mother of two young sons. Her career was ascending, his was descending.
Lifepartnership 2-of-5
celebrated singer Michelle Philips
Lifepartnership 3-of-5
actress [later, expressive arts therapist] Daria Halprin
Lifepartnership 4-of-5
actress [dancer, choreographer] Katherine LaNasa
Lifepartnership 5-of-5
actress Victoria Duffy [comfortable with visionary public service ministry] [Competitive Champion Kuja] bhratru-karaka [brother] * virya-karaka [virile] [svabhava] [collecting-traditional dhanesha for Tulā indriya-lagna] [bargaining-balancing yuvati-pati for Tulā indriya-lagna] ... [competitive-challenging Rohiṇī-1] [navamsha Mangala-Mesha] intuitively competitive forward-pushing physicalized champion pioneer [Kuja-8 parivartamsha Shukra-7]
OUTCOMES - MANGALA progressively discovering, competitively exploring, energized transformation, pro-active disaster response, dives deep into secrets, reveals hidden power, innovative initiations, vigorously identity-changing, kinetically traumatic, pursuing rejuvenation, promotes sudden eruption, champion of revolutionary renewal [Mangala in bhava-8] rules
CAREER - MANGALA Surya yuti Mangala yuti Budha [8, undercover identities] = combined rulers of 2 + 7 + 9 + 11 + 12
[Kuja-8 parivartamsha Shukra-7] DH known for five marriages but also for divorces, addictions, and adversarial relationships with cinematic directors [Busy Bantering Budha] jamayah-karaka [sibling] * sandesha-karaka [message] * shisya-karaka [student] [philosophical-doctrinal dharmesha for Tulā indriya-lagna] [retreating-contemplative vyaya-pati for Tulā indriya-lagna] check Shukra + Shukra-drishti to source Budha's sensual discourse, enriching information, musical instructions ... [property-owning, defensive Rohiṇī-4] [navamsha Budha-Karkata] intuitively explaining details of homelife folkways customary protection Surya yuti Mangala yuti Budha [8, undercover identities] = combined rulers of 2 + 7 + 9 + 11 + 12
OUTCOMES - BUDHA talkative initiator, camouflage manager, articulate disrupter, hidden manipulator, transformative communicator, identity-changing conversation, mysterious gesturing, rebirth explainer, detailed describer of occult process [Budha in bhava-8] rules
CAREER - BUDHA Budha is an adolescent. If not properly raised by Chandra-Surya, then Budha often remains socially and emotionally immature. If addiction is added to the mentalized Budha mix, one may remain the perpetual Peter Pan. His parents would not have been able to provide modeling of a stable, bargaining, evolving marriage due to Chandra-6 and Surya-8
[Rohini-Budha-yuti-Mangala] [8] demands to hold the center of the spousal attention
Like many financially privileged men, Hopper was in a position to remarry increasingly younger women.
As ruler of 12, Budha allows withdrawal and teenage sulking with no consequences via Vimala Yoga.
[Generous Growing Guru] dhava-karaka [husband] * bahuta-karaka [variety] [busy-communicative vikrama-pati for Tulā indriya-lagna] [inimical-argumentative rogesha for Tulā indriya-lagna] ... [imaginative-fantasizing Jyeṣṭha-4] [navamsha Guru-Meena] intuitively expansive philosophically wide-scope humanistic optimistic imagination [ātmakāraka expansion, philosophy, patronage, beliefs, doctrine, faith]
OUTCOMES - BRIHASPATI expansively enriching, abundantly knowledgeable, multiple family lineages, numerous traditions, optimistic accumulator, jovial speaking-and-singing, broad-scope of historical understanding [Guru in bhava-2] rules
CAREER - GURU speech, knowledge, traditions, collections, values, face [Guru in bhava-2] occupies globalizing worldview believing 9th-from-Chandra -Meena ātmakāraka Brihaspati activates kārakāmsha Meena-6 containing Revatī-Chandra [Guru in bhava-2] things put in the mouth = food, drink, medicines. Confident, optimistic speakers, cleverly sonorous values-based speech. Guru transmits blessings of face, voice, speech patterns, eyes, history, languages. via expansive, permissive drishti into
Multitudinous visual values, and remarriages [2] Capitalization, Voice-Face, storytelling, genetics, collections most of DH's capital assets came from the valuation of his large pop-art collection. He knew many of the top collectors in this genre, and just by talking with them [2] he could inflate the value of various pieces. [Sweetly Suave Shukra] svadu-karaka [sweet] * kalatra-karaka [wifely companion] [svabhava] [energizing-identifying lagnesha for Tulā indriya-lagna] [mysterious-revealing randhesha for Tulā indriya-lagna] check Kuja + Kuja-drishti to source Shukra's competitive bargaining, innovative diplomacy, kinetic attractions [competitive relationships with revolutionary actors] [secretive energeticly active trade-exchanges] [vigorously pursued interpersonal agreements] [pioneering price broker] [lifepartner may be an innovative middleman, pushy advocate, champion bargainer, athletic attorney] ... [contractual-bargaining Bharani-3] [navamsha Shukra-Tula] [Kuja-8 parivartamsha Shukra-7]
OUTCOMES - SHUKRA sensually balancing, appreciative of equity, harmoniously arranging, aesthetically pairing, financially contractual, musical-artistic partnerships, bargaining purpose of relationships, advocates for fairness, sweetly adjusting, diplomatic negotiator [Shukra-7] rules
CAREER - SHUKRA lagnesha [Shukra-7] rules 8 +++ [Kuja-8 parivartamsha Shukra-7] despite and numerous domestic violence convictions, dH was consistently able to settle out of court. significant alcohol and drug-related misbehavior along with domestic violence behaviors, yet never convicted of crimes, never imprisoned. The charges were often serious, but his sincere willingness [and funding available] to undertake corrective therapy seemed to convince most judges that imprisonment was not necessary. [Budha-8 rules 12 = Vimala Yoga protection from consequences] COMPLEX MARRIAGE PATTERNS Shukra-7 parivartamsha with Mangala-8 involves Budha + Surya. It is Shukra's incompatibility with Surya which marks the self-other drama.
Bhava-7 occupies 6th-from-Rahu = 12th-from Ketu Hopper was famously married five times. His marital life was characterized by a series of impulsive, criticizing, accusing divorces. [Budha-yuti-Surya] + [Budha-yuti-Mangala] in parivartamsha with Shukra shows
all combustibly over-stimulating the normally peaceable and agreeable Shukra-7. PARANOIA from Surya Surya-8 also rules 6th-from-Chandra. Simha-11 = income, revenue, marketplace viability After a period of delirious infatuation with the new wife [from Latin fatus, meaning fool] DH seemed to perceive each of his five spouses as a predatory thief in wifely disguise. uncorrectably vindictive toward each of his five wives
Awareness of his impending death did not reduce the virulence of his animosity toward the spouse nor the verbosity [Budha] and aggressiveness [Mangala] of his self-elevating accusations of abuse [6th from Rahu] toward her. After his death, dH three adult children and wife-5 the mother of a 4th minor daughter, all engaged in a protracted legal battle over DH estate. Bhava-8 inheritance. [Sober Structural Shani] duro-karaka [endurance] *jara-karaka [Jahre, years] --- [svakshetra] [mūlatrikoṇa if within 0-20 deg] [Yogakaraka homebound-securing bandesha for Tulā indriya-lagna] [Yogakaraka speculative-creative vidya-pati for Tulā indriya-lagna] [systematically ordered creativity] [politics of economic networks] ... [mercantile-publishing Purvabhadra-3] [navamsha Shani-Mithuna] intuitively structured regulatory class-conscious communications
OUTCOMES - SHANI formally disciplined showmanship, chronic political pressures, fear of unruly children, rigidly legalistic demonstration, constricted romance, enduring obligations for ceremonial performance, regulated creativity, orthodox approach to gambling and games, conventional intelligence, responsible for maintaining order in dramatic scenarios, systematically speculative, imposing structure upon artistic performance, lawfully entitled to hold central roles, seriously legitimating political ideas [Shani in Bhava-5] rules [svakshetra] [Yogakaraka]
CAREER - SHANI Professional drama may be approached with discipline [DH attended the demanding Actor's Studio school for five years]. Yet the draining impact of Shani in 12th-from-Chandra suggests that a lifelong dramatist career would have been unsustainable. INCOME [Shani-Kumbha] rules-and-occupies 11th-from-Chandra as a [Yogakaraka] profitable benefactor. In the long run, shani provides a modest but consisten economic, revenue-streaming income from entertainments [5]. Although he had only a few triumphant cinema roles, those few [Shani few] were iconic. DH enjoyed royalties [5] from licensing the rights [5] to merchandise and replays of his two most celebrated performances. CREATIVE OPPRESSION [Shani in Bhava-5] strictly regulates any expressions of creative genius. He may impose such heavy restrictions that a normally brilliant environment such as theatre, romance, game-playing, or glittering celebrity may be perceived as punitive or constricted. Shani would normally block creative expression in drama, and cause one to seek freedom in other venues. CELEBRITY ACTOR LEAVES ACTING By his early 40's and the onset of karmesha Chandra Mahadasha, dH had shifted away from [12] the dramatist-producer-director roles of the cinema industry, and into a more permissive career as an art collector [Guru-2] fine-arts painter [Rahu-3] and photographer [Rahu-3]. CHILDREN Shani accepts romance less as a joy and more as a duty. [Shani in Bhava-5] inevitably generates heavy responsibility for children. The first child is often disciplined and structured in personality.
[Risk-rewarding Rāhu] rajyalobha-karaka [ambition] * picchala-karaka [slippery] [for Tulā indriya-lagna] check Guru + Guru-drishti to source Rahu's apparently generous, mirage of philosophical conviction [Rahu-3 casts passionately publishing mercantile drishti into 7-9-11] [desire to communicate about principled beliefs] [craving for exhilarating inspirational conversations on life philosophy] [opportunistic messaging on humanistic global theory] [exciting writer-publisher on matters of ideology and faith] [thrilling discussions on higher worldview] [over-reaching understanding mixed-culture commercial transactions] [passion for patronage of writing-editing correspondence] [ambitious cohort may evangelize on doctrine] ...... [defensive-ritualized Mūla-4] [navamsha Rahu-Karkata]
OUTCOMES - RAHU CAREER - Rahu-Mūla-3 cinema occupies 10th-from-Chandra Easy Rider 1936-2010 artist Dennis Hopper was a notorious Hollywood actor and director, but he was also a fine-arts painter who produced galleries full of artistic work. Despite five years study at the prestigious New York City Actors Studio [under the legendary Lee Strassburg] most of DH cinema work was undistinguished. Nevertheless, asmall handful of celebrated rebel-roles transformed [8] Dennis Hopper into a counterculture icon.
Regardless of the volatility created by drug addiction and persistent marriage squabbles, dH was rarely out of work [10th-from-Chandra] When Hopper outgrew dramatic acting, expansive Guru-ruled Rahu ambitiously reached for opportunities to grow into roles as director and producer.
His capitalization grew mainly from Guru-2 art collections
Hopper seemed obsessed [Rahu] with his treasury [2nd-from-2].
Mula bhava-3 cinema Rahu-Mūla is prone to the thrill of all-or-nothing risk Rahu-Dhanus is noted for cultural mixing doctrines, ideologies, and beliefs [Dhanus].
LEARNING PATHWAY = Rahu-Mūla = Rebel Without a Cause Usually Rahu-3-Mūla is a photographer, writer, publisher, announcer, or businessperson who experiences a Learning Pathway that features a Rahu-esque dramatic cycle of rise-and-fall within a taboo-challenging media-based career. When Rahu-3-Mūla [annihilating risk] occupies 10th-from-Chandra, undoubtedly the media-messaging career would be exciting and high-profile. Career = Iconic Rebel Fascinating Rahu-challenge to rigid social practices in narrative transmission [3] He played the Rebel.
6th-from-Rahu + 12th-from-Ketu karmic hot-spot learning challenge = randhrasthana bhava-8 contains yuvati-pati Mangala + [Surya-yuti-Budha] Rahu amplifies His ruler Guru-2-Vṛścika. A confident and brilliant media personality, dH nevertheless dealt with the draining, debilititating effect of Rahu's ruler Guru in 12th-from-Rahu Fear of loss of valuable collections such as his paintings and financial assets. Mula themes of annihilation seemed to be driven by a subconscious expectation [12th ] of being catastrophically drained by invisible forces. Rahu-Mūla drishti into Shukra-7 Hopper famously married, and acrimoniously divorced, five times. He struggled publically with recurring narrative [Budha] of unseen, incalculable losses. Court documents tended to wildly overestimate the value of his paintings. Toward the end of his life, as his wealth grew, so did his chronic and gnawing paranoia [Mūla-Rahu-3 mentality]. Chandra-6 is often comfortable in the world of endless lawsuits DH hired lawyers and filed criminal complaints [6] against invisible predatory thieves until the day of his death. Naturally, if challenging graha should occupy or own the bhava which is 6th-from-Rahu + 12th-from-Ketu, the results can be exaggerated. Particularly inner graha [Surya-Mangala-Budha] are afflicted when they occupy the adversarial 6th-from-Rahu + 12th-from-Ketu. Collapsing unshackling Ketu] kavandha-karaka [headless] * chidra-karaka [gaping] * vasana-karaka [vacuum] [for Tulā indriya-lagna] check Budha + Budha-drishti to source Ketu's spacey sentences, vague instructions, disinterested discourse [declines detailed discussion of the credenda] [dissolution of ideological communications] [restlessly apathetic toward meeting agenda with patrons] [may abdicate explanatory guidance roles] [surrenders ineffective defining life-principles] [forgives the trespass of chattering father and guru-figures] [abandons unsustainable religious propaganda] [absent from discussions about empty beliefs] [walks away from outdated doctrinal instruction] [disregards sermonizing announcements] [eccentric gestures of episcopate may symbolize their disoriented worldview ] [presbyters may signal erratic mentality] [has the mental skills and the broad understanding - yet barring yuti-graha in 9, Keu-9 = disinterested in informational preaching] [passively fixated on ambitiously opportunistic inspirational-dogmatic Rahu-Dhanus-3 sibling-cousins, cohort, neighbors, messengers, managers, writers, reporters, projects, plans, publicity] ... ... [regulatory-hierarchical Arudha-2] [navamsha Ketu-Makara]
OUTCOMES - KETU |
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