Drama and Song




born six weeks after


Rex Harrison in his most classic cinematic role, as Professor Henry Higgins in My Fair Lady 1964



Musical Theatre

Hollywood Matinee Idol

Succès de scandale

Rex Harrison

a.k.a. Sir Reginald Carey Harrison MBE

a.k.a. / Sexy Rexy /

Earth-birth Thursday-05-Mar-1908

dematerialization 02-Jun-1990 [age 82]


musical dramatist of stage and screen


Rex Harrison

birth data from https://en.wikipedia.org/wiki/Rex_Harrison

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com

- adapted by BP Lama

Rising Nakshatra

Masculine Nativity


Yoni - Bhagadaivata - Prakphalguni - Arjuni


For Purvaphalguni * Yoni * births of a masculine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Beautiful Bhrigu may considerably affect the outcome.

Due to the definitive influence of kalatra-karaka Shukra, gentlemen born into the realms of Bharani - Yamya, Pūrvaphalgunī - Yonī, or Pūrvāṣāḍhā may find that their worldview is greatly shaped by the character of the feminine companions.

For those born into the Shukra-ruled paradigm of Vutavabana, feminine figures such as sisters, aunts, and wives, along with partnerships, contracts, bargains, sensual pleasures, lovers, artistic beauty, luxurious scents, treasuries, financial arrangements, and music, may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Zosma. Their purpose is to dramatize, glamorize, and politicize the grand theatrical values of creative life.

Diplomatic charm

[Suave Shukra] -ruled Purvaphalguni gentlemen are often found in the sparkling bright worlds of politics , romantic idealism, entertainment, speculative finance, and spectator sports. Yoni-born chaps often display a thick mane of leonine hair and a charming sense of humor.

They are happiest when enjoying a choreographed sport, playing music, dancing with agility and grace, or performing a richly costumed dramatic role for an appreciative audience, Delighted by spectacle and applause, they glitter and smile at parties, political campaigns, gambling and games..

Depending upon the placements of dhanakaraka Shukra and dhana=pati Budha, the Purvarjuni-born may also excel in financial showmanship, bargaining toward a political or commercial agreement, and the high drama of romantic relationships.

Like all Shukra-governed births, Bhagadaivata-born must take care to avoid the misuse of drugs and alcohol. Political success depends upon the charisma of lagnesha Surya. Financial success depends upon the dual-dhanakaraka Shukra and Budha.

Themes of political celebrity, lavish musical entertainments, arts and fashion, and financial agreements may contextualize Pubba's terrestrial experience. Applies also to Chandra-Purvaphalguni.

QUOTATION from Shil-Ponde. [1939] . Hindu Astrology Joytisha-Shastra. p 83

" A physical rather than a mental type.

  • A healthy constitution

  • not given to worry or anxiety regarding the problems of living.

He must guard against impulsiveness

since he is apt to act without sufficient thought

  • and as a result he makes many mistakes

  • which are difficult to rectify

  • and which may be disastrous.

He is very active physically and will be proficient at various sports

  • reveling in the joy of mere action,

  • even purposeless action.

These people seem never to rest and are constantly in motion.

  • As soon as they have finished one thing they start on another,

  • frequently doing several things at a time."

[end quote]


Harrison playing the veterinarian d. Doolittle in the celebrated 1967 musical drama


Rex Harrison 1976 [age 68]

Biographical Events matched to Vimshottari Dasha calendar

[Ketu Mahadasha] [birth until age 5.9]

Thurs-05-Mar-1908 Earth-birth in Huyton with Roby, Lancastershire, England * Ketu-Shukra bhukti* Shukra karmesha

Apr-1907 until Jul-1909 Janma Sade-Sati Meena

  • [10-reputation, social visibility, leadership, iconic roles]
  • [age 0-3]

[Shukra Mahadasha] [age 5.9 until age 25.9]

1914 [RCH age 6] a life-threatening bout of childhood measles caused RCH to lose most of the sight in his left eye. His mom took Rex to the theatre as a treat for recovering. He was smitten. * Shukra-Shukra svabhukti* Shukra karmesha career

1924 [RCH age 16] joined the Liverpool Repertory Theatre * Shukra-Rahu bhukti - Rahu in bhava-11 associative networks

Jan-1926 until Dec-1928 Shani Ashtamsha Vṛścika -4

1930 [RCH age 24] first film The Great Game begins what would become a seven-decade career in live theatre and cinema * Shukra-Budha bhukti * lagnesha [Surya-yuti-Budha] * Budha rules 11-accomplishments

[Surya Mahadasha] [age 25.9 until age 31.9]

Jan-1934 [RCH age 25] consecration of marriage-1-of-6 with actress-model Collette Thomas * Surya-Surya svabhukti ++ gochara R-K Kumbha-Simha * contact Simha indriya-lagna

29-Jan-1934 [RCH age 25] celebrated the birth of child-1 * Surya-Surya svabhukti * Surya rules 5th-from-Chandra ++ gochara R-K Kumbha-Simha * contact Simha indriya-lagna

[Chandra Mahadasha] [age 31.9 until age 41.9]

Feb-1937 until Apr-1939 Janma Sade-Sati Meena

  • [10-reputation, social visibility, leadership, iconic roles]
  • [age 29-32]

1942 [RCH age 34] flight lieutenant for UK Royal Air Force, working in underground bunkers [did not fly due to his left eye] Chandra-Rahu bhukti ++ dvadasa Sade-Sati

late 1942 [RCH age 34] divorce from lifepartnership-1 with Collette Thomas * Chandra-Guru bhukti * Guru rules 8 ++ dvadasa Sade-Sati

25-Jan-1943 [RCH age 35] consecration of marriage 2-of-6 with renowned German actress Lilli Palmer - Chandra-Guru bhukti * Guru rules Meena 7th navamsha ++ gochara R-K Karkata-Makara

1946 [RCH age 38] Gains Anglosphere famevia the masculine-lead role his first American film Anna and the King of Siam * Chandra-Budha bhukti * lagnesha [Surya-yuti-Budha] * Budha rules 11-accomplishments, awards ++ Budha rules navamsha-10 career recognition

05-Jul-1948 [RCH age 40] an extra-marital lover, the actress Carole Landis [herself divorced four times before age 28] committed suicide after spending the evening with RCH. A salacious shaming-scandal ensued, creating a feeding-frenzy for the tabloid press * Chandra-Shukra bhukti* Shukra rules-and-aspects 3-publications * vyaya-pati Somana-yuti-Shukra private relationships

1948 [RCH age 40] Hollywood film contract is cancelled due to the shaming-scandal. Move to NYC, where RCH and Lilli quickly find work in live theatre * Chandra-Shukra bhukti* Shukra karmesha work

1949 [RCH age 41] fame spreads widely in praise of a celebrated stage performance in Anne of the Thousand Days * Chandra-Surya chidra-dasha * Surya lagnesha

[Mangala Mahadasha] [age 41.9 until age 48.9]

[Rahu Mahadasha] [age 48.9 until 66.9] [1957 until 1975]

Nov-1955 until Feb-1958 Shani Ashtamsha Vṛścika -4

1957 [RCH age 49] Divorce 2 from alliance with Lilli Palmer * Rahu-Rahu svabhukti + Shani Ashtamsha

1957 [RCH age 49] celebrated, awarded performance = the musical stage-drama My Fair Lady * Rahu-Rahu svabhukti [Rahu in bhava-11] awards

22-Jun-1957 [RCH age 49] consecration of marriage-3-of-6 with actress Kay Kendall - Rahu-Rahu svabhukti ++ R-K gochara Tula-Mesha contact Shukra-Mesha

Sep-1959 [RCH age 51] grieved the decease of wife-3 Kay Kendall via leukemia [KK age 32] Rahu-Rahu svabhukti

21-Mar-1962 [RCH age 54] consecration of marriage-4-of-6 with dramatist Rachel Roberts - Rahu-Guru bhukti * Guru rules Meena 7th navamsha ++ R-K gochara via Mithuna-Dhanus contact natal R-K

1963 [RCH age 55 celebrated performance in Julius Caesar * Rahu-Shani bhukti * Shani rules Makara-5 10th- from-Chandra= public recognition in drama

1964 [RCH age 56] wins Academy Award for My Fair Lady cinematic version * Rahu-Shani bhukti * Shani rules Kumbha 11 from Chandra = awards, prizes

1967 [RCH age 59] celebrated role in Doctor Doolittle. Reportedly, RCH was often bitten by the animals * Rahu-Budha bhukti * lagnesha [Surya-yuti-Budha] * Budha rules 11-awards + Budha rules [6th-from-Chandra] animal bites

Apr-1966 until Jun-1968 Janma Sade-Sati Meena

  • [10-reputation, social visibility, leadership, iconic roles]
  • [age 59-62]

1971 [RCH age 63] Divorce from marriage-4 with dramatist Rachel Roberts * Rahu-Shukra bhukti [Somana-yuti-Shukra] Chandra rules 12 = 6th-from-jāyābhava marital conflict ++ dvithya Sade-Sati

26-Aug-1971 [RCH age 63] consecration of marriage-5-of-6 with Elizabeth Harris, the socialite ex-wife of his former best friend * Rahu-Budha bhukti ++ R-K gochara Meena-Kanya + dvithya Sade-Sati

1974 [RCH age 66] divorce from marriage-5-of-6 * Rahu-Mangala chidra-dasha * [ Kuja-yuti-Chandra ] Chandra rules 12 = 6th-from-jāyābhava marital conflict

[Guru Mahadasha] [age 66.9 until decease age 82[

17-Dec-1978 [RCH age 70] consecration of marriage-6-of-6 [retirement alliance] with dramatist Marcia Tinker * Guru-Shani bhukti * Shani yuvati-pati + Shani exhaustion ++ R-K gochara Kanya-Meena contact navamsha R-K

26-Nov-1980 [RCH age 72] suicide of 4th wife Rachael Roberts [her age 53] following RCH's refusal to re-marry her * Guru-Budha bhukti * Budha rules [6th-from-Chandra] * Budha rules Mithuna 12th-from-12 = dissolution of the 4th wife, contains Arudra-Rahu taboo

Dec-1984 until Dec-1987 Shani Ashtamsha Vṛścika -6

25-Jul-1989 [RCH age 81] knighted by Elizabeth-2 - Guru-Rahu chidra-dasha [Rahu in bhava-11] awards

02-Jun-1990 [RCH age 82] liberation from the Earthen-body, via pancreatic cancer, three weeks after his final stage performance. * Guru-Rahu chidra-dasha * Rahu's ruler maraka Budha rules-2

Distinctive features of the nativity

[Sparkling Surya]

pitri-karaka [father] jyoti-karaka [light]

[energized-identifying lagnesha for Simha indriya-lagna]

[systematically self-referential within relationships]

[must have friendly bright centrality within contractual arrangements]

[confident economic middleman within social gridworks]

[marriage-1 partner resembles populist father]

[lifepartnership with connected politician-dramatist-speculator-creative]

[marriage focused on appearance of the applause-getting lifepartner]

[networking father may be dealmaker-broker-facilitator]

[father-figure may be defined by community relationships]

[intelligence for bargained marketplace linkage]

[personal kinetic electrical core may dominate in marriage]


[dominating-challenger Purvabhadra-1] [navamsha Surya-Mesha-uchcha] intuitively confident conquesting champion


  • [Surya-Kumbha] Arka [the radiator - radio] brightly charismatic confidence of Center-stage Surya radiates through the linking networked connecting rashi of Shani

  • [Surya in bhava-7] sparkling center of relationships * focus on agreements * brightly negotiating * confident in brokerage * self-referential partners * makes smart trades * intelligence for representation * political equity * peerage entitlements * eye on fair contracts * agent of deal-making drama * father may be a broker-attorney-advocate

  • [Surya-yuti-Budha] confidently conversational * brightly explaining messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance


self-reflexively representative, brightly brokering, charming deal-maker, regal style of negotiation, alliance focused, radiantly confident counselor, politically diplomatic, splendidly advocating, center-stage adviser [Surya in bhava-7] rules

  • 1- distinctive attributes of personality, dense material incorporation, individual personification, earthen embodiment, physical integrity, kinetic energy, dance, style of movement, atheletic prowess, unique character, kinetic vitality, circumstances of birth, tangible appearance, coherent social identity


Professionally, RCH had been a dramatist since age 16.

Rex Harrison was a distinguished and rather notorious stage-and-screen dramatist-singer who was engaged in theatrical acting throughout his long, professionally productive life.

Known for the solipsism of his six marriages and numerous badly-handled romances with dramatic actresses [Surya romance] [Surya in bhava-7]


  • From age 16 until 81, a celebrated, prize-winning career in romance, theatre arts, amusement.

lagnesha Surya drishti into Simha indriya lagna

  • bright theatrical visage.
  • physical, vital radiance in center-stage camera-focused positions. vital radiance in center-stage camera-focused positions.
  • Surya intakes drishti from wild, earning, fan-club Arudra-Rahu-11

Surya-uchcha in navamsha-8

  • dominating championship in hidden, undiscovered matters

[Surya-yuti-Budha] intake drishti from Arudhra-Rahu-11

  • Super-celebrity favorite of entertainment-industry tabloid press.

  • RCH's classic roles have remained popular more than 50 years after their first release, due largely to RCH's brilliantly articulate [Budha] and charismatic [Surya] performances = Rahu-11-Mithuna drishti into Surya-Budha.

Lagnesha Surya Boosts drama career

but degrades healthy relationships

  • Extremely self-referential and limited/no ability to share credit.
  • Coworkers sometimes described RCH as Obnoxious.

RCH is generally retrospectively assessed to have suffered the classic patterns of Narcissistic Personality Disorder, which allows a lover to use - then scorn - the objects of their attraction.

  • RCH was said to show special contempt toward the leading ladies [Shukra] who threatened to divert attention from the glamour of his performances.

Notoriously Selfish Surya-in-7

+++ Mangala + Aśvini-Chandra + Arudra-Rahu drishti into 3-workgroups

RCH had a storied performance career lasting six decades. Yet, he was unpopular among his cohort [3] .

Fellow actors reportedly dreaded working with him. In entourage and ensemble work [3] collaborators complained of his surly, judgmental, impatient attitude.

  • RCH was known for snarling about the smallest errors and self-focused inability to acknowledge the contributions of others.
  • Despite spending his entire adult life doing ensemble work, RCH was notoriously stingy in sharing creative credit with fellow dramatists.

Beloved by fans Rahu-11, RCH was nevertheless considered resentful and selfish by those who worked most closely with him.

His treatment of six wives and countless lovers was extremely selfish, meriting the NPD label.


Dad = a Liverpool cotton broker. [Surya in bhava-7]

[Surya-yuti-Budha] = Budha commercial business

  • Dad was said to have been a partying, musical, man-about-town, a popular fellow - but often unemployed
  • Surya + Budha in bhava-7 contracts rules [6th-from-Chandra] = out-of-portfolio
  • pitrasthāna = Mangala-9, shows dad's singing voice and love for the ladies Kuja-yuti-Shukra
  • Lagnesha surya = RCH resembles the entertainer father

[Comfortable Chandra]

matrikaraka [mother] * garha-karaka [village]

[retreating-contemplative vyaya-pati for Simha indriya-lagna]


[visionary-charitable Revatī-Pashu-4][vargottamsha] [navamsha Chandra-Meena] intuitively sensitive contemplative vision

[26:40 until 30:00 Meena] [Gandanta location]

[Atmakaraka emotion, sensitivity, rhythm, pulse, security, feelings, ancestral flow ]


  • [Chandra-Meena] comforted by ancestral guidance * settled into rhythmic intuition * needs contemplative sanctuary

  • [Chandra in Revatī - Pashu] soothed by wayfaring rhythms * protector of poetic interpretation * needs to feel wisely dreamlike

  • [Chandra in classroom-9] comfortable with paradigmatic belief * emotionally attuned to sacred doctrine * accustomed to priesthood * maternal piety * soothed by globalist perspective * sentimentally righteous holiness * feels the pulse of preaching * calmed by a broad worldview * acculturated to principled understanding * needs a familiar catechism * protective patrons * habitually seeks guidance * your mother believes in you * settled into philosophical habits * undulating convictions * mother may be devout, philosophical, a disciple, a proselyte

  • [Somana-yuti-Shani] [nishturabashi yoga] emotionally constricted * punitive parents * sensitive to class boundaries * soothed by structure * needs rigid routines * heavy maternal workload * comfortable with elders * familiar with hierarchies * fearful mother * calmed by strict rules * feels like a worker


sensitively theorizing, protectively guiding, routinely preaching, parentally philosophizing, rhythmically indoctrinating, customary beliefs, predictably dogmatic, culturally ethnoreligious, emotionally patronizing, needs to be righteous [Chandra in classroom-9] rules

  • 12 enclosures, the bed, fantasies, privacy, interior spiritual guidance, clandestine undertakings, intuitive awareness, non-linear conceptual undertanding, concealment, seclusion, invisibility, dissolved identity, meditation, contemplation, dreamworlds, astral plane, imaginary scenarios, sanctuary sleep, distant lands, health of the avowed partner


[Chandra-Mesha] [Chandra-Aśvini] [Chandra in classroom-9] [Somana-yuti-Kuja] [Somana-yuti-Shukra]

divorce, exploitation, mistreatment of women Makara - Draco 6 ]


Mom = Edith Mary Carey. Chandra in classroom-9 rules-12

  • Rex was her only child, and she lavished attention upon him.
  • Chandra-9 as vyaya-pati would suggest that mom's lifetstyle emphasized public piety [9] and sanctuary [12]
  • Mom loved the theatre, and she introduced little Reginald to the drama when he was six years old

[Chandra Mahadasha] [age 31.9 until age 41.9 = began in 1940

  • In the 1940's, musical theatre became popular, including potentially high-paying cinema roles.

[Chandra in classroom-9] rules

  • 12-privacy, bedroom, seclusion, fantasies, imagination, conceptual thought, t hallucination, dreamworld -
  • contains Sarala-Yoga producer, abundant [uchcha] [Guru in bhava-12]

Wry Aśvini-Chandra resides in bhava-9 celebrity theatre

  • RCH played many popular male drama-roles, but he was in particular a master of wry comedy.

  • [low-power Surya ++ Budha while 3rd-from-Budha contains Chandra-Mangala-Shukra


Bhava-9 contains the rulers of 3 + 4 + 9 + 10 + 12

9 - patriarchy, patronage. RCH played almost exclusively dominant-male roles.

  • [Somana-yuti-Kuja] [Somana-yuti-Shukra] suggest that in addition to the narcissistic Need to be in Center of audience Attention [5=9] RCH was also comfortable [Chandra] in romantic relationships with men and women. 12 matters of the private bedroom generally remain invisible, but are nonetheless emotionally defining.

MARRIAGE partnership emotional equity support expectations

Learning Pathway Challenges to marriage include

  • yuvati-pati Shani in bhava-8
  • Budha-7 activates 3 + 6 from Chandra-Mesha, indicating a pattern of emotionally-charged, adversarial, accusatory arguments along with mental-health [3] challenges
  • In addition to a legendary pattern of extra-marital affairs, RCH married a total of six times over a 30-year span.

Challenge from Shani-ruled Surya-Kumbha = [Surya in bhava-7]

  • self-referential [Surya] conduct in one-to-one relationships - affects both the native and the lifepartners
  • [Budha-yuti-Surya] RCH was famed for putting himself first in all relationships, both personal and professional

    Solo Surya does not enjoy participating in the two-party environment of bhava-7.

    Creative Surya occupies a hostile environment in system-regulated Kumbha.

    Equalizing Shukra-controlled Bhava-7 is never welcoming to self-central Surya.

  • in yuvati-bhava, Surya-Kumbha may see relationships as primarily serving the personal entitlement [Surya] and reinforcing the socially approved material achievement [Shani].
  • generally, the social conduct of Surya-Kumbha = less beholden to customary moral boundaries
  • incoming opportunistic Rahu-11 drishti adds passion and ambition for achievement



9-year Rahu-cycle marriage

  • with actress and advertising model [3, Tula] Collette Thomas
  • [m. 1934-1943, one child

8th-from- [7th-from-Chandra-9]

Marriage-2-of-6 HarrisonRex_LilliPalmer_1950Life Mag.jpg

  • bhava-10 public visibility, commanding roles, respect, high positions
  • Urisha beauty, assets, face-voice-song, heritage, luxury
  • [Aśvini-Shukra-Mesha] [Shukra-9] [Shukra-yuti-Chandra] [Shukra-yuti-Mangala] + Shukra rules 4-9 navamsha + Shukra rules 2-7 from Chandra
  • 14-year Shani-cycle marriage with wife-2 Lilli Palmer = a widely recognized [10] German celebrity actress [m. 1943-1957]

3rd-from- [7th-from-Chandra-9]

  • Marriage-3-of-6
  • bhava-5 drama, self-certainty, intelligence, romantic idealism, games
  • Dhanus philosophy, humanism contains evaporative Ketu in classroom-5
  • actress Kay Kendall [m 1957-1959]
  • In a sentimentally hopeless story [Ketu] which sold millions of magazines, RCH divorced his wife of 14 years and mother of his son, Lilli Palmer, purportedly for humanitarian reasons. Ketu in classroom-5 tends to blunt the self-certainty and disorient the core intelligence, often associated with misleading statements and mistakes in judgment
  • According to the press narrative, RCH compassionately married Ms. Kendall in order to care for the actress while she slowly died of leukemia.
  • The heavy publicity of this two-year story had its intended promotional effect [5 fame].
  • After the inevitable death, RCH did not remarry Ms. Palmer [Ketu disorientation]. Rather, in the interim, Ms. Palmer had remarried a different mate.

10th-from- [7th-from-Chandra-9]

  • Marriage-4-of-6
  • bhava-12 privacy, sacred enclosure, fantasy, dream-world, invisibility

  • Karkata contains randhresha Guru-Karkata [uchcha] confers protective Viparita Raja yoga = [Sarala Yoga] , suggesting that whatever the potentially unsavory goings-on within bhava-8, there would be no harmful consequences to RCH

  • an exalted randhresha Guru in bhava-12 can signal expansive, high-permission addictions, similar to Shukra-12

  • dramatist Rachel Roberts [m. 1962-1971] the union was said to suffer from alcoholism of both partners. It featured vivid public fights, and ended in betrayal.
  • 26-Nov-1980 [RCH age 72] suicide of 4th wife Rachael Roberts [her age 53] following RCH's refusal to re-marry her * Guru-Budha bhukti * Budha rules [6th-from-Chandra]

5th-from- [7th-from-Chandra-9]

  • Marriage-5-of-6
  • bhava-7 contract, agreement, balance, equity, franchise, advocacy
  • Kumbha contains rulers of 2+ 11 [finance] + lagnesha = [Surya-yuti-Budha]
  • Budha brings funding and the lagnesha of NPD seeks a bit of posh
  • four-year union with Welsh socialite Joan Elizabeth Rees-Williams [m. 1971-1975]

12th-from- [7th-from-Chandra-9]


  • bhava-2 face, voice, speech-song, heritage values, banking, assets, lineage knowledge, traditions

  • Kanya nursing, medication, aide, ministry, assistance
  • [RCH age 70 begins 12-year retirement marriage with dramatist Marcia Tinker [m. 1978-1990]
  • Guru-Shani bhukti

  • " a nurse or a purse"

[Competitive Kuja]

bhratru-karaka [brother] virya-karaka [virile] [svakshetra]



[Yogakaraka homebound-anchoring bandesha for Simha indriya-lagna]

[Yogakaraka doctrinal-believing dharmesha for Simha indriya-lagna]

[karako bhavo nashto for father, patrons, chieftains, indoctrinators]

[dynamic humanistic innovator]

[competitive broad worldview]

[father may be professor-preacher-indoctrinator]


[dramatizing-displaying Bharani-1] [mūlatrikoṇa] [navamsha Mangala-Simha] intuitively competitive forward-pushing dramatic romance display



[Mangala activates Chitra Svamsha]

[Kuja rules career Vrischika 3rd-navamsha = cinema]

  • [Mangala-Mesha] vigorous pursuit of dominance * straightforward dynamic actions * competitive winner * propulsive battering weaponry * push toward conquest * pioneering vitality * hot yang-energy * thrusting force * forward-driving movement * champion of innovation , innovation

  • [Mangala in bhava-9] drive toward doctrine * champion of paradigmatic belief * pursuit of patronage * dynamic preaching * philosophy of innovation * believes in conquest * aggressive or sexualized paternal energies * dominating military father-figures * growth-challenging paternal behavior

  • [Kuja-yuti-Chandra] feels like a champion * energized intuition * dynamic nurturance * competitive caretaking * often the dominant parent * needs to win * forward thrusting emotions * seeks security via conquest

  • [Kuja-yuti-Shukra] dual sexuality * energized bargaining * dynamic trading * masculine force joins feminine allure * kinetic sensuality * productive arrangements * competitive mating * vigorously balance-seeking in partnership * pursues diplomatic resolutions * innovative arrangements


[Yogakaraka] [karako bhavo nashto for father]

vigorously ideological, pro-actively doctrinal, competitively philosophical, champion of belief paradigms, dominating preacher, forward-pushing globalist [Mangala in bhava-9] rules

  • 4 cultural foundations, property boundaries, Way of Life, protection, defense , homeland, household, routines, rituals, mother, parents, customary rhythms, caretakers, socialization schooling, gardens, waterways, transportation, housing, social security, sense of place, environmentalism, citizenship, belonging, ethnic basis, ethnoreligion, patriotism, real-estate, farming, land-ownership, burial, predictability, health of the elder sibling

  • 9-ideology , paradigm of belief, principled convictions, higher understanding, father-figures, priestly patronage, preaching, patriarchal entitlements, philosophical convictions, theory, public spiritual guidance, celebrated doctrines, sangha, sacred teachings, credenda, globalism, dharma, worldview, mother's health



  • [Kuja-yuti-Chandra] confers Chandra-Mangala yoga, associated with treasury and material fortune

competitive, innovative Kuja ++ [Somana-yuti-Shukra]

Succès de scandale via Bhava-9 idol/ideal

contains the rulers of 3 + 4 + 9 + 10 + 12

cinema-3 receives drishti from Kuja-9 + Shukra-9 + Chandra-9 + Rahu-11

  • 3-cinema, publications, tabloid press

  • 4-real-estate, citizenship, cultural habits

  • 9-idealization, idols, beliefs
  • 10-reputation, public recognition
  • 12- bedroom activities, fantasy, imagination

[Kuja-yuti-Chandra] + [Kuja-yuti-Shukra]

vigorously competitive, musical, sensual [Bharani] Mangala-Mesha activates

  • Vrischika = the scandalous, exposing 8th-from-Chandra
  • Vrischika penetrating, predatory, invasively masculine force = 3rd navamsha cinema
  • bhava-9 idolatry, idealized figures

++ + Shukra owns-and-aspects bhava-3 press, movie-magazines + bhava-10 reputation, values, relationships

  • Hollywood gossip magazines publishers used RCH's exploits to Sell a never-ending stream of sexualized [Kuja] shaming-scandal to a repressed and hungry readership
  • In an industry for which it is a well-accepted truth that there is no bad publicity, RCH's reputation [Shukra karmesha] indirectly benefited from the romantic masculinization of his otherwise rather milquetoast persona.

Kuja activates 9-credenda, beliefs

RCH was charmingly believable in his dominating male-lead roles [Kuja-Mesha]

  • playing to the psychic needs [Chandra] of his scandal-starved audience, RCH flourished in the capricious, competitive, cinema-drama industry
  • [Kuja-yuti-Chandra] allows emotional dominance [for example, the NPD dismissively arrogant professor in My Fair Lady]

  • [Kuja-yuti-Shukra] allows dominant behavior while pursuing relationships with either gender.

Kuja-9 casts warlike, thrusting drishti into 12 + 3 + 4 = personal and professional attacks

  • RCH was considered both a master of his dramatic craft and a sour, vicious bully, who denigrated the acting skills of co-workers [3]

[Bantering Budha]

jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student]

[profitable=networking labha-pati for Simha indriya-lagna]

[preserving-collecting dhanesha for Simha indriya-lagna]

[Dhanayoga via Budha-7 rules 11 + 2]

[economically gainful contract discussions]

[quick friendly relationship arrangements]

[commercially detailed alliance crafting]


[organizing-structured Varuna-2] [navamsha Budha-Makara] intuitively hierarchical conversational gestural explanatory expression

[Budha-yuti-Surya] [Budha moudhya-dosha]

  • [Budha-Kumbha ] connecting communications * systematic pronouncements * articulation of social-scientific networks * descriptive inter-webbed definitions * diagrams the marketplace linkages * futuristic conversations * messages about communities * discusses economic transactions * explains social participation linkage * large-scale logic * skilled weaving * deft knitting * hands-arms-shoulders make connective gestures

  • [Budha in bhava-7] narrative of partnership * discusses contracts * debates on deals * analysis of relationships * discourse on trusts * banters about betrothal * crafting of covenants * delivers negotiating instructions * explainer of arrangements * talks about fairness * advocate for justice * gestures toward settlement of quarrels * mentality of marriage * formulates alliances * defines equity * balanced bargains

  • [Budha-yuti-Surya] amusing explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures


[Budha rules communicative conversational commercial Mithuna 10th-navamsha]

Simha Moneymaker Budha in bhava-7 Arrangements rules

  • 2 sense pleasures, capital, face-hair-voice-song, genetics, heritage, memory
  • 11 earnings, fan-clubs, friendship contains Rahu in bhava-11 = brilliant social-networking
  • Budha rules publishing, advertising, commercial, cinematic, scripted Mithuna [10th navamsha] \

  • powerful incoming drishti from Rahu-Mithuna-Arudra

legalistic Budha in bhava-7 rules Kanya-2 [6th-from-Chandra] - 6 marriages, 5 divorces

++ drishti of Budha [ruler of 11 + 2] into the Simha lagna

  • brings marketplace revenues, voice, face, verbal articulation

Dhana-Drishti of Rahu-11 into Budha-7 ruler of 11

  • marketplace gainfulness, awards, prestige via the unions, benefiting both the husband and the wives.

Spoken-Song * Not beautiful but it works

RCH was loved by theatrical audiences due to the regal certainty [Surya] of his communicative craft [Budha] and his charmingly humorous speech delivery.

  • He particularly excelled in roles representing language, linguists, and masters of speech * such as Professor Higgins and Doctor

Shani ruler of Budha occupies 2nd-from-Budha, while Shani drishti to Budha-ruled bhava-2 speech-song

  • due to RCH being an accomplished actor with exceptionally limited singing range, the musical arrangers [Budha-7] adapted their songs to a spoken meter [Budha] .
  • The spoken-songs kept pace by the orchestra.

RCH described the discipline [Shani] needed to follow the precise [Budha] rate of musical speech as exhaustingly focused, with no margin for error.

Surya-Kumbha in [11th-from-Chandra] gets drishti from Rahu-11

  • This cleverly crafted accommodation by his co-workers [Budha] allowed RCH to star [Surya] gainfully in prize-winning musical productions.

[Generous Guru]

dhava-karaka [husband] bahuta-karaka [variety]


[svabhava] [Sarala Yoga]

[witty-creative vidya-pati for Simha indriya-lagna]

[mysterious-revealing randhresha for Simha indriya-lagna]

[multiple protective sanctuaries]

[abundant private nourishment]

[expansive imaginary realms]

[wisdom from distant, invisible lands]


[bargaining-contractual Pushya-3] [navamsha Guru-Tula]

  • [ Guru-Karkata] big shelters * various caretakers * many provisions * benevolent routines * believes in defense * permission to protect * optimistic patriotism * broad understanding of local cultures * develops gardens * household expansion * prosperous settlements * multiple dwellings * many patronizing parent-figures

  • [Guru in bhava-12] great interiority * many meditations * much divination * many hospitalizations * many spiritual retreats * numerous psychic way-showers * many large private spaces * extensive trance guidance * a patron of sanctuary enclosures * in a wifely nativity, husbandly-companion may be benevolently invisible


privately philosophical, expansively imaginative, broadly visionary, cheerfully insightful, contemplatively secluded, tolerantly prayerful, invisibly guided [Guru in bhava-12] rules

  • 5- Politics, center-stage roles, theatre, demonstration, display, charming brilliance, genius, poetry, choice-making, showmanship, gambling and gamesmanship, romantic idealism, creativity, fashion-shows, flamboyance, celebrity entitlements, confidence, artistic performance, drama, children, financial speculation, intelligence, entertainments, fun

  • 8-unexpected eruptions of regenerating force, occult initiation, revelation, shock, surgery, intensive healing, evolution, explosion, sudden identity change, rejuvenation, recycling, rebirth, hidden assets, upheaval, secrecy, transformative events, discovery, in-laws of first marriage, health of younger sibling-cousin


Guru-12 = abundant bedroom scenarios, upon which the public audience projected their unrestrained fantasies

Mangala drishti into Guru-12

  • " Sexy Rexy" - as he was called by the press -- produced a great abundance [Guru-Karkata] [uchcha] of private offscreen drama [5] that would have threatened the career of most male actors.
  • Yet functionally, the allure of fantasy [12] for the tabloid readership quite energized his seven-decade iconic image.

Left Eye

  • Guru activates 8-trauma containing Shani-Meena.
  • Partially blind in left eye [12] = result of childhood measles

Favored by Theatre Critics = 3rd-from-Budha

  • Although a known curmudgeon, disliked generally by fellow thespians, RCH became a favorite of the theatre critics [3rd-from-Budha-10, criticism, comment, publication] .

[Suave Shukra]

svadu-karaka [sweet] kalatra-karaka [wifely companion]

[busy-collaborative sahaja-pati for Simha indriya-lagna]

[dutiful-executive karmesha for Simha indriya-lagna]


[champion-challenger Aśvini-1] [navamsha Shukra-Mesha] intuitively competitive pioneering dominating financially suave negotiation of harmonious contracts



  • [Shukra-Mesha] appreciation of direct movement * primal relationships * likes innovation * aesthetic of physicality * attracted to champions * pleasures of conquest * kinetic sensuality * prefers a lithely sporting partner * sweetly competitive * aristocratic agreements

  • [Shukra-9] seeks pleasure via philosophical doctrine * enjoys wide worldview * believes in beauty * feminine-figures preach-teach on higher principles * broad scope of negotiations * expansive musical taste * pleasing designs to adorn the pelvic floor * graceful hips * balanced femoral sockets * sweet sacral plexus * appreciation of theory * father may be financier-broker-arbitrator-artist * in a husbandly nativity, wifely-companion may hold a guidance position

  • [Shukra-yuti-Chandra] sweetened security * gracious caretaking * appreciates soothing nourishment * negotiates for stability * defensive bargaining * Sheltering arrangements * lovely ornaments for home-and-garden * self-indulgent * pleasant emotional response * harmonizes with local rhythms * aesthetic of familiar folkways * musical-artistic-designing mother-figure * protective contracts * prefers relationships with nurturing partners

  • [Shukra-yuti-Mangala] sweetened conquests * gracious competition * appreciation for pioneering innovation * aesthetic of sporting interactions * proactive negotiations * musical brother-figure * competitive contracts * accommodating dual sexuality * prefers relationships with energetic partners


sensually philosophical, appreciative of higher understanding, harmoniously patronizing, aesthetically wisdom-guiding, financially optimistic, musical-artistic father-figure, global scope of relationships [Shukra-9] rules

  • 3-communications, messaging, sermons, scripts, radio-television, media-products, Writing and Publishing, letters of correspondence, announcements, planning, schedules, sales, marketing, documentation, reporting, cohort, entourage, committee-work, process management, manufacturing, commercial business, instruction, explanation, discussion, diagrams, labeling, signage, training, itinerary, tours

  • 10-career, profession, dignity, regulatory roles, governance duties, social authority, symbolic recognition, iconic visibility, leadership responsibility. top status, reputation, commanding positions, public respect, executive power, elite rank, lawful imposition, organizational director


seven-decade entertainment career = age 16 until age 89

  • 3-publications, cinema, photographs, news, magazines

  • 10-professional respect, career in beauty, costumes, accessories, decoration, refinements, music-singing-face


[Shukra rules 2-9 navamsha]

[Shukra rules 2-7 from Chandra]

RCH was a mid-century Matinee idol .

  • A manly-man who could sing [sort-of] RCH admired by audiences for his ability to represent the foibles and delights of the mid-century Western Man.
  • attractive, sensual, musical Shukra ++ [Kuja-yuti-Chandra]

RCH's enduring career is attributable to his theatrical display of

  • sharing the screen with demure but surprisingly powerful [Mesha] feminine leading-ladies [Shukra]
  • competitiveness, dominating masculine energy, primitive entitlements of the conqueror [Kuja]
  • show emotional sensitivity in a distanced [Aśvini-Ketu] privacy-protecting way [Chandra vyaya-pati]

Bhava-9 contains the rulers of 3+ 4 + 9 + 10 + 12

all contained within communicative 3rd from Budha

[Sober Shani]

duro-karaka [endurance] * jara-karaka [Jahre, years]

[Harsha Yoga]

[contractual-bargaining jaya-pati for Simha indriya-lagna]

[inimical-medicating rogesha for Simha indriya-lagna]


[Shani rules Makara-6 = 10th-from-Chandra]

[Shani rules Kumbha-7 11th-from-Chandra]

[dramatizing-ceremonial Andromeda-1] = [navamsha Shani-Simha]

  • [Shani-Meena] oppressive dreams * socially responsible imagination * fear of vast waters * required immersion * must use symbolic images * aging affects the bedroom * structural compression upon aching feet * strictly imposed sanctuary * endures proletarian prayer * slow elder diviners * limited access to ancient ancestor guides * pragmatically constrained intuition * must sustain the astral resonance * scarce contemplative resources * maintainer of old interior visions

  • [Shani in Bhava-8] steady time-structured transformations * impedes infinity * must impose order upon dangerous environments * resists the advance of inexorable change * must regenerate while maintaining the system * cautiously conventional initiations * tense renewals * postpones surgery * fear of eruptions * chronic trauma patterns * pressures on the hidden mechanisms of sexual-reproduction * blocks the revelation of mysteries * pushback against emerging new cycles * disaster fatigue * martial law * dry rigidity limits rejuvenation * frugal in-laws * elders preserve undisclosed assets


[Shani in Bhava-8] activates

  • 6-conflict, divorce, complaint, criticism, mistreatment

  • 7-relationships, equity, fair conditions, terms of agreement, contract, alliance

  • emotionally familiar, high-visibility 10th-from-Chandra = Makara-6 contrary to conventional social practice

[Harsha Yoga] ++ 10th-from-Chandra

[Shani rules 10th-from-Chandra = Makara-6 divorce, conflict, social familiarity-visibility]

RCH was reputed for his divorces, betrayals, and mistreatment of others

  • yet these misdoings did not harm his professional reputation [Harsha Yoga]
  • In fact, RCH bad behavior enhanced his recognizability 10th-from-Chandra


[Shani in Bhava-8] drishti into

  • 10-reputation, recognition, responsibility
  • 2-assets, collections, voice, face, speech
  • 5-drama, children

[Shani rules Kumbha-7 [11th-from-Chandra] = relationships, awards, prizes] - also earnings, revenues, profitable associations

RCH was known for his extraordinary work ethic.

  • RCH was acting on stage until only a few weeks before his death from pancreatic cancer at age 82.
  • Despite a high income in mid-career, RCH was said to have complained resentfully [Budha] of his legally mandated [Shani] alimony [2 assets] and child-support [5 children] alimony and child-support payments from numerous marriages

Limited vocal range

  • Shani drishti into bhava-2 + asta-Budha dhanesha

Shani assists mid-life and elder career

For [Chandra-Mesha] nativities, Shani ruling 10th-from-Chandra ++ [11th-from-Chandra] from Chandra suggests ability to work professionally and profitably, even into elder years.

Harrison's professional reputation ascended when his forehead became furrowed with the lines of age.

  • His most successful career bhukti occurred when he was eligible to enact middle-aged and elder male roles
  • such as Professor Higgins [a sixty-ish teacher] and Doctor Doolittle [a wizened, experienced veterinarian]

[Risk-taking Rahu]

rajyalobha-karaka [ambition] picchala-karaka [slippery]


check Budha for defining source of Rahu's communicative flair

[for Simha indriya-lagna]

[Rahu casts passionate drishti into 3-5-7]

[publicized passion for commercial revenues]

[over-reaching business profits]

[ambitiously communicative high-achieving friends]

[desire to manage economic communities]

[exhilarating busy social networks]

[extraordinary talkative fundraising]

[hunger for project-based earnings]

[risk-rewarding process-oriented marketplace connectivity]

[seeks importance in mercantile assemblies]


[imaginative-conceptual Arudra-4] [navamsha Rahu-Meena] intuitively over-reaching visionary imagination clairsentience animals

  • [Rahu-Mithuna] shimmering illusion of cooperation * craving for conversation * mask of messaging * boundary-breaching broadcasts * extraordinary explanations * ambitious administration * preposterous propaganda * extravagant commercial transactions * marvelous advertising * thrilling photographs * unusual ensembles * exciting cohort * mesmerizing instructions * over-reaching management * seeks special importance via apparent [but perhaps not authentic] attributes of information delivery * sensational scripts * exaggerated announcements * exceptional business methods * seeks privilege via communicator-roles

  • [Rahu in bhava-11] passion for prestige rewards * in Roguish Rahu's svabhava co-ruled by materialistic Shani * the Shadowy Specter seeks glamorous material attainments * outsider who cleverly insinuates into social-networking roles * high-risk marketplace gains * ravenous for revenues * astounding awards * extraordinary economic connections * desires linkage into privileged systems * expediently gainful assemblies * opportunistic community activism * over-reaching friendships * craves prodigious profitability * exciting culturally-mixed gridworks * phony fellowship * may pose as a populist * boundary-breaching collectivism * entranced by one's own achievements * thrilling surges of amazing earnings * trespasses normal connectivity limits



  • Colleagues noted that RCH often declined roles with creative potential, choosing instead the better paying roles

sensationalizing Arudra-Rahu-11 [publications] drishti into 3 ++ Budha-7 publications

  • "there's no such thing as bad publicity"

Gainful, ambitious, profitable Rahu in bhava-11 occupies 3rd-from-Chandra-9

  • the Hollywood gossip press [3 publication, announcements] played an over-sized role [Rahu] in promoting and maintaining RCH's celebrity profile

RCH's career was marked by consistent popularity and prize-winning roles for physicalized, passionate performances double-Rahu [Arudra] 11

  • It was also punctuated by repeated shaming-scandals [Rahu] involving promiscuity, bullying, and taboo-bending behaviors.

sensationalist tabloid press 3rd-from-Chandra amplified [Rahu] the lurid stories.

RCH's boundary-breaching philandery, the suicides of two of his partners, and various scandals ultimately added an exciting allure to his aura.

  • Although initially these shocking problems seemed to threaten his future, indeed the highly-publicized intrigue promoted RCH career.

[Rahu in bhava-11] amplifying drishti to Budha-yuti-Surya-7 = thrilling relationships

The tabloid celebrity press [3] eagerly developed RCH's sensational relationship stories to increase their readership.

Unlike a political career, an entertainment career may benefit from the publication of salacious stories.

  • RCH's six marriages and much extramarital mischief were excoriated by moral critics
  • but celebrated by delighted magazine-and-movie-ticket buying audiences [11 fanclubs, revenues] .

[Collapsing Ketu]

kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]

[for Simha indriya-lagna]

[unconcerned with lack of principled romantic ideals]

[disinterested in religious ceremonies]

[scattered inspirational intelligence]

[disengaged witness to politics of catechism]

[liberated from displays of wisdom]

[disregard for the drama of empty beliefs]


[strategic-complaining Pūrvāṣāḍhā-2] [navamsha Ketu-Kanya]

  • [Ketu-Dhanus] philosophically dissociates from sacred convictions * odd professors * dissolves indoctrination * empty paradigm of belief *  dispersed worldview * martyr's faith * not limited by conventional beliefs * eccentric teachings * peculiar convictions * ignores restricted catechesis * releases a warm golden  cloud of broad inclusivity into the misty abyss

  • [Ketu in classroom-5] ambivalent toward ceremony * disoriented offspring * wandering eldest child * demonstrates dramatic confidence in non-existent things * apathetic toward intellectual authenticity * ungrounded speculation * disregards standard intelligence * eccentric creativity * incoherent romantic ideals * disinterested in games * liberation via surrender of entitlements * unless other graha in 5 or Ketu's ruler is strong, may prefer to live free from children



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