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Drama and Song


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COHORT

born six weeks after


Harrison_Rex_asHenryHiggins1964.jpg

Rex Harrison in his most classic cinematic role, as Professor Henry Higgins in My Fair Lady 1964

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Musical Theatre

Hollywood Matinee Idol

Succès de scandale


Rex Harrison

a.k.a. Sir Reginald Carey Harrison MBE

a.k.a. the tabloid moniker, "Sexy Rexy"


Earth-birth Thursday-05-Mar-1908

dematerialization 02-Jun-1990 [age 82]

HarrisonRex_17h35m_d1d9d10.png

musical dramatist of stage and screen

1908-1990

Rex Harrison


birth data from https://en.wikipedia.org/wiki/Rex_Harrison

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com

- adapted by BP Lama

Rising Nakshatra

Masculine Nativity

Pūrvaphalgunī

Yoni - Bhagadaivata - Prakphalguni - Arjuni


BPL COMMENTARY

For Purvaphalguni - Yoni - births of a masculine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Beautiful Bhrigu may considerably affect the outcome.

Due to the definitive influence of kalatra-karaka Shukra, gentlemen born into the realms of Bharani - Yamya, Pūrvaphalgunī - Yonī, or Pūrvāṣāḍhā may find that their worldview is greatly shaped by the character of the feminine companions.

For those born into the Shukra-ruled paradigm of Vutavabana, feminine figures such as sisters, aunts, and wives, along with partnerships, contracts, bargains, sensual pleasures, lovers, artistic beauty, luxurious scents, treasuries, financial arrangements, and music , may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Zosma. Their purpose is to dramatize, glamorize, and politicize the grand theatrical values of creative life.


Diplomatic charm

[Sweetly Suave Shukra] -ruled Purvaphalguni gentlemen are often found in the sparkling bright worlds of politics , romantic idealism, entertainment, speculative finance, and spectator sports. Yoni-born chaps often display a thick mane of leonine hair and a charming sense of humor.

They are happiest when enjoying a choreographed sport, playing music, dancing with agility and grace, or performing a richly costumed dramatic role for an appreciative audience, delighted by spectacle and applause, they glitter and smile at parties, political campaigns, gambling and games..

Depending upon the placements of dhanakaraka Shukra and dhana=pati Budha, the Purvarjuni-born may also excel in financial showmanship, bargaining toward a political or commercial agreement, and the high drama of romantic relationships.

Like all Shukra-governed births, bhagadaivata-born must take care to avoid the misuse of drugs and alcohol. Political success depends upon the charisma of lagnesha Surya. Financial success depends upon the dual-dhanakaraka Shukra and Budha.

Themes of political celebrity, lavish musical entertainments, arts and fashion, and financial agreements may contextualize Pubba's terrestrial experience. Applies also to Chandra-Purvaphalguni.

QUOTATION Pūrvaphalgunī

from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra. p 83


" A physical rather than a mental type.

  • A healthy constitution

  • not given to worry or anxiety regarding the problems of living.

He must guard against impulsiveness

since he is apt to to act without sufficient thought

  • and as a result he makes many mistakes

  • which are difficult to rectify

  • and which may be disastrous .

He is very active physically and will be proficient at various sports

  • reveling in the joy of mere action,

  • even purposeless action.

These people seem never to rest and are constantly in motion.

  • As soon as they have finished one thing they start on another,

  • frequently doing several things at a time."

[end quote, Shil Pondey, 1939]


HarrisonRex_DrDoolittle_1967.jpg

Harrison playing the veterinarian Doctor Doolittle in the celebrated 1967 musical cinema-drama


Rex_Harrison_photo_1976.jpg

Rex Harrison 1976 [age 68]

Biographical Events matched to Vimshottari Dasha calendar

[Ketu Mahadasha] [age birth until age 5.9]

Jul-1909 until May-1912 Janma Sade-Sati Mesha

  • [9-celebrity, patronage, pageanty, royalty, ceremony, priesthood]
  • [age 1-4]

Thurs-05-Mar-1908 = Earth-birth in Huyton with Roby, Lancastershire, England * Ketu-Shukra bhukti + janma Sade-Sati


[Shukra Mahadasha] [age 5.9 until age 25.9]

1914 [RCH age 6] a life-threatening bout of childhood measles caused RCH to lose most of the sight in his left eye. His mom took Rex to the theatre as a treat for recovering. He was smitten. * Shukra-Shukra svabhukti

Jan-1926 until Dec-1928 Shani Ashtamsha Vṛścika [4, household, culture]

1924 [RCH age 16] joined the Liverpool Repertory Theatre * Shukra-Rahu bhukti * Rahu-11 group-associaties

1930 [RCH age 24] first film The Great Game begins what would become a seven-decade career in live theatre and cinema * Shukra-Budha bhukti * Budha-yuti- lagnesha Surya ++ Budha rules 11-achievements


[Surya Mahadasha] [age 25.9 until age 31.9]

Jan-1934 [RCH age 25] immediately preceding the birth of their son, consecration of marriage-1-of-6 with actress-model Collette Thomas * Surya-Surya svabhukti Surya-yuti-Budha = Budha rules Kanya svamsha ++ gochara R-K Kumbha-Simha contact Simha indriya-lagna

29-Jan-1934 [RCH age 25] celebrated the birth of child-1 * Surya-Surya svabhukti * Surya lagnesha ++ gochara R-K Kumbha-Simha contact Simha indriya-lagna


[Chandra Mahadasha] [age 31.9 until age 41.9]

Apr-1939 until Jun-1941 Janma Sade-Sati Mesha

  • [9-celebrity, patronage, pageanty, royalty, ceremony, priesthood]
  • [age 31-34]

1942 [RCH age 34] flight lieutenant for UK Royal Air Force, working in underground bunkers. Yet, did not fly due to his left eye. * Chandra-Rahu bhukti + dvithya Sade-Sati

1942 [RCH age 34] Following eight years of marriage, divorce-1 legally concludes alliance-1 with dramatist, Collette Thomas * Chandra-Rahu bhukti + dvithya Sade-Sati

25-Jan-1943 [RCH age 35] consecration of marriage 2-of-6 with renowned German dramatist, Lilli Palmer * Chandra-Guru bhukti * Guru rules Meena 7th-navamsha ++ gochara R-K Kanya-Meena contact Kanya svamsha

https://en.wikipedia.org/wiki/Lilli_Palmer

19-Feb-1944 [RCH age 36] celebrated the birth of son 2-of-2 with Lilli Palmer * Chandra-Guru bhukti ++ gochara R-K Kanya-Meena contact Kanya svamsha

1946 [RCH age 38] Gains Anglosphere fame via the masculine-lead role his first American film Anna and the King of Siam * Chandra-Shani bhukti * Shani rules 10th-from-Chandra

05-Jul-1948 [RCH age 40] an extra-marital lover, the actress Carole Landis [herself divorced four times before age 28] committed suicide after spending the evening with RCH. A salacious shaming-scandal ensued, creating a feeding-frenzy for the tabloid press * Chandra-Shukra bhukti *

1948 [RCH age 40] Hollywood film contract is cancelled due to the shaming-scandal. Move to NYC, where RCH and Lilli quickly find work in live theatre * Chandra-Shukra bhukti * Shukra karmesha

1948 [RCH age 40] [dad age 66] grieved the bio-decease of his father, cotton merchant William Reginald Harrison [1872-1948] * Chandra-Shukra bhukti * Shukra rules 2nd-from-pitristhana

1949 [RCH age 41] in praise of a celebrated stage performance in Anne of the Thousand Days, RCH fame spreads widely * Chandra-Surya chidradasha * Surya lagnesha fame, charisma


[Mangala Mahadasha] [age 41.9 until age 48.9]

04-Jan-1953 [RCH age 45] [mom age 85] grieved the bio-decease of his mother, Edith Mary Carey Harrison (1868 - 1953) * Mangala-Shani bhukti

Nov-1955 until Feb-1958 Shani Ashtamsha Vṛścika [4, household, culture]


[Rahu Mahadasha] [age 48.9 until age 66.9 ] [1957 until 1975]

1957 [RCH age 49] Following ten years of marriage, divorce-2 legally concludes alliance-2 with famed actress, Lilli Palmer * Rahu-Rahu svabhukti + Shani Ashtamsha

1957 [RCH age 49] praised for celebrated, awarded performance = the musical stage-drama My Fair Lady * Rahu-Rahu svabhukti * Rahu-11 awards, achievements

22-Jun-1957 [RCH age 49] consecration of marriage-3-of-6 with actress Kay Kendall. The wedding was widely covered in the press because Ms. Kendall was dying of leukemia. * Rahu-Rahu svabhukti ++ R-K gochara Tula-Mesha contact Chandra-Mesha

https://en.wikipedia.org/wiki/Kay_Kendall

Sep-1959 [RCH age 51] [KK age 32] grieved the bio-decease of wife-3, dramatist Kay Kendall, via leukemia * Rahu-Rahu svabhukti

21-Mar-1962 [RCH age 54] consecration of marriage-4-of-6 with dramatist Rachael Roberts * Rahu-Guru bhukti * Guru rules Meena 7th-navamsha ++ R-K gochara via Mithuna-Dhanus contact natal R-K

https://en.wikipedia.org/wiki/Rachel_Roberts_(British_actress)

1963 [RCH age 55] celebrated performance in Julius Caesar * Rahu-Shani bhukti * Shani rules 10th-from-Chandra

1964 [RCH age 56] wins Academy Award for My Fair Lady cinematic version * Rahu-Shani bhukti * Shani rules 11th-from-Chandra = awards for work accomplished

1967 [RCH age 59] celebrated title role in Doctor Doolittle. Had to enact a demanding script with delays caused by many animals . Reportedly, RCH was hostile and surly on-set. He was often bitten or peed-on by the animals. The movie was a huge success both professionally and financially.* Rahu-Ketu bhukti + Rahu-Budha bhukti ++ dvadasa Sade-Sati + Budha dhanayoga rules 2 + 11

Jun-1968 until May-1971 Janma Sade-Sati Mesha

  • [9-celebrity, patronage, pageanty, royalty, ceremony, priesthood]
  • [age 61-64]

1971 [RCH age 63] Divorce-3 legally concludes alliance-4 with dramatist Rachel Roberts * Rahu-Shukra bhukti * Shukra-yuti-Chandra rules 12 = 6th-from-7 ++ janma Sade-Sati

26-Aug-1971 [RCH age 63] consecration of marriage-5-of-6 with Elizabeth Harris, the socialite ex-wife of his former best friend * Rahu-Surya bhukti * Surya-yuti-Budha rules Kanya svamsha ++ R-K gochara Meena-Kanya contact Kanya svamsha

1974 [RCH age 66] divorce-4 legally concludes alliance-5-of-6 with Elizabeth Harris * Rahu-Mangala chidradasha * Mangala rules 8th-from-Chandra


[Guru Mahadasha] [age 66.9 until decease age 82] [1975-1990]

17-Dec-1978 [RCH age 70] consecration of marriage-6-of-6 [retirement alliance] with dramatist Marcia Tinker * Guru-Shani bhukti ++ R-K gochara Kanya-Meena contact navamsha R-K

26-Nov-1980 [RCH age 72] [RR age 53] suicide of 4th wife Rachael Roberts, following RCH's refusal to re-marry her * Guru-Budha bhukti * Budha rules 6th-from-Chandra = emotional conflict, distress

Dec-1984 until Dec-1987 Shani Ashtamsha Vṛścika [4, household, culture]

25-Jul-1989 [RCH age 81] knighted by Elizabeth-2 * Guru-Rahu chidradasha

02-Jun-1990 [RCH age 82] three weeks after his final stage performance, blessed liberation from the Earthen-body, via pancreatic cancer * Guru-Rahu chidradasha

Distinctive features of the nativity

[Sparkling Splendid Surya]

pitri-karaka [father] -- jyoti-karaka [light]

[energized-identifying lagnesha for Simha indriya-lagna]

check Shani + Shani-drishti to source Surya's scientific decision-making, economic intelligence, community-connection focus

[systematically self-referential relationships]

[friendly bright entitlement to make contract decisions]

[confident economic middleman within social gridworks]

[solipsistic spouse resembles collectivist father]

[trades with connected politicians, entertainers, speculators, gamers, creatives]

[bargained deals get community attention]

[intelligence for negotiated marketplace alliances]

[identified with central coordinating roles in vast assemblies ]

[networking father may be match-maker, broker, facilitator, meddler]

[father-figure radiantly reciprocates associative linkage]

...

[dominating-challenger Pūrvābhādra-1] [navamsha Surya-Mesha-uchcha] intuitively confident conquesting champion

[Pūrvābhādra-Surya-yuti-Budha-Varuna]

[ātmakāraka entertainment, display, center-of-attention, demonstration, pageantry, romance, sparkle, games]

  • [Surya-Kumbha] [Arka = the radiator - radio] brightly charismatic confidence of Center-stage Surya radiates through the linking networked connecting rashi of Shani

  • [Surya in bhava-7] spouse = sparkling center of relationships * focus on agreements * brightly negotiating * confident in brokerage * self-referential partners * makes smart trades * intelligence for representation * political equity * peerage entitlements * eye on fair contracts * shining star of deal-making drama * bargaining father may be broker, attorney, trader, middleman, advocate, deal-maker, educator, farmer, builder

  • [Surya-yuti-Budha] confidently conversational* brightly explaining messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance


OUTCOMES - MAGNIFICENT MARTANDA

self-reflexively representative, brightly brokering, charming deal-maker, regal style of negotiation, alliance focused, radiantly confident counselor, politically diplomatic, splendidly advocating, center-stage adviser [Surya in bhava-7] rules

  • 1- distinctive attributes of personality, dense material incorporation, individual personification, earthen embodiment, physical integrity, kinetic energy, dance, style of movement, athletic prowess, muscular mobility, unique character, kinetic vitality, circumstances of birth, tangible appearance, coherent social identity



CAREER - SPARKLING SURYA

lagnesha for Simha-1 = center-of-attention, genius, entertainment, romance

Rex Harrison = famous and rather notorious stage-and-screen dramatist-singer who was engaged in theatrical acting throughout his long, professionally productive life.

  • RCH worked as a professional dramatist since age 16.
  • Except for military service during WW-2, he remained employed as an actor - never in other theatre roles such as writer or director -from age 166 until decease age 83.

[Surya Mahadasha] [age 25.9 until age 31.9]

RCH was born in 1908. He worked in traditional live theatre ensemble practice throughout the Surya Mahadasha.

In the 1940's, at onset of Chandra-Mahadasha invoking his Chandra-Mangala yoga, musical theatre became popular. The drama-world developed potentially high-paying cinema roles, of which he received more than a few due to Rahu-11.

[Surya in bhava-7] drishti into Simha [1]

  • bright theatrical visage.
  • physical, vital radiance in center-stage camera-focused positions.
  • Surya intakes drishti from wild, high-earning, fan-club Arudra-Rahu-11

Surya-uchcha in navamsha-8

  • dominating championship in hidden, undiscovered matters

RAHU

[Surya-yuti-Budha] intake drishti from Arudhra-Rahu-11 in 3rd-from-Chandra

  • Super-celebrity favorite of entertainment-industry tabloid press [3]

  • RCH's brilliantly articulate [Budha] and charismatic [Surya] performances have ensured that RCH's classic cinema roles have remained popular more than 50 years after their first release,

Lagnesha Surya Boosts drama career

but degrades healthy relationships [Solo Surya characteristically does not know how to share]

  • Extremely self-referential and limited/no ability to share credit.
  • Coworkers sometimes described RCH as Obnoxious.

RCH is generally retrospectively assessed to have suffered the classic patterns of Narcissistic Personality Disorder, which allows a lover to use - then scorn - the objects of their attraction.

  • RCH was said to show special contempt toward the leading ladies [Shukra] who threatened to divert attention from the glamour of his performances.

Notoriously Selfish Surya-in-7 typically "burns" the equable cool balance of marriage

  • His treatment of six wives and countless lovers was extremely selfish, meriting the NPD label.

+++ Mangala + Arudra-Rahu drishti into 3-workgroups

RCH had a storied performance career lasting six decades. For the final three decades, he consistently ranked at the top of his field.

Yet, he was unpopular among his professional cohort

  • Fellow dramatists reportedly dreaded working with him.

Beloved by fans Rahu-11, nevertheless his closest peers considered RCH as resentful and selfish.

Collaborators complained of his surly, judgmental, impatient attitude.

  • Perfectionistic [idealism Surya] RCH was known for snarling about the smallest errors and self-focused inability to acknowledge the contributions of others.
  • Despite spending his entire adult life doing ensemble work, RCH was notoriously stingy in sharing creative credit with fellow dramatists.

FATHER

Dad = a Liverpool cotton broker. [Surya in bhava-7] brokaerage, trading, negotiation

[Surya-yuti-Budha] = Budha commercial business

  • Dad was said to have been a partying, musical, man-about-town, popular fellow - but often unemployed
  • out-of-portfolio, unemployed, often due to disagreement

= Surya-7 does indicate brokerage + Budha is talkative, but the gracious, diplomatic middleman skills required to stay in the well-wishes of one's peers and clients may deteriorate when self-referential Surya occupies Kumbha




[Comfortable Caretaking Chandra]

matrikaraka [mother] -- garha-karaka [village]

[retreating-contemplative vyaya-pati for Simha indriya-lagna]

check Kuja + Kuja-drishti to source Chandra's competitive feelings, conquesting rhythms, engineering sensibilities

[competitive Mother provides principled moral guidance]

[intuitive muscular mode of understanding]

[customary patronage of contests and conquests]

[energetic defense of quiet interiority within a global philosophical perspective]

[sensitive to dominating sermons of patriarchal priesthood]

[needs undulating forward-moving worldview]

[comfortable with soothing rituals of active private prayer]

[familiar face to the pioneering believers]

[feels inspired by breadth of body-based wisdom]

[ideology of imaginative vigorous challenge]

[mother's father may be politician, dramatist, gambler, or creative artist]

[mother's mother seeks protected private contemplation]

...

[innovative-pioneering Aśvini-1] = [navamsha Chandra-Mesha] -- [vargottamsha] intuitively sensitive pursuing competitive champion

[Aśvini-Somana-yuti-Kuja-Bharani]

[Aśvini-Somana-yuti-Shukra-Aśvini]

  • [Chandra-Mesha] comforted by forward pursuit * settled into warrior rhythms * needs vitality

  • [Chandra-Aśvini] soothed by detached observing * protectors of start-up energy * needs pioneering invention

  • [Chandra in classroom-9] comfortable with paradigmatic belief * emotionally attuned to sacred doctrine * accustomed to priesthood * maternal piety * soothed by globalist perspective * sentimentally righteous holiness * feels the pulse of preaching * calmed by a broad worldview * acculturated to principled understanding * needs a familiar catechism * protective patrons * habitually seeks guidance * your mother believes in you * settled into philosophical habits * undulatingconvictions * mother may be devout, philosophical, disciple, proselyte

  • [Somana-yuti-Kuja] emotionally pro-active * sensitive to brotherly figures * needs to win * comforted by direct forward movement * invigorates the undulating routine * soothed by pioneering innovation * competitive mother * calmed by routine exercise * feels like a champion

  • [Somana-yuti-Shukra] emotionally indulgent * comforted by balanced arrangements * nourished by sensual pleasures * sensitive to feminine folks * needs to negotiate * luxury-loving mother * seeks shelter in alliances * preference for owned-stewarded properties * soothed by beauty * feels like a partner

OUTCOMES - ANCESTRAL SOMA

sensitively theorizing, protectively guiding, routinely preaching, parentally philosophizing, rhythmically indoctrinating, customary beliefs, predictably dogmatic, culturally ethnoreligious, emotionally patronizing, needs to be righteous [Chandra in classroom-9] rules

  • 12 - enclosures, the bed, fantasies, privacy, interior spiritual guidance, clandestine undertakings, intuitive awareness, non-linear conceptual undertanding, concealment, seclusion, invisibility, dissolved identity, meditation, contemplation, dreamworlds, astral plane, imaginary scenarios, sanctuary sleep, distant lands, health of the avowed partner


CAREER - CARETAKING CHANDRA

  • [folk reputation 10th-from-Chandra = hierarchical Makara - Draco 6 lawfully regulated medicine, military, service-ministry]
  • Although RCH mastered the thespian arts of stage-and-screen, he is most well-known for his scandalous divorces and disagreeable behaviors []

Exceptionally complex environment for Chandra =

emotion, sensitivity, rhythm, pulse, security, feelings, ancestral flow occupies bhava-9 philosophy, worldview, convictions, patronage

RCH was comfortable [Chandra] in the patriachal celebrity role. He lived and traveled throughout the Anglosphere, and he portrayed characters from many walks of life


MOTHER

Mom = Edith Mary Carey.

Rex was her only son [he had an elder sister].

  • Mom loved the theatre, and she introduced little Reginald to the drama when he was six years old
  • Mom accepted only perfect behavior.
  • RCH became an anxious perfectionist.


MARRIAGE partnership emotional equity support expectations


Learning Pathway Challenges to marriage include

  • Surya-7 self-trust may be lacking in Shani-ruled Surya-Kumbh
  • Kuja drishti into 7th-from-Chandra = Kuja Dosha
  • yuvati-pati Shani occupies masquerading 8 = ruler of 7 = in 8

Challenge from Shani--8- ruled Surya-Kumbha

  • self-referential [Surya] conduct in one-to-one relationships - affects both the native and the lifepartners

[Budha-yuti-Surya]

Solo Surya does not enjoy participating in the two-party environment of bhava-7.

Creative Surya occupies a hostile environment in system-regulated Kumbha.

Equalizing Shukra-svabhava-7 is never welcoming to self-central Surya.

in yuvati-bhava, Surya-Kumbha may see relationships as primarily serving the personal entitlement [Surya] and reinforcing the socially approved material achievement [Shani].

generally, the social conduct of Surya-Kumbha = less beholden to customary moral boundaries [6/8 from Karkata]

  • incoming opportunistic Rahu-11 drishti into 7
  • = adds passion and ambition for achievement

[7th-from-Chandra-9]

Marriage-1-of-6 = [m. 1934-1943, one child]

Collette Thomas hailed from an upper-class, monied background

  • 3-Tula intakes drishti from Chandra-Shukra-Mangala-Rahu
  • 3 owned-and-aspected by Shukra

she worked as an actress and photographer's model [3]


8th-from- [7th-from-Chandra-9]HarrisonRex_LilliPalmer_1950Life Mag.jpg

Marriage-2-of-6 = [m. 1943-1957, one child]

Lilli Palmer = a widely celebrated [5] German dramatist

https://en.wikipedia.org/wiki/Lilli_Palmer

  • Urisha-beauty, value, face-hair-speech-song, historical knowledge
  • bhava-10 social dignity, public visibility, commanding roles, respect, high positions ruled by Shukra-Mesha-9

3rd-from- [7th-from-Chandra-9]

Marriage-3-of-6 = [m. 1957-1959]

actress Kay Kendall

https://en.wikipedia.org/wiki/Kay_Kendall

  • bhava-5 drama, self-certainty, intelligence, romantic idealism, games
  • Dhanus optimism, humanism, principled beliefs, generosity

In a sentimentally hopeless story [Ketu-5 melodrama] which sold millions of magazines, RCH divorced his wife of 14 years and mother of his son, famed actress Lilli Palmer, purportedly for humanitarian reasons. [Dhanus]

According to the press narrative, RCH compassionately married Ms. Kendall in order to care for the actress while she slowly died of leukemia.

The heavy publicity of this two-year sympathy-story had its intended promotional effect [Dhanus-5 fame].

Yet, revenue-making Rahu-11 drishti into 5 =

  • After the inevitable death of Ms. Kendall, RCH did not remarry Ms. Palmer
  • Rather, in the interim, Ms. Palmer had remarried a different mate while Mr. Harrison carried on philandering.

10th-from- [7th-from-Chandra-9]

dramatist Rachel Roberts [m. 1962-1971]

https://en.wikipedia.org/wiki/Rachel_Roberts_(British_actress)

Marriage-4-of-6

  • bhava-12 privacy, sacred enclosure, fantasy, dream-world, invisibility

  • Karkata emotional need for protection and bondage

the union was said to suffer from alcoholism of both partners = Guru-Karkata-12.

It featured vivid public fights, and ended in betrayal.

Rahu-Ketu intense boomerang effect.

  • Nine years after their 1971 divorce, on 26-Nov-1980 [RCH age 72] [RR age 53] suicide of 4th wife Rachael Roberts following RCH's refusal to re-marry her

5th-from- [7th-from-Chandra-9]

four-year union with Welsh socialite Joan Elizabeth Rees-Williams [m. 1971-1975]

https://en.wikipedia.org/wiki/Elizabeth_Rees-Williams

Marriage-5-of-6

  • bhava-7 contains Surya-Kumbha ruled by Shani-8 ++ dhanayoga-maker Budha
  • Kumbha friendships, social-community, connections, networking, collectivity

Kumbha's friendliness is marred by Surya's selfishness. Ms. Rees-Williams had been the wife of RCH's best friend, and RCH wife-poaching naturally destroyed what could have been a lifetime supporting bond between two peer-men.


12th-from- [7th-from-Chandra-9]

dramatist Marcia Tinker [m. 1978-1990]

Marriage-6-of-6

  • [RCH age 70] begins 11-year retirement marriage - ends with his decease age-82
  • bhava-2 face, voice, speech-song, heritage values, banking, assets, lineage knowledge, traditions finance

  • Kanya service, labor; Kanya exploitation, imbalanced arrangements, servitude

Union 6-of-6 was characterized as a caretaking service arrangement.




[Competitive Champion Kuja]

bhratru-karaka [brother] -- virya-karaka [virility]

--- [svakshetra] --- [svakshetra]

[Yogakaraka homebound-anchoring bandesha for Simha indriya-lagna]

[Yogakaraka doctrinal-believing dharmesha for Simha indriya-lagna]

[karako bhavo nashto for father, patrons, chieftains, indoctrinators]

[dynamic forward-moving wide-scope humanistic engineer]

[broad global understanding of forceful movement]

[energized ideological competition]

[belief-driven dominating priestly pontificator]

[worldview based in championship conquest]

[vigorously promotes philosophical convictions about physical superiority]

[innovative, fighting father may be pioneering patron, patriarch, pushy believer, fiery indoctrinator, pro-active preacher]

...

[dramatizing-displaying Bharani-1] [mūlatrikoṇa] [navamsha Mangala- Simha] intuitively competitive forward-pushing dramatic romance display

+ [Bharani-Kuja-yuti-Chandra-Aśvini]

+ [Bharani-Kuja-yuti-Shukra-Aśvini]

  • [Mangala-Mesha] vigorous pursuit of dominance * straightforward dynamic actions * competitive winner * propulsive battering weaponry * push toward conquest * pioneering vitality * hot yang-energy * thrusting force * forward-driving movement * champion of innovation , innovation

  • [Mangala in bhava-9] drive toward doctrine * champion of paradigmatic belief - pursuit of patronage * dynamic preaching * philosophy of innovation * believes in conquest * aggressive or sexualized paternal energies * dominating military father-figures * growth-challenging paternal behavior
  • [Kuja-yuti-Chandra] feels like a champion = energized intuition = dynamic nurturance = competitive caretaking = often the dominant parent = needs to win = forward thrusting emotions = seeks security via conquest

  • [Kuja-yuti-Shukra] dual sexuality * energized bargaining * dynamic trading * masculine force joins feminine allure * kinetic sensuality * productive arrangements * competitive mating * vigorously balance-seeking in partnership * pursues diplomatic resolutions * innovative arrangements

OUTCOMES - MOVING MANGALA

dynamically philosophical, vigorously globalist, forward-pushing preacher, innovatively dogmatic, pro-actively ideological worldview, kinetically charitable, energetically patronizing, champion of extensive philanthropic action [Mangala in bhava-9] rules

[Yogakaraka] -- [karako bhavo nashto for father]

  • 4 cultural foundations, property boundaries, way of Life, protection, defense , homeland, household, routines, rituals, mother, parents, customary rhythms, caretakers, socialization schooling, gardens, waterways, transportation, housing, social security, sense of place, environmentalism, citizenship, belonging, ethnic basis, ethnoreligion, patriotism, real-estate, farming, land-ownership, burial, predictability, health of the elder sibling

  • 9-ideology , paradigm of belief, profession of faith, principled convictions, higher understanding, father-figures, priestly patronage, preaching, patriarchal entitlements, philosophical convictions, theory, public spiritual guidance, celebrated doctrines, sangha, sacred teachings, credenda, globalism, dharma, worldview, weltanschauung, mother's health


CAREER - MOTIVATED MANGALA

competitive, innovative Kuja rules 12-privacy, bedroom, seclusion, fantasies, imagination, conceptual thought, hallucination, dreamworld

  • Kuja-yuti-Shukra boosts the aesthetic energy of spoken roles, explanations, lyricism
  • abundant bedroom scenarios, upon which the public audience projected their unrestrained fantasies

RCH played almost exclusively dominant-male roles [alpha-Kuja-Mesha].

  • in addition to the narcissistic Need to be in Center of audience Attention [5=9] RCH was also comfortable [Chandra] in romantic relationships with men and women.

  • 12 matters of the private bedroom generally remain invisible, but are nonetheless emotionally defining.

[Kuja-yuti-Shukra]

vigorously competitive, musical, sensual [Bharani] Mangala-Mesha activates

  • Vrischika = the scandalous, exposing 8th-from-Chandra = Tula-11
  • Vrischika penetrating, predatory, invasively masculine force = 4th navamsha homelife

++ + Shukra owns-and-aspects bhava-3 press, movie-magazines + bhava-10 reputation, values, relationships

  • Hollywood gossip magazines publishers used RCH's exploits to Sell a never-ending stream of sexualized [Kuja] shaming-scandal to a repressed and hungry readership
  • In an industry for which it is a well-accepted truth that there is no bad publicity, RCH's reputation [Budha karmesha] indirectly benefited from the romantic masculinization of his otherwise rather milquetoast persona.

MMangala drishti into lagnesha

[Guru-Karkata] [uchcha] [8]

  • " Sexy Rexy" - as he was called by the press -- produced a great abundance [Guru] of private offscreen drama
  • In mid-century Anglosphere culture, these exploits would normally have threatened the career of most male actors.
  • Yet functionally, the allure of fantasy [12] for the tabloid readership quite energized his seven-decade iconic image.

RCH was charmingly believable in his dominating male-lead roles [Kuja-Mesha]

  • playing to the psychic needs [Chandra rules 8] of his scandal-starved audience, RCH flourished in the capricious, competitive, cinema-drama industry
  • [Kuja-yuti-Shukra] allows male dominance of female characters [for example, the NPD dismissively arrogant professor in My Fair Lady]

  • [Kuja-yuti-Shukra] allows dominant behavior while pursuing relationships with either gender.

Kuja-9 casts warlike, thrusting drishti into 12 + 3 + 4 = personal and professional attacks

  • RCH was considered both a master of his dramatic craft and a sour, vicious bully, who denigrated the acting skills of co-workers [3]


[Busy Bantering Budha]

jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student]

[historical-evaluating dhana-pati for Simha indriya-lagna]

[profitable-friendly labha-pati for Simha indriya-lagna]

check Shani + Shani-drishti to source Budha's interlinking discourse, associative conversations, systematic explanations

[economically gainful contract discussions]

[quick friendly relationship arrangements]

[commercially detailed profitable alliance crafting]

[Dhanayoga via Budha-7 rules 11 + 2]

...

[organizing-structured Varuna-2] [navamsha Budha-Makara] iintuitively hierarchical conversational gestural explanatory expression

[moudhya-Varuna- Budha-yuti-Surya--Pūrvābhādra]

  • [Budha-Kumbha ] connecting communications * systematic pronouncements * articulation of social-scientific networks * descriptive inter-webbed definitions * diagrams the marketplace linkages * futuristic conversations * messages about communities * discusses economic transactions * explains social participation linkage * large-scale logic * skilled weaving * deft knitting * hands-arms-shoulders make connective gestures

  • [Budha in bhava-7] narrative of partnership * discusses contracts * debates on deals * analysis of relationships * discourse on trusts and treaties * banters about betrothal * crafting of covenants * delivers negotiating instructions * explainer of arrangements * talks about fairness * advocate for justice * gestures toward settlement of quarrels * mentality of marriage * formulates alliances * defines equity * balanced bargains

  • [Budha-yuti-Surya] amusing explanations * entertaining chatter** central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures

OUTCOMES - BANTERING BUDHA

talkative negotiator, relationship manager, articulate partner, advocating communicator, equable conversation, balanced gesturing, partnership explainer [Budha in bhava-7] rules

  • 2-acquisition, family legacy, tradition, language-lexicon, preserved memory, banking, collections, entreasurement, herd-hoard, treasury containment, financial capital, accrued amounts, asset evaluation, knowledge of history, speech-song, heritage values, color-sound, arts-and-music, face-voice-eyes-teeth-mouth-hair, genetics, stored resources, health of the father

  • 11-fruitful revenues, interconnected income, profits, material achievement, social networking, friendships, community linkage, fan-clubs, mass participation gatherings, collectivism, marketplace gridworks, distribution, association, populism, economic systems, fundraising, gains-and-goals, awards for work accomplished, health of the enemies


CAREER - BUSY BUDHA

[Budha moudhya-dosha]

Budha ruling 2 + 7 creates the unqiuely Simha dhanayoga

Budha-7 contract, agreement, balance, equity, franchise, advocacy brings the Dhana via alliances, match-making, equity, deals

RCH was married six times to six cinema actresses [3]. He co-starred in filmswith almost all of them. His legendary extra-curricular adventures were chronicled in the tabloid press [3]. Sensationalist publicity [3] fueled his drama career, as movie-magazine audiencesfeasted upon lurid reports of his misdoings [3]. Labeled by the press [3] as " Sexy Rexy" , RCH seven-decade career in cinema

[3} was generally benefitted by women, publicity, and relationships - all Shukra.

[Budha rules communicative conversational commercial Mithuna 10th-navamsha]

  • contains Rahu in bhava-11 = brilliant social-networking
  • Budha rules publishing, advertising, commercial, cinematic, scripted Mithuna [10th navamsha]

  • [Budha rules communicative conversational commercial Mithuna 10th-navamsha]

  • powerful incoming drishti from Rahu-Mithuna-Arudra

legalistic Budha in bhava-7 rules Kanya-2 [6th-from-Chandra] - 6 marriages, 5 divorces

++ drishti of Budha

[ruler of 11 + 2] into the Simha lagna

  • brings marketplace revenues, voice, face, verbal articulation

Dhana-Drishti of Rahu-11 into Budha-7 ruler of 11

  • marketplace gainfulness, awards, prestige via the unions, benefiting both the husband and the wives.

Spoken-Song * Not beautiful but it works

RCH was loved by theatrical audiences due to the regal certainty [Surya] of his communicative craft [Budha] and his charmingly humorous speech delivery.

  • He particularly excelled in roles representing language, linguists, and masters of speech* such as Professor Higgins and Doctor

Shani ruler of Budha occupies 2nd-from-Budha, while Shani drishti to Budha-ruled bhava-2 speech-song

  • due to RCH being an accomplished actor with exceptionally limited singing range, the musical arrangers [Budha-7] adapted their songs to a spoken meter [Budha] .
  • The spoken-songs kept pace by the orchestra.

RCH described the discipline [Shani] needed to follow the precise [Budha] rate of musical speech as exhaustingly focused, with no margin for error.

Surya-Kumbha in [11th-from-Chandra] gets drishti from Rahu-11

  • This cleverly crafted accommodation by his co-workers [Budha] allowed RCH to star [Surya] gainfully in prize-winning musical productions.


[Generous Growing Guru]

dhava-karaka [husband] -- bahuta-karaka [variety]

[uchcha] - [svabhava] - [Sarala Yoga]

[witty-creative vidya-pati for Simha indriya-lagna]

[mysterious-revealing randhresha for Simha indriya-lagna]

[multiple protective sanctuaries]

[abundant private nourishment]

[expansive imaginary realms]

[wisdom from distant, invisible lands]

...

[bargaining-contractual Pushya-3] [navamsha Guru-Tula]

  • [Guru-Karkata] big shelters * various caretakers * many provisions * benevolent routines * believes in defense * permission to protect * optimistic patriotism * broad understanding of local cultures * develops gardens * household expansion * prosperous settlements * multiple dwellings * many patronizing parent-figures

  • [Guru in bhava-12] great inspirational interiority * visionary guidance in seclusion * many symbolic meditations * much uplifting divination * many hospitalizations or incarcerations * many spiritual retreats * numerous offerings to psychic way-showers * extensive teaching in private environments * believes in clairsentient trance wisdom * patron of sanctuary enclosures * in a wifely nativity, husbandly-companion may be benevolently invisible

OUTCOMES - GENEROUS GURU

privately philosophical, expansively imaginative, broadly visionary, cheerfully insightful, contemplatively secluded, tolerantly prayerful, invisibly guided [Guru in bhava-12] rules

  • 5- Politics, center-stage roles, theatre, demonstration, display, charming brilliance, genius, poetry, choice-making, showmanship, gambling and gamesmanship, romantic idealism, creativity, fashion-shows, flamboyance, celebrity entitlements, confidence, artistic performance, drama, children, financial speculation, intelligence, entertainments, fun

  • 8-unexpected eruptions of regenerating force, occult initiation, revelation, shock, surgery, intensive healing, evolution, explosion, sudden identity change, rejuvenation, recycling, rebirth, hidden assets, upheaval, secrecy, transformative events, discovery, in-laws of first marriage, health of younger sibling-cousin


CAREER - BENEVOLENT BRIHASPATI

[uchcha] --

Succès de scandale

In addition to a legendary pattern of extra-marital affairs, RCH married a total of six times over a 30-year span.

Lagnesha Guru-uchcha-8 in 5th-from-Chandra

  • RCH played many popular male drama-roles, but he was in particular a master of wry comedy.

Left Eye

  • Guru activates 8-trauma containing Shani-Meena.
  • Partially blind in left eye [12] = result of childhood measles

Favored by Theatre Critics = 3rd-from-Budha

  • Although a known curmudgeon, disliked generally by fellow thespians, RCH became a favorite of the theatre critics [3rd-from-Budha-10, criticism, comment, publication] .



[Sweetly Suave Shukra]

svadu-karaka [sweet] -- kalatra-karaka [wifely companion]

[inimical-medicating rogesha for Dhanus - Haya indriya-lagna]

[profitable-networking labha-pati for Dhanus - Haya indriya-lagna]

check Kuja + Kuja-drishti to source Shukra's competitive bargaining, innovative diplomacy, kinetic attractions

[pleased by vigorous celebrity]

;[sweetly forward-pushing political goal achievement]

;[harmoniously pioneering game-playing]

;[appreciation for warrior-style artistic ; fashions]

[graciously dramatic display of entitled championship]

[adores theatrical innovation]

[delight in winning competitive romantic ; games]

[enjoys drama of speculative conquest]

[pleased by actively moving intelligent children]

...

[champion-challenger Aśvini-1] [vargottamsha] [navamsha Shukra-Mesha] intuitively competitive pioneering dominating financially suave negotiation of harmonious contracts

[Aśvini-Shukra-yuti-Mangala-Bharani]

  • [Shukra-Mesha]] appreciation of direct movement * primal relationships * likes innovation * aesthetic of physicality * attracted to champions * pleasures of conquest * kinetic sensuality * prefers a lithely sporting partner * sweetly competitive * aristocratic agreements

  • [Shukra-5] seeks pleasure via refined gaming * enjoys center-stage beauty * creative feminine-figures * pleasing children * talented students * delights in financial speculation * political grace * aesthetic designs to adorn the heart * graceful solar plexus * dramatic relationships * sweet celebrity romance * delights in fine arts * appreciation of entitlements * in a husbandly nativity, wifely-companion may be a dramatist-politician-artist-genius

  • [Shukra-yuti-Chandra] sweetened security = gracious caretaking = appreciates soothing nourishment = negotiates for stability = defensive bargaining = Sheltering arrangements = lovely ornaments for home-and-garden = self-indulgent = pleasant emotional response = harmonizes with local rhythms = aesthetic of familiar folkways = musical-artistic-designing mother-figure = protective contracts = prefers relationships with nurturing partners

  • [Shukra-yuti-Mangala] sweetened conquests * gracious competition * appreciation for pioneering innovation * aesthetic of sporting interactions * proactive negotiations * musical brother-figure * competitive contracts * accommodating dual sexuality * prefers relationships with energetic partners


OUTCOMES - SWEETENING SHUKRA

sensually charismatic, agreeably theatrical, appreciative of romantic entitlements, harmoniously creative, aesthetically entertaining, graciious dramatic performance, financially speculative, musical-artistic students-adolescents, enjoys gambling, idealistic political relationships [Shukra-5] rules

  • 6-ministries of service, dehumanization, misconduct, war, jail, slavery, pollution, argumentation, healthcare workers, ailment, injury, medical treatment, hypocrisy, crime, cheating, animosity, toxins, complaints, accusation, litigation, imbalanced conditions, injustice, betrayed promises, servants, laborers, hostility, animosity, disagreement, dehumanization

  • 11-fruitful revenues, interconnected income, profits, material achievement, social networking, friendships, community linkage, fan-clubs, mass participation gatherings, collectivism, marketplace gridworks, distribution, association, populism, economic systems, fundraising, gains-and-goals, awards for work accomplished, health of the enemies


CAREER - BRIGHT BHRIGUTANAYA

Shukra activates Yoni Svamsha

Shukra rules 7th-from-Chandra = marriages

Awards and Prizes for Theatrical Excellence

PUBLICITY

TULA-BHAVA-3 publicity

  • ruled by Shukra
  • + intakes drishti from Rahu + Chandra + Shukra + Mangala

RCH's lifelong career and professional reputation in drama was built partly upon his splendid theatrical skills [Shukra-Mangala-Chandra-9]

Yet his elite public visibility was equally constructed from decades of tabloid news publicity [Rahu-Mithuna drishti into 3] that dramatized his interpersonal relationships. [Shukra-Mangala-Chandra]

The movie-magazines eagerly reported each new batch of salacious details = on-stage chemistry-and-conflict with co-dramatists, his splendidly self-centered romances, and his six marriages.

Music = Shukra

seven-decade entertainment career = age 16 until age 89

  • Shukra-5 drama, entertainment rules 10th-navamsha Urisha = -professional respect, career in beauty, costumes, accessories, decoration, refinements, music-singing-face

[Aśvini-Shukra-yuti-Mangala-Bharani] contained within communicative 3rd from Budha

Cinema - Cinema - Cinema

[3]

RCH was a mid-century Matinee idol .

  • A manly-man who could sing [sort-of] RCH admired by audiences for his ability to represent the foibles and delights of the mid-century Western Man.
  • attractive, sensual, musical

https://en.wikipedia.org/wiki/Matinée_idol

[Shukra rules 3-10 navamsha]

[Shukra rules 3-8 from Chandra]

RCH's enduring career is attributable to his theatrical display of

  • sharing the screen with demure but surprisingly competitive [Mesha] feminine leading-ladies [Shukra]
  • championship, dominating masculine energy, primitive entitlements of the conqueror [Kuja]



[Sober Structural Shani]

duro-karaka [endurance] -- jara-karaka [Jahre, years]

[Harsha Yoga]

[contractual-bargaining jaya-pati for Simha indriya-lagna]

[inimical-medicating rogesha for Simha indriya-lagna]

check Guru + Guru-drishti to source Shani's principled legalism, doctrinal strictures, theoretical systems

[staunch resistance to change of visionary status]

[imposes wholistic meaning in undisclosed private guidance ]

[symbolic legitimacy of hidden assets]

[must formally contemplate the institutionally constricted in-laws]

[must regulate threats from dangerous ancestor-guides]

[imposes normalizing intuitive tolerance during times of catastrophe]

[dry hardening of inner foot-reflex astral-neural complex]

[lawfully obliged to keep cetacean secrets of Sirius]

[must hide old initiations into the dreamworld]

...

[dramatizing-ceremonial Andromeda-1] [navamsha Shani-Simha]

  • [Shani-Meena] oppressive dreams * socially responsible imagination * fear of vast waters * required immersion * must use symbolic images * aging affects the bedroom * structural compression upon aching feet * strictly imposed sanctuary * endures proletarian prayer * slow elder diviners * limited access to ancient ancestor guides * pragmatically constrained intuition * must sustain the astral resonance * scarce contemplative resources * maintainer of old interior visions

  • [Shani in Bhava-8] steady time-structured transformations * impedes infinity * must impose order upon dangerous environments * resists the advance of inexorable change * must regenerate while maintaining the system * cautiously conventional initiations * tense renewals * postpones surgery * fear of eruptions * chronic trauma patterns * pressures on the hidden mechanisms of sexual-reproduction * blocks the revelation of mysteries * pushback against emerging new cycles * disaster fatigue * martial law * dry rigidity limits rejuvenation * frugal in-laws * elders preserve undisclosed assets

OUTCOMES - STRUCTURAL SHANI

lawfully transformative, camouflaged disasters, orderly evolution, frozen discovery, slow rebirth, systematically revolutionary, emergency protocol, structured healing, mature acceptance of catastrophic change [Shani in Bhava-8] rules

  • 6-ministries of service, dehumanization, misconduct, war, jail, slavery, pollution, argumentation, healthcare workers, ailment, injury, medical treatment, hypocrisy, crime, cheating, animosity, toxins, complaints, accusation, litigation, blaming, scapegoat, aid workers, helpers. imbalanced conditions, injustice, betrayed promises, servants, laborers, hostility, animosity, disagreement, dehumanization

  • 7-covenant, promise, trust, contractual relationships, social justice, advocacy, legal judgments, lawcourts, appeals, representation, equity, diplomacy, partners, justice, marriage, legal and formal partnerships, negotiation, alliance-crafting, match-making, fair arrangements, even deals, advocacy, trading, bargaining, brokerage, haggling, go-between, middleman, meddler

CAREER - SOBER SHANI

Shani rogesha rules 6-divorces, acrimonious accusations

extremely hard-working. RCH died only a few weeks after his final performance, age 82

Income-over-Art

  • Colleagues noted that RCH often declined roles with creative potential, choosing instead the better paying roles

[Shani rules Kumbha-7 = 11th-from-Chandra] awards, prizes] - also earnings, revenues, profitable associations

WORK WORK WORK

[Shani-yuti-Chandra]

RCH was known for his extraordinary work ethic.

  • RCH was acting on stage until only a few weeks before his death from pancreatic cancer at age 82.
  • Despite a high income in mid-career, RCH was said to have complained resentfully [6] of his legally mandated [Shani] alimony and child-support payments from his numerous marriages

Limited vocal range

  • Shani rules bhava-2 [also asta-Budha ]

Shani drishti into 10-and-1 = assists mid-life and elder career

Harrison's professional reputation ascended when his forehead became furrowed with the lines of age.

  • His most successful career period occurred when he was eligible to enact middle-aged and elder male roles
  • such as Professor Higgins [a sixty-ish teacher] and Doctor Doolittle [a wizened, experienced veterinarian]



[Risk-rewarding Rāhu]

rajyalobha-karaka [ambition] -- picchala-karaka [slippery]

[svabhava]

[for Simha indriya-lagna]

[Rahu-11 casts passionately profitable networked drishti into 3-5-7]

check Budha + Budha-drishti to source Rahu's apparently explanatory, shimmering mirage of communicative flair

[publicized passion for commercial revenues]

[over-reaching business profits]

[ambitiously communicative high-achieving friends]

[desire to manage economic communities]

[exhilarating busy social networks]

[extraordinary talkative fundraising]

[hunger for project-based earnings]

[risk-rewarding process-oriented marketplace connectivity]

[seeks importance in mercantile assemblies]

[gains from exciting unorthodox publications]

...

[imaginative-conceptual Arudra-4] [navamsha Rahu-Meena] intuitively philosophical, compassionate guide toward charitable humanistic cultural mix

  • [Rahu-Mithuna] shimmering mirage of skillful process * craving for conversation * mask of messaging * boundary-breaching broadcasts * extraordinary explanations * ambitious administration * preposterous propaganda * extravagant commercial transactions * marvelous advertising * thrilling photographs * unusual ensembles * exciting cohort * mesmerizing instructions * over-reaching management * seeks special importance via apparent [but perhaps not authentic] attributes of information delivery * sensational scripts * exaggerated announcements * exceptional business methods * seeks privilege via communicator-roles

  • [Rahu in bhava-11] passion for prestige rewards * in Roguish Rahu's svabhava co-ruled by materialistic Shani * the Shadowy Specter seeks glamorous material attainments - outsider who cleverly insinuates into social-networking roles * high-risk marketplace gains * ravenous for revenues * astounding awards * extraordinary economic connections * desires linkage into privileged systems * expediently gainful assemblies * opportunistic community activism * over-reaching friendships * craves prodigious profitability * exciting culturally-mixed gridworks * phony fellowship * may pose as a populist * boundary-breaching collectivism * entranced by one's own achievements * thrilling surges of amazing earnings * trespasses normal connectivity limits

OUTCOMES - RISK-REWARDING RAHU

Mithuna communications, business, management, scripts, collaboration contains exotic, thrilling, over-reaching, fascinating drishti into Rahu's ruler Budha-Kumbha-7

= news-making 3rd-from-Chandra publications, cinema, photographs, journalism, magazines

[Rahu-Mithuna] sensationalizing Arudra-Rahu = drishti into 3-5-7

  • "there's no such thing as bad publicity"

  • cinema

  • drama

  • outsized, over-reaching, thrilling relationships

Rahu-11-earnings, prizes for work-accomplished

Gainful, ambitious, profitable Rahu in bhava-11 occupies

  • the Hollywood gossip press [3 publication, announcements] played an over-sized role [Rahu] in promoting and maintaining RCH's celebrity profile

RCH's career was marked by consistent popularity and prize-winning roles for physicalized, passionate performances double-Rahu [Arudra] 11

  • It was also punctuated by repeated shaming-scandals [Rahu] involving promiscuity, bullying, and taboo-bending behaviors.

sensationalist tabloid press 3rd-from-Chandra amplified [Rahu] the lurid stories.

RCH's boundary-breaching philandery, the suicides of two of his partners, and various scandals ultimately added an exciting allure to his aura.

  • Although initially these shocking problems seemed to threaten his future, indeed the highly-publicized intrigue promoted RCH career.

[Rahu in bhava-7] amplifying drishti to Budha-yuti-Surya-3 = thrilling photo-news publicity journalism

The tabloid celebrity press [3] eagerly developed RCH's sensational relationship stories to increase their readership.

Unlike a political career, an entertainment career may benefit from the publication of salacious stories.

  • RCH's six marriages and much extramarital mischief were excoriated by moral critics
  • but celebrated by delighted magazine-and-movie-ticket buying audiences [11 fanclubs, revenues] .


[Collapsing unshackling Ketu]

kavandha-karaka [headless] -- chidra-karaka [gaping] -- vasana-karaka [vacuum]

[for Simha indriya-lagna]

check Guru + Guru-drishti to source Ketu's ungrounded convictions, disengaged belief

[unconcerned with lack of principled romantic ideals]

[vaguely disinterested in religious ceremonies]

[scattered inspirational intelligence]

[material relationship to children, especially but not exclusively the eldest, may dissolve due to principled worldview. The spiritual relationship remains.]

[disengaged witness to politics of catechism]

[liberated from displays of sacred wisdom]

[disregard for the drama of empty beliefs]

[passively fixated upon ambitiously messaging, instructional, commercial Rahu-Mithuna-11 friends, socialites, earners, awarders, revenue-makers, economists, distributors, associates, community-links]

...

[strategic-complaining Pūrvāṣāḍhā-2] [navamsha Ketu-Kanya]

  • [Ketu-Dhanus] philosophically dissociates from sacred convictions * odd professors * dissolves indoctrination * empty paradigm of belief *  dispersed worldview * martyr's faith * not limited by conventional beliefs* eccentric teachings * peculiar convictions * ignores restricted catechesis * releases a warm golden  cloud of broad inclusivity into the misty abyss

  • [Ketu in classroom-5] ambivalent toward ceremony * disoriented offspring * wandering eldest child * demonstrates dramatic confidence in non-existent things * apathetic toward intellectual authenticity * ungrounded speculation * disregards standard intelligence * eccentric creativity * incoherent romantic ideals * disinterested in games * liberation via surrender of entitlements * unless yuti-graha in 5, or fertile ruler or incoming drishti, may prefer to live free from children


OUTCOMES - EVACUATING KETU

Ketu-1 occupies 10th-from-Chandra

Public reputation associated with his six marriages and numerous aborted romances with dramatic actresses, including two suicides [Ketu]

Although an acknowledged expert thespian -- perfectionistic in the execution of the dramatist craft and a genius of wry-comedy -- RCH was famed for disregarding the needs of others in all relationships, both personal and professional

RCH was reputed for his divorces, betrayals, and mistreatment of others

  • yet these misdoings did not harm his professional reputation
  • In fact, RCH dismissive, empathy-lacking behavior enhanced his personal recognizability
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