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COHORT born ten months after
born four months after
born two months after
born one day after
born five days after
born 4 months before
Close personal friends with
Elizabeth Taylor [age-12] acting in the greatly popular cinematic drama about a girl and her racehorse, National Velvet |
Hollywood dramatist Philanthropist Fashion Model Cultural Icon Luxury commerce ] a.k.a. Elisheba Rachel Taylor a.k.a. Elizabeth Rosemond Taylor ] Earth-birth = Saturday-27-Feb-1932 bio-decease = 23-Mar-2011 [age 79] |
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cinema dramatist fashion model philanthropist + foundation director luxury-goods commerce 1932-2011 Elizabeth Rosemond Taylor ] birth data from en.wikipedia.org/wiki/Elizabeth_Taylor
tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com - adapted y BP Lama born on day-7 Saptami of Krishna Paksha |
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Rising Nakshatra Feminine Learners Vasu - Slaviztha - Avittam - Hrsikesha ] BPL COMMENTARY For Dhaniṣṭha births of a feminine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome. For those born into the Kuja-ruled paradigm of Vasava, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, drivers, drillers, diggers, exploders, aggressors, pushers, invaders, pursuers, competitions and battles may be especially influential. Dhaniṣṭha-born often respond to a deep inner fear [Shani] which manifests as aggressive survival-driven competition [Kuja]. The result = orderly, direct, empowered, and dynamic structured action. Instructional guidance is provided by emissaries from the civilizations of Delphinus. Their purpose is social engineering, economic competition, and achievement of dominant positions. ] Hierarchical Power Climber Kuja-ruled Vasu-born ladies endure acute Shani-Mangala tension . These women are athletic, goal-oriented, and competitive. Those who have chosen a feminine-form birth may find themselves surrounded by invigorating but dominating masculine figures. Male colleagues may be surprised to discover that despite their feminine style, dhaniṣṭha ladies are equal and serious competitors. Their sexual energies are alive, and may be used to advantage. Dhaniṣṭha + Sraviiṣṭha are a pair, similar to the Purva-Uttara pairs. Similar to genteel śrāviṣṭha, those born within Dhaniṣṭha are highly sensitive to rhythm, pace, and tone. They can develop successful careers in music and dance performance. Unlike demure Soma-ruled śrāviṣṭha, those born into Kuja-ruled Dhaniṣṭha favor athletic movement. They thrive where the beat of the war-drums is deep and strong. They set high-achievement goals. Dhaniṣṭha are determined to win the contest, at any cost. When Dhaniṣṭha ladies choose an entertainment career, it is often full of loud singing, vigorous dance, sexual strutting, and men. In the modern era, dhaniṣṭha ladies may use Mangala's kinetic energies to ascend the corporate-institutional hierarchies of Shani,. They strive for alpha-dominant positions. All fields of competitive endeavor are open to the Avittam-born, including athletics and contestsOften preferring applied scientific careers with measurable outcomes, dhaniṣṭha-born are also found in all types of systematic intervention into their environment, such as social engineering, political engineering, or materials engineering. Operating in orderly Shani-controlled environments of Makara and Kumbha, feminine Vasu champions are often surrounded by lawful, systematic, and timid folk who rarely resist Hrsikesha's powerful ascending drive. They are often respected in the boss role due to Kuja's ability to dominate the field of activity while keeping the respect of their male peers. Vasu-born ladies face particular challenges in Kuja's aggressive, male-dominated environments. Their career pathway is studded with rough dominators using physical force and even brutality. Yet, awell-placed, vigorous Mangala, along with Shani's natural lawful patience, can bring Dhaniṣṭha women to the peak of social recognition and economic achievement. Makara pada 1-2 express Kuja's control of 4-lands-roots + 11-earnings. Pro-actively patriotic (4) and driven to achieve profits (11), they are often found in real-estate (4) education (4) agriculture (4) transportation (4) police + defense industry (4) minerals + mining (4) or in any marketplace where the path to economic gain (11) is open to Kuja's goal-oriented, competitive vigor. Since Mangala activates a 6/8 pair, their Achilles Heel = economic protectionism (4-11). Outcome depends upon the character of Mangala. Kumbha pada 3-4 express Kuja's control of 3-commerce + 10-leadership. Any commercial endeavor suits the pada 3-4 Hrsikesha-born, so long as they find a path toward governing power. Gifted in manufacturing (3) programming and process (3) sales-marketing (3) and all business functions - especially communications -- this breed competes aggressively for leadership. Their innovative actions may forcefully change the status quo in even the most entrenched environments. Since Kuja activates a 6/8 pair, their Achilles Heel = micro-management (3-10). Outcome depends upon the character of Mangala. Like all Kumbha-born, their treasure-hoard expands via globalist, philosophical Brihaspati. Themes of conquest, pursuit, and achievement may contextualize Vasu's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Dhaniṣṭha |
QUOTATION Dhaniṣṭha from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 100] " This is a talkative and interesting person,
She is capable of writing mystic novels
She will be happy in domestic life. She loves nice dresses,
[end quote, Shil Pondey, 1939]
Elisheba Rachel in 1947 [ERT age 15] . Working by contract since her age seven, ERT was already a veteran actress in the cinema studios.]
Elizabeth Taylor [age 18] portrait for wedding 1-of-8 arranged by the corporate studio, in 1950]
ET promo photo for A Place in the Sun, 1950]
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12-May-1959 wedding-4-of-8 [Elisheba's age 27] to popular singer, Eddie Fisher [Edwin Tisch] |
1950 [ERT age 18] Taylor's wedding-1-of-8, staged by her cinematic studio bosses |
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Elizabeth Taylor with her Welsh actor husband Richard Burton, in the mid-1960's |
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Biographical events matched to
Vimshottari Dasha
[Guru Mahadasha] = [age birth until age 9.8]
Sat-27-Feb-1932 = Earth-birth in Golders , Barnet, NW-London, Middlesex, England = 51.5736°N 0.1921°W * Guru-Budha bhukti Dec-1937 [ERT age 6] expecting trouble from vicious Nazi regime, ERT's family evacuates their London home, and shifts to Los Angeles. Exceptionally gifted in drama, little Elisheba is soon hired by members of her community who operate the cinema studios. * Guru-Chandra bhukti * Chandra rules 4th-from-4 = home 1939 [ERT age 7] first full-time theatrical work contract brings first earnings * Guru-Mangala bhukti * Kuja-2 rules 11-salary = dhanayoga Jun-1941 until Aug-1943 = Shani Ashtamsha via Urisha [5]
[Shani Mahadasha] = [age 9.8 until age 28.8] 06-May-1950 [ERT age 18] [CH age 24] studio-arranged publicity wedding 1-of-8 with hotel heir, Conrad Hilton. * Shani-Shukra bhukti ++ samchara Rahu-Ketu via Meena -Kanya contact natal R-K 29-Jan-1951 [ERT age 18] following six months of legal marriage, ERT asserts alcohol-fueled domestic abuse. Finalization of divorce-1-of-7 on grounds of mental cruelty, officially ending marriage-1-of-8 with Conrad Hilton * Shani-Shukra bhukti * Shukra rules 8th-from-Chandra = sudden identity change 21-Feb-1952 [ERT age 19] [MW age 39] consecration of wedding-2-of-8 with British dramatist, Michael Wilding = 20 years her senior * Shani-Surya bhukti * Surya rules Simha svamsha ++ samchara R-K via Kumbha-Simha contact navamsha R-K ++ dvadasa Sade-Sati [via Ketu-9] Nov-1952 until Nov-1955 Janma Sade-Sati via Tula
06-Jan-1953 [ERT age 20] celebrated birth of child-1 with Michael Wilding * Shani-Chandra bhukti ++ janma Sade-Sati [via-10] 26-Jan-1957 [ERT age 24] following four years of marriage + birth of 2 sons, finalization of divorce-2-of-7, officially ending marriage-2-of-8 with dramatist Wilding * Shani-Rahu bhukti ++ dvithya Sade-Sati [via-11] 02-Feb-1957 [ERT age 24] [MT age 47] consecration of marriage-3-of-8 with cinematic producer, Avrom Hirsch Goldbogen [a.k.a. Mike Todd] . One child. * Shani-Rahu bhukti ++ samchara Rahu-Ketu via Vṛṣa-Vṛścika contact navamsha-Urisha-Chandra ++ dvithya Sade-Sati [via-11] 22-Mar-1958 [ERT age 26] Following one year of marriage, grieved tragic bio-decease of husband-3, producer Mike Todd - via airplane crash * Shani-Rahu bhukti ++ samchara Rahu-Ketu via Vṛṣa-Vṛścika contact navamsha-Urisha-Chandra = 8th-from-Chandra 1959 [ERT age 27] public doctrinal conversion to Judaic credenda, purportedly reversing-or-superceding her mother's doctrine of Christian Science founded by Mary Baker Eddy * Shani-Guru chidra-dasha * Guru rules publicity = [Shukra-Meena] = [Shukra-3] + [Andromeda-Rahu-yuti-Shukra-Revatī-uchcha-yogakaraka] 12-May-1959 [ERT age 27] consecration of marriage-4-of-8 with popular singer, Edwin Tisch [a.k.a. Eddie Fisher] * Shani-Guru chidra-dasha ++ samchara Rahu-Ketu via Kanya-Meena contact natal R-K == Guru-trine-Rahu ++ Guru rules = [Andromeda-Rahu-yuti-Shukra-Revatī-uchcha-yogakaraka] 4th-from-Chandra = = [Shani-Makara-Draco] = [Shani in Bhava-1] [Budha Mahadasha] = [age 28.8 until age 45.8]
Mar-1964 [ERT age 32] following four-year union [no children] finalization of divorce-3-of-7, officially ending marriage-4-of-8 with handsome Hollywood crooner, Eddie Fisher * Budha-Ketu bhukti * Ketu divorce 15-Mar-1964 [ERT age 32] immediately upon divorce-3-of-7, consecration of marriage-5-of-8 with Welsh dramatist Richard Burton * Budha-Shukra bhukti * Rahu-yuti-Shukra-8 ++ samchara Rahu-Ketu via Mithuna-Dhanau 1964 [ERT age 32] with Richard Burton, celebrated adoption of three-year-old German orphan, Maria * Budha-Shukra bhukti * Rahu-yuti-Shukra rules 5 = adopted children 20-Nov-1968 [ERT age 36] grieved bio-decease of father * Budha-Surya bhukti * Surya rules 7th-from-Surya + Rahu-Return 1971 [ERT age 39] celebrated birth of grand-child-1 * Budha-Rahu bhukti + Shani Ashtamsha [5] Apr-1971 until Jun-1973 = Shani Ashtamsha via Urisha [5]
1974 [ERT age 42] divorce-4-of-7 officially concludes alliance-5-of-8 with celebrated thespian, Richard Burton * Budha-Guru bhukti * Guru rules 6th-from-Chandra = emotional grievance 10-Oct-1975 [ERT age 43] consecration of wedding-6-of-8 = re-marriage with previous husband, dramatist Richard Burton . Divorce within the year. * Budha Shani chidra-dasha * Shani rules Kumbha 7th-navamsha ++ samchara Rahu-Ketu via Vṛṣa-Vṛścika contact navamsha-Urisha-Chandra 04-Dec-1976 [ERT age 44] consecration of marriage-7-of-8 with USA-Senator from Virginia, John Warner * Budha Shani chidra-dasha * Shani rules Kumbha 7th-navamsha ++ samchara Rahu-Ketu via Tula-Mesha contact Chandra-Tula-10 [Ketu Mahadasha] = [age 45.8 until age 52.8] Oct-1982 until Dec-1984 Janma Sade-Sati via Tula
07-Nov-1982 [ERT age 50] following five years of marriage, finalization of divorce-6-of-7, officially ending union-7-of-8 with Senator Warner * Ketu-Guru bhukti * Guru rules 6th-from-Chandra = emotional conflict ++ Janma Sade-Sati [10] [Shukra Mahadasha] = [age 52.8 until age 72.8]
06-Oct-1991 [ERT age 59] [LF age 39] consecration of marriage-8-of-8 with construction equipment operator, Larry Fortensky. ERT met LF while they both sought treatment at Betty Bloomer Ford Clinic. Lavish ceremony held at Michael Jackson's Neverland Ranch * Shukra-Mangala bhukti * Mangala-yuti-Surya = Surya rules Simha svamsha ++ samchara Rahu-Ketu via Dhanus-Mithuna contact D-10 R-K 11-Sep-1994 [ERT age 62] [mom age 99] grieved bio-decease of elderly mother * Shukra-Rahu bhukti 1996 [ERT age 64] finalization of divorce-7-of-7, officially ending marriage-8-of-8 with construction worker, L. Fortensky * Shukra-Guru bhukti * Guru rules 6th-from-Chandra emotional distress, complaint Jun-2000 until Jul-2002 = Shani Ashtamsha via Urisha
[Surya Mahadasha] = [age 72.8 until age 78.8]
[Chandra Mahadasha] = [age 78.8 until bio-decease age 79] 23-Mar-2011 [ERT age 79] blessed liberation from Earthen-body, via congestive heart failure following a major stroke * Chandra-Chandra svabhukti * maraka Chandra rules-7 + dvadasa Sade-Sati Nov-2011 until Nov-2014 Janma Sade-Sati via Tula
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Distinctive features of the Nativity
[Sparkling Splendid Surya] pitri-karaka [father] -- jyoti-karaka [light] [secretive-transformative randhresha for Makara - Draco indriya-lagna]
[self-confident proletarian musical knowledge] [disruptive randhresha political economics of historic evaluative pricing] [radiantly dramatic distributed sound values] [brightly declares authenticity of populist entitlements] [creatively networked acquisitive family lineage] [regal enrichment via mass participation revenues] [intelligent use of crowd-concealment randhresha may hide gridworked banking collections] [may be central figure in warehousing of valuable profit-making resources] [systematic fatherly-figure may be associative money preserver, undisclosed randhresha electronic banker, friendly hoarder, interlinked keeper of precious things, brilliant plebian singer or speaker] ... ... ... [profitable-gridworked Śatatārākā-3] = [vargottamsha] [navamsha Surya-Kumbha] intuitively confident proletarian marketplace popularity + [Vāruṇa-Surya-yuti-Budha-Vāruṇa] + [Vāruṇa-Surya-yuti-Kuja-Vāruṇa]
OUTCOMES - MAGNIFICENT MARTANDA regally vociferous, sparkling face-eyes-voice,, shining eyes-hair-teeth, confidently oratorical, dramatically musical, flamboyantly financial, center of the family line, brilliantly sonorous, self-assuredly historical, politically traditional [ Surya in bhava-2 ] rules
CAREER - SPARKLING SURYA + [Vāruṇa-Surya-yuti-Budha-Vāruṇa] + [Vāruṇa-Surya-yuti-Kuja-Vāruṇa] = located in Dramatic, celebrated 5th-from-Chandra
From early childhood until her forties, ERT = famous and popular movie star. Then, ERT morphed into a highly successful businesswoman, vending luxury items such as perfumes and jewels via her charmingly beautiful personal image [Radiant Rahu in Pūrvaphalgunī-svamsha] In addition,
FATHER Dad = international upmarket fine-arts dealer. [Surya in bhava-7] broker, dealer, arranger - and representative, agent He was also an Allied secret-agent during WW-2 [Budha-yuti-Surya] Yogakaraka Mangala rules 4-9, indicating dad's connections within the sangha that dominated the celebrity entertainment world Budha-commercial business [Comfortable Caretaking Chandra] matrikaraka [mother] -- garha-karaka [village] [balancing-brokering śapathā-pati for Makara - Draco indriya-lagna]
[comforted by stable habitual negotiation in governance positions] [culturally sensitive to organizational balance] [needs to sense the evenly flowing pulse of reciprocity in leadership] [socially visible fair protector of customary ancestral folkways] [emotionally aligned to agreeable executive rhythms] [bargaining śapathā-pati middleman performance of socially prominent duties] [śapathā-pati deeply aligned environmentalist feelings attuned to commanding airy deva] [elite deal-making mother may be contractually responsible ruler, mediating figurehead, diplomatic official, gracious in her respected social role] ... ... [storytelling-luxurious Viśākha-2] = [mūlatrikoṇa] = [Pushkara pada] = [navamsha Chandra-Urisha] intuitively sensitive preserving values-heritage
OUTCOMES - ANCESTRAL SOMA sensitively ordering, protectively lawful, routinely governing, parentally regulating, rhythmically dutiful, customary commander, predictable hierarch, culturally respected, emotionally responsible, needs to hold elite positions [Chandra in classroom-10] rules
CAREER - CARETAKING CHANDRA
Chandra rules Guru-Karkata-7 = [10th-from-Chandra]
ERT was known to the cinema audiences as a celluloid vixen, fascinating temptress, and unsurpassable beauty [uchcha-Shukra-Rahu mutual drishti Guru-uchcha-12 imagination]. She was also known as the mother-of-four, and grandmother of more [Chandra-4 intakes both Rahu-drishti and Guru-drishti]. ERT also had a big impact in the world of philanthropic giving - not only what she gave, but what she inspired others to donate [Guru generosity, inspiration].
MOTHER and Motherhood Mom = Sara Warmbrodt [born in Kansas, 1895-1994] . 5th-from-Chandra contains Surya + Mangala + Budha = mom's rich talent
ERT's household and mothering roles came first in her life. Unlike other celebrity parents whose children complained about their high-strung or disordered parents, ERT's offspring often commented that their mom and grandmom were average and grounded at home. WORK HABITS ERT worked primarily on studio lots, where she clocked-in and clocked-out with regular work habits [dutiful [Shani-Makara-Draco] in routinized 4th-from-Chandra]. Few of ERT's drama-worker assignments required extensive travel, and she was never far from her kids. [ERT Chandra-4 soothed by parenthood. anchored emotionally in the home]
MARRIAGE partnership emotional equity support expectations ERT's Chandra-ruled vīvāha-sthāna contains [Aśleṣa-Guru-Karkata] = [Guru in bhava-7] = [occupies 10th-from-Chandra] + [rules Meena-3 publicity = 6th-from-Chandra]
Also her seventh marriage to a USA Senator from Virginia, John Warner, was explicitly political.ERT served in his election campaign As the readers made tut-tut about ERT absconding with the husband of her former best friend [Rahu-8, social condemnation, shock] the tabloid press sold millions of Hollywood scandal-sheets [3, magazines]. As usual for ERT, each marriage increased her name-recognition due to 7th-from-Chandra ruled by the Rahu-amplified Mangala-Kumbha-2 names, proletariat. Husband 1-of-7 = heir to luxury hotel-chain = uchcha-Guru-7 much fortunate real-estate [karkata]. However, this immensely fortified Kendra-uchcha Guru also rules 6th-from-Chandra. Within months, a viciously abusive pattern emerged.
ERT famously claimed that her remarkable chain of weddings was due to her social conventionalism [Shani-1]. She insisted on formalizing her sexual-attraction relationships to ensure dignity and respect for these unions. [Makara indriya-lagna] [Competitive Champion Kuja] bhratru-karaka [brother] -- virya-karaka [virility] [homebound-anchoring bandesha for Makara - Draco indriya-lagna] [gainful-friendly labha-pati for Makara - Draco indriya-lagna]
[champion of inflammatory marketplace statements] [connectivity warrior for preservation of communal ways] [home-bound bandesha battles for keeping community values]
[popular labha-pati forward-moving friendship-driven finance] [commonplace energetic voice] [pro-actively pushy everyman speech] [collectivist verbalized narrative of economic conquests] [energetic electrical systems fuel distributive prowess] [vigorously expresses mass-participation opinions about competitive pricing] [combatively associative family of origin] [socially networked brother-cousins or co-workers may promote real-estate acquisition bandesha or local profits labha-pati] ... [optimistic-philosophical Vāruṇa-1] [navamsha Kuja-Dhanus] intuitively competitive forward-moving populist goals + [a-sta-Vāruṇa-Kuja-yuti-Surya-Vāruṇa] + [a-sta-Vāruṇa-Kuja-yuti-Budha-Vāruṇa-a-sta]
OUTCOMES - MOVING MANGALA financially competitive, verbally assertive, forthrightly spoken, forceful declarations, forward-pushing use of language, enlivened by vital memories, vigorous pursuit of precious storage, energetic thrust of traditional values, knowledge-driven engineer, proactively acquisitive family lineage, champion of heritage preservation [Mangala in bhava-2] rules Dhanayoga
CAREER - COMPETITIVE KUJA [Mangala-Kumbha] - [Mangala in bhava-2] + [a-sta-Vāruṇa-Kuja-yuti-Surya-Vāruṇa] + [a-sta-Vāruṇa-Kuja-yuti-Budha-Vāruṇa-a-sta] = located in Dramatic, celebrated 5th-from-Chandra [Mangala in bhava-2] = [ashtangata harana] occupies dramatic, romantic, creative 5th-from-Chandra celebrity, intelligence, drama, romance, fame Violet Eyes = Kumbha purple hues
ERT's face was her fortune. Her legendary image featured specifically her "violet eyes" which were intensively photographed and promoted as being "unique in this world"
[Busy Bantering Budha] jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student] [inimical-medicating rogesha for Makara - Draco indriya-lagna] [philosophical-guiding dharmesha for Makara - Draco indriya-lagna]
[systematic storytelling] [cosmological announcements] [talks about exploitive rogesha proletarian historical traditions] [theoretical dharmesha economic conversations about banking and asset collections] [detailed discussions about marketplace values] [managed planning for community resource conservation] [commercial interest in pricing of networked communications] [younger sibling or students engaged in mass-participation finance] ... [profitable-gridworked Śatatārākā-3] = [vargottamsha] [navamsha Budha-Kumbha] + [a-sta-Vāruṇa-Budha-yuti-Surya-Vāruṇa] + [a-sta-Vāruṇa-Kuja-yuti-Budha-Vāruṇa-a-sta]
OUTCOMES - BANTERING BUDHA discusses finance, assets manager, articulate singer-musician, traditional communicator, knowledgeable conversation, memorable gesturing, explains legacy values [Budha in bhava-2] rules
CAREER - BUSY BUDHA + [a-sta-Vāruṇa-Budha-yuti-Surya-Vāruṇa] + [a-sta-Vāruṇa-Kuja-yuti-Budha-Vāruṇa-a-sta] = located in Dramatic, celebrated 5th-from-Chandra Budha-Kumbha nervous system = rogesha nerve disorders = crippling scoliosis, self-medicated resulting in substance-use disorder [6, medical disorders] Budha [ashtangata harana] babbling businesslike Shri Budha is always the moneymaker for Simha-born busy Budha = Mithuna-11 revenues At the close of her astounding career in popular cinema, ERT founded a women's perfume-and-jewelry business that flourished via department-store sales ERT left her estate [4], to her children + grandchildren + her cherished AIDS philanthropic foundation. At the time of her decease in 2011 the estate estimated worth = USD_600M. [Budha in bhava-7] = [ashtangata harana] rules EARLY EARNER After her family fled London to escape the Nazi threat, ERT's first formal employment contract was signed in second grade. In her memoire, ERT explained how her success as a working child actress kept her parents grounded [Budha occupies 4th-from-Chandra]. By age 8, ERT was the primary earner for the family [Budha rules 2+11+ 11th-from-Chandra]. ERT later bonded with child-star, Michael J. Jackson , when the two shared their stories of / never having had a childhood./ * Shani-Budha bhukti * Budha-7-contracts ] Succès de scandale In addition to a multi-decade cinema and modeling [3] career, ERT endured aeemingly endless flow of news coverage about her widowhoods [Budha-8] Her divorces and drug-scandals [Guru-1 rogesha] sold millions of tabloid gossip papers. The narrative was supplied by her publicity-hungering employers. While participating in the commerce aspect, ERT detached herself from the message [Ketu-3] Dramatic, celebrated 5th-from-Chandra = 8 [mystery, shocks] containing
[Generous Growing Guru] dhava-karaka [husband] -- bahuta-karaka [variety] [busy-managing vikrama-pati for Makara - Draco indriya-lagna] [retreating-contemplative vyaya-pati for Makara - Draco indriya-lagna]
[collaborative teamwork vikrama-pati with protective spouses in multiple alliances] [many expansively patriotic patron advisors] [bargains numerous agricultural contracts] [broadly philosophical schooling arrangements] [mutual sheltering within variety of behind-the-scenes vyaya-pati rhythmic cooperative pairings] [generous reciprocal ritualized understanding of shared cultural growth] [charitable offerings of familiar agreements] [optimistic deal-maker in local situations] [published vikrama-pati humanistic principles guide secure trade exchange] [for wifely Learners, quiet vyaya-pati husbandly-companions may be parental negotiator, policing middleman, shipping broker, transport representative] ..... [governing-regulatory Aśleṣa-2] = [navamsha Guru-Makara-nīcha ] intuitively class-stratified commercial expansion
OUTCOMES - GENEROUS GURU expansively agreeable, abundantly contractual, multiple alliances, numerous arrangements, optimistic negotiator, broad-scope of brokerage [ Guru in bhava-7 ] rules
CAREER - BENEVOLENT BRIHASPATI + + [Vaishva-Shani-1 mutual drishti Aśleṣa-Guru-7] + + [Andromeda-Rahu-3 mutual drishti Aśleṣa-Guru-7] ++ [Aśleṣa-Guru-Karkata] [7] = 10th-from-Chandra charity, fertility, generosity
12] mutual drishti with [uchcha-Shukra-yuti-Rahu] [8] philanthropic foundation director and champion fundraiser [Kumbha] for AIDS charities, solicited anonymous donations [12] to make a shield of invisibility[12] exalted caretaker uchcha-Guru mother, grandmother, caretaker of stigmatized AIDS patients Guru anonymous philanthropy located in the charitable, celebrity, humanitarian, philosophical
Guru rules 3rd-from-Chandra = business, photographs, salacious stories, fashion-shoots
as a luxury-items retailer,
[navamsha Guru-Makara-nīcha] Guru is also rogesha,
Guru mutual drishti with Rahu-9 [uchcha-Shukra-yuti-Rahu]
Husbands
[Sweetly Suave Shukra] svadu-karaka [sweet] -- kalatra-karaka [wifely companion] = [uchcha] [yogakaraka creative-witty vidya-pati for Makara - Draco indriya-lagna] [yogakaraka dutiful-commanding karmesha for Makara - Draco indriya-lagna]
[aesthetically transactional intuitive financial reports] [equable imaginative messaging] [harmonious privately illuminated communications agenda] [public leadership karmesha via dreamlike topical discussion itinerary] [accommodating explanation of contemplative events] [smoothly clairsentient project management] [balanced publications describe dramatic vidya-pati other-worldly wisdom] [respected karmesha for spiritual comprehension] [abstractly documented evaluative information] [for husbandly Learners, wifely-companion may be reflective businesswoman, enclosed manager, sanctuary instructor, compassionate writer] ... [networking-revenues Revatī-3] = [navamsha Shukra-Kumbha] intuitively harmonizing popular beauty + [uchcha-Revatī-Shukra-yuti-Rahu-Uttarabhādra] [3]
OUTCOMES - SWEETENING SHUKRA pleasantly sensual communication style, enjoys balanced conversation, harmoniously collaborative teamwork, aesthetic of beautiful project presentation, likes the process of writing-and-publishing, commercial finance, prefers a luxurious office, mentally engaged in making fair arrangements, musical-artistic media-messaging transactions, appreciates having a gracious neighborly cohort [Shukra-3] rules [yogakaraka] - [uchcha]
CAREER - BRIGHT BHRIGU-TANAYA yogakaraka uchcha-Shukra rules [Pūrvaphalgunī svamsha] dramatist Richard Burton = [Chandra in Pūrvaphalgunī - Yoni] + [yogakaraka uchcha-Revatī-Shukra-yuti-Rahu-Uttarabhādra] [3, cinema, commerce, fashion photography, advertising, ensemble drama] ERT = exceptionally photogenic, skilled in costumery, intuitive relationship to cinematographers and product advertising 3-mercantilism, business woman handling luxury items, perfumes, jewels Astounding variety, fertility, financial abundance, and empowerment to thrive due to Rahu-Guru triangulate in ++ Guru drishti into 11-1-3 ++ workhorse Shani-1 mutual- drishti Guru-7 ++ the stunning, over-the-top photogenic beauty conferred by [uchcha-Shukra-yuti-Rahu-3] [Shukra Mahadasha] = [age 52.8 until age 72.8]
Intensive concentration on commercial business [3] + yogakaraka public profile [5+10] yogakaraka+uttamsha Shukra-yuti-Rahu [3] = tsunami of publicity [3] Gushing reporters wildly exaggerated [Rahu] her beauty and lavish sensuality. From childhood, ERT's managers [3] enjoyed cost-free promotion via an eager, insatiable scandal-hungry popular-news industry. [Sober Structural Shani] duro-karaka [endurance] -- jara-karaka [Jahre, years] = [svakshetra] = [Śaśaya Yoga] [energizing-identifying lagnesha for Makara - Draco indriya-lagna] [conserving-evaluating dhana-pati for Makara - Draco indriya-lagna] [lawful resistance from entrenched social regulators] [must speak under pressure from institutional agents] [restrained physical normalization] [identified lagnesha with institutional order and family tradition dhana-pati] [mandatory conformance with public behavioral rules] [heavy workload may reinforce muscular independence] [respectful self-disciplined embodiment of heritage values dhana-pati] [naturally receives social approval due to conventional conduct] [structural vitality and speech may be limited by fear of legal bureaucracy] [individual character may be shaped by class-stratified elders, who hail from survival-fear lineage dhana-pati] ... [visionary-charitable Uttarāṣāḍha-4] = [navamsha Shani-Meena ] intuitively regulated imaginative vision + + [Vaishva-Shani-1 mutual drishti Aśleṣa-Guru-7]
OUTCOMES - STRUCTURAL SHANI dutifully earth-embodied, identified as a diligent worker, responsibly innovative, mature appearance, must regulate the physical attributes, structured style of movement, slowed vitality, burdensome required maintenance the incarnate form [Shani in Bhava-1] rules
CAREER - SOBER SHANI + + [Vaishva-Shani-1 mutual drishti Aśleṣa-Guru-7] + + [Andromeda-Rahu-3 mutual drishti Aśleṣa-Guru-7] [1] personality, physique, fleshly appearance, kinetic energy, dance, style of movement chronic pain, orderly working Normally, Shani-1 = sober in conduct, accepts heavy burdens of ill-health, rarely succumbing to the ailment of self-medication. uchcha-Shukra-3 = uber-amplified by Rahu-and-Guru drisht Her extraordinary dramatic talent and facial beauty came with abundant permissiveness. ERT endured a severe struggle with chronic spinal scoliosis + substance-use disorder, including self-medicating alcoholism. Consistent Work on Behalf of the Suffering Due to Shani-6, ERT was beset by chronic health issues,most notably the skeletal malady of scoliosis. Understanding the hard reality of what it means to survive while sick and in pain, ERT used her platform in an orderly way to help the most ostracized and despised demographic of her era - the AIDS victims. RELATIONSHIPS - ruler of 7 occupies 6 off-balance ari-sthana contains [Shani-Makara Uttarāṣāḍha-4] ruler of busily partnering vīvāha-sthāna contains [Budha-Kumbha + [Surya-Kumbha + [Mangala-Kumbha] ERT was known for many accomplishments. Perhaps the most remarkable was her ability to remain unremarkable, at least in matters of maintaing the social order. Legendary Employee Work Habits [6, laboring] provisioned ERT with a lifelong regular [Shani] work habit [Shani in 3rd-from-Chandra = mental habits]. Most of her work occurred on Hollywood stage sets within her immediate neighborhood [3] -- with only a minimum number of scenes being filmed in exotic locales. ERT was considered exemplary in the cinema industry for her habit of arriving on time and prepared to work, putting in a solid days' effort, and leaving at the end of the work day to go home. [Chandra-4, soothed by home.] ERT did suffer from self-medicating substance use disorder, and extreme volatility in some of the marriages. However, ERT's personal life generally did not interrupt her performance schedule. [Shani Mahadasha] = [age 4.3 until age 23.3] [Shani occupies home-and-parents, 4th-from-Chandra. ERT famously asserted that she "never had a childhood"
[Risk-rewarding Rāhu] rajyalobha-karaka [ambition] -- picchala-karaka [slippery] [for Makara - Draco-born Learners]
[desire to deliver intuitive guidance instruction] [passion for scripted details of clairsentient inner comprehension] [exhilarating communication on contemplative understanding]
[imaginative announcements of exciting wholistic information] [over-sells reflective aspects of phantom business process] [exaggerated enterprising development of conceptual products for expanding interior awareness] [over-reaching scope of commercial vision] [compulsively fantasizing about technical skill] [amazingly insightful dreamlike media presentations] [ambitious advertiser of symbolic propaganda] ... [dramatizing-ceremonial Andromeda-1] = [navamsha Rahu-Simha] intuitively over-reaching mesmerizing shadowy theatrical drama + [Andromeda-Rahu-yuti-Shukra-Revatī-uchcha]
OUTCOMES - RISK-REWARDING RAHU After her cinema career was completed, and ERT's flourishing merchant business had endowed her philanthropic passions [Rahu-Meena] ERT evolved into a spokeswoman public-advocate [Shukra = advocacy] She represented [Shukra representation] those suffering from AIDS, raising attention to the destitution of this stigmatized population In the 1980's, her courage [3] in speaking-out empathetically was admired + Rahu-3 explaining-describing taboo topics. However most of ERT's success in fundraising came from generous but anonymous donors who feared to be named, but who trusted ERT.
[Rahu in bhava-3] + [uchcha-yogakaraka-Revatī-Shukra-yuti-Rahu-Uttarabhādra] cinema, fashion-modeling, tabloid publications, magazine photographs, commercial business seductress promiscuous mystique intakes the permissive incoming drishti from uchcha-Guru-12-Aśleṣa Shukra-yuti-Rahu super-amplifies and mystifies [8] shukra's rulerships
[Rahu-yuti-Shukra] occupies emotionally center-stage 5th-from-Chandra [celebrity, perfection of theatrical craft, birth of children]. A natural dramatist
[Chandra-4 intakes Rahu-drishti]
Dramatic, celebrated 5th-from-Chandra = 8 [mystery, shocks] containing [fabulous Rahu-yuti-Shukra attraction] indicates the extraordinary trajectory of her eight marriages which Fascinated the public Imagination [Meena ] [Collapsing unshackling Ketu] kavandha-karaka [headless] -- chidra-karaka [gaping] -- vasana-karaka [vacuum] [for Makara - Draco-born Learners]
[sporadic engagement with assistive ideologies] [erratic dissolution of service philosophy] [disinterested in outdated victimized convictions about laboring servitude] [surrenders useless sacred teachings on humility] [apatheticly forgives rational trespass of argumentative preachers] [logically dismisses vacuous credenda]
[absent from empty enslaving beliefs] [disregards obsolete principles of ministry] [oddly eccentric subordinated worldview] [passive observer to crumbling exploitive priesthood] [humble distracted father methodicly abandons unsustainable theories] [absentee father may give analytical guidance from ethereal realms] [aiding fatherly-figure may be wandering dissolute attendant, clairsentient medical guide, or helpful holy pilgrim] [father may be vacated, unavailable, or drifting in earthy mists ] ... [profitable-interlinked Aryaman-3] = [navamsha Ketu-Kumbha]
OUTCOMES - EVACUATING KETU |
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