born six months after
born one month after
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poet novelist
songwriter
Anglo-Indian newspaper journalist
short-story author celebrated litterateur 1907 Nobel Prize in Literature narrative themes of British Empire a.k.a. Joseph Rudyard Kipling Earth-birth Saturday-30-Dec-1865 dematerialization 18-Jan-1936 [age 70] NYT review of Kipling's legacy https://www.nytimes.com/books/00/04/30/reviews/000430.30ederlt.html |
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Celebrated British writer fiction, songs, and political slogans narratives of Empire and colonialism Rudyard Kipling 1865-1936 birth data from https://en.wikipedia.org/wiki/Rudyard_Kipling tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Masculine Nativity Yoni - Bhagadaivata - Prakphalguni - Arjuni BPL COMMENTARY For Purvaphalguni - Yoni - births of a masculine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Beautiful Bhrigu may considerably affect the outcome. Due to the definitive influence of kalatra-karaka Shukra, gentlemen born into the realms of Bharani - Yamya, Pūrvaphalgunī - Yonī, or Pūrvāṣāḍhā may find that their worldview is greatly shaped by the character of the feminine companions. For those born into the Shukra-ruled paradigm of Vutavabana, feminine figures such as sisters, aunts, and wives, along with partnerships, contracts, bargains, sensual pleasures, lovers, artistic beauty, luxurious scents, treasuries, financial arrangements, and music , may be especially influential. Instructional guidance provided by emissaries from the civilizations of Zosma. Their purpose is to dramatize, glamorize, and politicize the grand theatrical values of creative life. Diplomatic charm [Sweetly Suave Shukra] -ruled Purvaphalguni gentlemen are often found in the sparkling bright worlds of politics , romantic idealism, entertainment, speculative finance, and spectator sports. Yoni-born chaps often display a thick mane of leonine hair and a charming sense of humor. They are happiest when enjoying a choreographed sport, playing music, dancing with agility and grace, or performing a richly costumed dramatic role for an appreciative audience, delighted by spectacle and applause, they glitter and smile at parties, political campaigns, gambling and games.. Depending upon the placements of dhanakaraka Shukra and dhana=pati Budha, the Purvarjuni-born may also excel in financial showmanship, bargaining toward a political or commercial agreement, and the high drama of romantic relationships. Like all Shukra-governed births, bhagadaivata-born must take care to avoid the misuse of drugs and alcohol. Political success depends upon the charisma of lagnesha Surya. Financial success depends upon the dual-dhanakaraka Shukra and Budha. Themes of political celebrity, lavish musical entertainments, arts and fashion, and financial agreements may contextualize Pubba's terrestrial experience. Applies also to Chandra-Purvaphalguni. |
QUOTATION Pūrvaphalgunī from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra. p 83 " A physical rather than a mental type.
He must guard against impulsiveness since he is apt to to act without sufficient thought
He is very active physically and will be proficient at various sports
These people seem never to rest and are constantly in motion.
[end quote]
Kipling in the late 1890's
1915, rudyard Kipling age 50, at the height of his cultural and literary fame |
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Kipling's Cultural-Literary Legacy author George Orwell called Kipling a " Jingo Imperialist" Kipling recorded how the Victorian world finalized modernized in response to World War-1, and how Empire was experienced by different populations within it Kipling produced vigorously race-hate language for anti-German propaganda literary innovator in genre of short-story His children's books were enormously popular when published. Despite his other prolific works having been denigrated as Victorian imperialist boastings, the children's books have continued to charm new generations of Euro-sphere parents. |
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IF... a poem by Rudyard Kipling "If you can keep your head when all about you Are losing theirs and blaming it on you, If you can trust yourself when all men doubt you But make allowance for their doubting too, If you can wait and not be tired by waiting, Or being lied about, don't deal in lies, Or being hated, don't give way to hating, And yet don't look too good, nor talk too wise: If you can dream, and not make dreams your master, If you can think, and not make thoughts your aiam If you can meet with Triumph and Disaster And treat those two impostors just the same If you can bear to hear the truth you've spoken Twisted by knaves to make a trap for fools, Or watch the things you gave your life to, broken, And stoop and build 'em up with worn-out tools: If you can make one heap of all your winnings And risk it all on one turn of pitch-and-toss, And lose, and start again at your beginnings And never breath a word about your loss If you can force your heart and nerve and sinew To serve your turn long after they are gone, And so hold on when there is nothing in you Except the Will which says to them: "Hold on!" If you can talk with crowds and keep your virtue, Or walk with kings, nor lose the common touch, If neither foes nor loving friends can hurt you If all men count with you, but none too much, If you can fill the unforgiving minute With sixty seconds' worth of distance run, Yours is the Earth and everything that's in it, And, which is more, you'll be a Man, my son! |
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Biographical details matched to Vimshottari Dasha calendar
[ Mangala Mahadasha] [age birth until age 5.6]
Sat-30-Dec-1865 Earth-birth in Bombay, bombay Presidency, British India [now Mumbai, Gujarat, India ] * Mangala-Rahu bhukti [Rahu Mahadasha] [age 5.6 until age 23.6]
1871 [RK age 6] After a visit to their homeland, Kipling's parents returned to India, abandoning RK and his sister in England. The foster family bullied and abused RK for three childhood years, age 7-10 * Rahu-Rahu svabhukti until Rahu-Guru end ++ Sade-Sati 1886 [RK age 21] published first poetry * Rahu-Shukra bhukti * Shukra-5 rules 3-publication [Guru Mahadasha] [age 23.6 until age 39.6]
1890-91 [RK age 26] Suffers nervous breakdown, provoked by the death of his intimate friend, Wolcott Balestier * Guru-Guru svabhukti * Guru rules Ketu-8 ++ Guru rules 8th-from-Chandrap>18-Jan-1892 [RK age 26] consecration of marriage-1-of-1 with Carrie Balestier, of the Balestier publishing family. Carrie was the sister of RK's deceased lover, wolcott Balestier. * Guru-Shani bhukti * Shani rules Kumbha 7th-navamsha ++ samchara Rahu-Ketu via Vṛṣa-Vṛścika contact Chandra-Urisha ++ Carrie's Vṛścika-Chandra 29-Dec-1892 [RK age 27] celebrated the birth of child-1 * Guru-Shani bhukti * Shani rules 9th-from-Chandra ++ samchara Rahu-Ketu via Vṛṣa-Vṛścika contact Chandra-Urishap>1894 [RK age 29] published the acclaimed children's story Jungle Book * Guru-Budha bhukti * Budha publication May-1896 [RK age 31] public assault by brother-in-law Beatty Balestier, who was RK's landlord, romantic interest, and publisher * Guru-Budha bhukti * Budha sibling-figures + [Budha-yuti-Mangala] aggression Jul-1896 [RK age 31] repatriated to southern England, with Carrie and children * Guru-Ketu bhukti * Ketu withdrawal from unsustainable conditions 1897 [RK age 32] published Captains Courageous, a celebrated children's book * Guru-Shukra bhukti * Shukra rules 3-publication Feb-1899 [RK age 34] published the soon-to-be controversial White Man's Burden-- apprehended by readers as a paean to imperialism * Guru-Shukra bhukti * Shukra rules 3-publication + 10-public opinion 07-Mar-1899 [RK age 34] [Josephine age 6] grieved the tragic decease of child-1 via pneumonia * Guru-Shukra bhukti * Guru rules 2nd-from-5th-from-Chandra = decease of eldest child [Shani Mahadasha] [age 39.6 until age 58.6]
Dec-1907 [RK age 42] Nobel Prize in Literature * Shani-Shani svabhukti * uchcha-Shani-3 rules 9-10-from-Chandra, public celebration, respect 22-Nov-1910 [RK age 45] grieved the decease of mother, alice Macdonald Kipling * Shani-Budha bhukti * matrimaraka Budha rules 2nd-from-Chandra + dvadasa Sade-Sati Jan-1911 [RK age 45] grieved the decease of father John Lockwood Kipling * Shani-Budha bhukti * pitrimaraka Budha rules 7th-from-Surya + dvadasa Sade-Sati [May-1912 until Jun-1914] Janma Sade-Sati Urisha
27-Sep-1915 [RK age 50] [son John, age 18] grieved the tragic decease of child-3 who was killed on WW-1 battlefield * Shani-Surya bhukti * + dvithya Sade-Sati [Budha Mahadasha] [age 58.6 until dematerialization age 70]
Shani Ashtamsha via Dhanus -5 = Dec-1928 until Apr-193118-Jan-1936 [RK age 70] blessed liberation from the Earthen-body, via brain hemorrhage in his garden, in Fitzrovia, London, England * Budha-Rahu bhukti |
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Salient features of the Nativity
[Sparkling Splendid Surya] pitri-karaka [father] jyoti-karaka [light] [svabhava] [energizing-identifying lagnesha for Simha indriya-lagna] check Guru + Guru-drishti to source Surya's theoretical intelligence, dogmatic assertions, optimistic self-confidence [bright center of uplifting philosophy] [intelligence for inspirational belief] [celebrated patronage entitlement] [political focus on principles of doctrine] [believing father may be an uplifting creative artist, center-stage autocratic preacher, patronizing political speculator, sacred ceremonial performer, self-righteous pontificator]
... [calculating-strategic Pūrvāṣāḍhā-2] [navamsha Surya-Kanya] intuitively confident genius for portraying the service class, unbalanced environments, unfair or polluted persons [Pūrvāṣāḍhā-Surya-yuti-Kuja-Mūla] [Pūrvāṣāḍhā-Surya-yuti-Budha-Mūla] [Pūrvāṣāḍhā-Surya-yuti-Guru-Pūrvāṣāḍhā] [Pūrvāṣāḍhā-Surya-yuti-Shukra-Mūla]
OUTCOMES - SURYA self-reflexively ceremonial, brightly intelligent, charmingly creative, regal style of celebration, scholarly focus, radiantly demonstrative, politically speculating, splendidly romantic [Surya in bhava-5] rules
CAREER - SURYA confidently self-referential, brilliantly creative, blazingly intelligent, romantic, poetic, artistically performing, genius [Surya in bhava-5] [Mangala-Dhanus] yuti [Surya-Dhanus] yuti [Shukra-Dhanus] yuti [Guru-Dhanus] yuti [Budha-Dhanus] RK = an astounding concentration of graha in [5-literary creativity]
Lagnesha [Mūla- Surya in bhava-5] rules
[Surya-yuti-Kuja] [5]
SURYA-CAREER PATRIOTIC ICON of the hierarchy of EMPIRE The Sun Never Sets Pride
[Surya-yuti-Guru] ideological confidence
[Mūla-Surya lagnesha] grants boom-bust ICONIC status
More than simply a literary author and songwriter, rK became a symbolic masculine personality.
FATHER Dad = John Lockwood Kipling. For most of his adult life, dad was a college design-arts teacher and sculptor in Bombay. [Surya-yuti-Guru teacher] + [Surya-yuti-Budha handcraft] .
Surya-5 occupies occupies the trauma-inducing, discovering, revealing, danger-seeking 8th-from-Chandra. Like son, dad led a partially camouflaged life. [Comfortable Caretaking Chandra] matrikaraka [mother] * garha-karaka [village] [uchcha] [retreating-contemplative vyaya-pati-12 for Simha indriya-lagna ] ... [entitled-displaying Mrigashiras-1] [navamsha Chandra-Simha] [mulatrikona] intuitively sensitive to politics, drama, flamboyant display, celebration, royal entitlements, confident power [ātmakāraka rhythms, undulation, routine, cultural patterns, protection, familiarity, parenting]
OUTCOMES - CHANDRA sensitively ordering, protectively lawful, routinely governing, parentally regulating, rhythmically dutiful, customary commander, predictable hierarch, culturally respected, emotionally responsible, needs to hold elite positions [Chandra in classroom-10] rules
CAREER - CHANDRA
respected, widely-recognized [Chandra in classroom-10] occupies communicative 3rd-from-Chandra
Chandra rules 12 - need for escape
RK reputation based on his ability to render the previously culturally opaque realms of Bharati village life, into a familiar sonorous form [Soma sound]
Resonating, undulating uchcha-Chandra activates Urisha [10th navamsha]
[entitled-displaying Mrigashira-1] commercial, pushing sales, acraftsman, abusinessman, attuned to production
[Mangala-Dhanus] yuti [Surya-Dhanus] yuti [Shukra-Dhanus] yuti [Guru-Dhanus] yuti [Budha-Dhanus]
Wife's family 2nd-from-7th-from-Chandra [8th-from-Chandra] = the Dhanus-5 cluster, including 3-graha-in-Mūla Kipling had an extremely complex and demanding relationship with his in-laws.
Chandra Urisha rules the managing, mercantile 3rd-from-Chandra
Shukra-5 [wife] rules 3rd-from-Chandra ++ Shani-Tula-3, publishing
RK was both deeply attached and deeply conflict toward his wife's family, who controlled every aspect of his career. Mangala within Dhanus = The wifely figure's brothers Recently uncovered literary correspondence, hidden since the 1880's, suggests that RK had passionate involvements with both of his wife's brothers.
Another of Carrie's brothers, beatty Balestier [Ballister] was their landlord in Vermont, USA
[Chandra in classroom-10] social reputation.
CHANDRA-CAREER
[Mangala-Dhanus] yuti [Surya-Dhanus] yuti [Shukra-Dhanus] yuti [Guru-Dhanus] yuti [Budha-Dhanus]
RK was brilliantly productive but emotionally off-balance
[Chandra in classroom-10] in trauma-inducing, discovering, revealing, threatening, danger-seeking 8th-from-Chandr a Shukra-5 in 8th-from-Chandra
Emotional complexities of 6/8 imbalance
feelings [Soma] seek expression via complex, hidden relationships [Shukra in 8th-from-Chandr a]
8th-from-Chandr asuggests a career-protecting code of secrecy among those with whom he was most comfortable. In addition to coverage provided by his protective parents, rK belonged to a literary men's club in London. Here, he socialized with men like himself, who shared a love of Entitled masculinity and Empire.
MOTHER Mom = Alice Macdonald Kipling, an artist and socialite.
MARRIAGE partnership mutual support expectations
Career-defining [uchcha-Chandra] in 6/8 adversarial shad-ashtakya to kalatra-karaka Shukra
In addition to controlling the household operations - including her ability to keep the children quiet so that RK could write -- Carrie Balestier would have been a superior pre-press manager, editor, and secretary.
Despite being unhappy in the marriage partnership, rK was devoted to his children Yet, rahu-2 in 5th-from-Chandra
[Competitive Champion Kuja] bhratru-karaka [brother] virya-karaka [virile] [Yogakaraka homebound-securing bandesha for Simha indriya-lagna] [Yogakaraka doctrinal-believing dharmesha for Simha indriya-lagna] check Guru + Guru-drishti to source Kuja's vitally principled, doctrinally guided actions [vigorously ideological political campaigns] [energetic inspirationally optimistic stage performance] [dynamic theatrical enactment of priestly righteousness] [expresses dramatic creativity with guidance teachings] [promotes demonstrations of paradigmatic belief] [praised for pro-active patronage] [physicalized drive to preach the catechism while playing romantic poetic games] [may battle over sacerdotal entitlements with one's own children or students] [athletic coaching boosts adolescent confidence] ... [innovative-conquesting Mūla-1] [navamsha Mangala-Mesha] vigorous masculine championship + [Pūrvāṣāḍhā-Guru-yuti-Shukra-Mūla] + [Pūrvāṣāḍhā-Surya-yuti-Budha-Mūla] [ashtangata within 17 degrees of Surya]
OUTCOMES - MANGALA energetic center-stage performer, brightly kinetic dramatist, champion of romantic pursuit, vigorously gambling, dynamically creative, competitively political, sparkling entertainer, pioneering displays, dominant winner in gambling and games [Mangala in bhava-5] rules
CAREER - MANGALA [Mangala-Dhanus] yuti [Surya-Dhanus] yuti [Shukra-Dhanus] yuti [Guru-Dhanus] yuti [Budha-Dhanus] RK = an astounding concentration of graha in [5-literary creativity]
[Mūla-Mangala in bhava-5 ] rules
Childhood home, security, protection [ Mangala Mahadasha] [age birth until age 5.6] Kipling accounted the earliest years of life to have been blissful and idyllic. He remembered the joy of a close supportive bond with his parents, their siblings [his uncles and aunts] and his younger sister. Virtually everyone in his parents' circle was creatively gifted [Kuja-5] His troubles only began at onset of Rahu Mahadasha. [Busy Bantering Budha] jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student] [acquiring-conserving dhanesha for Simha indriya-lagna] [friendly-earning labha-pati for Simha indriya-lagna] check Guru + Guru-drishti to source Budha's inspirational dialog, inclusive vocabulary, dogmatic discussions, humanistic chat [enriching dhanayoga via communicative skill = Budha rules 2 + 11] [inspirational economic declarations] [dramatic ideological political vocabulary] [political narrative of tolerant diversity] [publication on topics of broad-scope understanding] [richly detailed philosophical announcements] [global scope marketplace banking discussions] [talks about patronage in creative-arts management] [doctrinaire cohort-siblings-teammates may be optimistic gamblers, believing dramatists, chattering coaches, verbose preachers] ... [dominating-champion Mūla-1] [navamsha Budha-Mesha] intuitively detailed explanatory description of pioneering innovations [Mūla-Budha-yuti-Surya-Pūrvāṣāḍhā] [Mūla-Budha-yuti-Mangala-Mūla] [Mūla-Budha-yuti-Guru-Pūrvāṣāḍhā] [Mūla-Budha-yuti-Shukra-Mūla]
OUTCOMES - BUDHA conversationally entertaining, articulately political, collaboratively romantic, mentally creative, analytically speculative, cleverly dramatic, instructionally idealistic [Budha in bhava-5] rules
CAREER - BUDHA [Mangala-Dhanus] yuti [Surya-Dhanus] yuti [Shukra-Dhanus] yuti [Guru-Dhanus] yuti [Budha-Dhanus] RK = an astounding concentration of graha in [5-literary creativity]
DHANAYOGA [Budha in bhava-5-Mūla ] descriptive narratives rules
Budha activates a second dhanayoga via 2-5 from Vrishabha-Chandra
Dialog, patois RK's phonetic dialog Writing [Budha] was later criticized as patronizing and colonialist. Yet,during the Edwardian era, rK was seen as a genius articulator [Budha] of authentic [Surya] conversations [Budha] This clever orthography pleasantly rendered the Indic phonology for RK's Anglo readers
[Generous Growing Guru] dhava-karaka [husband] bahuta-karaka [variety] --- [svakshetra] [witty-creative vidya-pati for Simha indriya-lagna] [mysterious-revealing randhresha for Simha indriya-lagna] ... [calculating-strategic Pūrvāṣāḍhā-2] [navamsha Guru-Kanya] intuitively expansive unbalanced complaining argumentation [Pūrvāṣāḍhā-Guru-yuti-Surya-Pūrvāṣāḍhā] [Pūrvāṣāḍhā-Guru-yuti-Mangala-Mūla] [Pūrvāṣāḍhā-Guru-yuti-Budha-Mūla] [Pūrvāṣāḍhā-Guru-yuti-Shukra-Mūla]
OUTCOMES - GURU abundantly celebrated, inspirationally center-stage, jovially entertaining, tolerant genius, globally creative, divinely guided gambling, confidently speculative, believes in romance, idealistic indoctrinator [Guru in bhava-5] rules
CAREER - GURU
[Mangala-Dhanus] yuti [Surya-Dhanus] yuti [Shukra-Dhanus] yuti [Guru-Dhanus] yuti [Budha-Dhanus] RK = an astounding concentration of graha in 5-literary creativity
Icon of British Paternalism [Guru-yuti-Surya] In his day, Kipling was an enormously feted writer and poet-laureate RK appeared to many of his Edwardian generation to have epitomized [Surya] the experience of a colonial ruling patriarchy The overlords were portrayed as kindly wise patrons [Guru] providing principled understanding [Guru] to the childlike, underdeveloped populations of their colonies. [Sweetly Suave Shukra] svadu-karaka [sweet] kalatra-karaka [wifely companion] [collaborative-publicizing sahaja-pati for Simha indriya-lagna] [commanding-dutiful karmesha for Simha indriya-lagna] check Guru + Guru-drishti to source Shukra's generously agreeable, optimisticly accommodating, globalist aesthetic [delights in ideological celebrity] [balanced demonstrations of doctrinal convictions] [charmed by brightly philosophical children] [reputation for principled political relationships] [enjoys gracious ceremonial inspiration] [harmoniously optimistic romantic games] [in a husbandly nativity, uplifting wife may be inspirationally creative artist, dramatically dogmatic, or global political broker] ... [champion-innovative Mūla-1] [navamsha Shukra-Mesha] intuitively competitive pioneering dominating financially suave negotiation of harmonious contracts [Mūla-Shukra-yuti-Surya-Pūrvāṣāḍhā-] [Mūla-Shukra-yuti-Mangala-Mūla] [Mūla-Shukra-yuti-Budha-Mūla-] [Mūla-Shukra-yuti-Guru-Pūrvāṣāḍhā]
OUTCOMES - SHUKRA sensually charismatic, agreeably theatrical, appreciative of romantic entitlements, harmoniously creative, aesthetically entertaining, graciious dramatic performance, financially speculative, musical-artistic students-adolescents, enjoys gambling, idealistic political relationships [Shukra-5] rules
CAREER - BHRIGU [Mangala-Dhanus] yuti [Surya-Dhanus] yuti [Shukra-Dhanus] yuti [Guru-Dhanus] yuti [Budha-Dhanus] RK = an astounding concentration of graha in [5-literary creativity]
[Shukra-5] rules
Shani-Tula-3 casting restrictive drishti into RK's [Shukra-5]-complex
In additional she served as secretary, and pre-press manuscript editor
Shani-Tula = yuvati-pati. Husband and wife were inextricably business-partners. Due to Carrie's highly effective, mercantile ordering behaviors
However, karmesha Shukra-Mūla occupies 6/8 from Chandra
[Shukra-5] occupies the trauma-inducing, discovering, revealing, danger-seeking 8th-from-Chandra = variety of additional, hidden relationships.
Mūla takes potentially annihilating risks. Mangala + Shukra + Budha [all three at 2-deg Mula]
[Sober Structural Shani] duro-karaka [endurance] * jara-karaka [Jahre, years] [inimical-medicating rogesha for Simha indriya-lagna] [balancing-bargaining yuvati-pati for Simha indriya-lagna] [obligation to report on trades] [regulates announcements about alliances] [disagreements cautiously managed] ... [imaginative-conceptualArcturus-4] [navamsha Shani-Meena] intuitively dreamlike hierarchical class-conscious visionary structure
OUTCOMES - SHANI soberly commercial, class-conscious administrator, regulatory documentor, responsible for orderly business, maintains stepwise bureaucratic process, applies strict reporting standards, mentally constricted, lawfully managerial, pragmatically instructional [Shani in Bhava-3]
CAREER - SHANI discipline, structure, order, hierarchy, conventionalism, normalcy, rank, status, class, limits Shani 3rd drishti upon Mangala. Exceptionally hard-working personality, prone to undertake austerities in order to get work done.
hardworking, architectural [uchcha-Shani in Bhava-3] rules
Carrie Balestier [Shukra] and her publisher family [Dhanus 2nd-from-7th-from-Chandra] were RK's exclusive agents.
******** NOBEL PRIZE for LITERATURE - 1907 Dec-1907 [RK age 42] Nobel Prize in Literature
A small group of well-connected men [3, small groups, teams] decide who receives Nobel Prizes.
The all-male cohort included vigorously ideological supporters of Empire, and of Kipling's style of celebrating British cultural hegemony.
Shani rogesha occupies 6th-from-Chandra Time not kind to RK's literary "genius" Following WW-2, the colonialist enthusiasm had dissipated and the glorious Empire collapsed.
Eventually, literary critics deprecatedRK's work as a romanticized artifact of Imperial culture.
Sadly, rK's literary reputation has not withstood the test of time. Modern literary critics tend to disparage his characterizations as condescending [Guru-Surya self-righteousness] rather than intriguing. After WW-2, rK's 1907 Nobel Prize in Literature began to be cited as a cautionary example [Shani] of incorrect prize criteria used by the coterie of prize-givers
******** Orderly Shani imposes a Disciplined and Productive Literary Life
Despite their personality mismatches, rudyard and Carrie Kipling teamworked productively, for decades.
Shani-3 rogesha in 6th-from-Chandra = suppressed quarreling Carrie was said to have been bitter about RK's long sojourns from their home. Her husband either stayed with his indulgent parents [Chandra] or commingled in men's clubs with gentlemen of similar tastes [Mūla-Kuja] .
Elder spouse Shani drishti upon Shukra while Shukra owns Shani
[Risk-rewarding Rāhu] rajyalobha-karaka [ambition] picchala-karaka [slippery] [for Simha indriya-lagna] [Rahu casts passionate drishti into 6-8-10] ... [creative-political Chitra-1] [navamsha Rahu-Simha]
OUTCOMES - RAHU Chitra-Rahu-Parthya imagination, drawings, privacy, casts drishti into
[Rahu Mahadasha] [age 5.6 until age 23.6]
RK recounted deep scars due to physical violence and psychological bullying
[Rahu in bhava-2] phonetics passion for foreign speech [2] ambition for privilege via cultural mixing in matters of language, sound-values, history For better or for worse, one of the strongest common images of India transmitted to the outside world remains the charming tonal stereotypes of Kipling's fiction
However, most of Kipling's writing is still in print.
[Collapsing unshackling Ketu] kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum] [beneficial placement for Simha indriya-lagna] [no barriers to symbolic transformative imagery] [disregard toward imaginary survival threats] [gently eruptive intuitive hidden knowledge] [passively fixated on ambitiously ministering-assisting Rahu in Partha-2 treasuries, store-holds, family-members, bankers, memory-collectors, warehousers, knowledge-preservers, or second-spouse] ... [systematic-profitable Revatī-3] [navamasha Ketu-Kumbha]
OUTCOMES - KETU [Ketu in classroom-8] occupies the emotionally motivated community-linking, gainful, friendly, goal-oriented, socially-networked [11th-from-Chandra] RK's personal life was filled with sustained absences, hidden liaisons Many of RK's friends had eccentric [Ketu], potentially criminalized or villainized [6] socially marginalized qualities [6] Yet, these detachments encouraged them to form social clubs and networks of profitable Odd-Fellows [11] RK wrote at home, but otherwise he was absent [Ketu] while socializing with this odd community. |
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