only search B.P. Lama Jyotishavidya



Drama and Song


born one month after

born 2 months before

born 5 months before

amorously associated with




Icon of American 1950's culture




Marilyn Monroe

a.k.a. Norma Jeane Mortenson

a.k.a. Norma Jean Baker

a.k.a. Mrs. Norma Jeane Dougherty

a.k.a. Mrs. DiMaggio

a.k.a. Mrs. Miller

Earth-birth Tuesday-01-Jun-1926

dematerialization 05-Aug-1962 (age 36)

MM Birth Certificate (no time recorded)


cinema drama



Norma Jean Mortensen

a.k.a. "Marilyn Monroe"

birth information from

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star -

- adapted by BP Lama

Rising Nakshatra

Feminine Public-Figure Examples

Arudra - Betelgeuze * Trinetra


For Arudra - Orion births of a feminine valence, the disposition of mesmerizing, hypnotic, shadowy, exciting, passionate, ambitious, opportunistic, privilege-seeking Professor Rahu may considerably affect the outcome .

For those born into the paradigm of Rahu-ruled Rudhira, exotics, ethnic mixers, opportunists, fascinators, mesmerizers, privilege-seekers, impostors, rogues, intensifiers of passion and desire, self-proclaimers, self-promoters, agents-provocateur , charlatans, masters of smoke and oils, and entrancingly ambitious persons may be especially influential.

Instructional guidance is provided by emissaries from Orion. Their purpose is to communicate the passionate animal vitality via stormy, turbulent, swaying, exciting gesture and signal.

Passionately Communicative

[Rahu] -ruled Ardraka ladies have stormy temperament. They may be considered capricious, inconsistent, and demanding. Often they are found in sensuous, writhing, twisting, fascinating roles. Mesmerizing dancers, they use the communicative signaling of hands, shoulders, legs, hips, and pelvic thrust to great advantage.

Depending upon Arudra - Orion's social environment, their seductive appeal may express as private or public When professionalized, Tiruvaatira-born may be stage performers of high excellence, who send waves of desire [Rahu] through an audience numbering one or one-million.

Rahu-ruled Arudra - Betelgeuze displays the animal intensity of the storm. Arudra women often are blessed with the capacity to regenerate their physical vitality and recreate their persona.

Ardraka women are often the diva type who are sensuously clever [Rahu] verbally quick, and impatient with those who are less communicatively responsive. Thiruvaathira-born may be gifted in handcraft, commerce, painting, descriptive writing, evocative song-writing, and the arts of seductive imagery such as photography, costume, and arts-of-style [Budha].

Themes of stimulating signal patterns, passionate messaging, volatility, intense cycles of attraction-and-repulsion, and stormy outbursts may contextualize Arudra - Orion's terrestrial experience. Applies also to Chandra in Arudra - Orion.

QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra, p 93r.

" A critical fault-finding disposition is apparently conferred ...

Her disagreeable disposition,

coupled with a sarcastic manner and speech,

  • makes it difficult for other people to tolerate her.

Although she is extremely clever in her conversation

and many people will be impressed by her speech,

  • while still disliking her.

She is extravagant to the point of wastefulness,

  • but on herself rather than on others,

  • although at times she will be grudgingly generous
  • to those with whom she comes in contact.

She has weak lungs and should be careful of colds and coughs,

  • as there is a tendency towards tuberculosis."


Norma Jean Mortenson in 1946 (age 20)


Early stages of modeling career


Marilyn Monroe age 18

WW-2 magazine photo


Jan-1954, Hollywood celebrities Marilyn Monroe and husband-2, Joe DiMaggio


Marilyn Monroe with Arthur Miller in London 1956


The famous Chicago updraft = vent grating on Michigan Avenue


The final, iconic look - cosmetically master-crafted over a decade of experimenting with surgical re-design, along with paint-and-poses.

This advertising image is still recognized worldwide, more than 50 years after MM's dematerialization


Uct-1956 = Marilyn Monroe meeting Elizabeth-2


MM Birth Certificate = no time recorded

Biographical events matched to Vimshottari Dasha

[Mangala Mahadasha] [age birth until 6.2]

01-Jun-1926 Earth-birth in Los Angeles, California, USA * Mangala-Rahu bhukti

1934 [NJ age 8] after taking Norma Jean out of foster care due to mom's mental improvement, her mom has a prolonged psychotic episode . Diagnosed as a paranoid schizophrenic (in 1934 diagnostic terms) Gladys Monroe will remain institutionalized until her suicide.

1934 [NJ age 8] predatory foster father begins sexually abusing her

1935 [NJ age 9] Norma Jean is sent to live in the Los Angeles Orphan Home in Hollywood

sum-1937 [NJ age 11] Norma Jean leaves the orphanage and moves into the home of family guardians. Guardian- father begins sexually abusing her. To escape the molestation, Norma Jean lives in numerous homes in several cities.

1941 [NJ age 15] returns to live with the predator family. Drops out from high school and begins modeling.

1942 [NJ age 16] the foster family relocates to the US east coast, leaving Norma Jean behind in Californiar.

[Rahu Mahadasha] [age 6.2 until 24.2]

19-Jun-1942 [NJ age 16] civil consecration of marriage-1-of-3 with 21-yo policeman Jim Dougherty, two weeks after her 16th birthday. The marriage was arranged as an alternative to sending NJ back to the orphanage * Rahu-Budha bhukti * Budha activates navamsha-7 ++ R-K gochara Singha-Kumbha contact navamsha Chandra

1944 [NJ age 18] her husband ships-out to the WW-2 Pacific battles. Norma moves in with her husband's parents, who are friends of all the others who have variously helped, housed, supported, and misused her. She takes a factory job and earns a self-sufficient income.

Jan-1945 [NJ age 19] quits factory job, moved into her own apt, and begins photographic modeling.

1946 [NJ age 20] dyes her hair blonde and adopts the stage name " Marilyn Monroe" .

Mar-1948 [NJ age 22] begins Hollywood contract after affair with studio executive

1949 [NJ age 23] following an affair with the director of a modelling agency, Marilyn is gifted with a silicone surgical jaw implant and a new nose, paid by the agency. First nude photos are published. She travels to New York with a film promotional ensemble.

fall-1950 [NJ age 24] negotiated by her lover at the ad agency, a 7-year cinema contract is signed. After signing, the lover dies of a heart attack.

1951 [NJ age 25] the new contract put her into higher profile acting roles, albeit all roles as sex vixen.

1952 [NJ age 26] more prominent roles, more sexualization, erratic behavior, and more drugs

14-Jan-1954 [NJ age 28] consecration of marriage-2-of-3 with baseball champion Giuseppe Paulo DiMaggio a.k.a. Joe DiMaggio. Following poor publicity due to her self-broken acting contract. * Guru-Shani bhukti ++ R-K gochara Dhanus-Mithuna * contact radical R-K

[Guru Mahadasha] [age 24.2 until decease (age 36)

29-Jun-1956 [NJ age 30] civil Marriage-3-of-3 with playwright, litterateur, critic Arthur Miller - Guru-Budha bhukti * Budha activates navamsha-7* R-K gochara Vṛṣa-Vṛścika contact navamsha R-K ( Jewish ceremonial vow spoken 01-Jul-1956)

1958 [NJ age 32] despite difficulties of personal behavior, health issues including endometriosis, drug addiction, and marriage, her films are critically and commercially successfu

1960 [NJ age 34] divorce from Arthur Miller

05-Aug-1962 [NJ age 36] dis-embodiment attributed to acute barbiturate poisoning. Coroner declared her death to be a likely suicide. * Guru -Chandra bhukti * maraka Chandra activates-2

Distinctive Features of the Nativity


pitri-karaka (father) * jyoti-karaka (light)

[busy-messaging vikrama-pati for Mithuna indriya-lagna]


[managing-commercial Rohiṇī-3] [navamsha Surya-Mithuna] intuitively confident business collaboration


  • [Surya-Urisha] Ravaye - the noisy one, the roaring one (Ravi = firebird; Rava = howl, yell, or squawk) * brightly charismatic confidence of Center-stage Surya radiates through the acquisitive sensual rashi of Shukra
  • [Surya in bhava-12] center of Other-Worlds * brightly contemplative * focus on seclusion * invisible light-source provides private guidance * intuitive entitlements * brilliant in research * backroom politics * intelligence for interior prayer * eye on creative imagination * sparkling center of the sanctuary * radiant clairsentient drama * father may be a researcher, or be isolated or unavailable
  • [Surya-yuti-Budha] confidently conversational * bright messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance


imaginative, interior, privately guided, conceptual [Surya in bhava-12] rules

  • 3-cinema, publication, photography, advertising, newspapers, writing, project-management, scripts



[Surya in bhava-12] may indicate an invisible (12) father-figure [Surya].

Dad was consciously unknown to her.

Although a paternal name is mentioned on her birth certificate, Monroe claimed that her identity-transforming mother (ruler of 8 Chandra in 8th-from-8th) had identified several different men as being young Norma Jean's bio-dad .

According to Ms. Monroe, she never met any man who admitted to being her father. Instead, she fantasized that various movie stars were her real dad.

Her mother pointed to several popular cinema stars as the marvelous progenitor. Biographers have opined that Norma Jean's father was likely her mom's former shift-supervisor in a film-cutting factory. Dharmesha-9 Surya in 6 would suggest that the bio-dad = a rank-and-file worker. Shani in 9th-from-Chandra suggests the blocked identity of father.

Surya-12 rules-3 communications = the privacy of the bedroom is communicated into messaging media such as cinema and photographic advertisement


matrikaraka (mother) * garha-karaka (village)

[conserving-entreasuring dhanesha for Mithuna indriya-lagna]

check Shani and Shani-drishti for the form of Chandra's class-conscious sensibilities

[volatile family history]

[intuitive sound-healer]

[soothed by periodic social shocks]

[needs psychic upheaval at fixed intervals]

[attuned to transformation of conventional hierarchies]

[dutiful feelings may suddenly stop-and-start]

[at some juncture in the lifespan, old class status utterly dies, catalyzing a rebirth into a new social class]

[comfortable with disruptive public influence]

[sympathetic to government tumult]

[grounded by orderly rhythmic rejuvenation]

[may sing-or-speak for emotional healing]

[traumatized mother may be financially unstable]

[mother's social dignity may fluctuate]

[mother may seem mysterious or unpredictable]


[dramatizing-showy Dhaniṣṭha-1] [navamsha-Chandra-Simha] intuitively sensitive to entertaining political display

  • [Chandra-Makara-Draco] comforted by hierarchy * sensitive to class-status * needs ritual ordering
  • [Chandra in Dhaniṣṭha - Delphinus] soothed by forceful climbing * protectors of structured competition * pursues routines of systematic dominance (dancing, drumbeat)
  • [Chandra in classroom-8] comfortable with crisis * familiar with catastrophe * unpredictable mother * feels the pulse of cyclical rebirth * soothed by secrecy * consoled by calamity * sensitive to danger * revolutionary sentiment * accustomed to frequent upheaval * seeks deeply rhythmic initiation * acculturated to masked exploration * occult sensitivities * needs eruptive energies * nourished by non-disclosure * emotionally attuned to trauma * undulating shakti-shocks * mother may be a mystic, healer, concealer, agent of disguise


shocking, transformative, rejuvenating, mysterious [Chandrndra in classroom-8] rules

  • 2-family, food, finance, speech, song, face-voice-mouth-teeth-tongue, sound, language, heritage, genetics, beauty, value, assessment, acquisition, knowledge of history, memory


[folk reputation 10th-from-Chandra = creative harmonious performance Tulā-5]

Chandra receives no Parashari drishti

Chandra-8 suggests a cycle or recycling of mothers. MM was raised by a variety of mother-figures including her natural mother, her mother's friends, and her foster-mother. She stayed with each of them for varying lengths of time [Makara lawful periodicity] often shuttling between these three.

Chandra-8 activates 7th-from-8 partnership. Seeking a parent figure. occupies bhava-8 taking drishti of Rahu may suggest her mother's unpredictability as well as her own. Her mother also married three times.

MARRIAGE partnership emotional equity support expectations

life-partner-1 = [7th-from-Chandra-8]

Karkata-2 * first life-partner is a member of her extended family (2) =

  • military serviceman and local policeman (protective Chandra) the purpose of this early marriage was to protect her via custody of a husband (Karkata, Chandra) so that she could avoid the state-mandated foster-care system

life-partner-2 = 2nd-from [7th-from-Chandra-8]


Second life-partner is a father-figure (9). Joe DiMaggio was a celebrity athlete Kuja-9.

According to MM, the union was short-lived due to jealousy.

  • Kuja activates 6-jealousy. Guru-9 rules 7 suggesting a bona fide marriage intention despite the brevity of the union. Mr. DiMaggio was dedicated to her memory and sent roses to her grave until his death.

life-partner-3 = 9th-from [7th-from-Chandra-8]


  • Monroe's third husband was the distinguished playwright and literary writer Arthur Miller. They intended to start a family and she chose him to be her co-parent. (4)

Borderline Personality Disorder + + speculated bi-polar disorder

The core pattern of Borderline Personality Disorder is a profound terror of abandonment. In extreme cases the terror may provoke psychotic episodes. The name borderline indicates that one's misery lingers on the border between neurotic anxiety and psychotic hallucination. Monroe recalled in interviews that one of her earliest memories was a terrifying scene of her mother smothering toddler Norma Jean with a pillow. Mom is retrospectively acknowledged to have suffered from unpredictable violence in context of extreme mood swings, depression, and suicidal threats. Mental illness in vious guises was noted throughout the family network including several suicides including her mom (a suiciding elder elicits the child's abandonment response). Beautiful and supremely talented though she was, MM's depressions and exhilaration became more extreme as she aged, and her attraction to narcissistic males (mostly politicians, mostly actors) became fraught with anxietyr.


bhratru-karaka (brother) * virya-karaka (virile)

[inimical-medicating rogesha for Mithuna indriya-lagna]

[friendly-gainful labha-pati for Mithuna indriya-lagna]

[karako bhavo nashto for patron, chieftain, father, indoctrinator]

[Dhanayoga ruler of 11 occupies 11th-from-11] [profits from pursuit of proletarian understanding]


[cinema-publication Purvabhadra-3] [navamsha Kuja-Mithuna] intuitively physicalized explanatory communication


  • [Mangala-Kumbha] vigorous community activism * warrior for economic progress * proactive linking * push toward regulated systems * pursues profitable roles * spearhead of mass interconnectivity * futuristic thrust * dominating energy in social networking * conquest of marketplace interactions * champion of distributed associations
  • [Mangala in bhava-9] drive toward doctrine * champion of paradigmatic belief - pursuit of patronage * dynamic preaching * philosophy of innovation * believes in conquest * aggressive or sexualized paternal energies * dominating military father-figures * growth-challenging paternal behavior
  • [Kuja-yuti-Guru] multiple competitions * many brother-figures * energized growth * dynamic generosity * masculine force joins optimistic expansion * champion of philosophy * potential for aggressive preaching * promotes broad worldview * indoctrinating actions


Mangala-9 provides a dynamic, sexualized drive toward entertainment arts and politics in 5th-from-5th

Kuja-9 is generally less comfortable for the father, and often indicates expressions of anger or aggressiveness of father

Finance economic gains

  • Mangala activates Arudha lagna Mesha-11 containing Shukra
  • Kuja ruler of 11-Mesha occupies 11th-from-11th suggesting a substantial income. She left an estate valued at approximately 1.5 million USD in 1962 dollars.


jamayah-karaka (sibling) = sandesha-karaka (message) = shisya-karaka (student)

[energizing-identifying lagnesha for Mithuna indriya-lagna]

[homebound-anchoring bandesha for Mithuna indriya-lagna]

[imaginative evaluation of sound-and-color]

[talks about historical values]

[fantasy narrative about sensual pleasures]


[face-voice Rohiṇī-2] [navamsha Budha-Urisha]


  • [Budha-Urisha] financial communications * articulation of tonal value * talks about stored goods * discusses collected assets * delivers descriptive evaluations * sends historic messages * skillfully signals the music * preservation methods * describes sound frequencies * hands-arms-shoulders send sensual gestures
  • [Budha in bhava-12] narrative of sanctuary * talks about quietude * commerce of the hermitage * discusses interior spiritual guidance * speaks from invisible location * instructions on reflective contemplation * detailed descriptions of intimate privacy * diagrams the astral inner terrain * explainer of quiet prayer * imaginative siblings * communication with distant worlds * delivers information about clairsentience * skillfully defines the dreamworld * logical visions
  • [Budha-yuti-Surya] amusing explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures


talkative, script-seeking, cinema-communications lagnesha Budha activates Karakamsha = Mithuaya-1 containing Rahu

Budha activates the musical, rhythmically scripted Revati Svamsha


dhava-karaka (husband) * bahuta-karaka (variety)


[karako bhavo nashto for father, patrons, chieftains, indoctrinators]

[bargaining-balancing yuvati-pati for Mithuna indriya-lagna]

[dutiful-hierarchical karmesha for Mithuna indriya-lagna]

[expanded associative networks of believers]

[multiple father-figure community advisers]

[many scientific indoctrinator roles]

[large fan-clubs]

[theoretical vision of marketplace gridworks]

[many profitable optimistic patrons]

[preaches on distributive populism]

[may be a guru-figure within an economic-scientific sangha]

[father may be electrician, professor, systems-connector, economist]


[exploring-revealing Dhaniṣṭha-4] [navamsha Guru-Vrischika] intuitively expansive optimistic exploratory discovery


  • [Guru-Kumbha] much networking * hope for the future * many marketplaces * optimistic about big associations * permission to connect * scientific beliefs * doctrine of economic linkage * distributed guidance * expands the scope of social participation * multiple communities and friendships
  • [Guru in bhava-9] tolerance for diverse doctrines * multiple beliefs * expansive ideology * much sermonizing * broad humanistic understanding * Sanctimonious father * multiple father-guru-professor figures * extensive worldview * patron of philosophy * in a wifely nativity, husbandly-companion may be an ideologue or spiritual guide
  • [Guru-yuti-Mangala] bhratri-karaka * multiple brotherly-figures * permission to compete-and-win * expansive conquests * progressive philosophy * large-scale invasive actions * vigorous champion of optimistic belief


243. Dhatrutva Yoga extraordinary generosity

yuvati pathi, dhavakaraka Guru in navamsha yuti Ketu contributes to three divorces before age 36

Guru activates 10th navamsha * globalism, compassionate perspective

Guru-yuti-Ketu in Vṛścika navamsha-9 suggests her three marriages, three divorces, no living children


svadu-karaka (sweet) * kalatra-karaka (wifely companion)

[witty-speculative vidya-pati for Mithuna indriya-lagna]

[retreating-meditative vyaya-pati for Mithuna indriya-lagna]

[Dhanayoga Shukra-5 rules 11]


[face-voice Aśvini-2] [navamsha Shukra-Urisha] intuitively harmonizing precious attractive entertaining [5] fantasizing [12] sound-color values

  • [Shukra-Mesha] appreciation of direct movement * primal relationships * likes innovation * aesthetic of physicality * attracted to champions * pleasures of conquest * kinetic sensuality * prefers a lithely sporting partner * sweetly competitive * aristocratic agreements
  • [Shukra-11] seeks pleasure via social connectivity * pleasant community linkage * balances asset distribution systems * seeks network equity * association with artists * values friendly financial connections * likes knitting-and-knotting * pleasing designs to adorn the skin * graceful ankles * appreciation of friendships * aesthetic of fair deals in marketplace * enjoys attractive friends * in a husbandly nativity, wifely-companion may be a socialite-economist-networker-economist-networker



Shukra receives incoming drishti from [uchcha] Shani-5 connotes artistic structure, composition, sense of design movement costume


duro-karaka (endurance) *jara-karaka [Jahre, years]


[mysterious-revealing randhresha for Mithuna indriya-lagna]

[believing-philosophical dharmesha for Mithuna indriya-lagna]


[bargaining-brokering Chitra-3] [navamsha Shani-Tula-uchcha] [vargottamsha] intuitively ordering class-conscious slow hierarchical social justice

[Atmakaraka Responsibility, institutions, law-and-order, respect for elders, endurance, time]

  • [Shani-Tula] overburdened agreements * restricted leverage * mandatory bargaining * strict rules for making agreements * structural compression upon kidney-pancreas * rigidly regulated match-making * must form socially approved partnerships * must honor the lowest-common-denominator in deal-making * mandatory fairness * must normalize social justice * unyielding obligatory diplomacy * must advocate for equity * exchanges must be lawful * must continue conventional negotiations * scarce trading resources * maintainer of old bargains
  • [Shani in Bhava-5] steady time-structured intelligence * heavy responsibility for children - pessimistic in romance * cautious financial speculation * resists ceremony * limits special entitlements * obligatory entertainments * dreads political games * tightly disciplined creativity * mother's family often rigidly conventional * blocked heart-and-spine * subdued sparkle * performance fatigue * intolerant of time-wasting amusements * elders maintain ordinary rights


Shani-5 in 10th-from-Chandra suggests an orderly, equity-seeking, contract-structured entertainment (5) career. She also had the potential to be involved with government at the highest levels ([uchcha] Shani).

Ms. Monroe was said to have been a diligent worker who practiced her dance routines and scripts in a disciplined manner.

[uchcha] Shani-5 rules 8-mysteries, non-disclosure, dangerous liaisons +++ 9-celebrity life philosophy, dharma, worldview

Shani receives drishti from both Guru and Rahu, creating a Guru-Shani-Rahu trine in 1-5-9 that radiates in considerable magnitude

From [ Chandra-Makara-Draco] lagna, the mature voice of sober serious structured hierarchical Professor Shani rules

  • the emotionally-motivated traditionalism, family lineage conserving, treasure-preserving, language-and-history remembering, acquisitive, genetic conservation of [2nd-from-Chandra]
  • the emotional authenticity of in-the-body feelings represented by sensitive, receptive, absorptive Chandrana

randhresha Shani-5 indicates that despite her personal sense of responsibility and duty [Shani] the forces of unexpected identity change altered her public profile and sudden events surprised her both personally (Chandra-8) and professionally (Shani-the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra)


Guru drishti into putra-putrikisthāna-5 is fertile, but blocked by [uchcha] Shani-5 * and Guru-Chandra in 2-12 angle suggests no progeny

MM was married three times by the age of 30. Although MM had no living children, reportedly she miscarried twice and suffered an ectopic pregnancy during her third marriager.


rajyalobha-karaka (ambition) * picchala-karaka (slippery)

[passionate messaging via vital bodily movement]

[opportunistic discussions about mixed identity]

[fascinating physique communicates excitiement]

[astonishing empowerment via media photographs]

[physical appearance signals a new era]


[face-voice-values Punarvasu-2] [navamsha Rahu-Urisha-uchcha] intuitively over-reaching ambitious opportunistic financial, oratorical, heritage, sound-valued cultural-mixing movements

  • [Rahu-Mithuna] shimmering illusion of cooperation * craving for conversation * mask of messaging * boundary-breaching broadcasts * extraordinary explanations * ambitious administration * preposterous propaganda * extravagant commercial transactions * marvelous advertising * thrilling photographs * unusual ensembles * exciting cohort * mesmerizing instructions * over-reaching management * seeks special importance via apparent (but perhaps not authentic) attributes of information delivery * Sensational scripts * exaggerated announcements * exceptional business methods * seeks privilege via communicator-roles
  • [Rahu in bhava- 1] passion for prestige appearance * in svabhava of Competitive Kuja, the Shadowy Specter seeks privilege via glamorous physical visage * extraordinary athletic action * outsider who cleverly insinuates into a noble identity * smoky, oily aura * desires competitive advantage * exceptionally recognizable appearance * exhilarating force of nature * thrilling champion of non-standard lifestyles * social mobility sought via dynamic movement * powerful personality * innovative behavior challenges existing norms * culturally mixed self-image * embodies exciting new energies * self-promotion via blood-and-birth * double agent * over-reaching ambition for empowered individuality * craves special importance * trespasses cultural limitations of race-class-creed-gender * fascinating figure * may represent a cult of personality


ambitious Rahu-1-Mithunaya

drishti of Rahu impacts Shani-5 + Ketu-7 + Guru-9 +Mangala-9

" I am made of photographs"

MM lived through an instrumental, expedient, opportunistic, fabricated personality Rahu-1. Upon the basic chassis of young Norma Jean Baker, the charismatic fashion icon Marilyn Monroe was crafted by a series of cosmetic artists, image managers, talent agents, professional handlers, and business partners. [Mithuna]

Marilyn Monroe (stage name) was magnetically [Rahu] photogenic [Mithuna] . Rahu provides a sparkling, mottled aura coupled with a natural interest in communications media.

Legendary images feature various provocative (Arudra) poses, wearing various items of couture, displaying different appliances and layers of cosmetic paint. Underneath the veneer percolates Rahu's desire for the privileges attending the important person (1)r.


kavandha-karaka (headless) * chidra-karaka (gaping) * vasana-karaka (vacuum)

[for Mithuna indriya-lagna]

[unconcerned with lack of belief in fairness]

[dispersed engagement with philosophical partnerships]

[dissolution of doctrinal advocacies]

[surrenders belief-based bargains]

[forgives broken sacred promises]

[abandons unsustainable optimistic arrangements]

[absent from empty ideological alliances]

[disregards theoretical agreements]

[eccentric principled deals]

[passively fixated on ambitiously messaging-commercial Rahu-Mithuna-1 fabulous physical embodiment]


[secretive-discovering Pūrvāṣāḍhā-4] [navamsha Ketu-Vrischika] [uchcha]

  • [Ketu-Dhanus] philosophically dissociates from sacred convictions * odd professors * dissolves indoctrination * empty paradigm of belief * dispersed worldview * martyr's faith * not limited by conventional beliefs * eccentric teachings * peculiar convictions * ignores restricted catechesis * releases a warm golden cloud of broad inclusivity into the misty abyss
  • [Ketu in classroom-7] ambivalent toward agreements * absentee advocates * disregards contractual loyalties * disinterested in mutuality * wanders from the middle-balance * empty arrangements * irrelevance of equity * surrenders alliances * abandons the usual covenants * ignores advice * incoherent promises * liberation via surrendered negotiations * unless other graha in 7, may prefer to live free from partners


[Ketu in classroom-7] marriage

Collapsing Ketu -7 receives incoming drishti from Rahu-1 + [uchcha] Shani-5

Ketu-7 uncertainty and disconnectedness regarding marriage partnerships

According to her own reports, MM didn't know her first husband until the day they were married. He was a son of a friend of one of her relatives. The ostensible purpose of the marriage was to protect Norma Jean from returning to Yet, another abusive foster home and to relieve her relatives of worry in her care. He shipped out for military service shortly after their wedding; their communication was spotty [Ketu] and she lost interest in the venture long before he returned from service. Although both lived in Los Angeles, they never spoke. He eventually became a local policeman.


[How Readings Work] [Sample Sacred Jewels Ratna Recommendationn] [Seva]

Om_mani.jpgfile update = 26-May-2023

[Copyright 1994-2024 by Barbara Pijan Lama] [Contact] [How to Request a Jyotishavidya Reading]

Barbara Pijan Lama Jyotishavidya Vedic Astrology Surya Sun Chandra Moon Mangala Mars Budha Mercury Guru Jupiter Shukra Venus Shani Saturn Rahu Ketu Graha Planets Dasha Timeline Calendar Nakshatra Navamsha Marriage Children Treasury Career Spiritual Wisdom Cycles of re-Death and re-Birth

The information on , including all readings and reports, is provided for educational purposes only. Wishing you every happiness and continuing success in studies!