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  • entertainer Doris Day a.k.a. Mary Ann Kappelhoff




Theatrical singer

Hollywood child-celebrity

famed child role in The Wizard of Oz

Judy Garland

a.k.a. Frances Ethel Gumm

Earth-birth Saturday-10-Jun-1922

dematerialization 22-Jun-1969 [age 47]


cinema dramatist



Judy Garland

born as Frances Ethel Gumm

birth data from

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star -

- adapted by BP Lama

Rising Nakshatra

Feminine Nativity


Yoni - Bhagadaivata - Prakphalguni - Arjuni


For Purvaphalguni * Yoni * births of a feminine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Beautiful Bhrigu may considerably affect the outcome.

For those born into the Shukra-ruled paradigm of Vutavabana, feminine figures such as sisters, aunts, and wives, along with partnerships, contracts, bargains, sensual pleasures, lovers, artistic beauty, luxurious scents, treasuries, financial arrangements, and music, may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Zosma. Their purpose is to dramatize, glamorize, and politicize the grand theatrical values of creative life.

Diplomatic charm

[Shukra] -ruled Purvaphalguni ladies are often the diva type. Yoni-born are found in the sparkling bright worlds of political diplomacy, romantic idealism, entertainment, speculative finance, performance arts, and fashion design. Women born into a nakshatra of Shukra are often blessed by a special aptitude for music, beauty, treasuries, ornaments, design arts, and financial affairs.

Yoni-born are happiest when playing musical instruments, dancing on the theatrical stage, or performing a richly costumed dramatic role for an appreciative audience, Delighted by spectacle and applause, they glitter and radiate at parties, creative events, political campaigns, and games.

Depending upon the placements of dhanakaraka Shukra and dhana=pati Budha, the Purvarjuni-born may also display financial intelligence, deal-brokering ability, and glamour in romantic relationships. Queenly and self-referential, they require equity in marriage and business contracts. Honesty is deeply important to them. Yet, due to Shukra's bargaining nature, the insult of disloyalty may be balanced by financial compensation.

Like all sweet-seeking Shukra-governed births, Bhagadaivata-born must take care to avoid the misuse of drugs and alcohol. Political and creative success depends upon the charisma of lagnesha Surya. Financial success depends upon the dual-dhanakaraka Shukra and Budha.

Themes of theatrical celebrity, lavish musical entertainments, arts and fashion, and financial agreements may contextualize Pubba's terrestrial experience. Applies also to Chandra-Purvaphalguni.

QUOTATION from Shil-Ponde.[1939] . Hindu Astrology Joytisha-Shastra . p 96r.

" An expensive and luxurious person.

  • One who is fond of clothes and beautiful surroundings and revels in them.

  • She spends much money on jewels, perfumes, cosmetics

  • and her taste in these matters is expensive .

She likes to change costumes several times a day

  • and always look like an animated fashion plate .

Variety is the spice of life to this woman

  • and she will be inconstant and fickle in love affairs,

  • having many during her life and marrying often.

QUOTATION from Shil-Ponde. [1939] . Hindu Astrology Joytisha-Shastra . p 95

" ... an oval face, whose features are well proportioned

  • and a quiet, well modulated voice, soft and cultured.
She is modest and unassuming
  • but has a strong and fine character beneath her quiet demeanor.

Very hospitable and sociable, she likes to meet people

  • and is interested in what they have to say and in their troubles.

She likes to sew or embroider

  • and is often occupied with such tasks.

She also is keenly interested in occult subjects

  • And likes to listen to discussions on these matters and to read about them.

She is scrupulous in her obligations

  • and a favor done to her will always be repaid promptly with something else added."


Judy Garland in 1941 [age 19]


Judy Garland [a.k.a. Ethel Gumm] publicity photo 1935, her age 13


Judy Garland a.k.a. Frances Ethel Gumm with her problematic mother-manager, Ethel Milne Gumm. Matrikaraka Chandra-5 rules withdrawn, imprisoning bhava-12


From The Wizard of Oz, 1936

characters Dorothy Gale and the Wicked Witch of the West

GarlandJudy_photo1.jpgBiographical data matched to Vimshottari Dasha timeline

[Ketu Mahadasha] [age birth until age 01]

10-Jun-1922 Earth-birth in Grand Rapids, Minnesota, USA *Ketu-Shani bhukti

[Shukra Mahadasha] [age 01 until age 22]

Dec-1928 until Apr-1931 Janma Sade-Sati Dhanus

  • [5, entertainment, artistic genius, creativity, romance, children]
  • [age 7-10]
  • [Chandra in Mūla]

1935 [JG age 13] first cinema contract with industrial film producers * Shukra-Guru bhukti * Guru activates 5-entertainments

17-Nov-1935 [JG age 13] grieved sudden death of her father - Shukra-Guru bhukti * Guru rules 12th-from-pitristhana

1939 [JG age 17] wins Academy Award [Oscar] for performance in Wizard of Oz * Shukra -Shani bhukti * Shani enable Rahu-yuti-Guru * Guru rules 5-prizes, celebrity

28-Jul-1941 [JG age 19] consecration of marriage-1-of-5 with songwriter David Rose [union 1941 - 1944] * Shukra-Budha bhukti [Shukra-yuti-Budha] ++ gochara R-K Kanya-Meena * contact radical R-K axis

1943 [JG age 21] announced estrangement from her manager-mother. Mom is thenceforward banned from the MGM cinema properties * Shukra-Ketu chidra-dasha

[Surya Mahadasha] [age 21.1 until age 27.1]

15-Jun-1945 [JG age 23] consecration of marriage-2-of-5 = cinematic producer Vincente Minnelli [marriage = 1945 - 1951] * Surya-Mangala bhukti * Mangala rules Vrischika Svamsha

12-Mar-1946 [JG age 24] celebrated the birth of child-1, singer-dramatist Liza Minnelli * Surya-Rahu bhukti [Rahu-yuti-Guru]

Jul-1947 [JG age 25] nervous breakdown including first suicide attempt * Surya-Shani bhukti * Shani rogesha

[Chandra Mahadasha] [age 27.1 until age 37.1]

1950 [JG age 27] following 15 years continuous contract, end of employment with MGM studios * Chandra-Chandra svabhukti * Chandra rules 12 = 6th-from-7 contracts

1951 [JG age 29] after financial and personal difficulties, rebounded into successful performance events in UK-Ireland * Chandra-Mangala bhukti * yogakaraka Kuja rules 9-celebrity performance

08-Jun-1952 [JG age 30] consecration of marriage-3-of-5 with Sid Luft until 1965 * Chandra-Rahu bhukti

05-Jan-1953 [JG age 31] [mom age 59 ] grieved the decease of estranged Mother , via heart-attack * Chandra-Rahu bhukti * dvadasa Sade-Sati

Feb-1958 until Feb-1961 Janma Sade-Sati Dhanus

  • [5, entertainment, artistic genius, creativity, romance, children]
  • [age 37-40]
  • [Chandra in Mūla]

[Mangala Mahadasha] [age 37.1 until age 44.1]

1962 [JG age 40] wins five Grammy awards * Mangala-Guru bhukti [Rahu-yuti-Guru] Guru rules 5-prizes, celebrity, entertainment

1963 [JG age 41] receives a lucrative television contract, but the show is cancelled after only 26 episodes * Mangala-Shani bhukti * Shani rules 7 contracts, but Shani also rogesha broken promises

27-May-1964 [JG age 42] grieved the desease of her eldest sibling, sister Suzy, via suicide * Mangala-Budha bhukti * Budha rules 2nd-from-9th-from-Chandra

14-Nov-1965 [JG age 43] consecration of marriage-4-of-5 = Mark Herron until 1967 * Mangala-Shukra bhukti

[Rahu Mahadasha] [age 44.1 until decease age 47]

15-Mar-1969 [JG age 47] consecration of marriage-5-of-5 with stage manager Mickey Devinko [Deans]. The union endured for three months, ending with JG decease in Jun-1969 * Rahu-Rahu svabhukti

22-Jun-1969 [JG age 47] dematerialization via self-poisoning, barbiturate overdose * Rahu-Rahu svabhukti * Rahu-2 maraka


Distinctive features of the Nativity


pitri-karaka [father] jyoti-karaka [light]


[energizing-identifying lagnesha for Simha indriya-lagna]

[high visibility public roles in values demonstration]

[bright center of wealth entitlements]

[genius for musical performance]


[dramatizing-demonstrating Mriga-1] [navamsha Surya-Simha] intuitively displaying sparkling center-stage entertaining confidence

  • [Surya-Urisha] Ravaye - the noisy one, the roaring one [Ravi = firebird; Rava = howl, yell, or squawk] * brightly charismatic confidence of Center-stage Surya radiates through the acquisitive sensual rashi of Shukra
  • [Surya in bhava-10] bright center of hierarchy * confidently governing * legislative intelligence * focus on social order * regulatory entitlements * political authority * brilliant career * eye on elite positions * radiant reputation * sparkling center of the leadership drama * father may be a governor-regulator-boss


high-visibility, decisive, brilliantly iconic [Surya in bhava-10] rules

  • 1-personality, style of movement, unique appearance, recognizability, conditions of birth


Theatrical singer, Hollywood child-actor dramatist

Her most celebrated cinematic performance included the legendary songs from Wizard of Oz

Surya-Simha occupies 10th-Navamsha = communications media, photographs, cinema

[Surya in bhava-10] drishti incoming

  • receives physically energizing drishti of Mangala
  • + expansion-amplification via drishti from [Guru-yuti-Rahu]

Surya karaka for theatre, celebrity


[Surya in bhava-10] = lagnesha

Dad = a vaudeville entertainer who owned a local theatre [Surya]. The entertainments included live-performance music and dance [Urisha] mixed with early cinema.

lagnesha Surya = JG attested that she adored her father

Tension between the parents

Surya-10 occupies [6th-from-Chandra]-5-Mula, indicating a hostile, incompatible electro-magnetic emotional alliance between mother [Mūla] Chandra-5] and father [Mriga-Surya-10] .

Garland's father was a gay man and the father of the three Singing Gumm Sisters. The parents often disagreed about money [Urisha]. They also argued about his entitlement [Surya] to a self-determined lifestyle [Surya]r.


matrikaraka [mother] * garha-karaka [village]

[retreating-contemplative vyaya-pati for Simha indriya-lagna]


[collaborative-communicative Mūla-3] [navamsha Chandra in Mithuna] intuitively sensitive explanatory description

  • [Chandra-Dhanus] comforted by customary beliefs * settled into rhythmic received teachings * needs to feel wisely guided
  • [Chandra in Mūla - Vichruta] * protectors of the eternal root vortex * soothed by pure emptiness * feels like a galactic pilgrim
  • [Chandra in classroom-5] comfortable with politics * familiar with speculation * intelligent confident mother * soothed by playing games * charmed by children * needs applause * sensitive to center-stage roles * nourished by self-expression * feels entitled * attuned to heart-centered emotion * settled into the rhythm of artistic creativity * routinely seeks amusement * calmed by admiration * undulating celebrity * mother may be an actress, scholar, creator, gambler, romantic


political, spectacular, displaying, fashionable, glittering, center-stage, gamey [Chandra in classroom-5] rules

  • 12-privacy, retreat, imagination, foreign lands, isolation, imagination, interiority, invisibility, quietude, back-room


  • [folk reputation 10th-from-Chandra = financial, musical, heritage, banking, preserving, minstering, aiding, argumentative Kanya-2]

beauty, song, face * Shukra drishti to Chandra in Mūla - Vichruta-= that charming round child's face, still perfectly recognizable many decades later.


[Chandra in classroom-5] receives relationship-defining 7th drishti of entertaining, singing, dramatic Shukra + Budha. Mom had worked as a vaudevillian performer before her daughters were born.

Mom was said to have been an intensely controlling stage-mother

Mom was involved in every detail of her underage daughter JG's relationship to the hiring studios. Chandra in Mūla - Vichruta rules bhava-12 invisibility, withdrawal

Chandra activates the emotionally self-transforming, often shocking, change-inducing, revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra = secrets, non-disclosure, sudden unexpected changes, new identities, transformative healing, camouflage, emergencies

  • According to Ms. Garland, the secret drugs which eventually destroyed Judy's health were originally supplied by her mother = Chandra takes a strong 7th drishti of Shukra ruler of [6th-from-Chandra] .

Eventually, Judy gained legal adulthood and Chandra in Mūla - Vichruta fulfilled its destiny of emotional annihilation.

  • JG had a volatile relationship with her mother.
  • It is said by observers that Judy Garland idolized and identified with her entertainer father [Surya-10 lagnesha]
  • but held her mother responsible for her father's distress and premature death [Chandra-5 matrikaraka in the father-destroying 8th-from-Surya] .

When Judy turned 21, her desire to throw off the structure of maternal control [Mūla] became materially viable.

  • Following a major fight about her mother's mismanagement of her contract [Chandra activates 6th-from-7th = enemies of contractual equity] ,
  • JG relationship with the mom-ager was completely severed during Shukra-Ketu chidra-dasha

Mom received no further financial support from her famous daughter

  • JG asserted that mom had been pilfering her earnings since childhood.

Post-split from her Mother, JG bore two additional children bring her family to a total of three kids.

  • Yet no communication was allowed between Garland's mom-manager and the grandchildren.
  • Additional pressure heaped upon Judy, due to inability to call upon the living grandmother as a trustworthy caretaker for the grandchildren.

emotional annihilation Chandra in Mūla

  • No reconciliation whatsoever occurred during the " no-contact" years 1943-1953.
  • The alienated mother died in 1953 [mom's age 59] .

It is speculated that the momager may have displayed the symptoms of borderline Personality Disorder

  • BPD produces a mother-figure who for psychological reasons may systematically and gradually causes significant harm to her own children, including the potential to drug them or steal their money.
  • One method for helping families to deal with these personalities is the classic " no contact" policy.
  • This zero-contact stratagem may have been intuitively or professionally recommended

Parenting [Chandra]

A downward spiral began during the nervous breakdown following the birth of her first child

  • without ability to be supported in early motherhood by her own mother, JG was several times accused of irresponsible parenting due to negligence and drug use.
  • Several times she nearly lost legal possession of her children
  • effectively she was often separated from the kids by work duties and periods of personal disconnectedness.

MARRIAGE partnership emotional equity support expectations


Shani-yuti-Guru dhava-karaka + Guru-yuti-Rahu suggests that she had a multitude of husbandly-companions Her father and also her five husbands were generally homo-social men whose sexual-sensual-partnerships were diverse and complex with socially irregular [Rahu] behaviors yet socially regular [Shani] external professional status.

Rahu amplifies the yuvati-pati Guru * Rahu amplifying rogesha-Shani contributes to five marriages before age 46

With a deceased father and a rejected mother, Ms. Garland -- whose childhood had been overwhelmed with adult work in cinematic drama --- married five times in pursuit of a secure family life.


Mithunaya contains Shukra-Budha = first husband was a songwriter-musician, and a friend. Although Shukra activates the emotionally conflicted [6th-from-Chandra] Shukra is also located in the harmony-seeking 7th-from-Chandra. Their separation was amicable.







bhratru-karaka [brother] virya-karaka [virile]


[Ruchaka Yoga]

[Yogakaraka [homebound-anchoring bandesha for Simha indriya-lagna]

[Yogakaraka believing-philosophical dharmesha for Simha indriya-lagna]

[Kuja Dosha for alliance-1]


[friendly-profitable Jyeṣṭha-3 ] [navamsha Mangala-Kumbha] intuitively forward-pushing security-seeking [4] pursuing-profitability networking competition


  • [Mangala-Vṛścika] vigorous pursuit of hidden assets * proactive exploration * energetic initiation * exposure of shocking secrets * plunges the tantric depths * push toward discovery * champion of emergency action
  • [Mangala in bhava-4] promotes local transport * champion of construction * mechanized vehicles * underground dig-drill-dive-mine * lively push toward fast driving * school bully [nichha only] builds foundational infrastructure * invigorating patriotism * domestic conquests * pursues home ownership * defensive action * restless in school * energized farming * tillage-plowing-plunder * fights in marine defense * pushy parents * competitive force in the childhood home


Kuja activates Vṛścika Svamsha

Despite her celebrity, JG was accused of parental negligence and nearly lost custody of her children on several occasions. Mangala in bhava-4

Kuja-4 disrupts childhood home, homelife, educational foundations, security

Career-wise, Kuja = a powerfully energetic yogakaraka

as intolerable as JG eventually may have found her mother to be, the parents [4] built the foundation [4] for JG's career

Mangala-Vṛścika receives incoming drishti from disciplining, constraining Shani-2

Shani drishti provides a disciplining influence which allowed Garland's career to proceed with regular structure, even during times of severe personal distress [Mula Chandra]


jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student]


[historical-evaluating dhanesha for Simha indriya-lagna]

[profitable-friendly labha-pati for Simha indriya-lagna]

[Dhanayoga = Budha-11 rules 2]

[narrative of linked community conversations]

[earnings from gridworked commercial discussion]

[gainfully connected business transactions]

[translating explaining network of friends]


[optimistic-philosophical Arudra-1] [navamsha Budha-Dhanus]


  • [Budha-Mithuna] business communications * articulation of specific instructions * informative pronouncements * messages about commerce * hands-on management * signaling explanatory information * detailed diagrams * talks about publication * interpretative interactions * commercial translation * hands-arms-shoulders send descriptive gestures
  • [Budha in bhava-11] narrative of marketplace information * describes ecological gridwork * calculates economic profit * reports on revenues * describes distributive networks * talks about social participation * Sibling-type friendships * conversations about voluntary connections * announces achievements * delivers interlinking instructions * discussion in large assemblies * defines the webworks of community
  • [Budha-yuti-Shukra] explainer of balanced arrangements * diplomatic conversations * parity-seeking discussions * manual adjustments * enjoys words * sweet descriptions * delivers instruction about relationships * articulator of equity in agreements * message of fairly bargained contracts * skilled in songwriting * talkative sister-cousin-cohort * detailed lyricist * attracts chatty partners


touring performance cinema, recordings

Budha activates the 10th-from-Chandra = Kanya-2 voice-face-song


as always for Simha-born, bantering Budha becomes a dhanayoga-producer as ruler of both 11 and 2.

[Shukra-yuti-Budha] combines 2 + 3 + 10 + 11.

  • JG earned millions from 1930's until 1960's.
  • Budha-11 earnings receives the disciplining and restrictive 10th drishti of Shani-2 Kanya
  • creates a heavy workload and social criticism [Kanya]
  • Sadly, the distress in bhava-2 created a roller-coaster of luxurious earnings often followed by catastrophic financial collapse - and, repeat.


dhava-karaka [husband] bahuta-karaka [variety]

[witty-creative vidya-pati for Simha indriya-lagna]

[mysterious-revealing randhresha for Simha indriya-lagna]


[musical-financial Hasta-2] [navamsha Guru-Urisha]



  • [Guru-Kanya] much ministry of service * many servants * numerous employees * indoctrination of laborers * much logical argumentation * conflicted guidance * permission to help * generously assists many victims * optimistic about medication * believes in aid * doctrine of benevolent humility
  • [Guru in bhava-2] much hoard * many songs * many stories * extensive history * generous natural reserves * several genetic lines * many accumulated goods * numerous languages * expansive oratory * large eyes * many voices * many valuations * extensive accounts * grows the family lineage * optimistic heritage * believes in historic conservation * patron of speech-and-song * in a wifely nativity, husbandly-companion may be a keeper-collector-preserver
  • [Guru-yuti-Shani] atta-karaka * multiple elder-figures * permission to hold respected positions * abundant structure * numerous law-makers * expansive hierarchies * tolerance for diverse systems * optimistic philosophy of social regulation * large-scale responsibilities
  • [Guru-yuti-Rahu] mizra-karaka * multiple mix-culture opportunities * permission to bend barriers * many impostors * abundant expedience * wide scope of ambition * craving for expansion * seeks promotional advantage via globalist philosophy * optimistic toward obtainment of privilege



dhavakaraka in Bhava-2

  • Guru activates 5 = creative or literary arts, fashion, celebrity, drama, gaming, politics, entertainment, romance
  • Guru activates 8 = sudden identity change, shocking discoveries, hidden assets

Guru-yuti-Rahu casts enormously amplifying drishti into 6-8-10


As JG's birth family had done to her, when JG's very young children [Guru] showed talent, she made them into performers

  • Wizard of Oz 1922-1969 entertainer Judy Garland had three children. JG often brought her kids onto the performance stage to sing with her. Chandra-5 = a performing mom, and Chandra in Mūla often has boundary issues.

  • After her untimely death, JG's adult children recounted that their dramatic mother had stressed, upset, and worried the kids throughout her five marriages and bouts of suicidal depression [Shani rogesha yuti Rahu-2 +++ [Mūla] Chandra]

Rahu-yuti-Guru [Shani-yuti-Rahu] occupies [folk reputation 10th-from-Chandra-5.

JG and her first child, daughter Liza Minnelli , performed together at popular concerts.

Blessings from the Marginalized

Guru-Kanya in the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra suggests Garland's lifelong ability to symbolize and appeal to socially marginalized, stigmatized fans in the 1950's-and-1960's Euro-American male gay community.

  • They formed her most loyal fan base. Their purchases of her recordings and tickets to her performances during her failing health years is often accounted as the main reason she was able to keep afloat.


svadu-karaka [sweet] kalatra-karaka [wifely companion]

[dutiful-hierarchical karmesha for Simha indriya-lagna]

[busy-messaging vikrama-pati for Simha indriya-lagna]

[friendly gracious conversational diplomacy]

[pleasantly luxurious fundraising networks]

[earnings from media-messaging publication]

[financial gain from valuable public reputation]


[face-voice-music Mriga-2] [navamsha Shukra-Urisha]

[Atmakaraka music, femininity, relationships, finance, women, face-voice-eyes-hair, harmonies, drugs]


  • [Shukra-Mithuna] appreciation of detail * beautiful accessories * attracted to writers * likes businesspeople * balanced gestures * diplomatic communications * prefers a communicative partner * aesthetic of handiwork * pleasures of specific explanations * enjoys correspondence * satisfied by conversation * articulated messaging arrangements
  • [Shukra-11] seeks pleasure via social connectivity * pleasant community linkage * balances asset distribution systems * seeks network equity * association with artists * values friendly financial connections * likes knitting-and-knotting * pleasing designs to adorn the skin * graceful ankles * appreciation of friendships * aesthetic of fair deals in marketplace * enjoys attractive friends * in a husbandly nativity, wifely-companion may be a socialite-economist-networker
  • [Shukra-yuti-Budha] sweetened messages * gracious explanations * talented in singing-songwriting * articulate negotiations * advocates for reasoning process * talkative feminine-figures * pleasant conversations * bargaining for business * sibling-cohort collaborative harmony * enjoys the company of students * detailed contracts * prefers logical arrangements


sociable, friendly, community-connected, associative, gainful, marketplace-linked [Shukra-11] rules

  • 3 event conversations, announcements, reporting, photography, radio-television, media-messaging, correspondence, short-term travel, itineraries, presentations, dialog, scripts, management, project-planning
  • 10- social position, elite roles, leadership, public responsibilities, recognition, rank, status, respect, honor


Shukra activates Urisha-10 = the emotionally conflicted [6th-from-Chandra] , suggesting that no matter the social-creative success, her career was experienced as servitutude

Suave Shukra 3+10 ++ Budha ruler of 2+9 = her professional singing sisters

Suave Shukra activates Urisha-Surya in [6th-from-Chandra] = Addictive, self-medicating, sweets-seeking

Shukra-Mithunarainbow colors.

  • The single most well-remembered song of career of Wizard of Oz 1922-1969 entertainer Judy Garland= // Somewhere Over the Rainbow //

Marketplace Earnings Financial Patterns

Shukra activates 6th-and-11th from Chandra

JG had both substantial earnings [11th] supporting large debts [6th] .

  • JG was a mega-celebrity in the entertainment world
  • capable of luxurious earnings
  • but she also suffered from massive tax-debt
  • Shukra in [6th-from-Chandra] produced substantial self-indulgence of luxurious taste exacerbated by the mercurially instant gratification patterns of Shukra-yuti-Budha.

[Shukra-Mithuna] ruling community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra

Added to the financial contradictions in bhava-2, Shukra creates a volatile economic cycle featuring the extremes of both dynamic earnings

  • via debt, disagreements, and addictive behaviors [6] divorces, and despair along with bhukti of exceptionally high earnings from artistic performance [Shukra] and favorable contracts [Shukra].
  • Ms. Garland famously experienced both luxurious wealth from dramatic performance profits, as well as tragic losses of anticipated income and losses due to health issues [6] .


duro-karaka [endurance] * jara-karaka [Jahre, years]

[inimical-medicating rogesha for Simha indriya-lagna]

[balancing-bargaining yuvati-pati for Simha indriya-lagna]


[fantasizing-conceptual Uttaraphalgunī-4] [navamsha Shani-Meena]



  • [Shani-Kanya] overburdened accusations * obliged to sustain litigious disagreements * rigidly persistent disease conditions * structural compression upon colon + digestive tract * must normalize exploitation * weighty subordinate tasks * hierarchical conditions of enforced servitude * must work within master-slave systems * must respect antiquated physicians * slow-acting remedies * intractable servants * stubborn employees * insufficient pharmacy * must work with dried medications * must continue to minister to the suffering * scarce service resources * maintainer of old arguments
  • [Shani in bhava-2] steady time-structured values-fulfillment * scarcity of precious resources * must preserve historic traditions * must gather * must catalog * obstructionist family-of-origin * must remember * cautious use of words * boney face * tense eyes * class-conscious speech * speakers' fatigue * chronic financial insufficiency * undernourished eye-teeth * must use old libraries * cold dried food hoard * limited sight * ossified heritage * language regulator * appreciates ignorance * maintains treasuries of proven knowledge * hierarchies impose know-nothing rules * elders hold center of family
  • [Shani-yuti-Guru] social resistance to generous expansions * slow elder teachers * pragmatic philosophy * limited scope of understanding * doctrinal discipline * constrained growth * conventionally regulated beliefs * optimism limited by resistant old structures * faith in the rule of law * class-hierarchical ideology
  • [Shani-yuti-Rahu] stiff resistance to unbridled ambition * formally regulated cultural mixing * disciplined thrills * class-based limitations upon privilege * repressed quest for intriguing importance * socially constrained opportunism * shimmering illusion of systematic conformity * irregular achievements * over-reaching elders * restricted risks


rogesha shani amplified by Rahu + Guru

  • Wizard of Oz 1922-1969 entertainer Judy Garland + [Shani-yuti-Rahu] * according to JG's own reports, the film studios forced her to take amphetamine weight-management pills, and as an adult she worried constantly about weight gain.

Stoic scarce serious [Shani in bhava-2] activates

  • 6 = addiction, divorce, conflict, ailment, broken promises, betrayal, dissatisfaction
  • 7 = marriage, contracts, terms of agreement, negotiation

Shani + Guru + Rahu = occupies career the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra Onerous burdens of very high public visibility become amplified by Rahu and expanded by Guru. Work schedule begins in early childhood. Public behavioral strictures must be socially approved [Shani].

Work ethic

[Shani in bhava-2] - Kanya = identified with a toxic family, heavy workload, and social criticism [Kanya]

Rahu-amplified Shani-Kanya-2 sends Shani's 10th drishti into bhava-11 revenues containing Shukra-+Budha business financial contracts. . Shani's professional 10th drishti creates restrictions upon the eceonomic behavior [11]


= bhava-2 voice-face-family, heritage-values, contains + [Shani-yuti-Guru] + [Shani-yuti-Rahu]

  • Despite her mature career in cabaret singing and thousands of adults-only nightclub performances, Judy Garland was forever characterized by her familiar childlike 10th-from-Chandra image .
  • The sentimental popular audience saw her forever as homespun character Dorothy Gale, the Midwest farm girl.


rajyalobha-karaka [ambition] picchala-karaka [slippery]

[for Simha indriya-lagna]


[competitive-initiating Hasta-1] [navamsha Rahu-Mesha]



  • [Rahu-Parthya] shimmering illusion of humility * craving for crime * mask of exploitive assistance * ambitious physicians * intriguing addictions * mirage of medication * fascinating injuries * over-reaching accusations * amazing illnesses * extraordinary arguments * may be obsessed with servants-and-servitude * seeks special importance via apparent [but perhaps not authentic] conflict management * shrewd dealings in sickness * ingenious divorce * extravagant litigation * seeks privilege via victim-roles
  • [Rahu in bhava-2] passion for precious treasuries * in svabhava of Suave Shukra, the Shadowy Specter seeks glamorous goods * mesmerizing memories * risk-rewarding finance * fascinating voice * entrancing face * craving for important sound values * intriguing genetics * outsider who cleverly insinuates into prestige heritage * extraordinary recollection * mesmerizing speech-and-song * intermingled historical traditions * unconventional speech * shadowy interlopers infiltrate the family line * potential for opportunistic second marriage * mother's elder sibling exotic qualities * thrilling surge of storytelling * remarkable libraries * unusual alimony * ambitious hoard *mixed-language vocabulary * over-reaching evaluator roles * exotic foods * non-native breeds *captivating collections * social mobility sought via privileged knowledge
  • [Rahu-yuti-Guru] amplified generosity * magnified diversity * exotic beliefs * tricky teachings * opportunistic guides * unconventional children * fascinating [but perhaps illusory] appearance of inspired philosophy * hypnotic preaching * expansive worldview * inclusive cross-cultural mixing * optimistic about risk
  • [Rahu-yuti-Shani] amplified public formality * pragmatic exaggeration * exotic social conventions * slippery hierarchies * tricky rules * opportunistic elders * fascinating [but perhaps illusory] strict conformism * regulated risk-taking * hypnotic outsider insinuates normalcy * orderly cross-cultural mixing * thrilling legitimations


Rahu + Shani + Guru in bhava-1 personality, physical body = occupies the emotionally motivated career-directing 10th-from-Chandra. Tremendously well-known American audience-recognizable appearance for many decades.

Shani rogesha amplified by Rahu-2 fascinating voice

  • JG was often accused of stretching the truth or outright fabricating stories.
  • A brilliant theatrical singer.

Finance = [Rahu in bhava-2] + [Rahu-yuti-Guru] + [Rahu-yuti-Shani]

JG endured financial fluctuations [2] on a Rahu-amplified, Guru-expanded scale.

  • She occasionally earned millions in performance contracts. Yet, JG also paid fines for late taxes and penalties for cancelled show-dates.
  • She died [age 47] at the beginning of an unwanted come-back singing tour [2] that she was undertaking solely because she needed money.


kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]

[for Simha indriya-lagna]


[arranging-adjusting Andromeda-3][navamsha Ketu-Tula]

  • [Ketu-Meena] sleepily dissociates from isolated ashrama * incomplete gestalt * unlimited visionary insight * wandering spirit guides * unsustainable sanctuary * fantasy martyrdom * dissolution of private prayer * foggy boundaries of distant worlds * permeable understanding of cetacean cultures * ignores restrictions on clairsentience * disarrayed dreams * releases a golden oceanic cloud of wisdom into the misty abyss
  • [Ketu in classroom-8] forsaken by intimidators [beneficial] * passively dissolves barriers hiding secret knowledge * ambivalent toward initiations * disregards occult boundaries * Witness to cycles of death-and-rebirth * fearless toward catastrophic upheaval * absent from spouse's family * vacuous obscurities * irrelevance of non-disclosure rules * dissolves psychic filters * free from terror * ignores threats * dissolves obfuscations * unless other graha in 8, may prefer to live free from in-laws


[Ketu in classroom-8] receiving drishti of ruler-Guru + Shani + Rahu

Ketu located in the defensive, culturally-rooted, seasonal-calendar, routinized, patriotic, ethno-nationalistic, comfort-seeking, home-loving, foundational, property-owning [4th-from-Chandra]

  • exacerbates a feeling of rootlessness and unbelonging and adds to a disconnection from the childhood, from the mother, and from the cultural foundations

4th-from-4th = severed connection to Mother

According to interviews, young Judy was tightly controlled by her stage-manager mother. In Shukra-Ketu bhukti, after a big fight when Judy turned 21, mom was cut-off forevermore via an irrevocable no-contact [Ketu] decision. Despite having three of her own children, young Ms. Garland never spoke to her mother again, and the children grew up sans relationship to their maternal grandmother.


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