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  • entertainer Doris Day a.k.a. Mary Ann Kappelhoff




Theatrical singer

Television host

Hollywood cinema child-celebrity

famed child role in The Wizard of Oz

Judy Garland

a.k.a. Frances Ethel Gumm

Earth-birth Saturday-10-Jun-1922

dematerialization 22-Jun-1969 [age 47]


cinema dramatist



Judy Garland

born as Frances Ethel Gumm

birth data from

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star -

- adapted by BP Lama

Rising Nakshatra

Feminine Public-Figure Examples

Revati - Pausan

Pashu - Pushana-vana - Antyabha


For Revatika births of a feminine valence, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing, evangelical Kumara may considerably affect the outcome.

Pashu the Pastor is delicately attuned to the signals of the animal kingdom. Hearing [Budha] the voices of mineral, plant, animal, and human worlds, Antyabha-born often work for the welfare of all creatures. Many veterinarians and animal-welfare activists are Revatī-born. These way-showers are also found in all aspects of music and dancing, producing melodies, beats, and lyrics.

Whatever the Pashu folk say, others will follow and believe.

For those born into the Budha-ruled paradigm of Antyabha, siblings, cousins, schoolmates, bandmates, team-mates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts -- and beasts of every description - may be especially influential.

Instructional guidance is provided by emissaries from the civilizations of stars clustered near Zeta Piscium. Their purpose is to shepherd the flocks in safe passage, calling them to follow with an imaginative, sweet sound and rhythm

The Way-Shower

Revatika ladies expresses the natural tension between Busy Bantering Budha and Guiding Generous Guru. Commercially oriented Budha is a master of writing, reporting, cinema, and detailed communication. Kumara naturally matches the vibration of chatty students and a younger audience. Yet, Brihaspati much prefers to preach on broad-scope topics, ideology and inclusive doctrine.

Revatī-born often find themselves in shepherding roles that require delivering a message to their herd of followers. The usual delivery style is musical, oratorical, or imagistic-imaginative, but any method of Showing the Way may be chosen. Pashu the Pastor combines a broad humanistic vision with a beckoning repeating signal frequency such as a slogan, a jingle, or a melody.

Themes of pastoral guidance, musical or imagistic messaging, and benevolent outreach to all creatures may contextualize Revatika's terrestrial experience. Applies also to Chandra in Revatī - Pashu .

QUOTATION from Shil-Ponde (1939). Hindu Astrology Joytisha-Shastra. p 101

" ... defect in hearing.

the native is a person of clean morals

  • and is popular with her own sex.

She is fond of pets and animals.

She is a very good housekeeper

  • and likes interior decoration and design .

Her face is laughing, always with dimples,

  • and she usually has black or dark brown eyes with curly hair."

[end quote]


Judy Garland in 1941 [age 19]


Judy Garland [a.k.a. Ethel Gumm] publicity photo 1935, her age 13


Judy Garland a.k.a. Frances Ethel Gumm with her problematic mother-manager, Ethel Milne Gumm. Matrikaraka Chandra-5 rules withdrawn, imprisoning bhava-12


From The Wizard of Oz, 1936

characters Dorothy Gale and the Wicked Witch of the West

GarlandJudy_photo1.jpgBiographical data matched to Vimshottari Dasha timeline

[Ketu Mahadasha] [age birth until age 5]

Sat-10-Jun-1922 Earth-birth in Grand Rapids, Minnesota, USA *Ketu-Chandra bhukti

[Shukra Mahadasha] [age 5 until age 25]

Dec-1928 until Apr-1931 Janma Sade-Sati Dhanus

  • [10, high-profile visibility, reputation, social recognition, iconic roles, public dignity]
  • [age 7-10]
  • [Chandra in Mūla]

1935 [JG age 13] first cinema contract with industrial film producers * Shukra-Rahu bhukti * Rahu-7 contract

17-Nov-1935 [JG age 13] grieved sudden death of her father - Shukra-Rahu bhukti

1939 [JG age 17] wins Academy Award [Oscar] for performance in Wizard of Oz * Shukra -Guru bhukti * Guru lagnesha-karmesha ++ Rahu-yuti-Guru

28-Jul-1941 [JG age 19] [DR age 31] consecration of marriage-1-of-5 with television music composer, orchestra leader, award-winning songwriter David Rose [Rosenberg] [union 1941 - 1944] * Shukra-Shani bhukti ++ gochara R-K Kanya-Meena contact R-K axis

1943 [JG age 21] announced estrangement from her manager-mother. Mom is thenceforward banned from the MGM cinema properties * Shukra-Shani bhukti * [Rahu-yuti-Shani] Shani rules 8th-from-Chandra-Mula

15-Jun-1945 [JG age 23] consecration of marriage-2-of-5 = cinematic producer Vincente Minnelli [marriage = 1945 - 1951] * Shukra-Budha bhukti * [Shukra-yuti-Budha]

12-Mar-1946 [JG age 24] celebrated the birth of child-1, singer-dramatist Liza Minnelli * Shukra-Budha bhukti * Budha rules 7th-from-Chandra

[Surya Mahadasha] [age 25 until age 31]

Jul-1947 [JG age 25] amid VM's dalliance with other men, nervous breakdown including first suicide attempt * Surya-Surya svabhukti * Surya rogesha

10-May-1949 [JG age 26] fired for no-show on the current set * Surya-Shani bhukti * [Rahu-yuti-Shani]

1950 [JG age 27] following 15 years continuous contract renewal, and 30 films with MGM studios, JG is fired from MGM due to behavioral issues * Surya-Shani bhukti * [Rahu-yuti-Shani]

1951 [JG age 29] after financial and personal difficulties, rebounded into successful performance events in UK-Ireland * Surya-Budha bhukti * Budha rules 7-contracts, [Shukra-yuti-Budha]

08-Jun-1952 [JG age 30] consecration of marriage-3-of-5 with Sid Luft until 1965 * Surya-Shukra chidradasha

05-Jan-1953 [JG age 31] [mom age 59 ] grieved the decease of estranged Mother , via heart-attack * Surya-Shukra chidra-dasha * Shukra rules 12th-from-matribhava

[Chandra Mahadasha] [age 31 until age 41]

Feb-1958 until Feb-1961 Janma Sade-Sati Dhanus

  • [10, high-profile visibility, reputation, social recognition, iconic roles, public dignity]
  • [age 37-40]
  • [Chandra in Mūla]

1962 [JG age 40] wins five Grammy awards * Chandra-Shukra bhukti * [Shukra-yuti-Budha]

1963 [JG age 41] receives a lucrative television variety-show contract which was expected to clear her financial debt. Tthe show is cancelled after only 26 episodes [one season]. Saddled with embezzling managers [rogesha Surya-3] JG remains in poor health and financial distress [6] * Chandra-Surya chidradasha * Surya rogesha

[Mangala Mahadasha] [age 41 until until decease age 47]

27-May-1964 [JG age 42] grieved the decease of her eldest sibling, sister Suzy, via suicide * Mangala-Rahu bhukti

14-Nov-1965 [JG age 43] consecration of marriage-4-of-5 = Mark Herron [until 1967] * Mangala-Shani bhukti * [Rahu-yuti-Shani]

15-Mar-1969 [JG age 47] consecration of marriage-5-of-5 with stage manager Mickey Devinko [Deans]. The union endured for three months, ending with JG decease in Jun-1969 * Mangala-Shukra bhukti

22-Jun-1969 [JG age 47] liberation from the Earthen-body, via self-poisoning, barbiturate overdose * Mangala-Shukra bhukti * [Shukra-yuti-Budha] maraka Budha rules-7


Distinctive features of the Nativity

[Sparkling Surya]

pitri-karaka [father] jyoti-karaka [light]

[inimical-medicating rogesha for Meena - Antya indriya-lagna]

[confident in commercial finance]

[entreasured center of banking discussions]


[dramatizing-demonstrating Mriga-1] [navamsha Surya-Simha] intuitively displaying sparkling center-stage entertaining confidence

  • [Surya-Urisha] Ravaye - the noisy one, the roaring one [Ravi = firebird; Rava = howl, yell, or squawk] * brightly charismatic confidence of Center-stage Surya radiates through the acquisitive sensual rashi of Shukra

  • [Surya in bhava-3] center of commerce * mercantile intelligence * smart reports * dramatic instructional delivery * creative descriptions * sparkling retinue * splendid games of manual-skill * self-referential announcements * admirable handcraft * cinematic genius * smart technology * focus on teamwork * entertaining explanations * administrative entitlements * confident writing * eye on process management * regal messaging * bright center of discourse * brilliant gesturing * father may be a businessman-craftsman-communicator


self-reflexively announcing, bright messages, regal style of gesture, communicative intelligence, radiantly descriptive, politically collaborative, splendidly explanatory [Surya in bhava-3] rules

  • 6-ministries of service, dehumanization, misconduct, war, jail, slavery, pollution, argumentation, healthcare workers, ailment, injury, medical treatment, hypocrisy, crime, cheating, animosity, toxins, complaints, accusation, litigation, imbalanced conditions, injustice, betrayed promises, servants, laborers, hostility, animosity, disagreement, dehumanization


Theatrical singer, Hollywood child-actor dramatist

Her most celebrated cinematic performance included the legendary songs from Wizard of Oz

Surya-Simha occupies 9th-Navamsha - inspirational

communications media, photographs, cinema

[Surya in bhava-3] drishti incoming

  • receives physically energizing drishti of Mangala
  • + expansion-amplification via drishti from [Guru-yuti-Rahu]

Surya karaka for theatre, celebrity

FATHER [Surya in bhava-3]

Dad = a vaudeville entertainer who owned a local theatre [Surya in bhava-3 businessman]

The entertainments included live-performance music and dance [Urisha] mixed with early cinema.

Tension between the parents

JG attested that she adored her father

However, [Surya in bhava-3] rogesha AND Surya occupies [6th-from-Chandra]

indicating a hostile, incompatible electro-magnetic emotional alliance between mother [Mūla] Chandra-10] and father [Mriga-Surya-3] .

Garland's father was a gay man and the father of the three Singing Gumm Sisters.

The parents often disagreed about money [Urisha]. They also argued about his entitlement to a self-determined lifestyle [Surya].

[Comfortable Chandra]

matrikaraka [mother] * garha-karaka [village]

[witty-creative vidya-pati for Meena indriya-lagna]

... +

[singing-speaking Mūla-2] [navamsha Chandra-Urisha-uchcha] intuitively sensitive evaluating, storytelling , remembering historical truth

  • [Chandra-Dhanus] comforted by customary beliefs * settled into rhythmic received teachings * needs to feel wisely guided

  • [Chandra in Mūla - Vichruta] * protectors of the eternal root vortex * soothed by pure emptiness * feels like a galactic pilgrim

  • [Chandra in classroom-10] comfortable with high reputation * socially recognized protector * parental style of leadership * Familiar Face to the public * sensitive to social protocol * accustomed to regulations * soothed by peak position * acculturated to executive routines * settled into the rhythm of respected roles * feels the repeating pulse of elite status * calmed by climbing hierarchical steps * anchored into lawful responsibility * undulating authority * mother may be a dignitary, a well-known figure, a principal, a prominent parent


sensitively ordering, protectively lawful, routinely governing, parentally regulating, rhythmically dutiful, customary commander, predictable hierarch, culturally respected, emotionally responsible, needs to hold elite positions [Chandra in classroom-10] rules

  • 5- Politics, center-stage roles, theatre, demonstration, display, charming brilliance, genius, poetry, choice-making, showmanship, gambling and gamesmanship, romantic idealism, creativity, fashion-shows, flamboyance, celebrity entitlements, confidence, artistic performance, drama, children, financial speculation, intelligence, entertainments, fun


  • [folk reputation 10th-from-Chandra = diplomacy, arrangements, representation, consultancy, advising, peerage, brokerage, contractual bargains in the minstering, aiding, argumentative style of Kanya-7]

beauty, song, face * Shukra drishti to Chandra in Mūla - Vichruta-

  • charming round child's face, still perfectly recognizable many decades later.


[Chandra in classroom-5] receives relationship-defining 7th drishti of entertaining, singing, dramatic Shukra + Budha. Mom had worked as a vaudevillian performer before her daughters were born.

Mom was said to have been an intensely controlling stage-mother

Mom was involved in every detail of her underage daughter JG's relationship to the hiring studios. Chandra in Mūla - Vichruta rules bhava-12 invisibility, withdrawal

Chandra activates the emotionally self-transforming, often shocking, change-inducing, revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra = secrets, non-disclosure, sudden unexpected changes, new identities, transformative healing, camouflage, emergencies

  • According to Ms. Garland, the secret drugs which eventually destroyed Judy's health were originally supplied by her mother = Chandra takes a strong 7th drishti of Shukra ruler of [6th-from-Chandra] .

Eventually, Judy gained legal adulthood and Chandra in Mūla - Vichruta fulfilled its destiny of emotional annihilation.

  • JG had a volatile relationship with her mother.
  • It is said by observers that Judy Garland idolized and identified with her entertainer father [Surya-10 lagnesha]
  • but held her mother responsible for her father's distress and premature death [Chandra-5 matrikaraka in the father-destroying 8th-from-Surya] .

When Judy turned 21, her desire to throw off the structure of maternal control [Mūla] became materially viable.

  • Following a major fight about her mother's mismanagement of her contract [Chandra activates 6th-from-7th = enemies of contractual equity] ,
  • JG relationship with the mom-ager was completely severed during Shukra-Ketu chidra-dasha

Mom received no further financial support from her famous daughter

  • JG asserted that mom had been pilfering her earnings since childhood.

Post-split from her Mother, JG bore two additional children bring her family to a total of three kids.

  • Yet no communication was allowed between Garland's mom-manager and the grandchildren.
  • Additional pressure heaped upon Judy, due to inability to call upon the living grandmother as a trustworthy caretaker for the grandchildren.

emotional annihilation Chandra in Mūla

  • No reconciliation whatsoever occurred during the " no-contact" years 1943-1953.
  • The alienated mother died in 1953 [mom's age 59] .

It is speculated that the momager may have displayed the symptoms of borderline Personality Disorder

  • BPD produces a mother-figure who for psychological reasons may systematically and gradually causes significant harm to her own children, including the potential to drug them or steal their money.
  • One method for helping families to deal with these personalities is the classic " no contact" policy.
  • This zero-contact stratagem may have been intuitively or professionally recommended

Parenting [Chandra]

A downward spiral began during the nervous breakdown following the birth of her first child

  • without ability to be supported in early motherhood by her own mother, JG was several times accused of irresponsible parenting due to negligence and drug use.
  • Several times she nearly lost legal possession of her children
  • effectively she was often separated from the kids by work duties and periods of personal disconnectedness.

MARRIAGE partnership emotional equity support expectations


Shani-yuti-Guru dhava-karaka + Guru-yuti-Rahu suggests that she had a multitude of husbandly-companions Her father and also her five husbands were generally homo-social men whose sexual-sensual-partnerships were diverse and complex with socially irregular [Rahu] behaviors yet socially regular [Shani] external professional status.

Rahu amplifies the yuvati-pati Guru * Rahu amplifying rogesha-Shani contributes to five marriages before age 46

With a deceased father and a rejected mother, Ms. Garland -- whose childhood had been overwhelmed with adult work in cinematic drama --- married five times in pursuit of a secure family life.

[7th-from-Chandra-10 [lifepartnership-1-of-5

[JG age 19] marriage-1-of-5 with radio-and-television music composer, orchestra leader, award-winning songwriter David Rose [Rosenberg] [union 1941 - 1944]

  • Mithuna-4 contains [Shukra-yuti-Budha] = Although Shukra activates the emotionally conflicted [6th-from-Chandra] Shukra is also located in the harmony-seeking 7th-from-Chandra providing security [4]. JG was wife 2-of-3. Amicable divorce.

[7th-from-Chandra-10 [lifepartnership-2-of-5

[Makara-11] [1945 - 1951] [JG age 23] marriage-2-of-5 with prize-winning musician, costume designer, stage and cinematic producer, Vincente Minnelli.

  • An accomplished [11] theatrical director, VM won numerous prestigious awards for work achieved [11 ruled by Shani-Rahu prestige]. He successfully earned networked funding for his goals. [11]
  • Eventually JG, VM and their child, the entertainer Liza Minnelli, were all awarded Oscars.
  • JG was wife 2-of-4. Like JG's father, VM was a bisexual man who had a broad social network interlinking many liaisons. [Aryaman-Shani-yuti-Guru-Hasta] [Aryaman-Shani-yuti-Rahu-Hasta]
  • Despite the divorce, daughter Liza remained attached to both parents.

[7th-from-Chandra-10] lifepartnership-3-of-5

[JG age 30] marriage-3-of-5 with Sid Luft [1952-1965] an entertainment impresario [Simha-6]. [Surya-3-Mriga businessman rules Simha-6 marriage-3]

  • Luft crafted cinema financing to boost JG's lagging career. He overspent on production costs, and the loan was cancelled due to excess debt [6]. JG publicly accused [6] Luft of alcohol-fueled domestic abuse.
  • Like JG, he was married five times. After leaving the nine-year union with two kids, JG suffered severe mood disorder and was broke.
  • JG and Luft engaged in a bitter child-custody battle [6] for their two children.
  • Narcissistic Luft argued in court that JG was an unfit mother due to her publicly visible self-destructive behaviors [Mula-Chandra-10] Afterwards, JG saw little of these two children.

[7th-from-Chandra-10 [lifepartnership-4-of-5

[JG age 43 Marriage 4-of-5 with dramatic actor Mark Herron, who promised to serve as JG's career promoter [1].

  • Like JG's father, Herron was a gay man who was sexually disinterested in JG. His promoting activities seemed to lack traction [Ketu]. Ultimately, he was only interested in his primary relationship with another male actor, and with promoting his own career [Rahu-7+ Shani] The marriage ended quickly, in despair. [Ketu] [Rahu-yuti-Shani]

[7th-from-Chandra-10 [lifepartnership-5-of-5

[1969] Lifepartnership 5-of-5 with discoteque manager and drug-dealer, Mickey Devinko [Deans].

  • The union endured for three months, ending with JG decease in Jun-1969 via overdose of barbiturate. Shock, self-poisoning [8]

[Competitive Kuja]

bhratru-karaka [brother] virya-karaka [virile]


[collecting-preserving dhanesha for Meena - Antya indriya-lagna]

[doctrinal-guiding dharmesha for Meena - Antya indriya-lagna]

[karako bhavo nashto for father, patrons, chieftains, indoctrinators]


[friendly-profitable Jyeṣṭha-3 ] [navamsha Mangala-Kumbha] intuitively forward-pushing security-seeking [4] pursuing-profitability networking competition

[Atmakaraka kinetic energy, performance vitality, innovation, competition, championship, embodiment]

  • [Mangala-Vṛścika]] vigorous pursuit of hidden assets * proactive exploration * energetic initiation * exposure of shocking secrets * plunges the tantric depths * push toward discovery * champion of emergency action

  • [Mangala in bhava-9] drive toward doctrine * champion of paradigmatic belief * pursuit of patronage * dynamic preaching * philosophy of innovation * believes in conquest * aggressive or sexualized paternal energies * dominating military father-figures * growth-challenging paternal behavior


Despite her celebrity, JG was accused of parental negligence and nearly lost custody of her children on several occasions. Mangala in bhava-4

Kuja-4 disrupts childhood home, homelife, educational foundations, security

Career-wise, Kuja = a powerfully energetic yogakaraka

as intolerable as JG eventually may have found her mother to be, the parents [4] built the foundation [4] for JG's career

Mangala-Vṛścika receives incoming drishti from disciplining, constraining Shani-2

Shani drishti provides a disciplining influence which allowed Garland's career to proceed with regular structure, even during times of severe personal distress [Mula Chandra]

[Bantering Budha]

jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student]

[Bhadra Yoga]

[bargaining-balancing jaya-pati for Meena indriya-lagna]

[homebound-anchoring bandhesha for Meena indriya-lagna]

... ...

[optimistic-philosophical Arudra-1] [navamsha Budha-Dhanus]


  • [Budha-Mithuna] business communications * articulation of specific instructions * informative pronouncements * messages about commerce * hands-on management * signaling explanatory information * detailed diagrams * talks about publication * interpretative interactions * commercial translation * hands-arms-shoulders send descriptive gestures

  • [Budha in bhava-4] narrative of cultural roots * skillfully describes parochial routines * delivers ritual instructions * discusses protective caretaking * talks in rhythmic comfortable style * analysis of foundational security * conversations about defense * skilled handcraft of fenced shelters * explainer of homeland customs * patriotic slogans * detailed communication about nourishment * team collaboration in farming-and-fishing * transportation scheduling * seasonal planning * familiar sibling conversations

  • [Budha-yuti-Shukra] explainer of balanced arrangements * diplomatic conversations * parity-seeking discussions * manual adjustments * enjoys words * sweet descriptions * delivers instruction about relationships * articulator of equity in agreements * message of fairly bargained contracts * skilled in songwriting * talkative sister-cousin-cohort * detailed lyricist * attracts chatty partners


touring performance cinema, recordings

Budha activates the 10th-from-Chandra = Kanya-2 voice-face-song


as always for Simha-born, bantering Budha becomes a dhanayoga-producer as ruler of both 11 and 2.

[Shukra-yuti-Budha] combines 2 + 3 + 10 + 11.

  • JG earned millions from 1930's until 1960's.
  • Budha-11 earnings receives the disciplining and restrictive 10th drishti of Shani-2 Kanya
  • creates a heavy workload and social criticism [Kanya]
  • Sadly, the distress in bhava-2 created a roller-coaster of luxurious earnings often followed by catastrophic financial collapse - and, repeat.

[Generous Guru]

dhava-karaka [husband] bahuta-karaka [variety]

[witty-creative vidya-pati for Simha indriya-lagna]

[mysterious-revealing randhresha for Simha indriya-lagna]


[musical-financial Hasta-2] [navamsha Guru-Urisha]



  • [Guru-Kanya] much ministry of service * many servants * numerous employees * indoctrination of laborers * much logical argumentation * conflicted guidance * permission to help * generously assists many victims * optimistic about medication * believes in aid * doctrine of benevolent humility

  • [Guru in bhava-2] much hoard * many songs * many stories * extensive history * generous natural reserves * several genetic lines * many accumulated goods * numerous languages * expansive oratory * large eyes * many voices * many valuations * extensive accounts * grows the family lineage * optimistic heritage * believes in historic conservation * patron of speech-and-song * in a wifely nativity, husbandly-companion may be a keeper-collector-preserver

  • [Guru-yuti-Shani] atta-karaka * multiple elder-figures * permission to hold respected positions * abundant structure * numerous law-makers * expansive hierarchies * tolerance for diverse systems * optimistic philosophy of social regulation * large-scale responsibilities

  • [Guru-yuti-Rahu] mizra-karaka * multiple mix-culture opportunities * permission to bend barriers * many impostors * abundant expedience * wide scope of ambition * craving for expansion * seeks promotional advantage via globalist philosophy * optimistic toward obtainment of privilege


expansively enriching, abundantly knowledgeable, multiple family lineages, numerous traditions, optimistic accumulator, jovial speaking-and-singing, broad-scope of historical understanding [Guru in bhava-2] rules

  • 5- Politics, center-stage roles, theatre, demonstration, display, charming brilliance, genius, poetry, choice-making, showmanship, gambling and gamesmanship, romantic idealism, creativity, fashion-shows, flamboyance, celebrity entitlements, confidence, artistic performance, drama, children, financial speculation, intelligence, entertainments, fun

  • 8-unexpected eruptions of regenerating force, occult initiation, mystical revelation, shocking intervention, opaque empowerments, invasive surgery, intensive healing, evolution, violent explosion, sudden identity change, rejuvenation, recycling, rebirth, hidden assets, upheaval, undisclosed secrets, transformative events, discovery, in-laws of first marriage, health of younger sibling-cousin


dhavakaraka in Bhava-2

  • Guru activates 5 = creative or literary arts, fashion, celebrity, drama, gaming, politics, entertainment, romance
  • Guru activates 8 = sudden identity change, shocking discoveries, hidden assets

Guru-yuti-Rahu casts enormously amplifying drishti into 6-8-10


As JG's birth family had done to her, when JG's very young children [Guru] showed talent, she made them into performers

  • Wizard of Oz 1922-1969 entertainer Judy Garland had three children. JG often brought her kids onto the performance stage to sing with her. Chandra-5 = a performing mom, and Chandra in Mūla often has boundary issues.

  • After her untimely death, JG's adult children recounted that their dramatic mother had stressed, upset, and worried the kids throughout her five marriages and bouts of suicidal depression [Shani rogesha yuti Rahu-2 +++ [Mūla] Chandra]

Rahu-yuti-Guru [Shani-yuti-Rahu] occupies [folk reputation 10th-from-Chandra-5.

JG and her first child, daughter Liza Minnelli , performed together at popular concerts.

Blessings from the Marginalized

Guru-Kanya in the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra suggests Garland's lifelong ability to symbolize and appeal to socially marginalized, stigmatized fans in the 1950's-and-1960's Euro-American male gay community.

  • They formed her most loyal fan base. Their purchases of her recordings and tickets to her performances during her failing health years is often accounted as the main reason she was able to keep afloat.

[Suave Shukra]

svadu-karaka [sweet] kalatra-karaka [wifely companion]


[busy-messaging sahaja-pati for Meena - Antya indriya-lagna]

[mysterious-revealing randhresha for Meena - Antya indriya-lagna]

[enjoys talking in the home]

[balanced domestic discussions]

[graciously gestures in the customary style]

[pleasantly communicative mother]


[face-voice-music Punarvasu-2] [navamsha Shukra-Urisha] music, femininity, relationships, finance, women, face-voice-eyes-hair, harmonies, drugs


  • [Shukra-Mithuna] appreciation of detail * beautiful accessories * attracted to writers * likes businesspeople * balanced gestures * diplomatic communications * prefers a communicative partner * aesthetic of handiwork * pleasures of specific explanations * enjoys correspondence * satisfied by conversation * articulated messaging arrangements

  • [Shukra-4] [dikbala] seeks pleasure via home-based routines * likes the seasonal rhythms of nature * enjoys real-estate finance * attractive gardens * strong feminine presence in the home * aesthetic of domestic stability * pleasing designs to adorn the chest * beautiful breasts * lovely torso * appreciation of owned-stewarded properties * in a husbandly nativity, wifely-companion may be a homemaker-farmer-driver-schoolteacher-police

  • [Shukra-yuti-Budha] sweetened messages * gracious explanations * talented in singing-songwriting * articulate negotiations * advocates for reasoning process * talkative feminine-figures * pleasant conversations * bargaining for business * sibling-cohort collaborative harmony * enjoys the company of students * detailed contracts * prefers logical arrangements


sociable, friendly, community-connected, associative, gainful, marketplace-linked [Shukra-11] rules

  • 3 event conversations, announcements, reporting, photography, radio-television, media-messaging, correspondence, short-term travel, itineraries, presentations, dialog, scripts, management, project-planning
  • 110- social position, elite roles, leadership, public responsibilities, recognition, rank, status, respect, honor


Shukra activates Purvashadha Svamsha

Shukra activates Urisha-3 = the emotionally conflicted [6th-from-Chandra] , suggesting that no matter the social-creative success, her career was experienced as servitutude

Suave Shukra 3+10 ++ Budha ruler of 2+9 = her professional singing sisters

Suave Shukra activates Urisha-Surya in [6th-from-Chandra] = Addictive, self-medicating, sweets-seeking

Shukra-Mithunarainbow colors.

  • The single most well-remembered song of career of Wizard of Oz 1922-1969 entertainer Judy Garland= // Somewhere Over the Rainbow //

Marketplace Earnings Financial Patterns

Shukra activates 6th-and-11th from Chandra

JG had both substantial earnings [11th] supporting large debts [6th] .

  • JG was a mega-celebrity in the entertainment world
  • capable of luxurious earnings
  • but she also suffered from massive tax-debt
  • Shukra in [6th-from-Chandra] produced substantial self-indulgence of luxurious taste exacerbated by the mercurially instant gratification patterns of Shukra-yuti-Budha.

[Shukra-Mithuna] ruling community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra

Added to the financial contradictions in bhava-2, Shukra creates a volatile economic cycle featuring the extremes of both dynamic earnings

  • via debt, disagreements, and addictive behaviors [6] divorces, and despair along with bhukti of exceptionally high earnings from artistic performance [Shukra] and favorable contracts [Shukra].
  • Ms. Garland famously experienced both luxurious wealth from dramatic performance profits, as well as tragic losses of anticipated income and losses due to health issues [6] .

[Sober Shani]

duro-karaka [endurance] * jara-karaka [Jahre, years]

[inimical-medicating rogesha for Simha indriya-lagna]

[balancing-bargaining yuvati-pati for Simha indriya-lagna]


[fantasizing-conceptual Uttaraphalgunī-4] [navamsha Shani-Meena]



  • [Shani-Kanya] overburdened accusations * obliged to sustain litigious disagreements * rigidly persistent disease conditions * structural compression upon colon + digestive tract * must normalize exploitation * weighty subordinate tasks * hierarchical conditions of enforced servitude * must work within master-slave systems * must respect antiquated physicians * slow-acting remedies * intractable servants * stubborn employees * insufficient pharmacy * must work with dried medications * must continue to minister to the suffering * scarce service resources * maintainer of old arguments

  • [Shani in Bhava-7] [dikbala] enduring partnerships * heavy vows * must balance-and-rebalance * lawful relationships * tense bargaining * grim determination to maintain the contract * chronic marital responsibilities * compression of the visible genitalia * pressured bargaining * negotiation fatigue * unyielding alliances * slow-moving advisors * resists new arrangements * elders maintain respected old promises

  • [Shani-yuti-Guru] social resistance to generous expansions * slow elder teachers * pragmatic philosophy * limited scope of understanding * doctrinal discipline * constrained growth * conventionally regulated beliefs * optimism limited by resistant old structures * faith in the rule of law * class-hierarchical ideology

  • [Shani-yuti-Rahu] stiff resistance to unbridled ambition * formally regulated cultural mixing * disciplined thrills * class-based limitations upon privilege * blocked ambitions * repressed quest for intriguing importance * socially constrained opportunism * shimmering illusion of systematic conformity * irregular achievements * over-reaching elders * restricted risks


rogesha shani amplified by Rahu + Guru

  • Wizard of Oz 1922-1969 entertainer Judy Garland + [Shani-yuti-Rahu] * according to JG's own reports, the film studios forced her to take amphetamine weight-management pills, and as an adult she worried constantly about weight gain.

Stoic scarce serious [Shani in bhava-2] activates

  • 6 = addiction, divorce, conflict, ailment, broken promises, betrayal, dissatisfaction
  • 7 = marriage, contracts, terms of agreement, negotiation

Shani + Guru + Rahu = occupies career the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandra Onerous burdens of very high public visibility become amplified by Rahu and expanded by Guru. Work schedule begins in early childhood. Public behavioral strictures must be socially approved [Shani].

Work ethic

[Shani in bhava-2] - Kanya = identified with a toxic family, heavy workload, and social criticism [Kanya]

Rahu-amplified Shani-Kanya-2 sends Shani's 10th drishti into bhava-11 revenues containing Shukra-+Budha business financial contracts. . Shani's professional 10th drishti creates restrictions upon the eceonomic behavior [11]


= bhava-2 voice-face-family, heritage-values, contains + [Shani-yuti-Guru] + [Shani-yuti-Rahu]

  • Despite her mature career in cabaret singing and thousands of adults-only nightclub performances, Judy Garland was forever characterized by her familiar childlike 10th-from-Chandra image .
  • The sentimental popular audience saw her forever as homespun character Dorothy Gale, the Midwest farm girl.

GarlandJudy_foto2.jpg[Risk-taking Rahu]

rajyalobha-karaka [ambition] picchala-karaka [slippery]

[for Simha indriya-lagna]


[competitive-initiating Hasta-1] [navamsha Rahu-Mesha]



  • [Rahu-Parthya] shimmering illusion of humility * craving for crime * mask of exploitive assistance * ambitious physicians * intriguing addictions * mirage of medication * fascinating injuries * over-reaching accusations * amazing illnesses * extraordinary arguments * may be obsessed with servants-and-servitude * seeks special importance via apparent [but perhaps not authentic] conflict management * shrewd dealings in sickness * ingenious divorce * extravagant litigation * seeks privilege via victim-roles

  • [Rahu in bhava-2] passion for precious treasuries * in svabhava of Suave Shukra, the Shadowy Specter seeks glamorous goods * mesmerizing memories * risk-rewarding finance * fascinating voice * entranced by one's own face-eyes-mouth * craving for important sound values * intriguing genetics * outsider who cleverly insinuates into prestige heritage * extraordinary recollection * mesmerizing speech-and-song * intermingled historical traditions * unconventional speech * shadowy interlopers infiltrate the family line * potential for opportunistic second marriage * mother's elder sibling exotic qualities * thrilling surge of storytelling * remarkable libraries * unusual alimony * ambitious hoard *mixed-language vocabulary * over-reaching evaluator roles * exotic foods * non-native breeds *captivating collections * social mobility sought via privileged knowledge

  • [Rahu-yuti-Guru] amplified generosity * magnified diversity * exotic beliefs * tricky teachings * opportunistic guides * unconventional children * fascinating [but perhaps illusory] appearance of inspired philosophy * hypnotic preaching * expansive worldview * inclusive cross-cultural mixing * optimistic about risk

  • [Rahu-yuti-Shani] amplified public formality * pragmatic exaggeration * exotic social conventions * slippery hierarchies * tricky rules * opportunistic elders * fascinating [but perhaps illusory] strict conformism * regulated risk-taking * hypnotic outsider insinuates normalcy * orderly cross-cultural mixing * thrilling legitimations


Rahu + Shani + Guru in bhava-1 personality, physical body = occupies the emotionally motivated career-directing 10th-from-Chandra. Tremendously well-known American audience-recognizable appearance for many decades.

Shani rogesha amplified by Rahu-2 fascinating voice

  • JG was often accused of stretching the truth or outright fabricating stories.
  • A brilliant theatrical singer.

Finance = [Rahu in bhava-2] + [Rahu-yuti-Guru] + [Rahu-yuti-Shani]

JG endured financial fluctuations [2] on a Rahu-amplified, Guru-expanded scale.

  • She occasionally earned millions in performance contracts. Yet, JG also paid fines for late taxes and penalties for cancelled show-dates.
  • She died [age 47] at the beginning of an unwanted come-back singing tour [2] that she was undertaking solely because she needed money.

[Collapsing Ketu]

kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]

[for Simha indriya-lagna]


[arranging-adjusting Andromeda-3][navamsha Ketu-Tula]

  • [Ketu-Meena] sleepily dissociates from isolated ashrama * incomplete gestalt * unlimited visionary insight * wandering spirit guides * unsustainable sanctuary * fantasy martyrdom * dissolution of private prayer * foggy boundaries of distant worlds * permeable understanding of cetacean cultures * ignores restrictions on clairsentience * disarrayed dreams * releases a golden oceanic cloud of wisdom into the misty abyss

  • [Ketu in classroom-1] eccentric expression of the fleshly container * apathetic observer personality * ambivalent toward kinetic movement * incoherent embodiment * other-defined chameleon * surrenders individual completeness * martyr witness to partner's vitality * identity depends upon Important Others (Rahu-7) * liberation via abdication of birthrights * unless other graha-in-1, may prefer to live free of independent selfhood


[Ketu in classroom-1] receiving drishti of ruler-Guru + Shani + Rahu

Ketu located in the defensive, culturally-rooted, seasonal-calendar, routinized, patriotic, ethno-nationalistic, comfort-seeking, home-loving, foundational, property-owning [4th-from-Chandra]

  • exacerbates a feeling of rootlessness and unbelonging and adds to a disconnection from the childhood, from the mother, and from the cultural foundations

4th-from-4th = severed connection to Mother

According to interviews, young Judy was tightly controlled by her stage-manager mother. In Shukra-Ketu bhukti, after a big fight when Judy turned 21, mom was cut-off forevermore via an irrevocable no-contact [Ketu] decision. Despite having three of her own children, young Ms. Garland never spoke to her mother again, and the children grew up sans relationship to their maternal grandmother.


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