Drama-Song

COHORT

born 1 year after

• UK-Duke-Edinburgh 1921-2021 Philip Mountbatten

born 10 months after

• POTUS-pair-40 Just Say No 1921-2016 Nancy Davis Reagan

born 2 months after

• entertainer Doris Day a.k.a. Mary Ann Kappelhoff

Theatrical singer

Television host

Hollywood cinema child-celebrity

famed child role in The Wizard of Oz

Judy Garland

a.k.a. Frances Ethel Gumm

Earth-birth Saturday-10-Jun-1922

dematerialization 22-Jun-1969 [age 47]

famed cinema dramatist + chanteuse

1922-1969

Judy Garland

born as Frances Ethel Gumm

birth data from https://en.wikipedia.org/wiki/Judy_Garland

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com

- adapted by BP Lama

Rising Nakshatra

Feminine Public-Figure Examples

Chitra - Tvastri

Citthirai - Visvakarma - Azinech - Alaraph - Arista - Dana

BPL COMMENTARY

For Chitra - Tvastri births of a feminine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.

For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.

Guided by instructors from civilizations of Spica. their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.

Designs + Arrangements

[Competitive Champion Kuja]-ruled Vismakarma ladies are blessed with direct, muscular physical and sexual energy. They are often found in environments where beautiful designs plus physical agility are valued. Chitrani drawing skills often place them into garment-making and decoration. They typically excel in competitive , vitality -focused fields such as fashion modeling , cinematic acting, musical performance, choreography and dance, and athletics which emphasize balanced movement.

Kanya pada 1-2 expresses Kuja's rulership of 3-writing-commerce + 8-secret transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Budha's Writing skills may emerge in pada 1-2. Kanya-Chaitra are often found in media communications and commercial aspects of design work, where their pro-active process management is distinctive. Trust and relationship integrity may be growth-challenging.

[Tula - Vanika] Pada 3-4 emphasizes Kuja's rulership of 2-collections, treasuries + 7-contracts, alliances. Shukra's bargaining behavior and financial skills rise in pada 3-4 due to the pleasant attractions of Shukra-Mangala.

Ladies often enjoy considerable wealth via face, voice, marriage, and family lineage. In music, arts, and partnership-craft, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. In the arts, entertainment, beauty, and design industries, their contractual deals may be luxuriously beneficial.

Themes of competitive movement , agile beauty, dynamic design, and financial equity may contextualize Chaitra's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Chitra - Spica.

QUOTATION Tvastri

from Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 96 .

" An expensive and luxurious person.

• One who is fond of clothes and beautiful surroundings and revels in them.

• She spends much money on jewels, perfumes, cosmetics

• and her taste in these matters is expensive .

She likes to change costumes several times a day

• and always look like an animated fashion plate .

Variety is the spice of life to this woman

• and she will be inconstant and fickle in love affairs,

• having many during her life and marrying often.

Many actresses, musicians, artists and opera singers have Chitra rising.

[end quote]

Judy Garland in 1941 [age 19]

Judy Garland [a.k.a. Frances Ethel Gumm] publicity photo 1935 from her first year of studio-contract work, JG age 13

Judy Garland a.k.a. Frances Ethel Gumm with her problematic mother-manager, Ethel Milne Gumm. Matrikaraka Chandra-3 management, cinema

From The Wizard of Oz, 1936

characters Dorothy Gale and the Wicked Witch of the West

Biographical data matched to Vimshottari Dasha timeline

• Wizard of Oz 1922-1969 entertainer Judy Garland

[Ketu Mahadasha] = [age birth until age 0.9]

• [Ketu-Meena] = [Ketu in classroom-6]

Sat-10-Jun-1922 = Earth-birth in Grand Rapids, Minnesota, USA * Ketu-Budha bhukti + [Puna-Shukra-yuti-Budha-Arudra]

[Shukra Mahadasha] = [age 0.9 until age 20.9]

• [Shukra-Mithuna] = [Shukra-9] + [Puna-Shukra-yuti-Budha-Arudra]

Dec-1928 until Apr-1931 Janma Sade-Sati Dhanus

• [3-cinema, ensemble production, collaboration, lyrical writing, instructions, scripts]
• [age 7-10]

• [Chandra in Mūla]

• [overlaps Shukra-Chandra bhukti until Shukra-Rahu bhukti]

1935 [JG age 13] starts work = first cinema contract with industrial film producers * Shukra-Guru bhukti * Guru rules 6-workplace ++ [Hasta-Rahu-yuti-Guru-Hasta] + [Hasta-Rahu-yuti-Shani-Aryaman] + Guru-12 secluded studio

17-Nov-1935 [JG age 13][dad age 49] grieved the sudden death of her father,, a burlesque-theatre operator, via spinal meningitis * Shukra-Guru bhukti * Guru-yuti-Rahu + Guru rules 7th-from-pitristhana

1939 [JG age 17] JG's legendary dramatic performance in Wizard of Oz wins Academy Award [Oscar] * Shukra-Budha bhukti * Shukra-yuti-Budha * Budha rules-9 = 11th-from-11 = prizes, awards

28-Jul-1941 [JG age 19] [DR age 31] consecration of wedding-1-of-5 with television music composer, orchestra leader, award-winning songwriter David Rose [Rosenberg] separated after 8 months, legal union 1941 - 1944] * Shukra-Budha bhukti * Shukra-yuti-Budha++ gochara R-K Kanya-Meena contact R-K axis

1943 [JG age 21] Pregnancy from JG's romantic affair with the heart-throb actor, Tyrone Power. The studio bosses, and her mother, demand an abortion * Shukra-Ketu chidra-dasha

1943 [JG age 21] Following therapeutic abortion, JG announced estrangement from her manager-mother. Thenceforward, mom = banned from the MGM cinema properties * Shukra-Ketu chidra-dasha * Ketu banishment

[Surya Mahadasha] = [age 20.9 until age 26.9]

• [Surya-Urisha] = [Surya in bhava-8]

April-1944 [JG age 22] Joins the Committee for the First Amendment which promoted the cause of civil liberties for entertainers being blacklisted for their political beliefs. Using her prestige to publicly support American racial equality, JG formally escorts a Black military General to a ceremony in his honor. * Surya-Mangala bhukti * Kuja rules 7-equity, justice, pairings

15-Jun-1945 [JG age 23] consecration of wedding-2-of-5 = set designer and cinematic director-producer, Vincente Minnelli [union = 1945 - 1951] Their child, Liza Minnelli, became a celebrated cabaret entertainer. * Surya-Guru bhukti + [Hasta-Rahu-yuti-Guru-Hasta] ++ gochara R-K Karkata-Makara contact navamsha Chandra-Karkata

https://en.wikipedia.org/wiki/Vincente_Minnelli

12-Mar-1946 [JG age 24] celebrated the birth of child-1, singer-dramatist Liza Minnelli * Surya-Shani bhukti * yogakaraka Shani rules-5

16-Jul-1947 [JG age 25] Amid Vincente Minnelli's dalliances with other men, along with her own growing alcoholism and self-medication, JG suffered a nervous breakdown including first suicide attempt. Sent for residential treatment, but left. * Surya-Budha bhukti * Budha rules 12-hospitalization, convalescence

[Chandra Mahadasha] = [age 26.9 until age 36.9]

• [Chandra-Dhanus] = [Chandra in Mūla - Vichruta] = [Chandra-3]

10-May-1949 [JG age 26] fired for no-show on the current theatrical set, but retains the cinema-studio contract * Chandra-Chandra svabhukti * Chandra in Mūla-3 cinema

30-May-1949 [JG age 26] begins 11-week hospital stay, for exhaustion * Chandra-Chandra svabhukti * Chandra shelter

19-Jun-1950 [JG age 27] next suicide attempt, published in newspapers nationwide. * Chandra-Mangala bhukti * Chandra in Mūla * maraka Mangala-2 rules 2-7

29-Sep-1950 [JG age 27] following 15 years continuous contract renewal, and 30 films with MGM studios, JG = fired from MGM studios entirely, due to behavioral issues * Chandra-Rahu bhukti

1951 [JG age 29] after much financial-personal volatility and distress, rebounded into successful performance events in UK-Ireland * Chandra-Rahu bhukti

1951 [JG age 29] divorce-2-of-4, formally ending legal union with Vincente Minnelli * Chandra-Rahu bhukti

08-Jun-1952 [JG age 30] consecration of marriage-3-of-5 with entertainment impresario/con-man, Sid Luft [until 1965] Two children. * Chandra-Guru bhukti * Guru-yuti-Rahu ++ gochara R-K Karkata-Makara contact navamsha Chandra-Karkata

Nov-1952 [JG age 30] four months after the wedding, celebrates birth of daughter-2, Lorna Luft * Chandra-Guru bhukti ++ gochara R-K Karkata-Makara contact navamsha Chandra-Karkata

05-Jan-1953 [JG age 31] [mom age 59] grieved the bio-decease of estranged Mother , via heart-attack * Chandra-Guru bhukti * Guru rules Chandra-3 in 12th-from-matribhava

Feb-1958 until Feb-1961 Janma Sade-Sati Dhanus

• [3-cinema, ensemble production, collaboration, lyrical writing, instructions, scripts]
• [age 37-40]

• [Chandra in Mūla]

• [overlaps Chandra-Shukra bhukti until Mangala-Guru bhukti]

[Mangala Mahadasha] = [age 36.9 until age 43.9]

• [Mangala-Vṛścika] = [Mangala in bhava-2]

Nov-1959 [JG age 37] hospitalized for emergency treatment of life-threatening hepatitis. * Mangala-Rahu bhukti * Rahu-12 hospitals ++ janma Sade-Sati [via-3, mentality]

May-1962 [JG age 40] wins five Grammy awards, honoring her enduringly creative excellence in the music industry * Mangala-Budha bhukti * Shukra-yuti-Budha * Budha-9 rules-9-ceremonial awards = 11th-from-11 ++ dvithya Sade-Sati

1963 [JG age 41] receives a lucrative contract for nationwide television variety-show . The contract earnings were expected to clear her financial debt. Mangala-Budha bhukti * Shukra-yuti-Budha * Budha-9 rules-9 = 11th-from-11 = revenue, income, gains + Shukra contract

1964 [JG age 42] Show cancelled after only 26 episodes [= one televison season]. Saddled with embezzling managers, JG suffers declining health and financial distress * Mangala-Ketu bhukti * Ketu cancellation

27-May-1964 [JG age 42] grieved the bio-decease of her eldest sibling, sister Suzy, via suicide * Mangala-Shukra bhukti * Shukra sisters rules 12th-from-9, decease of sister 1-of-3

14-May-1965 [JG age 43] divorce-4-of-4, formally ending the legal union with Sid Luft * Mangala-Shukra bhukti * Shukra randhresha, identity-change

14-Nov-1965 [JG age 43] Wedding-4-of-5 with unemployed actor, Mark Herron [until 1967] Due to Herron ongoing primary commitment to another man, marriage not consummated [Ketu occupies 6 = marr-4] * Mangala-Chandra chidra-dasha * Chandra emotional security, protection ++ gochara R-K Urisha-Vrischika contact Kita svamsha

[Rahu Mahadasha] = [age 43.9 until decease age 47]

• [Rahu-Parthya] = [Rahu in bhava-12] + [Hasta-Rahu-yuti-Guru-Hasta] + [Hasta-Rahu-yuti-Shani-Aryaman] = occupies 10th-from-Chandra

Jun-1968 [JG age 46] extended hospitalization to support addiction-withdrawal recovery * Rahu-Rahu svabhukti ++ gochara R-K Meena-Kanya contact R-K axis

15-Mar-1969 [JG age 47] wedding-5-of-5 with music-club manager and reputed drug-dealer, Mickey Devinko [Deans]. The union endured for three months, ending with JG's drug-overdose death, Jun-1969 * Rahu-Guru bhukti + [Hasta-Rahu-yuti-Guru-Hasta] + Guru rogesha ++ gochara R-K Meena-Kanya contact R-K axis

22-Jun-1969 [JG age 47] blessed liberation from the Earthen-body, suicide [12] via fatal barbiturate overdose * Rahu-Guru bhukti + [Hasta-Rahu-yuti-Guru-Hasta] [12] + [Hasta-Rahu-yuti-Shani-Aryaman] [12] + Guru rogesha-drugs ++ gochara R-K Meena-Kanya contact R-K axis

Distinctive features of the Nativity

• Wizard of Oz 1922-1969 entertainer Judy Garland

[Sparkling Splendid Surya]

pitri-karaka [father] -- jyoti-karaka [light]

[friendly-gainful vriddhi-pati for Tulā indriya-lagna]

• check Shukra + Shukra-drishti to source Surya's sensual radiance, sweet charisma, financial entitlements

[camouflaged center of treasury revenues]

[intelligence for discovery of richly rejuvenating transformations]

[hidden healing entitlements trigger new vitality via neck-throat-eyes-mouth-tongue-teeth]

[focused into luxurious demonstrations of mysterious pleasurable initiations]

[sensually enriching presence in crisis intervention environments]

[political vriddhi-pati connections linked to undisclosed heritage investments]

[community-focused father may express revolutionary political values]

[father or self, may make catastrophic financial decisions, yet recover]

...

[dramatizing-demonstrating Mriga-1] = [navamsha Surya-Simha] intuitively displaying sparkling center-stage entertaining confidence

• [Surya-Urisha] [Ravaye - the noisy one, the roaring one. Ravi = firebird; Rava = howl, yell, or squawk] * brightly charismatic confidence of Center-stage Surya radiates through the acquisitive sensual rashi of Shukra

• [Surya in bhava-8] center of revelation * spectacular explosions * heart of rebirth * splendid emergence * intelligence for trauma healing * political secrecy * confident rejuvenation * brightly transformative * focus on discovery * initiatory entitlements * eye on hidden assets * sparkling star of mysterious evolutionary changes * father may be a healer, undisclosed, or disguised

OUTCOMES - MAGNIFICENT MARTANDA

self-reflexively emerging, brightly transformative, charmingly volatile, regal style of self-reinvention, discovery focused, radiantly recycling, politically camouflaged, splendidly disguised, center-stage rejuvenator [Surya in bhava-8] rules

• 11-fruitful revenues, interconnected income, profits, material achievement, social networking, friendships, community linkage, fan-clubs, mass participation gatherings, collectivism, marketplace gridworks, distribution, association, populism, economic systems, fundraising, gains-and-goals, awards for work accomplished, health of the enemies

CAREER - SPARKLING SURYA

10th-Navamsha contains brilliant Surya-Simha

Surya karaka for theatre, celebrity

• Theatrical singer, Hollywood child-actor dramatist
• Her most celebrated cinematic performance included the legendary songs from Wizard of Oz - a performance pinnacle reached at her age 16.

[Surya in bhava-8] drishti incoming

• empowering, enabling expansion-amplification Guru-yuti-Rahu pair [12]
• mutual-drishti with physically energizing Mangala-2-Vrischika [voice projection]

FATHER

Francis Avent Gumm

https://en.wikipedia.org/wiki/Francis_Avent_Gumm

pitrikaraka [Surya in bhava-8] occupies [6th-from-Chandra]

• Dad = vaudeville entertainer who owned a local theatre
• Entertainments included live-performance music and dance [Urisha] mixed with early cinema.

Tension between the parents

JG attested that she adored her father

• Garland's father was a gay man and the father of the three Singing Gumm Sisters.

However, the 6/8 angle between Surya-vs-Chandra = a hostile, incompatible electro-magnetic emotional alliance between mother [Mūla- Chandra-4] and father [Mriga-Surya-9] .

The parents often disagreed about money [Urisha]. They also argued about his entitlement to conduct a self-determined sexual lifestyle [Surya].

[Comfortable Caretaking Chandra]

matrikaraka [mother] -- garha-karaka [village]

[dutiful-hierarchical karmesha for Tulā-born]

• check Guru + Guru-drishti to source Chandra's optimistic feelings, humanistic rhythms, global sensibilities

[karmesha occupies 6/8 from svakshetra-10 = feels exploited by public duties]

[seeks shelter within familiar cohort worldview]

[comforted by explaining ancient beliefs]

[sensitive to principled doctrinal instruction]

[calming faith in planning schedules itineraries]

[soothed by ideological announcements]

[empathetic with believing audiences]

[busy sensitive inspirational manager ]

[needs socially respected karmesha humanistic commercial projects]

[delivers uplifting emotional messages]

[sentimentally fluctuating indoctrinated mentality]

[guiding mother may be cheerful shopkeeper, optimistic handcrafter, philosophical businesswoman, theological writer-editor]

...

[defensive-rhythmic Mūla-4] = [navamsha Karkata Chandra] intuitively sensitive pulsing, rhythmic, ritualized folkways-defense

• [Chandra-Dhanus] comforted by customary beliefs * settled into rhythmic received teachings * needs to feel wisely guided

• [Chandra in Mūla - Vichruta] protectors of the eternal root vortex * soothed by pure emptiness * feels like a galactic pilgrim

• [Chandra in classroom-3] comfortable with cohort-collaboration * familiar with interactive communication * calmed by repetitive announcements * feels the tidal pulse of daily chat * feels sheltered in the parlor * soothed by siblings * intuitive information delivery * settled into the habits of writing * needs continuous commerce * accustomed to routine messaging * emotionally attuned to the rhythms of conversation * undulating signals * ethno-cultural gestures * intuitive handcraft * mother may be a manager, administrator, shopkeeper, craftswoman, publisher

OUTCOMES - ANCESTRAL SOMA

sensitively talkative, protectively managing, routinely interactive, parentally explanatory, rhythmically scripted, conducts customary commerce, predictable teamwork, culturally neighborlike, emotionally collaborative, needs to describe and signal [Chandra in classroom-3] rules

• 10-career, profession, dignity, regulatory roles, governance duties, social authority, symbolic recognition, iconic visibility, leadership responsibility, top status, reputation, commanding positions, honor, high regard, public respect, executive power, elite rank, lawful imposition, organizational director

CAREER - CARETAKING CHANDRA

• [folk reputation 10th-from-Chandra = habitual public duties conducted via Kanya-12. Known for minstering, aiding, argumentative-accusing, logical style of imagination, cloistering, fantasizing sanctuary enclosure]

communications media, photographs, cinema [3]

[karmesha occupies 6/8 from svakshetra-10 = feels exploited by public duties]

• JG's public image = battleground of social expectations, pressures [Shani] and criticisms [Kanya]. Rulers of 3-4-5-6 inflated by Rahu, plus Mūla-Chandra-3 mood disorder and mental-health afflicted by stage-mother. JG required by the corporate authorities of the industrial cinema Studio System [Shani] to take pharmaceutical medication (Guru rogesha drugs) Even as a child stage performer, she was drugged with amphetamines in order to keep her alert during hours-long theatre rehearsals [Shani rules 5, theatre]

CHILDHOOD VAUDVILLIAN

[Chandra in classroom-3] receives relationship-defining 7th drishti of entertaining, singing, dramatic Shukra + Budha [9]. As a small child, JG and her sisters became well-known [Chandra karmesha] They delivered [3] musical performances in the Minnesota vaudeville theatre owned by her parents.

MOTHER = momager

Ethel Marion Milne

https://en.wikipedia.org/wiki/Ethel_Marion_Milne

Mom had worked as a vaudevillian performer before her daughters were born.

Mom was said to have been a strict and controlling stage-mother [Chandra in classroom-3] Mom was involved in every detail of her underage daughter JG's childhood career [10] in the cinema studio system.

Chandra-Vichruta karmesha rules tramatic 8th-from-Chandra . Controlling manager and promoter, Mom was to be exceptionally manipulative, lacking boundaries [Ketu] As soon as JG became a legal adult, JG banned mom via "no contact".

Matribhava-4 intakes drishti from the powerhouse, permissive pair Rahu-yuti-Guru [12]

Thus Mom-ager's exceptionally over-reaching project-management of her talented daughter's career.

Chandra-Mūla-3 . Some children suffer from being ignored, from parental negligence. However, this relationship had the opposite dysfunction = total control, mental manipulation [3], micro-management of food and physical movement, and dehumanizing harrassment of JG's physical appearance.

The emotional character of this mother was - according to JG - so a-moral and devious [Mula] that JG had to break their ttoxic bond in order to gain her human freedom.

Secrecy - financial and medical - 8th-from-Chandra

Chandra-Mūla-4 activates Karkata-11 = the emotionally self-transforming, often shocking, change-inducing, revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra = secrets, non-disclosure, sudden unexpected changes, evolving identities, transformative healing, camouflage, emergencies

• According to JG, the secret drugs which eventually destroyed Judy's health were originally supplied by her mother
• Chandra intakes 7th drishti of Shukra = drugs

Eventually, Judy gained legal adulthood and Chandra- Vichruta fulfilled its destiny of emotional annihilation.

• JG had a relentlessly volatile relationship with her mother.

Biographers comment that Judy Garland idolized and identified with her entertainer father [Surya-9 rules 12, imagination]

• Although her father's lifestyle was likely the major factor in his decease, JG held her mother responsible for her father's distress and premature death

When Judy turned 21, her desire to throw off the dehumanizing structure of maternal control [Mūla] became legally viable.

• Following a major fight about her mother's mismanagement of her contract [Guru-1 bandhesha also rules 7-contracts, mismanagement due to over-reaching Rahu-Kanya-1] ,
• JG relationship with the mom-ager was utterly severed during Shukra-Ketu chidra-dasha == intensified by Ketu-the-guillotine rules Chandra in Mūla

Mom had been long accustomed to a confortable personal budget, even through the Depression, funded by JG's work. But following the end of the Ketu chidra-dasha at JG's age 22, Mom was cut-off [Ketu] from all further contact and all further monies.

• JG asserted that mom had been pilfering her earnings since childhood.

Post-split from her Mother, JG had three kids. Mom had no contact with the grandchildren. No reconciliation whatsoever occurred during the no-contact years 1943-1953. The alienated mother died of heart-failure in 1953 [mom's age 59] .

Like JG, her mom displayed symptoms of Borderline Personality Disorder

https://en.wikipedia.org/wiki/Borderline_personality_disorder

• BPD patterns may include a mother-figure who for psychological reasons may gradually but pervasively cause significant harm to her own children, including the potential to accuse one's children of crimes, to drug them, or to steal their money. One method for families who are dealing with these disordered personalities is to sever all contact with the BPD sufferer.

JG PARENTING CHALLENGES

Mūla-Chandra-4 rules 8th-from-Chandra

The same planetary pressures which afflict JG's relationship to her mother, also afflict her troubles as the parent of her three children.

In 1946 during Surya-Rahu bhukti - following the birth of her first child, JG began a downward spiral into a pattern of drug misuse and nervous breakdown

Despite her sparkling cinema stardom, JG was accused of parental negligence. She nearly lost legal custody of her children on several occasions, and was prevented from undue contact with two of the three.

MARRIAGES partnership emotional equity support expectations

Husband-figures

five marriages before age 46

Rahu exaggerates amplifies dhava-karaka Guru

++ Rahu amplifies yogakaraka-Shani

Following a childhood that had been overwhelmed by the rigors of 12-hour adult workdays in the studio system, abandonment via death by her father, and fierce rejection of her manipulative-punitive mother, JG married five times in pursuit of stability.

Shani-yuti-Guru dhava-karaka + [Hasta-Guru-yuti-Rahu-Hasta] = JG had a multitude of husbandly-companions, all of whom were complex and contradictory individuals.

Her father and also her five husbands were generally homo-social men - i.e., men who aesthetically and physically prefer the company of other men

https://en.wikipedia.org/wiki/Homosociality

The sexual-sensual-partnerships of the men in her life were diverse, volatile, and socially irregular [Rahu] Yet social regulator Shani signals their entertainment industry pressures, and externally normalized professional status.

[7th-from-Chandra-3] = lifepartnership-1-of-5

songwriter David Rose

https://en.wikipedia.org/wiki/David_Rose_%28songwriter%29

[JG age 19] [DS age 31] wedding-1-of-5 with Emmy-winning radio-and-television music composer, orchestra leader, award-winning songwriter David Rose [Rosenberg]

[m. 1941 - 1944] JG was DR's wife 2-of-3.

• Mithuna - cinema, songwriting, scripts, young people, projects
• bhava-9 contains [Shukra-yuti-Budha]

Although Shukra activates the emotionally conflicted [6th-from-Chandra] Shukra is also located in the harmony-seeking 7th-from-Chandra.

DS was 12 years her elder [he 31 and she 19 at time of marriage]. After the banishment of her mother, JG appreciated his parental support and professionalism [10].

The relationship ended eight months after the wedding. Following their amicable divorce, the pair maintained a cordial industry friendship.

2nd-from [7th-from-Chandra-3] = lifepartnership-2-of-5

theatrical designer Vincente Minnelli [m. 1945 - 1951]

https://en.wikipedia.org/wiki/Vincente_Minnelli

• Makara decorum, conventionalism, conformity, class-conscious, regulatory
• bhava-5 theatre, fashion, display, romance, gambling, genius

JG age 23] wedding-2-of-5 with prize-winning musician, costume designer, stage and cinematic producer, Vincente Minnelli.

• prize-winning theatrical director, Vincente Minnelli
• JG, VM and their child, the entertainer Liza Minnelli, were all awarded Oscars during their entertainment careers
• JG was VM's wife 2-of-4.
• Despite the divorce, daughter Liza remained attached to both parents.

LiLike JG's father, VM was a bisexual man who had a broad social network interlinking many liaisons.

• JG was VM's wife 2-of-4. Both JG and VM married three further times. [Aryaman-Shani-yuti-Guru-Hasta] + [Aryaman-Shani-yuti-Rahu-Hasta] shows the complexity of JG's husband-patterns [Guru-Rahu-Shani].

9th-from [7th-from-Chandra-3] = lifepartnership-3-of-5

https://en.wikipedia.org/wiki/Sidney_Luft

• Simha entertainment, self-promotion, display, entitlement, narcissism
• bhava-12 invisible activities, fantasy, enclosure, clandestine affairs, dissolution of tangible identity

[JG age 30] marriage-3-of-5 with Sid Luft [1952-1965] an entertainment impresario

• Luft created cinema financing to boost JG's lagging career.
• He dramatically overspent on production costs, and the ephemeral loan was cancelled
• JG publicly accused Luft of alcohol-fueled domestic abuse.

Like JG, Luft was married five times. At the end of their nine-year union which produced two kids, JG suffered severe mood disorder and financial collapse.

• JG and Luft engaged in a bitter child-custody battle [12 = 8th-from-5]
• Narcissistic Luft argued in court that JG was an unfit mother due to her self-destructive behaviors
• Afterwards, JG saw little of these two children.

4th-from [7th-from-Chandra-3] = lifepartnership-4-of-5

https://en.wikipedia.org/wiki/Mark_Herron

stage actor, Mark Herron

• Meena - fantasy, envisioning, dreams, abstraction, private worlds
• contains [Ketu in classroom-7]
• bhava-7 agreements, equity, representation, advocacy, contract arrangements

[JG age 43] Wedding-4-of-5 with actor, middleman, contract-broker, Mark Herron.

• Like JG's father, Herron was a gay man who was sexually disinterested in JG [Ketu-7]. He cherished a primary relationship with another male actor.
• The unconsummated marriage further damaged JG's already decrepit self-image [Meena, imagery]. Although the alliance was not abusive, it was empty, and it ended in despair. [Ketu]

11th-from [7th-from-Chandra-3]= lifepartnership-5-of-5

https://en.wikipedia.org/wiki/Mickey_Deans

• Tula-arrangements, deal-making, agreement
• bhava-1-

Mar-1969, wedding-5-of-5 with discoteque manager and drug-dealer, Mickey Devinko [Deans].

• Three months after their wedding, JG died in Jun-1969 in London, of fatal barbiturate overdose. Shock, self-poisoning [8]

[Competitive Champion Kuja]

bhratru-karaka [brother] -- virya-karaka [virility]

= [svakshetra]

[collecting-warehousing dhana-pati for Tulā indriya-lagna]

[bargaining-contractual jaya-pati for Tulā indriya-lagna]

[narrative of pursuit of danger

[champion of inflammatory revolutionary rhetoric]

[transformative warrior for camouflaged storage]

[preservationist dhana-pati battle for historic values]

[contractual jaya-pati forward-moving recycling driven finance]

[rejuvenating energetic voice]

[pro-actively pushy speeches about upheaval]

[provocatively verbalized emergency narrative pursues vital sudden changes]

[innovative thrust fuels eruptive prowess]

[vigorous intervention for competitive pricing]

[combatively catastrophizing family of origin]

[threatening brother-cousins or co-workers may fight for dangerous discoveries in banking, breeding, and heritage collections]

...

[friendly-profitable Jyeṣṭha-3] = [navamsha Mangala-Kumbha] intuitively forward-pushing security-seeking [4] pursuing-profitability networking competition

• [Mangala-Vṛścika] vigorous pursuit of hidden assets * proactive exploration * controlled explosive demolition * energetic initiation * exposure of shocking secrets * plunges the tantric depths * push toward discovery * champion of emergency action

• [Mangala in bhava-2] vigorous orator * loudly lectures on heritage values * pursuit of treasuries * competitive financial actions * innovative knowledge * energized face-voice-song * memorable speeches * Sings and shouts * champion of literacy-reading * historic pronouncements * pioneering proclamations * forward drive toward capitalization * promotes resource conservation * hyperactive family dynamics * acquisitive conquests

OUTCOMES - MOVING MANGALA

financially competitive, verbally assertive, forthrightly spoken, forceful declarations, forward-pushing use of language, enlivened by vital memories, vigorous pursuit of precious storage, energetic thrust of traditional values, knowledge-driven engineer, proactively acquisitive family lineage, champion of heritage preservation [Mangala in bhava-2] rules

• 2-acquisition, family legacy, tradition, language-lexicon, preserved memory, banking, collections, entreasurement, herd-hoard, treasury containment, financial capital, accrued amounts, asset evaluation, knowledge of history, speech-song, heritage values, color-sound, arts-and-music, face-voice-eyes-teeth-mouth-hair, genetics, stored resources, health of the father

• 7-covenant, promise, trust, contractual relationships, social justice, advocacy, legal judgments, lawcourts, appeals, representation, equity, diplomacy, partners, justice, marriage, legal and formal partnerships, negotiation, alliance-crafting, match-making, fair arrangements, even deals, advocacy, trading, bargaining, brokerage, haggling, go-between, middleman, meddler

CAREER - COMPETITIVE KUJA

Mangala rules Chitra indriya-lagna

Kuja-2 what goes in the mouth, music, storytelling, death

kinetic energy, performance vitality, innovation, competition, championship, embodiment

Career-wise, Kuja = a powerfully energetic yogakaraka

as intolerable as JG eventually may have found her mother to be, the parents [4] built the foundation [4] for JG's career

Mangala-Vṛścika receives incoming drishti from disciplining, constraining Shani-2

Shani drishti provides a disciplining influence which allowed Garland's career to proceed with regular structure, even during times of severe personal distress [Mula Chandra]

[Busy Bantering Budha]

jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student]

= [svakshetra]

[philosophical-doctrinal dharmesha for Tulā indriya-lagna]

[retreating-contemplative vyaya-pati for Tulā indriya-lagna]

[gesturing pronouncement of conversational homilies]

[exegetical sermons dharmesha describe the scriptures]

[principled instructions on private prayer]

[enthusiastic talk about spiritual guidance]

[collaborative discussions define the catechesis]

[may deliver the dharma in distant lands vyaya-pati]

[quick pace of descriptive preaching]

[articulate lectures upon business theory]

[publishes pontification upon newsworthy wisdom]

[explainer of commercial doctrine]

[announces the faith-based convictions]

[detailed confessional testimony]

[combines business with life philosophy]

[if Surya-yuti-Budha, righteously patronizing beliefs express mercantile worldview]

[declarative father-figure may be global dharmesha missionary, announcing indoctrinator, scheduling youth coach, chatty pilgrimage guide, ideologically conmitted manufacturer]

... ...

[optimistic-philosophical Arudra-1] = [navamsha Budha-Dhanus]

+ [Arudra-Budha-yuti-Shukra-Puna]

• [Budha-Mithuna] business communications * articulation of specific instructions * informative pronouncements * messages about commerce *  hands-on management * signaling explanatory information *  detailed diagrams * talks about publication * interpretative interactions * commercial translation  * hands-arms-shoulders send descriptive gestures

• [Budha in bhava-9] narrative of father-figure * witty guru * broad-scope communicator * repeats the catechism * ideological reasoning * reiterates the doctrine * skillful grandchildren * discusses patronage * detailed articulation of worldview * explains the paradigm of belief * talks about sacred texts * examines the dharma * interprets theoretical claims * delivers quick sermons * logical investigations into philosophical truths * chatty priests * religious dialogues

• [Budha-yuti-Shukra] explainer of balanced arrangements * diplomatic conversations * parity-seeking discussions * manual adjustments * enjoys words * sweet descriptions * delivers instruction about relationships * articulator of equity in agreements * message of fairly bargained contracts * skilled in songwriting * talkative sister-cousin-cohort * detailed lyricist* attracts chatty partners

OUTCOMES - BANTERING BUDHA

mercurially philosophical, paternally communicative, mercantile worldview, businesslike father-figure, naarrative of higher understanding, inspirational publishing, globally descriptive, broad-scope conversations [Budha in bhava-9] rules

• 9-ideology , paradigm of belief, profession of faith, principled convictions, higher understanding, father-figures, priestly patronage, preaching, patriarchal entitlements, philosophical convictions, theory, public spiritual guidance, celebrated doctrines, sangha, sacred teachings, credenda, globalism, dharma, worldview, weltanschauung, mother's health

• 12 enclosures, the bed, fantasies, privacy, interior spiritual guidance, clandestine undertakings, intuitive awareness, non-linear conceptual undertanding, concealment, seclusion, invisibility, dissolved identity, meditation, contemplation, dreamworlds, astral plane, imaginary scenarios, sanctuary sleep, distant lands, distress of the avowed partner

CAREER - BUSY BUDHA

Budha rules Jyestha Svamsha

[lagnesha Shukra-yuti-Budha] combines the rulers of 1 + 8 + 9 + 12

voice-face-song

After her cinema career ended, JG survived as a professional entertainer by returning to her childhood vaudeville roots. She sang [Shukra] a popular repertoire, mainly in burlesque nightclubs and sometimes larger venues.

[Chandra-Mūla mutual-drishti Budha-Shukra] + [Rahu-12] = devoted cohort of tragic figure

JG's volatile, yearning, waiflike persona [adolescent Budha] attracted a cult following of gay men. These loyal fans crowded into her sold-out performances, bought her musical recordings, and accepted her frequent cancellations as a fact of her tragic life

Once fabulously popular and a highly "bankable" asset for the Studio corporations, JG's cinema celebrity era had peaked by the age of 24. She suffered a perilous decline into drugs-and-alcohol addiction punctuated by suicide attempts and a merry-go-round of five marriages.

Indeed, these marginalized men saved her career [Kanya marginalization]. Without this specific fandom audience [Budha audience, the message] JG's professional singing career would likely have collapsed completely. Yet due to their appreciative [Shukra] purchasing of tickets and recordings [Budha] JG was able to continue a schedule of musical performance touring until her untimely death age 47.

touring performance cinema, recordings

Budha activates10th-from-Chandra = Kanya-12

• JG earned millions from 1930's until 1960's.
• Budha-9 earnings receives the disciplining and restrictive 10th drishti of Shani-12 Kanya
• creates a heavy workload and social criticism [Kanya]
• Sadly, the distress in bhava-2 created a roller-coaster of luxurious earnings often followed by catastrophic financial collapse - and, repeat.

[Generous Growing Guru]

dhava-karaka [husband] -- bahuta-karaka [variety]

= [svabhava] = [Harsha Yoga]

[busy-communicative vikrama-pati for Tulā indriya-lagna] [inimical-argumentative rogesha for Tulā indriya-lagna]

• check Budha + Budha-drishti to source Brihaspati's broadly logical, extensively aggrieved, cheerfully analytical complaint

...

[musical-financial Hasta-2] = [navamsha Guru-Urisha] intuitively expands the scope of understanding values, storytelling, language, song

+ [Hasta-Guru-yuti-Shani-Aryaman]

+ [Hasta-Guru-yuti-Rahu-Hasta]

• [Guru-Kanya] much ministry of service * many humble servants * numerous employees * indoctrination of laborers * much logical argumentation * diverse conflicted guidance * broad permission to help * generously assists many victims * optimistic about medical treatment * believes in giving aid * doctrine of benevolent humility

• [Guru in bhava-12] great inspirational interiority * visionary guidance in seclusion * many symbolic meditations * much uplifting divination * many hospitalizations or incarcerations * many spiritual retreats * numerous offerings to psychic way-showers * extensive teaching in private environments * believes in clairsentient trance wisdom * patron of sanctuary enclosures * in a wifely nativity, husbandly-companion may be benevolently invisible

• [[Guru-yuti-Shani] atta-karaka * multiple elder-figures * permission to hold respected positions * abundant structure * numerous law-makers * expansive hierarchies * tolerance for diverse systems * optimistic philosophy of social regulation * large-scale responsibilities

• [Guru-yuti-Rahu] mishra-karaka * multiple mix-culture opportunities * permission to bend barriers * many impostors * abundant expedience * wide scope of ambition * craving for expansion * seeks promotional advantage via globalist philosophy * optimistic toward obtainment of privilege

OUTCOMES - GENEROUS GURU

privately philosophical, expansively imaginative, broadly visionary, cheerfully insightful, contemplatively secluded, tolerantly prayerful, invisibly guided [Guru in bhava-12] rules

• 3-communications, messaging, sermons, scripts, radio-television, media-products, Writing and Publishing, letters of correspondence, announcements, planning, schedules, sales, marketing, documentation, reporting, cohort, entourage, committee-work, process management, commercial business, instruction, explanation, discussion, diagrams, labeling, event management, signage, training, itinerary, tours

• 6-ministries of service, dehumanization, misconduct, war, jail, slavery, pollution, argumentation, healthcare workers, ailment, injury, medical treatment, hypocrisy, crime, cheating, animosity, toxins, complaints, accusation, litigation, imbalanced conditions, injustice, betrayed promises, servants, laborers, hostility, animosity, disagreement, dehumanization

CAREER - BENEVOLENT BRIHASPATI

= occupies 10th-from-Chandra

dhavakarakaa rogesha in Bhava-12 = problematic husband[s]

• Guru activates 5 = creative or literary arts, fashion, celebrity, drama, gaming, politics, entertainment, romancee
• Guru activates 8 = sudden identity change, shocking discoveries, hidden assets

Guru-yuti-Rahu casts enormously amplifying drishti into 6-8-10

CHILDREN

As JG's birth family had done, when JG's very young children [Guru] showed talent, she made them into performers

• Wizard of Oz 1922-1969 entertainer Judy Garland had three children. JG often brought her kids onto the performance stage to sing with her. Chandra-3 = a managing mom, and Chandra in Mūla often has boundary issues.

• After her untimely death, JG's adult children recounted that their dramatic mother had imposed stress, upset, and worry upon the kids -- throughout mom's five marriages and bouts of mood-disordered suicidal depression [Shani rogesha yuti Rahu-2 ++ + [Mūla] Chandra]

Rahu-yuti-Guru [Shani-yuti-Rahu] occupies [folk reputation 10th-from-Chandra-3]

JG and her first child, daughter Liza Minnelli , performed together at popular concerts.

Blessings from the Marginalized Guru-Kanya occupying the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandraa suggests Garland's lifelong ability to symbolize and appeal to socially marginalized, stigmatized fans in the 1950's-and-1960's Euro-American male gay community.

• They formed her most loyal fan base. Their purchases of her recordings and tickets to her performances during her failing health years is often accounted as the main reason she was able to keep afloat.

[Sweetly Suave Shukra]

svadu-karaka [sweet] -- kalatra-karaka [w[wifely companion]

[energizing-identifying lagnesha for Tulā indriya-lagna]

[mysterious-revealing randhresha for Tulā indriya-lagna]

• check Budha + Budha-drishti to source Shukra's suavely announcing, sweetly described, mutually informative dialogs

[personalized lagnesha philosophically gracious conversational diplomacy]

[enjoys talking about global topics]

[international equity discussions seek balanced agreement]

[smooth gestures confer hidden patronage]

[identified with lagnesha occluded randhresha financial bargaining]

[courteously explains occult sacerdotal arrangements]

[skillfully delivered doctrinal messaging for sangha believers]

[taste for ideologically transformative randhresha process]

[aesthetic of philosophical description]

[pleasantly communicative father may be wise merchant , chatty patriarch, undisclosing randhresha patron of the handcrafting arts]

...

[cinema-lyrics Punarvasu-3] = [vargottamsha] [navamsha Shukra-Mithuna] ]

+ [Puna-Shukra-yuti-Budha-A-Arudha]

++ [9-Puna-Shukra-yuti-Budha-A-Arudha-9]

= [ātmakāraka music, arrangements, marriage, contracts]

• [Shukra-Mithuna] appreciates iterative process * * values beautifully detailed artifacts * attracted to writer-editor-publishers * likes businesspeople * balanced gestures * diplomatic communications * prefers a communicative partner * equable cooperative teamwork * smooth handling of management tasks * aesthetic of skilled handcraft * delivers balanced specific explanations * enjoys correspondence * satisfied by conversation * articulated messaging arrangements

• [Shukra-9] seeks pleasure via philosophical doctrine * enjoys wide worldview * believes in beauty * feminine-figures preach-teach on higher principles * broad scope of negotiations * expansive musical taste * pleasing designs to adorn the pelvic floor * graceful hips * balanced femoral sockets * sweet sacral plexus * appreciation of theory * father may be financier-broker-arbitrator-artist * for husbandly nativity, wifely-companion may hold a guidance position

• [Shukra-yuti-Budha] ] sweetened messages * gracious explanations * talented in singing-songwriting * articulate negotiations * advocates for reasoning process * talkative feminine-figures * pleasant conversations * bargaining for business * sibling-cohort collaborative harmony * enjoys the company of students * detailed contracts * prefers logical arrangements

OUTCOMES - SWEETENING SHUKRA

sensually philosophical, appreciative of higher understanding, harmoniously patronizing, aesthetically wisdom-guiding, financially optimistic, musical-artistic father-figure, global scope of relationships [Shukra-9] rules

• 1- distinctive attributes of personality, dense material incorporation, individual personification, earthen embodiment, physical integrity, kinetic energy, dance, style of movement, athletic prowess, muscular mobility, unique character, kinetic vitality, circumstances of birth, forward push, tangible appearance, coherent social identity

• 8-unexpected eruptions of regenerating force, occult initiation, mystical revelation, shocking intervention, opaque empowerments, invasive surgery, intensive healing, evolution, violent explosion, sudden identity change, rejuvenation, recycling, rebirth, hidden assets, upheaval, undisclosed secrets, transformative events, discovery, in-laws of first marriage, health of younger sibling-cousin

CAREER - BRIGHT BHRIGU-TANAYA

[Shukra-yuti-Budha] combines the rulers of 1 + 8 + 9 + 12

= her professional singing sisters

Shukra activates Urisha-3 = the emotionally conflicted [6th-from-Chandra] , suggesting that no matter the social-creative success, her career was experienced as servitutude

Suave Shukra activates Urisha-Surya in [6th-from-Chandra] = Addictive, self-medicating, sweets-seeking

Shukra-Mithunarainbow colors.

• The single most well-remembered song of career of Wizard of Oz 1922-1969 entertainer Judy Garland= // Somewhere Over the Rainbow //

Marketplace Earnings Financial Patterns

Shukra activates 6th-and-11th from Chandra

JG had both substantial earnings [11th] supporting large debts [6th] .

• JG was a mega-celebrity in the entertainment world
• capable of luxurious earnings
• but she also suffered from massive tax-debt
• Shukra in [6th-from-Chandra] produced substantial self-indulgence of luxurious taste exacerbated by the mercurially instant gratification patterns of Shukra-yuti-Budha.

[Shukra-Mithuna] ruling community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra

Added to the financial contradictions in bhava-2, shukra creates a volatile economic cycle featuring the extremes of both dynamic earnings

• via debt, disagreements, and addictive behaviors [6] divorces, and despair along with bhukti of exceptionally high earnings from artistic performance [Shukra] and favorable contracts [Shukra].
• Ms. Garland famously experienced both luxurious wealth from dramatic performance profits, as well as tragic losses of anticipated income and losses due to health issues [6] .

[Sober Structural Shani]

duro-karaka [endurance] -- jara-karaka [Jahre, years]

[Yogakaraka homebound-securing bandesha for Tulā indriya-lagna]

[Yogakaraka speculative-creativr vidya-pati for Tulā indriya-lagna]

• check Budha + Budha-drishti to source Shani's dutiful assistance, orderly aid, materialist logic

[social regulators may argue for protective bandesha imprisonment]

[required medical treatment during long hospital stays]

[must endure officially approved invisible toxins such as prescribed drugs]

[survives with restricted unbalanced insufficient sleep]

[analytical reflection occurs in rigid isolation]

[disciplined creative vidya-pati use of calculated sanctuary time]

[withstands the private pressure of unfair duties]

[staunch resistance to heavy yet successful Yogakaraka ministry workload]

[problematizing dreams contain interior spiritual guidance]

[backchannel obligation to maintain clandestine servitude to injury]

[strict contemplative withdrawal from labor conflict]

[mandatory secluded service retreat]

[behind-the-scenes responsibility for healthcare employees]

[fear of phantom critics and enslavers]

[reasonable resentment toward unjust intimidating elders]

...

[fantasizing-conceptual Uttaraphalgunī-4] = [navamsha Shani-Meena] intuitively disciplined imaginative charitable visionary

+ [Aryaman-Shani-yuti-Guru-Hasta]

+ [Aryaman-Shani-yuti-Rahu-Hasta]

• [Shani-Kanya] overburdened accusations * obliged to sustain litigious disagreements * rigidly persistent disease conditions * structural compression upon colon + digestive tract * must normalize exploitation * weighty subordinate tasks * hierarchical conditions of enforced servitude * must work within master-slave systems * must respect antiquated physicians * slow-acting remedies * intractable servants * stubborn employees * insufficient pharmacy * must work with dried medications * must continue to minister to the suffering * scarce service resources * maintainer of old arguments

• [Shani in Bhava-12] slow time-structured envisioning * burdensome duties in Other Worlds * limited privacy * public regulation of private environments * must work with foreigners * socially opaque responsibilities * blocked dreams * intimidated by phantoms * resists clairsentient guidance * cautiously conventional fantasies * fears imprisonment * regimented sanctuaries * lack of spontaneity in the bedroom * chronic insomnia * dried flow of interior inspiration * cold feet * psychic fatigue * mandatory isolation * tightly regulated scientific research * elders preserve the old enclosures

• [Shani-yuti-Guru] social resistance to generous expansions * slow elder teachers * pragmatic philosophy * limited scope of understanding * doctrinal discipline * constrained growth * conventionally regulated beliefs * optimism limited by resistant old structures * faith in the rule of law * class-hierarchical ideology

• [Shani-yuti-Rahu] stiff resistance to unbridled ambition * formally regulated cultural mixing * disciplined thrills * class-based limitations upon privilege * blocked ambitions * repressed quest for intriguing importance * socially constrained opportunism * shimmering illusion of systematic conformity * irregular achievements * over-reaching elders * restricted risks

OUTCOMES - STRUCTURAL SHANI

dutifully secluded, works diligently in private spaces, responsibly imaginative, insightfully intuitive maturity, must regulate the bedroom, structured meditation, burdensome duties in distant lands [Shani in Bhava-12] rules

[Yogakaraka]

• 4 cultural foundations, The Founders, property boundaries, way of Life, protection, defense , homeland, household, routines, rituals, mother, parents, customary rhythms, caretakers, socialization schooling, gardens, waterways, transportation, housing, social security, sense of place, environmentalism, citizenship, belonging, ethnic basis, ethno-religion, patriotism, real-estate, farming, land-ownership, burial, predictability, health of the elder sibling

• 5- Politics, center-stage roles, theatre, demonstration, display, charming brilliance, genius, poetry, choice-making, showmanship, gambling and gamesmanship, romantic idealism, creativity, fashion-shows, flamboyance, celebrity entitlements, confidence, artistic performance, drama, children, financial speculation, intelligence, entertainments, fun

CAREER - SOBER SHANI

= occupies 10th-from-Chandra

yogakaraka 4-5 Shani conformism, social-regulation = amplified by Rahu + Guru-rules-3-6

• Wizard of Oz 1922-1969 entertainer Judy Garland + [Shani-yuti-Rahu] * according to JG's own reports, the film studios forced her to take amphetamine weight-management pills, and as an adult she worried constantly about weight gain.

Shani + Guru + Rahu = occupies career the emotionally dignified , social-ordering, leadership-seeking;

10th-from-Chandra Onerous burdens of very high public visibility become amplified by Rahu and expanded by Guru. Work schedule begins in early childhood. Public behavioral strictures must be socially approved [Shani].

Work ethic

[Shani in Bhava-1]- Kanya = identified with heavy workload, heightened responsibility [usually, responsibility exceeds authority], social criticism [Kanya]

Rahu-amplified [Shani in Bhava-1] sends Shani's 10th drishti into bhava-10 public reputation containing Shukra-+Budha business financial contracts. . Shani's professional 10th drishti creates punitive restrictions upon the social behavior

10th-from-Chandra = familiar face of humility, simplicity, few-resources

Rahu's Hasta illusion

[Shani in Bhava-1-Uttaraphalguni] + [Shani-yuti-Guru-Hasta] + [Shani-yuti-Rahu-Hasta]

• Despite her mature career in cabaret singing and thousands of adults-only nightclub performances, Judy Garland was forever characterized by her familiar childlike 10th-from-Chandra image .

Sentimental popular audiences saw her forever as homespun character Dorothy Gale, the Midwest farm girl.

[Risk-rewarding Rāhu]

rajyalobha-karaka [ambition] -- picchala-karaka [slippery]

= [advantageous location for Rahu = papa-graha in dusthamsha-12]

[for Tulā indriya-lagna]

• check Budha + Budha-drishti to source Rahu's apparently logical, illusion of articulate argumentation

[Rahu-12 casts passionately private secluding drishti into 4-6-8]

[wants to be a prestigious minister of service, yet obsessed with privacy]

[passion for invisible aid to the needy]

[interior guidance from helpful apparitions]

[desires unorthodox medical treatment in hospitals and clinics]

[yearns for access to pharmaceutical research enclosures]

[hungry to gain advantage of exploitive mistreatments within secluded places]

[seeks opportunity in isolated marginalized imprisonments]

[ambitious accuser does clandestine scapegoating]

[craving for long laboring sojourns in distant lands]

[seeks importance via clairsentient corrective empowerments]

...

[competitive-activating Hasta-1] = [navamsha Rahu-Mesha]

+ [Hasta-Rahu-yuti-Guru-Hasta]

+ [Hasta-Rahu-yuti-Shani-Aryaman]

• [Rahu-Parthya] shimmering illusion of humility * craving for crime * mask of exploitive assistance * ambitious physicians * intriguing addictions * mirage of medication * fascinating injuries * over-reaching accusations * amazing illnesses * extraordinary arguments * may be obsessed with servants-and-servitude * seeks special importance via apparent [but perhaps not authentic] conflict management * shrewd dealings in sickness * ingenious divorce * extravagant litigation * seeks privilege via victim-roles

• [Rahu in bhava-12] passion for prestige privacy * in svabhava of Saptarishi Guru, the Shadowy Specter seeks glamorous invisible retreat * astonishing culturally mixed interior guidance * outsider who cleverly insinuates into visionary roles * thrilling psychic adventures * seeks importance via enclosures * exciting invisible phantoms * opportunities via mother's beliefs * extraordinary presence of disembodied spirits * self-promoting dreams * exceptional results from imaginative research * entranced by one's own fantasies * mesmerizing Other-Worlds * trespasses the private boundaries of symbolic inspiration * may pose as a dream-interpreter * may appear as a magician from distant lands

• [Rahu-yuti-Guru] amplified generosity * magnified diversity * exotic beliefs * tricky teachings * opportunistic guides * unconventional children * fascinating [but perhaps illusory] appearance of inspired philosophy * hypnotic preaching * expansive worldview * inclusive cross-cultural mixing * optimistic about risk

• [Rahu-yuti-Shani] amplified public formality * pragmatic exaggeration * exotic social conventions * slippery hierarchies * tricky rules * opportunistic elders * fascinating [but perhaps illusory] strict conformism * regulated risk-taking * hypnotic outsider insinuates normalcy * orderly cross-cultural mixing * thrilling legitimations

OUTCOMES - RISK-REWARDING RAHU

= occupies 10th-from-Chandra = Bhava-12 = contains [Hasta-Rahu-yuti-Guru-Hasta] + [Hasta-Rahu-yuti-Shani-Aryaman]

Rahu + Shani + Guru in bhava-1 personality, physical body = occupies the ethno-emotionally motivated career-directing 10th-from-Chandra. Tremendously well-known American audience-recognizable appearance for many decades.

Shani rogesha amplified by Rahu-2 fascinating voice

• JG was often accused of stretching the truth or outright fabricating stories.
• A brilliant theatrical singer.

physique, tangible identity, appearance = instantly recognizable cinema-star [Rahu in bhava-1] + [Rahu-yuti-Guru + [Rahu-yuti-Shani]

JG endured physical-body fluctuations [1] on a Rahu-amplified, Guru-expanded scale.

• She occasionally earned millions in performance contracts. Yet, JG also paid fines for late taxes and penalties for cancelled show-dates.
• She died [age 47] at the beginning of an unwanted come-back singing tour [2] that she was undertaking solely because she needed money.

[Collapsing unshackling Ketu]

kavandha-karaka [headless] -- chidra-karaka [gaping] -- vasana-karaka [vacuum]

= [liberating location for Ketu = papa-upagraha in maha-dusthamsha]

[beneficial placement for Tulā indriya-lagna]

• check Guru + Guru-drishti to source Ketu's broadly floating, cheerfully ghostly, contemplatively dreamlike imagery

[unconcerned with quarrels about conceptual understanding]

[disinterested in unbalanced private guidance]

[scatters the contemplative conflicts]

[disengaged witness to meditative malpractice]

[liberated from disagreements within sacred enclosures]

[disregard toward the complaints of the dreaming inmates]

• [may be passively fixated upon ambitiously exploited, ministering-assisting Rahu in Partha-12 symbolists, ancestor spirits, visionaries, astral wayshowers, abstractors, dreamers, private guides]

[adversaries accuse one of empty imaginings]

[dismisses the podiatric ailments]

[apathetic toward symbolic arguments]

.................

[arranging-adjusting Andromeda-3] = [navamsha Ketu-Tula] intuitively ambivalently dissolves the negotiated agreements

• [Ketu-Meena] sleepily dissociates from isolated ashrama * incomplete gestalt * unlimited visionary insight * wandering spirit guides * unsustainable sanctuary * fantasy martyrdom * dissolution of private prayer * foggy boundaries of distant worlds * permeable understanding of cetacean cultures * ignores restrictions on clairsentience and claircognizance * disarrayed dreams * releases a golden oceanic cloud of wisdom into the misty abyss

• [Ketu in classroom-6] forsaken by enemies [beneficial] * disregards criminal boundaries * absentee maternal relatives * dissolves limits on medications * ambivalent toward exploitations * disinterested in disagreement * disregards accusations * ignores the physicians * walks away from sickness * abandons suffering * vacuous conflicts * liberation via surrender of guilt-and-blame * unless other graha in 6, may prefer to live free from mother's relatives

OUTCOMES - EVACUATING KETUU

[Ketu in classroom-7] receiving drishti of ruler-Guru + Shani + Rahu

Ketu located in the defensive, culturally-rooted, seasonal-calendar, routinized, patriotic, ethno-nationalistic, comfort-seeking, home-loving, foundational, property-owning [4th-from-Chandra]

• exacerbates a feeling of rootlessness and unbelonging and adds to a disconnection from the childhood, from the mother, and from the cultural foundations

4th-from-4th = severed connection to Mother

According to interviews, young Judy was tightly controlled by her stage-manager mother. In Shukra-Ketu bhukti, after a big fight when Judy turned 21, mom was cut-off forevermore via an irrevocable no-contact [Ketu] decision. Despite having three of her own children, young Ms. Garland never spoke to her mother again, and the children grew up sans relationship to their maternal grandmother.

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