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  • entertainer Doris Day a.k.a. Mary Ann Kappelhoff




Theatrical singer

Television host

Hollywood cinema child-celebrity

famed child role in The Wizard of Oz

Judy Garland

a.k.a. Frances Ethel Gumm

Earth-birth Saturday-10-Jun-1922

dematerialization 22-Jun-1969 [age 47]


cinema dramatist + singer


Judy Garland

born as Frances Ethel Gumm

birth data from

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star -

- adapted by BP Lama

Rising Nakshatra

Feminine Public-Figure Examples

Uttaraphalgunī - Aryaman

Bhaga = Falgun = Utthram


For Uttaraphalguni births of a feminine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome.

For those born into the Surya-ruled paradigm of Uttora, father-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential.

Instructional guidance provided by emissaries from the civilizations of Denebola. Their purpose to brighten and glorify the divine intelligence through spectacular creativity.

Brilliantly dramatic

Uttara-phalguni women are famously confident and willful. Monarchic entitlement pairs with aristocratic service via noblesse oblige . While much depends upon the characteristics of sparkling nakshatra-pati Surya, the feminine Falgun is often found in bright environments of royalty, celebrity, theatre, creative arts, amusements, and games.

Uttaraphalguni ladies radiate a profound love for living creatures, both wild and domestic. On behalf of the animal kingdom and its denizens, the women of Aryaman may undertake political activism. As righteous (and self-righteous) human mistresses of the animal world , their political style may include fiery displays of romantic idealism. They may collect animals.

[Simha - Leya] pada-1 features charismatic centrality and stage presence, focused into the physical embodiment. Pada-1 must hold the center of attention, whether in celebrity politics, entertainment and fashion, dramatic acting, or all three. Typically, one attracts an elder husband along with many romances.

Kanya Pada 2-3-4 = equally dazzling, idealistic, smart, and flamboyant, but more focused upon expressing the genius of the imagination. Often a splendid dramatist and performing musician due to nakshatra-pati Surya. Typically, one attracts a generous husband.


from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 95

" A joyous healthy disposition yet quietly so.

  • She has a very soft pleasing voice,

  • bubbling over with fun and humor.

She is born to a family with social background

and loves to mingle with her friends in various social activities

  • Yet, she is not frivolous,

  • but beneath her joyous manner, rather serious minded.

She has fixed principles from which she will not deviate.

She prefers to choose her friends

  • from among the people who are artistically inclined and cultured.

She is efficient and adept at managing her home and her domestic life."

[end quote]


Judy Garland in 1941 [age 19]


Judy Garland [a.k.a. Ethel Gumm] publicity photo 1935, her age 13


Judy Garland a.k.a. Frances Ethel Gumm with her problematic mother-manager, Ethel Milne Gumm. Matrikaraka Chandra-5 rules withdrawn, imprisoning bhava-12


From The Wizard of Oz, 1936

characters Dorothy Gale and the Wicked Witch of the West

GarlandJudy_photo1.jpgBiographical data matched to Vimshottari Dasha timeline

[Ketu Mahadasha] [age birth until age 5]

Sat-10-Jun-1922 Earth-birth in Grand Rapids, Minnesota, USA * Ketu-Shani bhukti

[Shukra Mahadasha] [age 5 until age 25]

Dec-1928 until Apr-1931 Janma Sade-Sati Dhanus

1935 [JG age 13] first cinema contract with industrial film producers * Shukra-Guru bhukti * Guru rules 7-contracts

17-Nov-1935 [JG age 13] grieved sudden death of her burlesque-theatre operator father * Shukra-Guru bhukti * Guru-yuti-Rahu

1939 [JG age 17] JG's legendary dramatic performance in Wizard of Oz wins Academy Award [Oscar] * Shukra-Shani bhukti * Shani-1 rules 5-celebrity prize glittery-ceremonies

28-Jul-1941 [JG age 19] [DR age 31] consecration of marriage-1-of-5 with television music composer, orchestra leader, award-winning songwriter David Rose [Rosenberg] [separated after 8 months, legal union 1941 - 1944] * Shukra-Budha bhukti * [Shukra-yuti-Budha] ++ gochara R-K Kanya-Meena contact R-K axis

1943 [JG age 21] Pregnancy from JG's romantic affair with the heart-throb actor, Tyrone Power. The studio bosses, and her mother, demand an abortion * Shukra-Ketu chidradasha

1943 [JG age 21] announced estrangement from her manager-mother. Thenceforward, mom is banned from the MGM cinema properties * Shukra-Ketu chidradasha * Ketu banishment

[Surya Mahadasha] [age 21.8 until age 27.8]

April-1944 [JG age 22] Joins the Committee for the First Amendment which promoted the cause of civil liberties for entertainers being blacklisted for their political beliefs. Using her prestige to publicly support American racial equality, JG formally escorts a Black military General to a ceremony in his honor. * Surya-Surya svabhukti * Surya politics

15-Jun-1945 [JG age 23] consecration of marriage-2-of-5 = set designer and cinematic producer, Vincente Minnelli [union = 1945 - 1951] Their child, Liza Minnelli, became a celebrated cabaret entertainer. * Surya-Rahu bhukti ++ gochara R-K Karkata-Makara contact Makara svamsha

12-Mar-1946 [JG age 24] celebrated the birth of child-1, singer-dramatist Liza Minnelli * Surya-Rahu bhukti

Jul-1947 [JG age 25] Amid Vincente Minnelli's dalliances with other men, along with growing alcoholism with self-medicating drugs, JG suffered a nervous breakdown including first suicide attempt * Surya-Shani bhukti * Shani rogesha, self-blame, BPD symptoms

10-May-1949 [JG age 26] fired for no-show on the current theatrical set, but retains the cinema-studio contract * Surya-Ketu bhukti * Ketu severance

[Chandra Mahadasha] [age 27/8 until age 37.8]

1950 [JG age 27] following 15 years continuous contract renewal, and 30 films with MGM studios, JG is fired from MGM studios entirely, due to behavioral issues * Chandra-Chandra svabhukti * Chandra rules 12-dissolution of tangible identity

1951 [JG age 29] after financial and personal difficulties, rebounded into successful performance events in UK-Ireland * Chandra-Mangala bhukti * yogakaraka Mangala rules 5-performance + 10-reputation, respect

08-Jun-1952 [JG age 30] consecration of marriage-3-of-5 with entertainment impresario/conman, Sid Luft [until 1965] Two children. * Chandra-Rahu bhukti ++ gochara R-K Karkata-Makara contact Makara svamsha

05-Jan-1953 [JG age 31] [mom age 59 ] grieved the decease of estranged Mother , via heart-attack * Chandra-Rahu bhukti

Feb-1958 until Feb-1961 Janma Sade-Sati Dhanus

[Mangala Mahadasha] [age 37 until age 44]

1962 [JG age 40] wins five Grammy awards, honoring her creative excellence in the music industry * Mangala-Shani bhukti * Shani-1 rules 5-ceremony, prizes, celebrity

1963 [JG age 41] receives a lucrative television variety-show contract which was expected to clear her financial debt. Show cancelled after only 26 episodes [one season]. Saddled with embezzling managers, JG remains in poor health and financial distress * Mangala-Shani bhukti * Shani-1 rogesha broken contracts, debt, embezzlement

27-May-1964 [JG age 42] grieved the decease of her eldest sibling, sister Suzy, via suicide * Mangala-Budha bhukti

14-Nov-1965 [JG age 43] Wedding-4-of-5 with contract-broker, middleman Mark Herron [until 1967] [partner in relationship with another man, marriage not consummated] * Mangala-Shukra bhukti ++ gochara R-K Urisha-Vrischika contact navamsha-Shukra-Urisha

[Rahu Mahadasha] [age 44 until decease age 47]

15-Mar-1969 [JG age 47] wedding-5-of-5 with music-club manager Mickey Devinko [Deans]. The union endured for three months, ending with JG's drug-overdose death, Jun-1969 * Rahu-Rahu svabhukti ++ gochara R-K Meena-Kanya contact R-K axis

22-Jun-1969 [JG age 47] blessed liberation from the Earthen-body, via fatal barbiturate overdose * Rahu-Rahu svabhukti


Distinctive features of the Nativity

[Sparkling Splendid Surya]

pitri-karaka [father] jyoti-karaka [light]

[retreating-contemplative vyaya-pati for Kanya indriya-lagna]

[karako bhavo nashto for father, patrons, chieftains, indoctrinators]

[righteously radiates private philosophical certainty]

[enriched patrons develop the imaginative intelligence]

[may luxuriously dramatize the dreamlike inner understanding]

[celebrated artistic performance may be drained by private feelings ]

[uniquely sensuous patriarchal guides have clandestine behaviors]

[financial politics of unseen entitlements or foreign banking]

[may travel to distant lands for musical-theatrical performance]

[knowledgable choice-making of symbolic sound-color values]

[confidently displays intuitive musical creativity]

[father-figure may be a politician, entertainer, philosopher, preacher, professor of historical theory]


[dramatizing-demonstrating Mriga-1] [navamsha Surya-Simha] intuitively displaying sparkling center-stage entertaining confidence

  • [Surya-Urisha] Ravaye - the noisy one, the roaring one [Ravi = firebird; Rava = howl, yell, or squawk] * brightly charismatic confidence of Center-stage Surya radiates through the acquisitive sensual rashi of Shukra

  • [Surya in bhava-9] icon of inspirational teachings * intelligent patronage * geo-politics * bright preaching * focus on beliefs * philosophical entitlements * self-righteous dad * Sanctimonious pontificator * eye on humanistic worldview * confident ideologue * sparkling center of global doctrine * father may be a politician, entertainer, philosopher, preacher, professor of theory


self-reflexively sermonizing, brightly philosophical, charmingly self-righteous, regal style of pontificating, doctrinally focused, radiantly patriarchal, politically ideological, splendidly patronizing, center-stage religious guide [Surya in bhava-9] rules

  • 12 enclosures, the bed, fantasies, privacy, interior spiritual guidance, clandestine undertakings, intuitive awareness, non-linear conceptual undertanding, concealment, seclusion, invisibility, dissolved identity, meditation, contemplation, dreamworlds, astral plane, imaginary scenarios, sanctuary sleep, distant lands, health of the avowed partner


Surya rules Uttaraphalguni Svamsha

Theatrical singer, Hollywood child-actor dramatist

Her most celebrated cinematic performance included the legendary songs from Wizard of Oz - a performance pinnacle reached at her age 16.

[Surya in bhava-9] drishti incoming

  • receives physically energizing drishti of Mangala
  • + expansion-amplification via drishti from [Guru-yuti-Rahu]

Surya karaka for theatre, celebrity


pitrikaraka [Surya in bhava-9] occupies [6th-from-Chandra] .

Surya-Simha occupies the mysterious, impenetrably secretive 8th-Navamsha

Dad = a vaudeville entertainer who owned a local theatre [Surya in bhava-9]

The entertainments included live-performance music and dance [Urisha] mixed with early cinema.

Tension between the parents

JG attested that she adored her father

Garland's father was a gay man and the father of the three Singing Gumm Sisters.

However, the 6/8 angle between Surya-Chandra = a hostile, incompatible electro-magnetic emotional alliance between mother [Mūla- Chandra-4] and father [Mriga-Surya-9] .

The parents often disagreed about money [Urisha]. They also argued about his entitlement to conduct a self-determined sexual lifestyle [Surya].

[Comfortable Caretaking Chandra]

matrikaraka [mother] * garha-karaka [village]



[friendly-gainful vriddhi-pati for Kanya indriya-lagna]

[comforted by stable habitual preaching-and-teaching]

[culturally sensitive to familiar rhythms of devotional understanding]

[needs to sense the ancient pulse of inspirational flow]

[protector of the ancestral sacred community pathways]

[emotionally aligned to guidance routines]

[environmentalist feelings attuned to fiery uplifting deva]

[anchoring mother may be a believing schoolteacher, householder, local wisewoman ]


[cinema-scripts Mūla-3] [navamsha Chandra in Mithuna] intuitively sensitive explanatory description

  • [Chandra-Dhanus] comforted by customary beliefs * settled into rhythmic received teachings * needs to feel wisely guided

  • [Chandra in Mūla - Vichruta] protectors of the eternal root vortex * soothed by pure emptiness * feels like a galactic pilgrim

  • [Chandra in classroom-4] comfortable with familiar routines * calmed by caretaking * seeks continuous oscillating motion * sensitive to ethnic folkways * contented by recurrent rituals * soothed by customary habits * tranquilized by rhythmic waves * needs pulsation * nurtured by gardening * follows local pathways * feels rooted into the land * settled into home-keeping * undulating patriotism * mother may be a farmer, fisher, builder, schoolteacher, border-defender


sensitively parental, protecting the ancient ways, routinely stabilizing, sustaining the household, rhythmically seasonal, needs a garden,predictable habits, culturally situated, customary guardian, emotionally caretaking, needs to defend the security of the vulnerable [Chandra in classroom-4] rules

  • 11-fruitful revenues, interconnected income, profits, material achievement, social networking, friendships, community linkage, fan-clubs, mass participation gatherings, collectivism, marketplace gridworks, distribution, association, populism, economic systems, fundraising, gains-and-goals, awards for work accomplished, health of the enemies


  • [folk reputation 10th-from-Chandra = habitual public duties are conducted in a personalized, embodied style of Kanya-1 complaining, exploited, ministering, helper]
  • Bhava-1 = 10th-from-Chandra = contains [Hasta-Rahu-yuti-Guru-Hasta] + [Hasta-Rahu-yuti-Shani-Aryaman]


[Chandra in classroom-4] receives relationship-defining 7th drishti of entertaining, singing, dramatic Shukra + Budha.

Chandra-Mūla [4] rules 11, so that childhood [4] and the basic rhythmic narratives of cultural routine [4] become sources of earnings for the parents [4]

Mom was involved in every detail of her underage daughter JG's relationship to the hiring studios. Chandra-Vichruta rules bhava-11 revenues, income. Mom was focused on profits.

MOTHER = momager

Mom had worked as a vaudevillian performer before her daughters were born.

Mom was said to have been a strict and controlling stage-mother [Mula] Guru-1 bandhesha occupies the Kanya-indriya-lagna with Rahu-and-Shani.

This challenging cluster combines the rulers of 4 + 5 + 6 + 7 with over-reaching Rahu

The result was the Mom-ager's exceptionally [Rahu] intense, difficult, cloyingly close, punitively regulating, and over-reaching relationship to her super-talented cash-cow daughter, JG.

Chandra-Mūla-4 enjoys all the benefits of a dik-bala Soma such as a present, supportive, sheltering, meal-provisioning mom. Some children suffer from being ignored, from parental negligence. However, this relationship had the opposite dysfunction = total control, mental manipulation, micro-management of the meals, and dehumanizing [Shani rogesha] belittlement of JG's physical appearance.

The emotional character of this mother was - according to JG - so a-moral and devious [Mula] that JG had to break their toxic-yet-protective bond in order to gain her human freedom.

Secrecy - financial and medical - 8th-from-Chandra

Chandra-Mūla-4 activates Karkata-11 = the emotionally self-transforming, often shocking, change-inducing, revolutionary, emotionally turbulent, perpetually transformative, trauma-inducing 8th-from-Chandra = secrets, non-disclosure, sudden unexpected changes, evolving identities, transformative healing, camouflage, emergencies

  • According to JG, the secret drugs which eventually destroyed Judy's health were originally supplied by her mother
  • Chandra intakes 7th drishti of Shukra = drugs

Eventually, Judy gained legal adulthood and Chandra- Vichruta fulfilled its destiny of emotional annihilation.

  • JG had a relentlessly volatile relationship with her mother.

Biographers comment that Judy Garland idolized and identified with her entertainer father [Surya-9 rules 12, imagination]

  • Although her father's lifestyle was likely the major factor in his decease, JG held her mother responsible for her father's distress and premature death

When Judy turned 21, her desire to throw off the dehumanizing structure of maternal control [Mūla] became legally viable.

  • Following a major fight about her mother's mismanagement of her contract [Guru-1 bandhesha also rules 7-contracts, mismanagement due to over-reaching Rahu-Kanya-1] ,
  • JG relationship with the mom-ager was utterly severed during Shukra-Ketu chidra-dasha == intensified by Ketu-the-guillotine rules Chandra in Mūla

Mom had been long accustomed to a confortable personal budget, even through the Depression, funded by JG's work. But following the end of the Ketu chidradasha at JG's age 22, Mom was cut-off [Ketu] from all further contact and all further monies.

  • JG asserted that mom had been pilfering her earnings since childhood.

Post-split from her Mother, JG had three kids. Mom had no contact with the grandchildren. No reconciliation whatsoever occurred during the no-contact years 1943-1953. The alienated mother died of heart-failure in 1953 [mom's age 59] .

Like JG, her mom displayed symptoms of Borderline Personality Disorder

  • BPD patterns may include a mother-figure who for psychological reasons may gradually but pervasively cause significant harm to her own children, including the potential to accuse one's children of crimes, to drug them, or to steal their money. One method for families who are dealing with these disordered personalities is to sever all contact with the BPD sufferer.


Mūla-Chandra4 rules 8th-from-Chandra

The same planetary pressures which afflict JG's relationship to her mother, also afflict her troubles as the parent of her three children.

In 1946 during Surya-Rahu bhukti - following the birth of her first child, JG began a downward spiral into a pattern of drug misuse and nervous breakdown

Despite her sparkling cinema stardom, JG was accused of parental negligence. She nearly lost legal custody of her children on several occasions, and was prevented from undue contact with two of the three.

MARRIAGES partnership emotional equity support expectations


five marriages before age 46

Rahu amplifies the yuvati-pati Guru

++ Rahu exaggerates rogesha-Shani

Following a childhood that had been overwhelmed by the rigors of 12-hour adult workdays in the studio system, abandonment via death by her father, and fierce rejection of her manipulative-punitive mother, JG married five times in pursuit of stability.

Shani-yuti-Guru dhava-karaka + [Hasta-Guru-yuti-Rahu-Hasta] suggests that JG had a multitude of husbandly-companions, all of whom were complex and contradictory individuals.

Her father and also her five husbands were generally homo-social men - i.e., men who aesthetically and physically prefer the company of other men

The sexual-sensual-partnerships of the men in her life were diverse, volatile, and socially irregular [Rahu] Yet social regulator Shani signals their laboring, argumentative, externally normalized professional status.

[7th-from-Chandra-4] = lifepartnership-1-of-5

[JG age 19] [DS age 31] marriage-1-of-5 with Emmy-winning radio-and-television music composer, orchestra leader, award-winning songwriter David Rose [Rosenberg] [union 1941 - 1944] JG was DR's wife 2-of-3.

  • Mithuna - cinema, songwriting, scripts, young people, projects
  • bhava-10 contains [Shukra-yuti-Budha]

Although Shukra activates the emotionally conflicted [6th-from-Chandra] Shukra is also located in the harmony-seeking 7th-from-Chandra.

DS was 12 years her elder [he 31 and she 19 at time of marriage]. After the banishment of her mother, JG appreciated his parental support and professionalism [10].

The relationship ended eight months after the wedding. Following their amicable divorce, the pair maintained a cordial industry friendship.

2nd-from [7th-from-Chandra-4] = lifepartnership-2-of-5

  • Makara decorum, conventionalism, conformity, class-conscious, regulatory
  • bhava-5 theatre, fashion, display, romance, gambling, genius

[1945 - 1951] [JG age 23] marriage-2-of-5 with prize-winning musician, costume designer, stage and cinematic producer, Vincente Minnelli.

  • prize-winning theatrical director, Vincent Minnelli
  • JG, VM and their child, the entertainer Liza Minnelli, were all awarded Oscars during their entertainment careers
  • JG was VM's wife 2-of-4.
  • Despite the divorce, daughter Liza remained attached to both parents.

Like JG's father, VM was a bisexual man who had a broad social network interlinking many liaisons.

9th-from [7th-from-Chandra-4] = lifepartnership-3-of-5

  • Simha entertainment, self-promotion, display, entitlement, narcissism
  • bhava-12 invisible activities, fantasy, enclosure, clandestine affairs, dissolution of tangible identity

[JG age 30] marriage-3-of-5 with Sid Luft [1952-1965] an entertainment impresario

  • Luft created cinema financing to boost JG's lagging career.
  • He dramatically overspent on production costs, and the ephemeral loan was cancelled
  • JG publicly accused Luft of alcohol-fueled domestic abuse.

Like JG, Luft was married five times. At the end of their nine-year union which produced two kids, JG suffered severe mood disorder and financial collapse.

  • JG and Luft engaged in a bitter child-custody battle [12 = 8th-from-5]
  • Narcissistic Luft argued in court that JG was an unfit mother due to her self-destructive behaviors
  • Afterwards, JG saw little of these two children.

4th-from [7th-from-Chandra-4] = lifepartnership-4-of-5

  • Meena - fantasy, envisioning, dreams, abstraction, private worlds
  • contains [Ketu in classroom-7]
  • bhava-7 agreements, equity, representation, advocacy, contract arrangements

[JG age 43] Wedding-4-of-5 with actor, middleman, contract-broker, Mark Herron.

  • Like JG's father, Herron was a gay man who was sexually disinterested in JG [Ketu-7]. He cherished a primary relationship with another male actor.
  • The unconsummated marriage further damaged JG's already decrepit self-image [Meena, imagery]. Although the alliance was not abusive, it was empty, and it ended in despair. [Ketu]

11th-from [7th-from-Chandra-4] = lifepartnership-5-of-5

  • Tula-arrangements, deal-making, agreement
  • bhava-2-what goes in the mouth, music, storytelling, death

Mar-1969, wedding-5-of-5 with discoteque manager and drug-dealer, Mickey Devinko [Deans].

  • Three months after their wedding, JG died in Jun-1969 in London, of fatal barbiturate overdose. Shock, self-poisoning [8]

[Competitive Champion Kuja]

bhratru-karaka [brother] virya-karaka [virile]


[collaborative-communicative sahaja-pati for Kanya indriya-lagna]

[mysterious-discovering randhresha for Kanya indriya-lagna]


[friendly-profitable Jyeṣṭha-3] [navamsha Mangala-Kumbha]] intuitively forward-pushing security-seeking [4] pursuing-profitability networking competition

  • [Mangala-Vṛścika] vigorous pursuit of hidden assets * proactive exploration * energetic initiation * exposure of shocking secrets * plunges the tantric depths * push toward discovery * champion of emergency action

  • [Mangala in bhava-3] drive toward commerce * push toward scripted communication * active touring * vigorous pronouncements * invasive management * energized process * hyperactive mentality * athletic sibling-figures * promotional sales * photographs of the muscular physique * dynamic marketing * champion of teamwork * pursuit of business


promotionally communicative, engineer of scripted explanations, energetically instructional, administratively pushy, forcefully broadcasting, muscularly managing, driven to document, producer of media-messaging, maker of meetings, pro-actively publishing, aggressively announcing [Mangala in bhava-3] rules

  • 3-communications, messaging, sermons, scripts, radio-television, media-products, Writing and Publishing, letters of correspondence, announcements, planning, schedules, sales, marketing, documentation, reporting, cohort, entourage, committee-work, iterative stepwise process, manufacturing, commercial business, instruction, explanation, discussion, diagrams, labeling, event management, signage, training, itinerary, tours

  • 8-unexpected eruptions of regenerating force, occult initiation, mystical revelation, shocking intervention, opaque empowerments, invasive surgery, intensive healing, evolution, violent explosion, sudden identity change, rejuvenation, recycling, rebirth, hidden assets, upheaval, undisclosed secrets, transformative events, discovery, in-laws of first marriage, health of younger sibling-cousin


communications media, photographs, cinema [3]

kinetic energy, performance vitality, innovation, competition, championship, embodiment

Career-wise, Kuja = a powerfully energetic yogakaraka

as intolerable as JG eventually may have found her mother to be, the parents [4] built the foundation [4] for JG's career

Mangala-Vṛścika receives incoming drishti from disciplining, constraining Shani-2

Shani drishti provides a disciplining influence which allowed Garland's career to proceed with regular structure, even during times of severe personal distress [Mula Chandra]

[Busy Bantering Budha]

jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student]

[svakshetra] [Bhadra Yoga]

[bargaining-balancing jaya-pati for Meena indriya-lagna]

[homebound-anchoring bandhesha for Meena indriya-lagna]

... ...

[optimistic-philosophical Arudra-1] [navamsha Budha-Dhanus]


  • [Budha-Mithuna] business communications * articulation of specific instructions * informative pronouncements * messages about commerce * hands-on management * signaling explanatory information * detailed diagrams * talks about publication * interpretative interactions * commercial translation * hands-arms-shoulders send descriptive gestures

  • [Budha in bhava-10] narrative of leadership process * makes official pronouncements * describes social responsibilities * conversations about policy decisions * prominent spokesperson * talks about maintaining order * explainer of governance * detailed executive announcements * delivers lawful information * chats about social authority * scripted hierarchical management methods * dignified sibling-cohort * reputation for writing * institutional publicity communications

  • [Budha-yuti-Shukra] explainer of balanced arrangements * diplomatic conversations * parity-seeking discussions * manual adjustments * enjoys words * sweet descriptions * delivers instruction about relationships * articulator of equity in agreements * message of fairly bargained contracts * skilled in songwriting * talkative sister-cousin-cohort * detailed lyricist * attracts chatty partners


talkatively authoritative, recognizable in media advertising, executive instructions, publicly explains orderly social process, chief organizational spokesperson, verbally commanding, skillfully describes regulation, governance by collaboration [Budha in bhava-10] rules

  • 1- distinctive attributes of personality, dense material incorporation, individual personification, earthen embodiment, physical integrity, kinetic energy, dance, style of movement, athletic prowess, muscular mobility, unique character, kinetic vitality, circumstances of birth, tangible appearance, coherent social identity

  • 10-career, profession, dignity, regulatory roles, governance duties, social authority, symbolic recognition, iconic visibility, leadership responsibility, top status, reputation, commanding positions, honor, high regard, public respect, executive power, elite rank, lawful imposition, organizational director




After her cinema career ended, JG survived as a professional entertainer by singing [Shukra] mainly in burlesque nightclubs and sometimes larger venues.

Her volatile, yearning, waiflike persona [lagnesha adolescent Budha] attracted a cult following of gay men. These loyal fans crowded into her sold-out performances, bought her musical recordings, and accepted her frequent cancellations as a fact of her tragic life [mutual drishti Chandra-Mūla with Budha-Shukra] [also Rahu-1]

Once fabulously popular and a highly "bankable" asset for the Studio corporations, JG's cinema celebrity era had peaked by the age of 24. She suffered a perilous decline into drugs-and-alcohol addiction punctuated by suicide attempts and a merry-go-round of marriages.

Indeed, these marginalized men saved her career [Kanya marginalization]. Without this specific fandom audience [Budha audience, the message] JG's professional singing career would likely have collapsed completely.

Yet due to their appreciative [Shukra] purchasing of tickets and recordings [Budha] JG was able to continue a schedule of musical performance touring until her untimely death age 47.

touring performance cinema, recordings

Budha activates the 10th-from-Chandra = Kanya-2 voice-face-song

[Shukra-yuti-Budha] combines 1 + 2 + 9 + 10.

  • JG earned millions from 1930's until 1960's.
  • Budha-11 earnings receives the disciplining and restrictive 10th drishti of Shani-2 Kanya
  • creates a heavy workload and social criticism [Kanya]
  • Sadly, the distress in bhava-2 created a roller-coaster of luxurious earnings often followed by catastrophic financial collapse - and, repeat.

[Generous Growing Guru]

dhava-karaka [husband] bahuta-karaka [variety]

[dikbala] [kendra-adhipati-dosha]

[homebound-anchoring bandesha for Kanya indriya-lagna]

[bargaining-balancing yuvati-pati for Kanya indriya-lagna]

[multiple ministering personality attributes]

[embodiment of logical philosophical beliefs]

[identified with an analytical credenda]

[iconic personification of service-oriented worldview]

[personality exemplifies working-class ideology]

[paragon of laboring cheerfulness]

[preacher-and-teacher may symbolize the wisdom of remediation strategies]

[expansive bargaining skills with a personalized understanding of relationship imbalances]

[often a benefactor to the local folk]

[Guru-1 rules 4+7 = customary convictions with optimistic partnerships]

[In a wifely nativity, may be identified with the beliefs of a deal-making, property-securing husband]


[musical-financial Hasta-2] [navamsha Guru-Urisha]



  • [Guru-Kanya] much ministry of service * many servants * numerous employees * indoctrination of laborers * much logical argumentation * conflicted guidance * permission to help * generously assists many victims * optimistic about medication * believes in aid * doctrine of benevolent humility

  • [Guru in bhava-1] much vitality * philosophical personality * permission for unrestricted action * generous disposition * numerous identities * expands the scope of competition * many cheerful sporting activities * believes in birthright * expansive aura * extra height-or-girth * embodiment of tolerant cheer * a patron of personal benefit * in a wifely nativity, husbandly-companion may be an expander, philanthropist, benefactor, grower

  • [[Guru-yuti-Shani] atta-karaka * multiple elder-figures * permission to hold respected positions * abundant structure * numerous law-makers * expansive hierarchies * tolerance for diverse systems * optimistic philosophy of social regulation * large-scale responsibilities

  • [Guru-yuti-Rahu] mizra-karaka * multiple mix-culture opportunities * permission to bend barriers * many impostors * abundant expedience * wide scope of ambition * craving for expansion * seeks promotional advantage via globalist philosophy * optimistic toward obtainment of privilege


expansively active, abundantly energized, jovial competitor, multiple identities, naumerous offspring, optimistic innovator, generous grower of children-partnerships-worldview, broad-scope of embodied inspiration [Guru in bhava-1] rules

  • 4 cultural foundations, property boundaries, way of Life, protection, defense , homeland, household, routines, rituals, mother, parents, customary rhythms, caretakers, socialization schooling, gardens, waterways, transportation, housing, social security, sense of place, environmentalism, citizenship, belonging, ethnic basis, ethnoreligion, patriotism, real-estate, farming, land-ownership, burial, predictability, health of the elder sibling

  • 7-covenant, promise, trust, contractual relationships, social justice, advocacy, legal judgments, lawcourts, appeals, representation, equity, diplomacy, partners, justice, marriage, legal and formal partnerships, negotiation, alliance-crafting, match-making, fair arrangements, even deals, advocacy, trading, bargaining, brokerage, haggling, go-between, middleman, meddler


dhavakarakaa in Bhava-1 = tangibly identified with husband[s]

  • Guru activates 5 = creative or literary arts, fashion, celebrity, drama, gaming, politics, entertainment, romancee
  • Guru activates 8 = sudden identity change, shocking discoveries, hidden assets

Guru-yuti-Rahu casts enormously amplifying drishti into 6-8-10


As JG's birth family had done to her, when JG's very young children [Guru] showed talent, she made them into performers

  • Wizard of Oz 1922-1969 entertainer Judy Garland had three children. JG often brought her kids onto the performance stage to sing with her. Chandra-5 = a performing mom, and Chandra in Mūla often has boundary issues.

  • After her untimely death, JG's adult children recounted that their dramatic mother had stressed, upset, and worried the kids throughout her five marriages and bouts of suicidal depression [Shani rogesha yuti Rahu-2 +++ [Mūla] Chandra]

Rahu-yuti-Guru [Shani-yuti-Rahu] occupies [folk reputation 10th-from-Chandra-5.

JG and her first child, daughter Liza Minnelli , performed together at popular concerts.

Blessings from the Marginalized

Guru-Kanya occupying the emotionally dignified , social-ordering, leadership-seeking; 10th-from-Chandraa suggests Garland's lifelong ability to symbolize and appeal to socially marginalized, stigmatized fans in the 1950's-and-1960's Euro-American male gay community.
  • They formed her most loyal fan base. Their purchases of her recordings and tickets to her performances during her failing health years is often accounted as the main reason she was able to keep afloat.

[Sweetly Suave Shukra]

svadu-karaka [sweet] kalatra-karaka [wifely companion]

[conserving-acquiring dhana-pati for Kanya indriya-lagna ]

[philosophical-doctrinal dharmesha for Kanya indriya-lagna ]

[dignified gracious conversational diplomacy]

[enjoys talking about governance topics]

[public policy discussions seek balanced agreement]

[smoothly gestures in the normal style]

[standardized contractual finance]

[reputation for music, finance, art, feminine relationships]

[courteously explains hierarchical arrangements]

[state-room environments nicely decorated]

[taste for elegantly structural process]

[pleasantly communicative knowledgable family]

[womenfolk may have representational messaging seniority]

[feminine partners have respected professional position]


[face-voice-music Punarvasu-2] [navamsha Shukra-Urisha ] luxury, song, musical values, face-voice, historical knowledge, banking, collections, sensual pleasures


[Atmakaraka music, arrangements, marriage, contracts]

  • [Shukra-Mithuna] appreciates iterative process * values beautifully detailed artifacts * attracted to writer-editor-publishers * likes businesspeople * balanced gestures * diplomatic communications * prefers a communicative partner * equable cooperative teamwork * smooth handling of management tasks * aesthetic of skilled handcraft * delivers balanced specific explanations * enjoys correspondence * satisfied by conversation * articulated messaging arrangements

  • [Shukra-10] seeks pleasure via regulated order * enjoys regulatory authority * socially prominent contractual agreements * reputation for for gracious balancing * respects feminine-figures * harmonious style of governance * likes pleasing designs to adorn the upper legs * nice knees * lovely calves * rule-maker imposing equity * appreciation of hierarchical rank * legislates justice * in a husbandly nativity, wifely-companion may hold an elite social position

  • [Shukra-yuti-Budha] sweetened messages * gracious explanations * talented in singing-songwriting * articulate negotiations * advocates for reasoning process * talkative feminine-figures * pleasant conversations * bargaining for business * sibling-cohort collaborative harmony * enjoys the company of students * detailed contracts * prefers logical arrangements


recognized for pleasantly sensual qualities, enjoys elite social position, harmoniously hierarchical, aesthetic of institutional decision-making, public finance, prefers a luxurious profession, musical-artistic leadership roles, appreciates having a respected rank [Shukra-10] rules

  • 2-acquisition, family legacy, tradition, language-lexicon, preserved memory, banking, collections, entreasurement, herd-hoard, treasury containment, financial capital, accrued amounts, asset evaluation, knowledge of history, speech-song, heritage values, color-sound, arts-and-music, face-voice-eyes-teeth-mouth-hair, genetics, stored resources, health of the father

  • 9-ideology , paradigm of belief, profession of faith, principled convictions, higher understanding, father-figures, priestly patronage, preaching, patriarchal entitlements, philosophical convictions, theory, public spiritual guidance, celebrated doctrines, sangha, sacred teachings, credenda, globalism, dharma, worldview, weltanschauung, mother's health


[Shukra-yuti-Budha] combines 1 + 2 + 9 + 10.

= her professional singing sisters

Shukra activates Urisha-3 = the emotionally conflicted [6th-from-Chandra] , suggesting that no matter the social-creative success, her career was experienced as servitutude

Suave Shukra activates Urisha-Surya in [6th-from-Chandra] = Addictive, self-medicating, sweets-seeking

Shukra-Mithunarainbow colors.

  • The single most well-remembered song of career of Wizard of Oz 1922-1969 entertainer Judy Garland= // Somewhere Over the Rainbow //

Marketplace Earnings Financial Patterns

Shukra activates 6th-and-11th from Chandra

JG had both substantial earnings [11th] supporting large debts [6th] .

  • JG was a mega-celebrity in the entertainment world
  • capable of luxurious earnings
  • but she also suffered from massive tax-debt
  • Shukra in [6th-from-Chandra] produced substantial self-indulgence of luxurious taste exacerbated by the mercurially instant gratification patterns of Shukra-yuti-Budha.

[Shukra-Mithuna] ruling community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra

Added to the financial contradictions in bhava-2, shukra creates a volatile economic cycle featuring the extremes of both dynamic earnings

  • via debt, disagreements, and addictive behaviors [6] divorces, and despair along with bhukti of exceptionally high earnings from artistic performance [Shukra] and favorable contracts [Shukra].
  • Ms. Garland famously experienced both luxurious wealth from dramatic performance profits, as well as tragic losses of anticipated income and losses due to health issues [6] .

[Sober Structural Shani]

duro-karaka [endurance] * jara-karaka [Jahre, years]

[inimical-medicating rogesha for Kanya indriya-lagna]

[creative-gaming vidya-pati for Kanya indriya-lagna]

[strict rules for approved action]

[obligation to make formal movements]

[identified with intractable conflicts]

[unbalanced social pressure upon physical appearance]

[self-discipline applied to disagreeable tasks]

[chronic personality disorder]


[fantasizing-conceptual Uttaraphalgunī-4] [navamsha Shani-Meena]



  • [Shani-Kanya] overburdened accusations * obliged to sustain litigious disagreements * rigidly persistent disease conditions * structural compression upon colon + digestive tract * must normalize exploitation * weighty subordinate tasks * hierarchical conditions of enforced servitude * must work within master-slave systems * must respect antiquated physicians * slow-acting remedies * intractable servants * stubborn employees * insufficient pharmacy * must work with dried medications * must continue to minister to the suffering * scarce service resources * maintainer of old arguments

  • [Shani in Bhava-1] steady time-structured personality * mature conduct * must produce under pressure * strictly orderly movement * regimented appearance * grim determination to survive * tense competition * muscular fatigue * required activity drills * chronically impeded self-expression * bodily seizures * identified with heavy responsibility * resists unnecessary change * often looks older * lives to work * elders preserve class-conscious identity

  • [Shani-yuti-Guru] social resistance to generous expansions * slow elder teachers * pragmatic philosophy * limited scope of understanding * doctrinal discipline * constrained growth * conventionally regulated beliefs * optimism limited by resistant old structures * faith in the rule of law * class-hierarchical ideology

  • [Shani-yuti-Rahu] stiff resistance to unbridled ambition * formally regulated cultural mixing * disciplined thrills * class-based limitations upon privilege * blocked ambitions * repressed quest for intriguing importance * socially constrained opportunism * shimmering illusion of systematic conformity * irregular achievements * over-reaching elders * restricted risks


dutifully earth-embodied, identified as a diligent worker, responsibly innovative, mature appearance, must regulate the physical attributes, structured style of movement, slowed vitality, burdensome required maintenance the incarnate form [Shani in Bhava-1] rules

  • 5- Politics, center-stage roles, theatre, demonstration, display, charming brilliance, genius, poetry, choice-making, showmanship, gambling and gamesmanship, romantic idealism, creativity, fashion-shows, flamboyance, celebrity entitlements, confidence, artistic performance, drama, children, financial speculation, intelligence, entertainments, fun

  • 6-ministries of service, dehumanization, misconduct, war, jail, slavery, pollution, argumentation, healthcare workers, ailment, injury, medical treatment, hypocrisy, crime, cheating, animosity, toxins, complaints, accusation, litigation, imbalanced conditions, injustice, betrayed promises, servants, laborers, hostility, animosity, disagreement, dehumanization


rogesha Shani conformism, social-regulation = amplified by Rahu + Guru

  • Wizard of Oz 1922-1969 entertainer Judy Garland + [Shani-yuti-Rahu] * according to JG's own reports, the film studios forced her to take amphetamine weight-management pills, and as an adult she worried constantly about weight gain.

Shani + Guru + Rahu = occupies career the emotionally dignified , social-ordering, leadership-seeking;

10th-from-Chandra Onerous burdens of very high public visibility become amplified by Rahu and expanded by Guru. Work schedule begins in early childhood. Public behavioral strictures must be socially approved [Shani].

Work ethic

[Shani in Bhava-1]- Kanya = identified with heavy workload, responsibility which exceeds authority, social criticism [Kanya]

Rahu-amplified [Shani in Bhava-1] sends Shani's 10th drishti into bhava-10 public reputation containing Shukra-+Budha business financial contracts. . Shani's professional 10th drishti creates punitive restrictions upon the social behavior

10th-from-Chandra = familiar face of humility, simplicity, few-resources

Rahu's Hasta illusion

[Shani in Bhava-1-Uttaraphalguni] + [Shani-yuti-Guru-Hasta] + [Shani-yuti-Rahu-Hasta]

  • Despite her mature career in cabaret singing and thousands of adults-only nightclub performances, Judy Garland was forever characterized by her familiar childlike 10th-from-Chandra image .

Sentimental popular audiences saw her forever as homespun character Dorothy Gale, the Midwest farm girl.

GarlandJudy_foto2.jpg [Risk-rewarding Rahu]

rajyalobha-karaka [ambition] picchala-karaka [slippery]

[for Kanya indriya-lagna]

[Rahu-1 casts passionately unique individualizing drishti into 5-7-9]

check Budha for defining source of Rahu's apparently logical, articulate argumentation

[entrancing cult of ministering-complaining personality]

[identified with prestige of service, medication, argument, divorce]

[vital embodiment of fascinating imbalances]

[potential for fraudulently or fabulously exaggerated accusations, in matters of physicality, embodiment, innovation, style of movement, athletic prowess, vitality, unique identity, personality integrity, or conditions of birth]


[competitive-initiating Hasta-1] [navamsha Rahu-Mesha]



  • [Rahu-Parthya] shimmering illusion of humility * craving for crime * mask of exploitive assistance * ambitious physicians * intriguing addictions * mirage of medication * fascinating injuries * over-reaching accusations * amazing illnesses * extraordinary arguments * may be obsessed with servants-and-servitude * seeks special importance via apparent [but perhaps not authentic] conflict management * shrewd dealings in sickness * ingenious divorce * extravagant litigation * seeks privilege via victim-roles

  • [Rahu in bhava-1] passion for prestige appearance * in svabhava of Competitive Kuja, the Shadowy Specter seeks privilege via glamorous physical visage * extraordinary athletic action * outsider who cleverly insinuates into a noble identity * smoky, oily aura * desires competitive advantage * exceptionally recognizable embodiment * exhilarating force of nature * thrilling champion of non-standard lifestyles * social mobility sought via dynamic movement * entranced by one's own personality * innovative behavior challenges existing norms * culturally mixed self-image * embodies exciting new energies * self-promotion via blood-and-birth * double agent * over-reaching ambition for empowered individuality * craves personal importance * trespasses cultural limitations of race-class-creed-gender * fascinating figure * may represent a cult of personality

  • [Rahu-yuti-Guru] amplified generosity * magnified diversity * exotic beliefs * tricky teachings * opportunistic guides * unconventional children * fascinating [but perhaps illusory] appearance of inspired philosophy * hypnotic preaching * expansive worldview * inclusive cross-cultural mixing * optimistic about risk

  • [Rahu-yuti-Shani] amplified public formality * pragmatic exaggeration * exotic social conventions * slippery hierarchies * tricky rules * opportunistic elders * fascinating [but perhaps illusory] strict conformism * regulated risk-taking * hypnotic outsider insinuates normalcy * orderly cross-cultural mixing * thrilling legitimations


Rahu + Shani + Guru in bhava-1 personality, physical body = occupies the emotionally motivated career-directing 10th-from-Chandra. Tremendously well-known American audience-recognizable appearance for many decades.

Shani rogesha amplified by Rahu-2 fascinating voice

  • JG was often accused of stretching the truth or outright fabricating stories.
  • A brilliant theatrical singer.

physique, tangible identity, appearance = instantly recognizable cinema-star [Rahu in bhava-1] + [Rahu-yuti-Guru] + [Rahu-yuti-Shani]

JG endured physical-body fluctuations [1] on a Rahu-amplified, Guru-expanded scale.

  • She occasionally earned millions in performance contracts. Yet, JG also paid fines for late taxes and penalties for cancelled show-dates.
  • She died [age 47] at the beginning of an unwanted come-back singing tour [2] that she was undertaking solely because she needed money.

[Collapsing unshackling Ketu]

kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]

[for Kanya indriya-lagna]

check Guru for the source of Ketu's ghostly, dreamlike imagery

[absence, disappointment, disorientation within quiet, fantasizing relationships]

[dispersed engagement with contemplative partnership]

[dissolution of visionary advocacies]

[surrenders dreamlike alliances]

[forgives broken conceptual promises]

[abandons unsustainable private guidance arrangements]

[disregards bedroom agreements]

[eccentric imaginative deals]

[passively fixated on ambitiously ministering-assisting Rahu in Partha-1 fabulous physical embodiment]

rewarding partner-advisers]


[arranging-adjusting Andromeda-3] [navamsha Ketu-Tula]

  • [Ketu-Meena] sleepily dissociates from isolated ashrama * incomplete gestalt * unlimited visionary insight * wandering spirit guides * unsustainable sanctuary * fantasy martyrdom * dissolution of private prayer * foggy boundaries of distant worlds * permeable understanding of cetacean cultures * ignores restrictions on clairsentience * disarrayed dreams * releases a golden oceanic cloud of wisdom into the misty abyss

  • [Ketu in classroom-7] equably ambivalent toward agreements * absentee advocates * disregards contractual loyalties * disinterested in mutuality * wanders from the middle-balance * empty arrangements * irrelevance of equity * surrenders alliances * abandons the usual covenants * ignores advice * incoherent promises * liberation via surrendered negotiations * unless other graha in 7, may prefer to live free from partners


[Ketu in classroom-7] receiving drishti of ruler-Guru + Shani + Rahu

Ketu located in the defensive, culturally-rooted, seasonal-calendar, routinized, patriotic, ethno-nationalistic, comfort-seeking, home-loving, foundational, property-owning [4th-from-Chandra]

  • exacerbates a feeling of rootlessness and unbelonging and adds to a disconnection from the childhood, from the mother, and from the cultural foundations

4th-from-4th = severed connection to Mother

According to interviews, young Judy was tightly controlled by her stage-manager mother. In Shukra-Ketu bhukti, after a big fight when Judy turned 21, mom was cut-off forevermore via an irrevocable no-contact [Ketu] decision. Despite having three of her own children, young Ms. Garland never spoke to her mother again, and the children grew up sans relationship to their maternal grandmother.


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