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Drama-Song

Politics

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COHORT

born 8 months after

born one month after

***

born 2 months before

born 3 months before

born 6 months before

14 mos before

Notable friendships with

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Barbara Joan Streisand in 1966 [BJS age 24]

singer - dramatist - cinema director

Entertainment Media Producer

businesswoman

Political Activist - Philanthropist - Fundraiser

Barbra Streisand

a.k.a. Barbara Joan Streisand

Earth-birth Friday-24-Apr-1942

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Barbra Streisand in 2000 [BJS age 58]

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1956, high school, barbara Streisand [age 14]

balladeer - dramatist

cinema director-producer

charitable fundraiser -- political activist

1942-

Barbara Joan Streisand

double parivartamsha combines the rulers of = 1 + 2 + 5 + 6 + 7 + 9 +10 + 12

= eight bhava receiving parivartamsha-heightened cross-trained vitality

birth data from en.wikipedia.org/wiki/Barbra_Streisand

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com

- adapted by BP Lama

Rising Nakshatra

Feminine Public-Figure Examples

Kṛttikā - Pleyades

Agneya - Riksya - Karthika - Alcyone

BPL COMMENTARY

For Krittika births of a feminine valence, the condition of radiant, romantic, intelligent, creative, idealistic, central, confident, gaming, self-reflexive, pitrikaraka Surya may considerably affect the outcome.

For those born into the splendidly Surya-ruled paradigm of Riksya, fatherly-figures, politicians, celebrity, royalty, entitled roles, brilliant dramatists, radiant deities, sparkling genius, glittering creativity, intelligentsia, speculators, poets, romantic lovers, gamblers, and game-players may be especially influential.

Instructional guidance provided by emissaries from the civilizations of the Pleyades. Their purpose is confidence-raising and light-bringing in creative pursuit of values fulfillment.

Radiant Certainty

Agneya-born ladies are often found in politics, in gambling and speculation, or in creative finance.. Riksya-born are brightly idealistic + self-directed seekers of attention.

Mesha pada 1 represents nakshatra-pati Surya's empowerment in romance and celebrity entitlements. In the rashi of champion Mangala, sparkling Surya asserts radiant genius.

Typically pada 1 = dramatists, politicians, royalty, celebrity, creative artists, and unique ly charismatic figures. Feminine births in pada-1 are often distinguished by an athletic figure and personal independence

[Vrishabha - Urisha] -pada-2-3-4 express the tension between two-party bargainer Shukra versus one-party autocratic singular nakshatra-pati Surya. Often the intelligence of pada 2-3-4 is focused into the Values-fulfilling sectors of uniquely central, creative roles.

They often serve as independent evaluators within the artistic and financial worlds, in the music industry, dealing with wines + perfumes, and in all aspects of tangible beauty. Depending on [yogakaraka] Shani ruler of 9+10, the Vrishabha pada of Krittika have a stronger propensity toward organizational leadership positions.

Themes of valuation, individual intelligence, creativity, and confidence may contextualize Krittika's terrestrial experience. Applies also to Chandra in Kṛttikā - Pleyades

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Streisand and Brolin in their 50's

QUOTATION Kṛttikā

from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 91

" ... a thin and quite tall woman.

One with a weak constitution and rather given to chronic ailments:

  • particularly coughs, colds, and asthma.

A tendency to be morbid and depressed

  • and yet easily excited

  • as the result of a very nervous temperament .

She will no doubt live by herself away from her family,

  • as she prefers to indulge her own whims and wishes

  • and will brook no interference with her desires.

She has a very jealous disposition

and is difficult to please."

[end quote, Shil Pondey, 1939]

BPL note:

Shil-Pondey's thin/tall/away-from-family profile for Krittika ladies can be altered by incoming drishti from plump/petite/parenting graha.

Also, jealousy = S-P's somewhat mysogynistic presumption that women could never develop human-services careers to positively utilize the 6th-amsha Learning Pathways, and so they would naturally descend into interpersonal pettiness. In an older world perhaps, but no longer generally valid.

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[parents of Barbara Joan Streisand]

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1973 , Barbra Streisand The Way We Were [age 31]

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Barbra Streisand + Hillary Rodham Clinton [2013] BJS = committed supporter of the Democratic Party spanning a multi-decade entertainment career. [BJs Uttaraphalguni svamsha]

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Barbra Streisand 1968 Funny Girl [BJS age 26]

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Barbra Streisand, in her mid-70's, performing at a political fundraiser

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Barbra Streisand holding her 1969 Oscar for best actress in the movie, Funny Girl

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2013 Barbra Streisand, amajor Democratic Party fundraiser, posing with POTUS-42 My Life 1946- Bill Clinton

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Barbra Streisand in 2018 [age 76]

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B Streisand [age 73] with lifepartner-2, James Brolin [age 74] in 2015

Biographical Events matched to Vimshottari Dasha bhukti

[Budha Mahadasha] = [age birth until age 14.3]

Fri-24-Apr-1942 = Earth-birth in Brooklyn, Kings County, New York, USA * Budha-Ketu bhukti

04-Aug-1943 [BJS = age 15-mos] grieved sudden, unexpected bio-decease of father due to hospital error * Budha-Shukra bhukti * pitrimaraka Shukra rules 2nd-from-Surya ++ dvadasa Sade-Sati [via 2, family]

Sep-1945 until Jul-1948 Janma Sade-Sati Karkata

  • [3, project management, itineraries, event, cinema, scripts, planning, writing-editing, teamwork, ensemble production, business, sales]

  • [age 4-7]

1949 [BJS age 7] remarriage of BJS mother, Diana Rosen * Budha-Rahu bhukti ++ dvithya Sade-Sati [via 4] + Rahu-4 mother, safety, home

[Ketu Mahadasha] = [age 14.3 until age 21.3]

1956 [BJS age 14] mother Diana Rosen separates from her husband-2-of-2, eliminating the predatory stepfather from BJS home * Ketu-Ketu svabhukti * Ketu elimination

1958 [BJS age 16] accelerated graduation from Erasmus High School * Ketu-Surya bhukti * Surya rules 4- diploma + Rahu-Simha-4 = unusual, accelerated

1960 [BJS age 18] begins career-long representation relationship with theatrical agent, Marty Erlichman. He would negotiate her entertainment industry contracts and serve as her television producer. * Ketu-Rahu bhukti * Rahu-4 protective, unusual parent-figure

1960 [BJS age 18] after several years of theatrical acting classes, BJS unexpectedly begins singing career * Ketu-Rahu bhukti * Rahu-Simha ambitious entertainments

1962 [BJS age 20] meets future husband, actor Elliot Gould [Goldstein] at a Broadway theatrical singing audition * Ketu-Budha chidra-dasha * Budha rules Kanya 7th-navamsha

Jan-1963 [age 20] first musical recording at CBS records. Laying the foundation for BJS to blossom as commercially top-selling female vocalist in the USA * Ketu-Budha chidra-dasha + + [Kuja-2 parivartamsha Budha-12]

[Shukra Mahadasha] = [age 21.3 until age 41.3]

13-Sep-1963 [BJS age 21] consecration of wedding-1-of-2 with dramatic actor, Elliot Gould [Goldstein] * Shukra-Shukra svabhukti ++ R-K gochara Karkata-Makara contact Chandra-Karkata

29- Dec-1966 [BJS age 24] celebrated birth of child-1, actor Jason Gould * Shukra-Surya bhukti * Surya-yuti-Budha = Budha putra-pati

1967 [BJS age 24] despite sold-out concerts + soaring national popularity, new mother BJS takes a 27-year hiatus from musical touring [Ketu-10, career breaks] * Shukra-Surya bhukti * Surya-12 privacy rules Rahu-Simha-4 = focus on parenting, homelife

12-Feb-1969 [BJS age 27] announced marital separation from lifepartner-1, Eliot Gould * Shukra-Chandra bhukti * Chandra rules 3-announcements + Chandra rules 12th-from-4 = dissolution of household

1969 [BJS age 27] won Academy Award [Oscar] for best actress in cinema role, Funny Girl * Shukra-Mangala bhukti + + Kuja rules 5th-from-Chandra = prizes, celebrity ++ [Kuja-2 parivartamsha Budha-12] Budha rules 5

21-Apr-1969 [BJS age 27] one week after receiving the Funny Girl award, grieved bio-decease of step-father, Louis Kind * Shukra-Chandra bhukti * Chandra rules 12th-from-2nd-from-Chandra = decease of mother's 2nd-husband

Jul-1971 [BJS age 29] 30 months after announcing their separation with co-parenting rights, finalization of divorce-1, officially ending marriage-1 with dramatist Elliot Gould * Shukra-Rahu bhukti ++ gochara Rahu-Return

1973 [BJS age 31] begin nine-year relationship with stylist-manager Jon Peters * Shukra-Rahui bhukti

1973 [BJS age 31] wins second Academy Award for The Way We Were , Best Actress * Shukra-Rahui bhukti * Rahu-Simha entertainments

Jul-1975 until Sep-1977 Janma Sade-Sati Karkata

  • [3, project management, itineraries, event, cinema, scripts, planning, writing-editing, teamwork, ensemble production, business, sales]
  • [age 33-36]

1976 [BJS age 34] critical applause + financial reward for A Star Is Born cinema success * Shukra-Shani bhukti * [Ajaikapada-Shukra-10 lagnesha parivartamsha Krittika-Shani-1 yogakaraka] ++ janma Sade-Sati [via 3, cinema production]

[Surya Mahadasha] = [age 41.3 until age 47.3]

[Chandra Mahadasha] = [age 47.3 until age 57.3]

01-Jul-1996 [BJS age 54] meets future lifepartner-2 James Brolin at Hollywood restaurant, while dining with friends * Chandra-Budha bhukti * Budha rules Kanya 7th-navamsha

01-Jul-1998 [BJS age 56] consecration of wedding-2-of-2 with dramatist James Brolin * Chandra-Shukra bhukti ++ R-K gochara Simha-Kumbha contact natal R-K + Saturn-Return [via-1]

[Mangala Mahadasha] = [age 57.3 until age 64.3]

27-Mar-2002 [BJS age 60] [mom aged 93] grieved bio-decease of mother, Diana Rosen Streisand Kind, via Alzheimer's Disease * Mangala-Shani bhukti * Shani rules 7th-from-Chandra++ dvadasa Sade-Sati

Sep-2004 until Nov-2006 Janma Sade-Sati Karkata

  • [3, project management, itineraries, event, cinema, scripts, planning, writing-editing, teamwork, ensemble production, business, sales]

  • [age 61-64]

[Rahu Mahadasha] = [age 64.3 until age 82.3]

[Guru Mahadasha] = [age 82.3 until age 98.3]

Jul-2034 until Aug-2036 Janma Sade-Sati Karkata

  • [3, project, event, cinema, scripts, planning, writing-editing, teamwork, ensemble production, business, sales]

  • [age 92-95]

Distinctive features of the Nativity

[Sparkling Splendid Surya]

pitri-karaka [father] -- jyoti-karaka [light]

= [uchcha] = [homebound-anchoring bandhesha for Urisha indriya-lagna]

  • check Mangala + Mangala-drishti to source Surya's forward-pushing certainty, noble entitlements, competitive displays

[brilliant center of innovative imagination]

[land-owning bandhesha champion of personal privacy]

[patriotic political action behind-the-scenes]

[pioneering genius founder bandesha of creative sanctuary]

[fantasizing warrior fatherly-figure may be householding bandhesha dreamer, quiet engineer, invisible inventor, claiming nobility from distant-lands]

...

[rhythmic-undulating Aśvini-4] = [navamsha Surya-Karkata] intuitively confident protective sheltering defense

+ [uchcha-Aśvini-Surya-yuti-Budha-Bharani-asta]

  • [Surya-Mesha] [Suryaya - the supreme one] * brightly charismatic confidence of Center-stage Surya radiates through the vital competitive dominating rashi of Mangala

  • Surya in bhava-12] center of Other-Worldly attention * brightly contemplative intellect * focus on secluded enclosures * invisible light-source gives private guidance * intuitive interior entitlements * brilliant in scholarly research * genius of backroom politics * speculative self-dramatizing fantasies * eye on creative imagination * royal entertainments in private spaces * radiantly displaying clairsentience and claircognizance * dreamlike fatherly-figure may be isolated, unavailable, shrouded, visionary artist, shimmering phantom, or unknown

  • [Surya-yuti-Budha] confidently conversational * brightly explaining messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive fatherly-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance

OUTCOMES - MAGNIFICENT MARTANDA

self-reflexively imaginative, brightly ghostlike visage, sparkling Other-worldly charm, regal style of creative seclusion, quietly focused on interior understanding, radiantly dreamlike, politically visionary, splendidly private research intelligence, center-stage theatre of symbolic ideas [Surya in bhava-12] rules

  • 4 cultural foundations, the Founders, property boundaries, way of Life, protection, defense , homeland, household, routines, rituals, mother, parents, customary rhythms, caretaker s, socialization schooling, gardens, waterways, transportation, housing, social security, sense of place, environmentalism, citizenship, belonging, ethnic basis, ethno-religion, patriotism, real-estate, farming, land-ownership, burial, predictability, health of the elder sibling

CAREER - SPARKLING SURYA

via = [uchcha-Aśvini-Surya-yuti-Budha-Bharani-asta]

Surya bandhesha combines with double parivartamsha combines the rulers of = 1 + 2 + 5 + 6 + 7 + 9 +10 + 12

Surya rules Kṛttikā indriya-lagna

= [uchcha-Aśvini-Surya-yuti-Budha-Bharani-asta]

= [uchcha-Surya] rules Rahu-Simha-4 in 2nd-from-Chandra = voice-face, music-heritage ++ 2nd-marriage to protective entertainer from different ethnicity [Rahu-Simha-4]

FATHER

bio-dad = Emmanuel "Manny" Streisand

Dad earned MA-Education from Columbia Teachers College. He worked as a high school English teacher.

Guru in pitristhana rules-4 = schooling + + [Surya-yuti-Budha] = writing composition.

Sadly, when little BJS was only 15 months old, bio-dad died from a shocking, entirely unexpected Surya in bhava-8 hospital mistake in treating his brain injury [Mesha]. Masked cause [8] = likely a covered-up morphine overdose.

Shani in pitristhana shows the enduring effect of father's legacy in BJS life - manifesting as her legendary work-ethic and psycho-mental stamina [Shani-9 drishti into Chandra-11].

Bonus-father = ignored boundaries, sexual molestation

Pitristhana contains + [Mriga-Guru-yuti-Shani-Kṛttikā]

multiple fatherly-figures due to Guru-9

  • Shani rogesha shows exploitive traits of one of the additional fathers = Louis Kind, harmful stepfather

Yet, Shani vidyapati also suggests an additional fatherly-figure in the entertainment world who is cautious and wise = her longtime theatrical agent, Marty Erlichman.

  • BJS remembers Erlichman's excellent guidance as fatherly, and essential to her success.

Shukra-6 rules pitristhana

During even years of BJS age 7-14 = era of violated feminine boundaries

[Ketu Mahadasha] = [age 7.3 until age 14.3] [Ketu-Kumbha] = [Ketu in classroom-6] + [Vāruṇa-Ketu-yuti-Shukra-Pūrvābhādra]

  • Ketu-Ketu svabhukti = BJS widowed Mom remarried to an abusive second husband
  • Ketu-Budha chidra-dasha = mom divorces the predator
  • According to BJS, bonus-dad = gambler [Rahu-Yoni-12] who scattered [Ketu] their finances [Shukra] and molested her as a young girl Ketu-yuti-Shukra [6]

In her biography, BJS describes both parents [bio-mom and step-father] as selfish and rude toward their three children.

[Shukra Mahadasha] + [Shukra-6 parivartamsha Shani-9] = [age 14.3 until age 34.3]

  • As soon as her mom divorced the molestor, BJS returned to high school. She took many drama classes. She found her singing voice [Shukra rules-2] soon after earning her HS diploma, BJS began to get paid work in musical theatre.

Maternal grandfather = Meena -7

Louis Rosen, father of BJS mother Diana Rosen, was said to have been a gifted synagogue cantor with a famously beautiful singing voice. He is one of the multiple fatherly-figures spreading influence from pitri-sthana.

maternal-grandfather's splendid voice = [uchcha-Aśvini-Surya-yuti-Budha-Bharani-asta] in familiar-face, socially recognized 10th-from-Chandra

[Comfortable Caretaking [Chandra]

matrikaraka [mother] -- garha-karaka [village]

= [svakshetra]

[friendly-gainful vriddhi-pati for Parthya indriya-lagna]

[comforted by familiar local friendships]

[culturally sensitive to ritual aims of economic linkage]

[needs to feel ethno-tribal pulse in mass-participation assemblies]

[habitually earns from customary connections]

[protector of the gainful ancestral group bonds]

[community membership confers a feeling of rhythmic routine]

[emotionally attached to parochial goal achievement]

[planetary-protection sensibilities attuned to fluid environments]

[householder mom usually the center of social life]

[caretaking nourishing mother may be parental socialite, patriotic fundraiser, gardening community activist ]

...

[systematic-profitable Aśleṣa-3] = [navamsha Chandra in Kumbha] intuitively sensitive mass-participation, populism, economic systems, gain-of-goals

  • [Chandra-Karkata] comforted by maternal soothing * settled into tidal rhythms * needs to protect

  • [Chandra in Aśleṣa - Naga] soothed by restraining embrace * guards the ethno-cultural environment * needs familiar folk narratives

  • [Chandra in classroom-11] comfort in networks * calmed by earnings * familiar with fellowship * routine associations * accustomed to distributive systems * settled into community rhythms * acculturated to social participation * needs popularity * feels the repeating pulse of connectivity * soothed by profitable linkage * undulating friendships * mother may be socialite, fundraiser, missionary, community-activist

OUTCOMES - ANCESTRAL SOMA

sentimentally friendly, emotionally gainful, feels grounded through mass gatherings, anchored into community linkage, sensitive to elder sibling, needs profitable market connections, sense of belonging to social participation networks [Chandra in classroom-11] rules

  • 11-fruitful revenues, interconnected income, profits, material achievement, social networking, friendships, community linkage, fan-clubs, mass participation gatherings, collectivism, marketplace gridworks, distribution, association, populism, economic systems, fundraising, gains-and-goals, awards for work accomplished, health of the enemies

CAREER - CARETAKING CHANDRA

  • [folk reputation 10th-from-Chandra transformative revelatory shocking rejuvenating exploratory discoveries = in the invasive warlike champion style of Mesha [8]

Aśleṣa Chandra rules 3- cinema, scripts, event management, planning, communications, messaging, commerce, merchandise, meetings, collaboration

3-gestures, dialog, hands.

scriptwriter, songwriter, touring, producer, influential decision-maker in cinema, music, entertainment industry.

increased articulatory ability and professional comfort with the world of words due to Budha-ruled [Chandra in Aśleṣa - Naga]] while articulatory, imaginative Budha-12 occupies 10th-from-Chandra

populist 11th-amsha. BJS = enormously popular singer with devoted fans from multiple age-generations ]

MOTHER

Diana Rosen = Russian-Jewish emigre to New York.

Mom worked as a bookkeeper and school secretary. [Chandra in classroom-11 = community-connected, salary-earning, friendly. Chandra in Aśleṣa = administrative, secretarial

According to BJS, mom = harsh critic [Chandra in Aśleṣa + Kuja drishti into matribhava].

Yet, she had a beautiful soprano voice [Rahu-Simha-12 in 2nd-from-Soma] . Mom's own father = famed synagogue cantor in Russia. Yet, mom never developed the singing career that she desired [12, disappearance]

  • Yet, while mother's singing career in plunged into obscurity [also 10th-from-Chandra = masked-8]
  • nevertheless, daughter BJS can develop a singing career, due to her powerhouse double-parivartamsha which incorporates the secretive, disguised Surya-Mesha brilliance -- but is not forced to hide it.

MARRIAGE partnership emotional equity support expectations

[7th-from-Chandra-11] = lifepartnership-1-of-2

dramatic actor, Elliott Gould [a.k.a. Goldstein].

  • bhava-5 = theatrical entertainer
  • Makara = regulation, hierarchy, dignified reputation, lawful observance

Elliot Gould = father of BJS child. Gould has said that his Jewish cultural identity [Makara social identity] is the ground of his life and purpose. Following their divorce, regular [Makara] co-parenting schedule was diligently observed.

2nd-from-[7th-from-Chandra-11] lifepartnership-2-of-2

Hollywood dramatist James Brolin [a.k.a. Craig Kenneth Bruderlin]

  • bhava-12 privacy, seclusion, studio enclosure = contains [Rahu-Singha]
  • Simha theatre, entertainment, politics, display, having fun

The retired couple share a brightly entitled drama-world lifestyle [Rahu-Simha]. BJS compliments her devoted husband as a provider of physical security and feeling of viable protection [needs of Chandra-Karkata]. He also has children and grandchildren, which has diversified her family [Rahu in 2nd-from Chandra]

[Competitive Champion Kuja]

bhratru-karaka [brother] -- virya-karaka [virility]

[bargaining-balancing śapathā-pati for Urisha indriya-lagna]

[retreating-contemplative vyaya-pati for Urisha indriya-lagna]

  • check Budha + Budha drishti to source Kuja's announcing incursion, mercantile competition, debating thrust

[champion of inflammatory commercial rhetoric]

[transactional warrior for storage of selling goods]

[contractual śapathā-pati battle for mercantile values]

[behind-the-scenes vyaya-pati forward-moving information-driven finance]

[articulately energetic voice and pro-actively pushy detailed speech]

[instructionally verbalized narrative of business conquests]

[specific messaging fuels administrative prowess]

[vigorous discussions about competitive pricing]

[combatively conversational family-of-origin]

[talkative brother-cousins or co-workers may fight for delivery of warehoused commodities and banked assets]

...

[transformative-rejuvenating Mriga-4] = [navamsha Kuja-Vṛścika ] iintuitively innovative discovery-revealing + + [Mriga-Kuja-2 parivartamsha Bharani-Budha-12]

  • [Mangala-Mithuna] vigorous pursuit of interaction * competitive commerce * proactive information delivery * energetic group collaboration * dynamic debate * dominating gestures * lively writing * kinetic conversation * push toward explanatory instruction * champion of process management

  • [Mangala in bhava-2] vigorous orator * loudly lectures on heritage values * pursuit of treasuries * competitive financial actions * innovative knowledge * energized face-voice-song * memorable speeches * Sings and shouts * champion of literacy-reading * historic pronouncements * pioneering proclamations * forward drive toward capitalization * promotes resource conservation * hyperactive family dynamics * acquisitive conquests

OUTCOMES - MOVING MANGALA

financially competitive, verbally assertive, forthrightly spoken, forceful declarations, forward-pushing use of language, enlivened by vital memories, vigorous pursuit of precious storage, energetic thrust of traditional values, knowledge-driven engineer, proactively acquisitive family lineage, champion of heritage preservation [Mangala in bhava-2] rules

  • 7-covenant, promise, trust, contractual relationships, social justice, advocacy, legal judgments, lawcourts, appeals, representation, equity, diplomacy, partners, justice, marriage, legal and formal partnerships, negotiation, alliance-crafting, match-making, fair arrangements, even deals, advocacy, trading, bargaining, brokerage, haggling, go-between, middleman, meddler a

  • 12 enclosures, the bed, fantasies, privacy, interior spiritual guidance, clandestine undertakins, intuitive awareness, non-linear conceptual undertanding, concealment, seclusion, invisibility, dissolved identity, meditation, contemplation, dreamworlds, astral plane, imaginary scenarios, sanctuary sleep, distant lands, distress of the avowed partner

CAREER - MOTIVATED MANGALA

Mithuna = = cinema, planning, scheduling tours, = production management, business, mercantile communications

double parivartamsha combines the rulers of = 1 + 2 + 5 + 6 + 7 + 9 +10 + 12

+ + [Mriga-Kuja-2 parivartamsha Bharani-Budha-12]

competitive, communicative, innovative Kuja = messaging, commercial 3rd from Budha + + [Kuja-2 parivartamsha Budha-12]

= combines the rulerships of 1 + 3 + 8 + 10

Professionally-driven, energetic, competitive Mangala-10 rules the realms of cinema acting + production + scriptwriting - songwriting + project management

writing-publishing-scripts - see also, Chandra-3

Mangala in bhava-2 also occupies 3rd from Budha,

BJM starred in, wrote for, and produced-directed numerous highly praised cinematic films.

  • ensemble, writing, production, management, projects
  • BJS = influential popular songwriter-singer, cinema scriptwriter, cinema director-producer.

Mangala-2 drishti into 5 + 8 + 9

Pro-actively managed [Kuja-Mithuna] Vigorous theatrical performance [Kuja-10 drishti into 5]

+ + [Kuja-10 parivartamsha Budha-8] joins the extraordinary double parivartamsha that creates vitalized career in music + media + cinema communications messaging imagery

[Busy Bantering Budha]

jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student]

[collecting-preserving dhana-pati for Urisha indriya-lagna]

[witty-creative vidya-pati for Urisha indriya-lagna]

  • check Kuja + Kuja-drishti to source Budha's competitive announcements, conquesting management style, pioneering interpretations

[imaginative narrative of financial dhana-pati competition]

[detailed interior conversation about nobility of spirit]

[kinetically mobile secluded meditations]

[creatively vidya-pati envisioned Other-worldly scenarios of warrior conquest]

[mentally activated by valuable acquisitions dhana-pati]

[vigorously arousing delivery of private dialog]

[skilled foreign athletic instruction]

[intuitively transmitted fiery symbolic diagrams]

[talks about fantasized knightly battles]

[manages the unseen training of dynamic pioneers]

[innovative discussions about clairsentient vision]

[dominating sibling-cousin may administer political monies]

...

[dramatizing-displaying Bharani-1] = [navamsha Budha-Simha] intuitively explaining drama-politics

+ [uchcha-Aśvini-Surya-yuti-Budha-Bharani-asta] + + [Mriga-Kuja-2 parivartamsha Bharani-Budha-12]

  • [Budha-Mesha] innovative communications * pioneering pronouncement * articulation of dynamic movement * discusses physical experience * vigorous descriptive explanations * growth-challenging conversation * messages about contests * vocabulary of vitality * hands-arms-shoulders send competitive gestures

  • [Budha in bhava-12] narrative of mental sanctuary * talks about quietude * commerce of the hermitage * discusses interior spiritual guidance * speak s from invisible location * instructions on reflective contemplation * detailed descriptions of intimate privacy * diagrams the astral inner terrain * explainer of quiet prayer * imaginative siblings * communication with distant worlds * delivers information about clairsentience and claircognizance * skillfully defines the dreamworld * logical visions

  • [Budha-yuti-Surya] illuminating explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative fatherly-figures

OUTCOMES - BANTERING BUDHA

abstractly conceptual announcements, backchannel communication, private discussions, talks about intuitive meanings, clandestine projects, enclosed messages, dissolved information, specifically fantasizing, imaginative dialogs, invisible transactions, questioning research, interior translating Budha in bhava-12] rules

[dhanayoga]

  • 2-acquisition, family legacy, tradition, language-lexicon, preserved memory, banking, collections, entreasurement, herd-hoard, treasury containment, financial capital, accrued amounts, asset evaluation, knowledge of history, speech-song, heritage values, color-sound, arts-and-music, face-voice-eyes-teeth-mouth-hair, genetics, stored resources, health of the father

  • 5- Politics, center-stage roles, theatre, demonstration, display, charming brilliance, genius, poetry, choice-making, showmanship, gambling and gamesmanship, romantic idealism, creativity, fashion-shows, flamboyance, celebrity entitlements, confidence, artistic performance, drama, children, financial speculation, intelligence, entertainments, fun

CAREER - BUSY BUDHA

double parivartamsha combines the rulers of = 1 + 2 + 5 + 6 + 7 + 9 +10 + 12

+ [uchcha-Aśvini-Surya-yuti-Budha-Bharani-asta] = 10th-from-Chandra

+ + [Mriga-Kuja-2 parivartamsha Bharani-Budha-12]

= combines the rulerships of 1 + 3 + 8 + 10

Budha rules Revati svamsha

  • 2- voice, face, genetics, values-fulfillment, lineage continuity
  • 2-Dynamic historic meaning-producing sound-and-color accruing financial values

BJS designed, wrote, directed, and executive-produced many popular cinema dramas.

Budha rules Kuja-2 in kutumbha-bhava family heritage

  • Scion of musically gifted maternal line - grandfather temple cantor, mother soprano singer. However, sexual predation and arguing within family life.

------

[asta-Budha in bhava-12] occupies leading, decision-making, social-ordering 10th-from-Chandra indicates the importance of imagination and invisible conversations

Budha Mesha = forceful evolutionary cycles of self-reinvention of identity and public career karmesha

++ Budha-8 located in professionally gainful, goal-achieving 11th-from-10

[Generous Growing Guru]

dhava-karaka [husband] -- bahuta-karaka [variety]

= [dikbala]

[mysterious-initiatory randhresha for Urisha indriya-lagna]

[friendly-gainful vriddhi-pati for Urisha indriya-lagna]

  • check Shukra + Shukra-drishti to source Brihaspati's pleasant generosity, evaluating expansion, cherished beliefs

[multiple generous self-enriching personality attributes]

[embodiment of historical assessment philosophy]

[identified with aesthetic credenda]

[iconic personification of guiding financial worldview]

[personality exemplifies capitalizing ideology]

[paragon of pleasurable cheerfulness]

[preacher-and-teacher may symbolize the wisdom of accumulative storage]

[expansive traditional faith encompasses gainful evolutionary change]

[personalized understanding of heritage marketplace systems]

[often a community benefactor to bankers and collectors]

[for wifely Learners, may be identified with the beliefs of an inclusively preservationist, secretively hoarding, friendly sensualist husband]

......

[calculating-strategic Mriga-2] = [navamsha Guru-Kanya] intuitively generous ministries of aid

[ātmakāraka humanism, expansion, doctrine, generosity, internationalism, abundance, beliefs]

+ [Mriga-Guru-yuti-Shani-Kṛttikā]

  • [Guru-Urisha] optimistic about capitalization * big hoard * sumptuous feasts * many voices * many collections * doctrine of resource conservation * believes in historical knowledge * philosophy of values fulfillment * permission for pleasure * financial guidance * many cattle * expands the scope of voice-speech-song * multiple treasuries

  • [Guru in bhava-1] much vitality * philosophical personality * permission for unrestricted action * generous disposition * numerous identities * expands the scope of competition * many cheerful sporting activities * believes in birthright * expansive aura * extra height-or-girth * embodiment of tolerant cheer * a patron of personal benefit * For Wifely Learners, husbandly-companion may be conquesting expander, warrior philanthropist, pushy benefactor, activist grower

  • [Guru-yuti-Shani] atta-karaka ** multiple elder-figures * permission to hold respected positions * abundant structure * numerous law-makers * expansive hierarchies * tolerance for diverse systems * optimistic philosophy of social regulation * large-scale responsibilities

OUTCOMES - GENEROUS GURU

expansively active, abundantly energized, jovial competitor, multiple identities, numerous offspring, optimistic innovator, generous grower of children-partnerships-worldview, broad-scope of embodied inspiration [Guru in bhava-1] rules

  • 8-unexpected eruptions of regenerating force, occult initiation, mystical revelation, shocking intervention, opaque empowerments, invasive surgery, intensive healing, evolution, violent explosion, sudden identity change, rejuvenation, recycling, rebirth, hidden assets, upheaval, undisclosed secrets, transformative events, discovery, in-laws of first marriage, health of younger sibling-cousin

  • 11-fruitful revenues, interconnected income, profits, material achievement, social networking, friendships, community linkage, fan-clubs, mass participation gatherings, collectivism, marketplace gridworks, distribution, association, populism, economic systems, fundraising, gains-and-goals, awards for work accomplished, health of the enemies

CAREER - BENEVOLENT BRIHASPATI

ātmakāraka Guru rules 7 = contracts, arrangements [personal and musical]

+ [Mriga-Guru-yuti-Shani-Kṛttikā] = combined Rulers of 8 + 9 + 10 + 11

BJS = known for her remarkable ability to self-reinvent [8] transform her identity, expand her repetoire of entertainment-industry expertise.

self-rejuvenating abundant marketplace income = Guru-1 occupies 11th-from-Chandra-3

++

[friendly-gainful vriddhi-pati] renowned popular fundraiser [11] for political progressive causes and health charities

  • randhresha identity transformations, self-reinvention, trauma healing, rejuvention, discovery, hidden relationships
  • dhava-karaka in navamsha Kanya-8 Guru-yuti-Rahu = the extraordinary proliferation of partnering arrangements. BJS enjoyed numerous famed relationships with entertainers, politicians, and industry players.
  • 11-fan base, revenues, social network of music-industry friendships
  • ātmakāraka Guru also rules Dhanus 11th navamsha, creating an Inspirational and massively popular seven-decade Music career

Dhava-karaka Guru

  • Husband-1 [Guru in bhava-1] identity-reinforcing, friend
  • 8th-from Guru = husband-2 = 8, identity-transforming

[Guru-yuti-Shani] popularity with multiple social classes

appeal to vast gatherings [11] many age-groups, tolerant to diversity

  • = occupies the emotionally associative, community-linking, economically gainful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra

[Sweetly Suave Shukra]

svadu-karaka [sweet] -- kalatra-karaka [wifely companion]

[energizing-identifying lagnesha for Urisha indriya-lagna]

[inimical-unbalanced rogesha for Urisha indriya-lagna]

  • check Shani + Shani-drishti to source Shukra's pleasantly populist, smoothly interconnected, gracefully associative advocacy

[elite relationships within mass collectivity]

[fairly bargained marketplace contracts]

[pleasurable high-visibility controversial rogesha economic positions]

[valuable connections with social-participation leaders]

[self-identified lagnesha icon within proletarian networks]

[executive financial command of scientific futurism]

[for husbandly Learners, popular wife may suffer from electrolyte, nerve , or skin ailment rogesha]

[womenfolk may have community seniority]

...

[musical-evaluating Pūrvābhādra-2] = [navamsha Shukra-Urisha] intuitively financial evaluations, harmonizing musical-arts

+ [Pūrvābhādra-Shukra-yuti-Ketu-Rohiṇī ]

+ + [Ajaikapada-Shukra-10 lagnesha parivartamsha Krittika-Shani-1 yogakaraka]

  • [Shukra-Kumbha] appreciation of social networks * likes knitting-knotting * attracted to marketplace revenues * pleased by large-group connectivity * prefers a friendly partner * collectivist arrangements * enjoys regulated systems * sweetly gracious within big crowds * scientific aesthetic * financially balanced economic linkage

  • [Shukra-10] seeks pleasure via regulated order * enjoys regulatory authority * socially prominent contractual agreements * reputation for gracious balancing * institutional finance * respects Feminine Learners * harmonious governance * aesthetic of beautiful structures * appreciation of order * for husbandly Learners, wifely-companion may hold an elite social position

  • [Shukra-yuti-Ketu] sweetened surrender * gracious abandonment * attracts vacuous Feminine Learners * appreciation for fair terms of dissolution * disoriented negotiations * unconcerned with conventional beauty * empty contracts * apathetic arrangements * impermanent agreements * prefers relationships with spiritual partners

OUTCOMES - SWEETENING SHUKRA

recognized for pleasantly sensual qualities, enjoys elite social position, harmoniously hierarchical, aesthetic of institutional decision-making, public finance, prefers a luxurious profession, musical-artistic leadership roles, appreciates having a respected rank [Shukra-10] rules

  • 1- distinctive attributes of personality, dense material incorporation, individual personification, earthen embodiment, physical integrity, kinetic energy, dance, style of movement, athletic prowess, muscular mobility, unique character, kinetic vitality, circumstances of birth, forward push, tangible appearance, coherent social identity

  • 6-ministries of service, dehumanization, misconduct, war, jail, slavery, pollution, argumentation, healthcare workers, ailment, injury, medical treatment, hypocrisy, crime, cheating, animosity, toxins, complaints, accusation, litigation, blaming, scapegoat, aid workers, helpers. imbalanced conditions, injustice, betrayed promises, servants, laborers, hostility, animosity, disagreement, dehumanization

CAREER - BRIGHT BHRIGU-TANAYA

lagnesha = [Shukra-Kumbha] + = [Shukra-10]

+ [Pūrvābhādra-Shukra-yuti-Ketu-Vāruṇa]

+ + [Ajaikapada-Shukra-10 lagnesha parivartamsha Krittika-Shani-1 yogakaraka]

+ [Shani 10th-drishti into Shukra]

---------

double parivartamsha combines the rulers of = 1 + 2 + 5 + 6 + 7 + 9 +10 + 12

+ + [Shukra-10 parivartamsha Shani-1] = combined rulers of 1 + 6 + 9 + 10

---------

Despite the unbalanced implications of Shukra-6 and + [Pūrvābhādra-Shukra-yuti-Ketu-Rohiṇī ]

+ + [Ajaikapada-Shukra-10 lagnesha parivartamsha Krittika-Shani-1 yogakaraka]

[Shukra Mahadasha] = [age 14.3 until age 34.3] launched a globally recognized career in musical theatre

  • [Shukra-Kumbha] = [Shukra-] + [Pūrvābhādra-Shukra-yuti-Ketu-Vāruṇa] + +

    + + [Ajaikapada-Shukra-10 lagnesha parivartamsha Krittika-Shani-1 yogakaraka]

  • first phase of career - paid singing/comedy performances - Shukra-Chandra bhukti = 1960, age 18 - also acquires a caretaking, parental, lifetime career manager

  • by age 20, within the New York musical-theatre world, and with her manager's wise guidance, BJS vocal-performance reputation [10] grew significantly during Shukra-Mangala [Mithuna-10]

and so it continued.

Shukra occupies

  • 5th-from-2 [voice-face]
  • ++ 10th-from-9 [humanistic principles, higher understanding, guidance figures] contains the multi-faceted supports = + [Krittika-Shani-yuti-Guru-Mriga] + + [Shukra-6 parivartamsha Shani-9]

[Sober Structural Shani]

duro-karaka [endurance] -- jara-karaka [Jahre, years]

[yogakaraka doctrinal-philosophical dharmesha for Urisha indriya-lagna]

[yogakaraka dutiful-commanding karmesha for Urisha indriya-lagna]

  • check Shukra + Shukra-drishti to source Shani's entreasuring discipline, evaluating strictures, historical rules

[preservationist resistance to impulsive movement]

[principled obligation to aesthetically guide the faithful dharmesha]

[self-disciplined embodiment of sound-color values]

[traditional knowledge expressed via all-senses, speech-song]

[must personally remember the old histories]

[enriching elite leadership karmesha may suffer periodic loss of command, due to careeer-draining social beliefs dharmesha]

[must conserve old breeding lineages under pressure from timid ideologues dharmesha]

[identified with punitively restrained heritage narratives]

[despite setbacks, diligent yogakaraka Shani-1 realizes enduring affluence from keeps, coops, storage, collections, genetics, banking]

[sonorous storytelling identity shaped by financial pressure from fearfully hoarding elders]

....

[profitable-networked Kṛttikā-3] = [navamsha Shani-Kumbha] intuitively ordering marketplace economics distributive connections mass assemblies

+ [Krittika-Shani-yuti-Guru-Mriga] + + [Ajaikapada-Shukra-10 lagnesha parivartamsha Krittika-Shani-1 yogakaraka]

  • [Shani-Urisha] heavy old valuables * must endure the sounds of proletarian speech-and-song* obliged to conform to the official bankers * antiquated genetic stock * required preservation of aging assets * must normalize conservation * slow elderly evaluators * must judge the worth of hoards * must endure pressure to store the precious inventories * must bear the weight of historic treasuries * structural compression upon neck-jaw * orderly warehousing * fixed rules govern collection * must gather seeds * must eat dry foodstuffs * must preserve lineage knowledge * scarce financial resources * maintainer of old heritage

  • [Shani in Bhava-1] steady time-structured personality * mature conduct * must produce under pressure * strictly orderly movement * regimented appearance * grim determination to survive * tense competition * muscular fatigue * required activity drills * chronically impeded self-expression * bodily seizures * identified with heavy responsibility * resists unnecessary change * often looks older * lives to work * elders preserve class-stratified identity

  • [Shani-yuti-Guru] social resistance to generous expansions * slow elder teachers * pragmatic philosophy * institutional priesthood * limited scope of understanding * doctrinal discipline * constrained growth * conventionally regulated beliefs * optimism limited by resistant old structures * faith in the rule of law * class-hierarchical ideology

OUTCOMES - STRUCTURAL SHANI

dutifully earth-embodied, identified as a diligent worker, responsibly innovative, mature appearance, must regulate the physical attributes, structured style of movement, slowed vitality, burdensome required maintenance the incarnate form ; [Shani in Bhava-1] rules

Yogakaraka

  • 9-ideology , paradigm of belief, profession of faith, principled convictions, higher understanding, fatherly-figures, priestly patronage, preaching, patriarchal entitlements, philosophical convictions, theory, public spiritual guidance, celebrated doctrines, sangha, sacred teachings, credenda, globalism, dharma, worldview, weltanschauung, mother's health

  • 10-career, profession, dignity, regulatory roles, governance duties, social authority, symbolic recognition, iconic visibility, leadership responsibility. top status, reputation, commanding positions, honor, high regard, public respect, executive power, elite rank, lawful imposition, organizational director

CAREER - SOBER SHANI

[1, personal work-ethic, maturity, self-discipline]

[Shani-Urisha] - [Shani in Bhava-1] + [Krittika-Shani-yuti-Guru-Mriga] + + [Ajaikapada-Shukra-10 lagnesha parivartamsha Krittika-Shani-1 yogakaraka]

[Shani-1 casts 10th-drishti into Shukra-10] = legendary work ethic in music business

double parivartamsha combines the rulers of = 1 + 2 + 5 + 6 + 7 + 9 +10 + 12

+ + [Shukra-6 parivartamsha Shani-9]

= combined rulers of 2 + 5 + 6 + 9

+ [Mriga-Guru-yuti-Shani-Kṛttikā]

= combined Rulers of 4 + 5 + 6 + 7

Disciplined, hard-working, accustomed to effort, rehearsals, practices - often having to deal with unprepared or underqualified co-workers [Ketu-6]

Also, BJS recounted her recurrent stage-fright = Shani vidya-pati = performance anxiety, creative pressure

[Shani in Bhava-9] +++ occupies political, entertaining, confident Kṛttikā - Pleyades = enduring commitment to political activism

while Shani-Kumbha occupies navamsha-6= duty to help the exploited

+ + [Shani- casts organizing, time-conscious10th-drishti into Shukra-6]

Shani's social responsibility and self-discipline = generally prevents the addictive, low-worth patterns of Shukra-6, replacing with work-ethic and unrelenting ministry of service

multi-faceted [Guru] long-lasting [Shani] arts career.

  • Prepared, pragmatic + + [Shukra-6 parivartamsha Shani-9] provides a disciplined, systematic approach toward the notoriously capricious music and artistic [Urisha] performance industry.
  • there were likely plenty of betrayals along the way, due to Shukra. However, Ketu-6 = a helpful asset in 6, tending to release bitter disappointments rather than cling to grievances

Navamsha Mirror = reinforcement

  • [financial-musical Pūrvābhādra-2] = [navamsha Shukra-Urisha]
  • [friendly-profitable Kṛttikā-3] = [navamsha Shani-Kumbha]

+ + [Shukra-6 parivartamsha Shani-9] + [Mriga-Guru-yuti-Shani-Kṛttikā]

provides a range of abilities which yield remarkable resilience in an unfaithful industry with a short attention span

  • within the navamsha, same 6-9 amsha relationship applies between the Two Friends
  • but they have swapped rashi
  • = Shukra-Urisha ++ Shani -Kumbha
  • which is immensely reinforcing

Not only Shukra-Shani swap rashi from D-1 to D-9

, but also they maintain their pillar angle in navamsha, signaling career longevity in arts-and-music

[Shani in Bhava-9]= occupies the emotionally associative, community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked 11th-from-Chandra

  • ruler of 5 [Shani] occupies 5th-from-5 = long-term creative achievements,
  • gains of revenue via cautiously speculative intelligence [Shani-9 = 11th-from-11]
  • popularity [everyman Shani] and value [Shukra] increasing [vriddhi] over time

[Risk-rewarding Rāhu]

rajyalobha-karaka [ambition] -- picchala-karaka [slippery]

= [nicha] = [for Urisha-born Learners]

  • check Surya + Surya-drishti to source Rahu's apparently ingenious, entrancingly dramatic, brilliant mirage of celebrity

[ostentaciously celebrates conventional domestic habits ]

[passion to mimic glamorous appearance of entitled routine homelife]

[pretentious melodramatic social privilege display of over-reaching self-referential local denizens]

  • [Rahu-4 casts passionately property-owning, ardently habitual drishti into 8-10-12]

[hungers for applauded educational accomplishment, perhaps disregarding normal licenses, exams, diplomas]

[cultural foundations may supply theatrical opportunities]

[shimmering red-and-gold radiance in terrestrial transportation]

[ambitiously creative parents may fraudulently or fabulously exaggerate spectacular real-estate or vehicles]

[may have flamboyantly unique extraordinary housing]

[wants fiery prestigious charismatic mixed-culture environments]

[craves artistic genius lifestyle with privileged flashing gilted shipping and carriage]

[artificially sparkling mirage of politicized nationalism]

[may desire unusual charming brightly-lit pathways]

[may use amplified camera surveillance boundary-fencing or dazzling dwelling defense]

[posturing intelligent farmers, caretakers, schoolteachers may be astonishing environmentalist poets, preposterous showy citizens, hyperbolic dramatic patriots]

...

[calculating-helping Pūrvaphalgunī-2] = [navamsha Rahu-Kanya] intuitively over-reaching passion for helping arguing ministries

  • [Rahu-Singha] shimmering illusion of charisma * craving for attention * extraordinary entertainments * mask of radiant confidence * over-reaching, unique intelligence * marvelous drama *  fascinating entitlements * illusory flash of brilliant gambling * extravagant games * seeks special importance via apparent [but perhaps not authentic] attributes of  brilliant risk-taking * fabulous speculations * glittering political power * seeks privilege via celebrity roles

  • [Rahu in bhava-4] passion for prestige property * unusual home routines * exotic roots * in svabhava of Comforting Chandra, the Shadowy Specter seeks homestead advantage * outsider who cleverly insinuates into the local settlement * culturally-mixed kitchens * fascinating vehicles * extraordinary ships * glamorous guardianship * important infrastructure * irregular land-use * over-reaching protectionism * exciting real-estate * expedient nationalism * instrumental environmentalism * unorthodox parenting * trespasses customary seasonal limits * disrupts habitual agriculture * over-extended fencing * Strange traffic on roadways * craves a showcase home * marvelous gardens * desires fabulous shelters * ambitious mother * social mobility sought via patriotism

OUTCOMES - RISK-REWARDING RAHU

[Rahu in bhava-12] [Simha] brilliant, thrilling, entertaining imagination

Rahu-12 drishti cast into 4 + 6 + 8

Rahu-amplified 4 containing [uchcha-Aśvini-Surya-yuti-Budha-Bharani-asta]

  • occupies passionately home-loving Simha-4

World-renowned entertainer and legendary political fundraiser = BJS awed audiences with champion supreme vocal display,

Rahu-Singha extraordinary brilliant Voice in [2nd-from-Chandra]

  • BJS exquisite singing awed audiences. Within the USA commercial music industry, BJS = called "The Voice"

Rahu's ruler [uchcha-Surya-8] = occupies career-promoting 10th-from-Chandra

Political activism [Simha] = vibrantly ambitious , yet always behind-the-scenes [12]- never elected or appointed to any political position,

  • Following the end of her first marriage, BJS is said to have been offered a top political-wife position.
  • But she was ultimately not willing to limit the independent expression of her creative intelligence. [Rahu-drishti-into-uchcha-Surya]

Second marriage

  • [Rahu in bhava-12] indicates the specifically private nature of wedding-2 with a fellow Hollywood dramatist [Simha]

  • The pair are known to be occasional socializers within their entertainers-cohort, but otherwise reclusive [12]

Rahu-Simha-12 [disappearance] drishti into Surya-Mesha-uchcha [8]

BJS is known for creating the boomerang Streisand Effect .

  • The phrase means that if a celebrity [Simha] tries to obscure a photo or suppress a narrative ... their attempt to disappear the image serves to draw further attention [Simha] to the object.

[Rahu-12, passion for privacy - yet a highly public career]

  • In BJS' case, some photos of one of her California homes were posted in a little-used internet real-estate repository. BJS demanded that the photos be removed from public view [Rahu-12-Simha, Diva entitlements ] ... but this entitled claim had no legal basis in the internet age. As a result of her diva-style outrage, photo-viewing increased astronomically.

[Collapsing unshackling Ketu]

kavandha-karaka [headless] -- chidra-karaka [gaping] -- vasana-karaka [vacuum]

= [for Urisha-born Learners]

  • check Shani + Shani-drishti to source Ketu's distributed wandering, friendly emptiness, profitable surrender

[scatters distributive arrays of collective leadership]

[disengaged witness to marketplace hierarchies]

[liberated from command of associative assemblies]

[surrenders to mass-participation anarchy]

[disregard toward proletarian elites]

[abandons commonplace community governance duties]

  • [may be passively fixated upon ambitiously speculative, instrumentally romantic, expediently showy Rahu in Singha -4 parents, householders, property-owners, gardeners, drivers, stewards of Earth]

[nervously dismisses recognition for goal-achievements]

[apathetic toward aims of masses-and-classes]

[no limits on gridworked gainful professional conduct]

[economic shifts break-up top socialite positions]

[prominently visible eccentric vast gatherings may symbolize dematerialization of rigid regime]

[reputation for erratic marketplace profits]

[has revenue and social interlinkage, but walks away from outdated friendships]

...

[conceptual-guided Vāruṇa-4] = [navamsha Ketu-Meena ] intuitively dispersed imaginative dreaming

+ [Rohiṇī-Ketu-yuti-Shukra-Pūrvābhādra]

  • [Ketu-Kumbha] sociably dissociates from distribution webs * odd friends * walks away from regulated systems * incomplete nexus * empty profits * dissolves knitting * severed connections * not limited by conventional community * disarrayed ecologies * collectivist martyrdom * ignores restriction on futurism * releases a purple cloud of knotted linkage into the misty abyss

  • [Ketu in classroom-10] disregards social rank * no barriers in class-pyramid * fearless toward regulations * martyr to corporate elites * well-known for surrendering * absent from officialdom * irrelevance of government protocols * ambivalent toward public opinion * disinterested in high positions * ignores hierarchical ordering rules * abandons organizational authority * unless other graha in 10, may prefer to live free from heavy leadership duties

  • [Ketu-yuti-Shukra] unsatisfied * unsustainable arrangements * invalid promises * broken bargains * dissolved contracts * beautiful injustice * sweetly unfulfilled vows * fragmented negotiations * nicely abandoned alliances * absence of equity * apathetic brokerage * peculiar music * distrust * pleasantly empty relationships - liberating release of vows * for husbandly Learners, may dissolve-or-disconnect the Wifely-Learners .

OUTCOMES - EVACUATING KETU

[Ketu Mahadasha] = [age 14.3 until age 21.3]

Due to Ketu-10, BJS declared 27-year break from singing, except for a few charity performances

[Rohiṇī-Ketu-yuti-Shukra-Pūrvābhādra]

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