born 5 months after
born 4 months after
born 2 months after
born 2 months before
born 7 months before
born 10 months before
Iconic Counterculture Musician
The Grateful Dead
a.k.a. Jerome John Garcia
dematerialization 09-Aug-1995 [age 53]
Grateful Dead bandmate
fine-arts painting and drawing
data from https://en.wikipedia.org/wiki/Jerry_Garcia
tentatively rectified by BP Lama Jyotishavidya
tentatively rectified by BP Lama Jyotishavidya
charts + graphs + tables = produced by Shri Jyoti Star * adapted by BP Lama
born on day-6 Shashti of Krishna Paksha
Citthirai - Vismakarma - Azinech - Alaraph - Arista - Dana
For Chitra - Tvastri births of a masculine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.
For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential.
Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs.
Designs + Arrangements
[Kuja] -ruled Chaitra fellows have a knack for competition. Goal-oriented and kinetic in building, patterning Tvastri, they strive for dominant power in engineering, artisan mechanics, architecture, and applied design arts such as skilled handcraft. As authors, Chaitrika often illustrate their works with fine drawings. Tvastri-born have a natural affinity for tools, engines, driving, building.
Kanya pada 1-2 express Kuja's rulership of 3-writing + 8-mystical transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Literary Budha plays a stronger role for pada 1-2, producing scholars and writers who argue about architectonics, engineering design, color values, and mechanics. Pada 1-2 = also skilled in handcraft and may be professors-cum-tradesmen, fine-arts painters, model-builders, or manually gifted musicians.
[Tula - Vanika] pada 3-4 express Kuja's rulership of 2-collections, assets + 7-contractual equity. Shukra's bargaining behavior and financial skills play a stronger role for pada 3-4, who enjoy the mutual attractions of Shukra-Mangala. In music, arts, and engineering, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. Chaitrika pada 3-4 can be found in the design world, in financial negotiations, and in dynamic meditator roles.
Themes of productive touch including artistic design, musical instruments, mechanical engineering, and crafting of dynamic arrangements contextualize Vismakarma's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Chitra - Spica.
QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra. p 84
" Chitra natives are quiet, thoughtful, and profound.
Very slow in movement and of great dignity in bearing and manner.
they make good students in their youth.
they are also extremely clever with their hands ,
they like to do things or fashion things with their hands
Grateful Dead guitarist and singer-songwriter, Jerry Garcia in his 30's during the 1970's
Jerry Garcia in 1984, age 42
Biographical data matched to
Vimshottari Dasha calendar
[Budha Mahadasha] [age birth until age 11.9]
01-Aug-1942 Earth-birth in San Francisco, California, USA * Budha-Shukra bhukti
1948 [JG age 6] drowning grieved decease of father * Budha-Rahu bhukti
[Ketu Mahadasha] [age 11.9 until age 18.9]
1960 [JG age 17] criminal conviction for auto theft - of his mother's car. Judge offers option to join the Army, to avoid jail. JG enlists. * Ketu-Shani bhukti * Shani rules 6-crime, military
14-Dec-1960 [JG age 18] general discharge from US-Army, due to poor attitude and numerous AWOL citations. * Ketu Budha chidradasha [Surya-yuti-Budha] Surya rules 6th-from-Chandra broken contracts
20-Feb-1961 [JG age 18] while mentally dithering [Budha] about whether to choose the path of fine-arts painting versus the path of guitar music, a violent car crash becomes a wake-up call. JC chooses the music path. * Ketu Budha chidradasha * karmesha Budha career ++ Rahu-Return in 12, interior guidance
[Shukra Mahadasha] [age 18.9 until age 38.9]
03-Apr-1963 [JG age 20] consecration of marriage-1-of-4 with folksinger, Sara Ruppenthal * Shukra-Shukra svabhukti * samchara Rahu-Ketu via Mithuna-Dhanus contact Shukra-Mithuna
08-Dec-1963 [JG age 20] celebrated the birth of child-1, the first of his four daughters * Shukra-Shukra svabhukti * Shukra rules 5th-from-putrabhava
Apr-1966 until Jun-1968 Janma Sade-Sati Meena [7, relationships, balance]
28-Sep-1970 [JG age 28] grieved the decease of mother following her injuries from a car wreck * Shukra-Rahu bhukti ++ dvithya Sade-Sati
1974 [JG age 32] Begin relationship with with film-maker, Deborah Koons. Twenty years later, they would formally marry. * Shukra-Shani * Shani rules Kumbha 7th-navamsha
1975-1985 [JG age 28-38] heroin addiction * diabetes * Shukra-Shani bhukti until Surya-Shani bhukti * Shani rules 6-medication
[Surya Mahadasha] [age 38.9 until age 44.9]
31-Dec-1981 [JG age 39] consecration of marriage-2-of-4 with Carolyn "Mountain Girl" Adams. The parents of two daughters, the couple had separated years earlier. The belated legal marriage was reportedly motivated by tax law [Shani] - Surya-Surya svabhukti * Surya rules Simha Svamsha * samchara Rahu-Ketu via Karkata-Makara contact navamsha R-K axis
[Chandra Mahadasha] [age 44.9 until decease age 53]
Jul-1986 [JG age 44] 5-day, near-fatal diabetic coma * Surya-Shukra bhukti = maraka Shukra rules-2 * Shukra drugs, food, insulin
1989 [JG age 47] heroin relapse * Chandra-Rahu bhukti
17-Aug-1990 [JG age 48] consecration of marriage-3-of-4 with artist, Manasha Matheson. The couple produced a daughter. * Chandra-Guru bhukti * [Guru-yuti-Shukra]
14-Feb-1994 [JG age 52] consecration of marriage-4-of-4 with film-maker, Deborah Koons * Chandra-Budha bhukti * [Surya-yuti-Budha] Surya rules Simha Svamsha * samchara Rahu-Ketu via Vṛścika-Vrishabha ++ dvadasa Sade-Sati
Jun-1995 until Apr-1998 Janma Sade-Sati Meena [7, relationships, balance]
09-Aug-1995 [JG age 53] dematerialization via heart-attack while staying in a drug rehabilitation facility, following decades of diabetic disease and substance misuse * Chandra-Shukra bhukti * maraka Shukra rules-2 ++ janma Sade-Sati
Distinctive Features of the Nativity
pitri-karaka [father] jyoti-karaka [light]
[retreating-contemplative vyaya-pati for Kanya indriya-lagna]
[usually is the eldest child]
[bright center of ethno-national community]
[regenerating-discovering Pushya-4] [navamsha Surya-Vrischika]
OUTCOMES - SURYA
[Surya in bhava-11] governs Simha Svamsha , suggesting a profitable career in entertainment
[Surya in bhava-11] [Surya-Karkata ] bright center of rhythmic community, focus of folkways social movement, star of the old-ways assembly
iconic symbol of a multi-decade nationwide social movement of tribal feelings and rhythmic undulation // Deadheads //
Surya-11 = center of the web which has no center
Garcia's father was born in Galicia [Spain], emigrating to California. Surya rules 12, foreign lands.
Dad was a clarinet and piccolo musician who played in bands in the San Francisco area. He became a tavern-keeper [Surya in bhava-11] . Dad was killed by drowning during a family holiday when Jerry was only six years old. Vyayapati Surya, ruler of [Rahu in bhava-12] = astrally directing father, known by dreams and shadow [Rahu].
matrikaraka [mother] * garha-karaka [village]
[friendly-gainful vriddhi-pati for Parthya indriya-lagna]
[class-conscious Revatī-Pashu-2] [navamsha Chandra-Makara-Draco] intuitively sensitive hierarchical regulatory ordering
[Atmakaraka habitual rhythm, comforting routines, soothing cycles, predictable way of life, safe dwellings]
OUTCOMES - CHANDRA
CAREER - 10th-from-Chandra
[10th-from-Chandra] = Dhanus-4 ruled by high-visibility [Guru in bhava-10]
Garcia toured and wrote with his musical band [lagnesha Budha-11].
Early in the formation of the joyous cult assembly, a dedicated fanbase had memorized the lyrics to all of their favorite songs. [Budha-11 assemblies, lyrics]
Mom = Ruth Marie Clifford, of Swedish and British ancestry
[Chandra in classroom-7] rules 11-income, community, gatherings
Mom was a widowed tavern-keeper, a networker in the local musician's community [Chandra in Revatī - Pashu] and a source of many friendships for Jg
[navamsha Chandra resides in psychic Uttarashadha with disconnecting Ketu]
After his mom was widowed his age 6. JG and his elder brother [also a musician] lived with nearby maternal grandparents during the formative years, age 6-11.
Grandmom Tillie May Olsen = of Swedish ancestry. Bhava-10 contains the expansively musical, writing, and publishing [Guru-yuti-Shukra] JG reflected that his grandma listened to bluegrass and Opry, the country rhythms of which later formed the basis of his own musical style.
William Henry Clifford of Irish ancestry is represented by Shani-drishti into Kuja-ruled fraternal bhava-3 Vrischika = musical bands and cohort-ensemble. Ruled by also fraternal [Kuja-yuti-Rahu] 
Grand-dad would have provided role-modeling on meeting deadlines, showing up on time, and cooperation within small groups. Despire JG's later drug excesses and diseases, he was consistently able to maintain a detailed touring schedule and sustain communications  within musical ensembles.
MARRIAGE partnership emotional equity support expectations
Like most people with [Chandra in classroom-7] JG sought caretaker partners. JG's primary relationship pattern was anchored through his people-feeding, music-hosting, tavern-keeper Revati mom.
three legal marriages + one union with child, and abundantly numerous supplemental relationships due to [Guru-yuti-Shukra] ++ navamsha [Guru-yuti-Shukra-uchcha]
bhratru-karaka [brother] virya-karaka [virile]
[busy-messaging sahaja-pati for Kanya indriya-lagna]
[mysterious-revealing randhresha for Kanya indriya-lagna]
[Kuja Dosha for alliance-1]
[vigorous heart-centered clandestine sexuality]
[behind-the-scenes fiery entitled romance]
[flamboyantly dramatizes romantic private conversations]
[brilliantly active imagination]
[unseen energies promote sudden political change]
[creative drive produces energized messaging-conflict-bargains]
[ensemble-managing Magha-3] [navamsha Mangala-Mithuna]
OUTCOMES - MANGALA
[Mangala in bhava-12] rules
Garcia struggled with diabetes, obesity, and recurring self-medication  throughout his life.
powerfully amplified forward-moving [Kuja-yuti-Rahu] + randhresha Mangala occupies the emotionally unbalanced [6th-from-Chandra] = addictions
[Mangala in bhava-12] fantasizing, imagination
jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student]
[energizing-identifying lagnesha for Kanya indriya-lagna]
[dutiful-hierarchical karmesha for Kanya indriya-lagna]
[narrative of ethno-cultural community]
[leadership in homeland economics]
[mysterious-evolving Pushya-4] [navamsha Budha-Vrischika]
[Budha-yuti-Surya] [Budha ashtangata harana]
OUTCOMES - BUDHA
lagnesha [Budha in bhava-11]
communications roles delivering a coherent public narrative within mass gatherings, social-participation movements.
Chitra + Budha lagnesha
dhava-karaka [husband] bahuta-karaka [variety]
[homebound-securing bandhesha for Kanya indriya-lagna]
[negotiating-brokering yuvati-pati for Kanya indriya-lagna]
[fantasizing Arudra-4] [navamsha Guru-Meena] [intuitively expansive communicative messaging visionary imagination
OUTCOMES - BRIHAS-PATI
svadu-karaka [sweet] kalatra-karaka [wifely companion)
[conserving-acquiring dhana-pati for Kanya indriya-lagna ]
[philosophical-doctrinal dharmesha for Kanya indriya-lagna ]
[dignified gracious conversational diplomacy]
[enjoys talking about governance topics]
[public policy discussions seek balanced agreement]
[smoothly gestures in the normal style]
[standardized contractual finance]
[reputation for music, finance, art, feminine relationships]
[courteously explains hierarchical arrangements]
[state-room environments nicely decorated]
[taste for elegantly structural process]
[pleasantly communicative knowledgable family]
[women may have representational messaging seniority] [feminine partners have respected professional position]
[fantasizing-guiding Arudra-4] [navamsha Shukra-Meena-uchcha] intuitively harmonizing expansive visionary imagination
OUTCOMES - SHUKRA
[Shukra-10] public reputation = governs musical-theater Purvaphalguni Svamsha
[Shukra-Mithuna] greatly expanded via Brihaspati
So Many Ladies
[Shukra-yuti-Guru] combines rulers of 2 + 4 + 7 + 9
JG was married four times during the 32-year span from his age 20 until age 52.
Four daughters [Shukra] were born.
In addition, he enjoyed abundant extramarital romantic relationships.
duro-karaka [endurance] * jara-karaka [Jahre, years]
[acquisitive-evaluative dhanesha for Dhanus - Haya indriya-lagna]
[busy-collaborative sahaja-pati for Dhanus - Haya indriya-lagna]
[old priesthood of money and pleasures]
[lawfully enriched patriarchs]
[unfairly strict catechism]
[fear of punitive religious values]
[rogesha imbalanced traditional convictions]
[vidya-pati benefits heritage music, children, and patronage]
[intimidated aggrieved political preservationist father]
[father may be an entertainer, politician, physician, or be injured or ill]
[managing-commercial Rohiṇī-3] [navamsha Shani-Mithuna] intuitively ordering systems of communicative business transaction
OUTCOMES - SHANI
Shani's ruler [Shukra-yuti-Guru in Mithuna-10] songwriting, public media events
CAREER in CREATIVE ARTS
vidya-pati-5 [Shani in bhava-9] steady, long-term, creative, celebrity career.
JG toured with a musical band 3rd-from-Chandra. for 30 years [Shani],
Stoic Shani activates the emotionally associative, community-linking, economically fruitful, profit-regulated, friendly, participatory, goal-oriented, socially-networked [11th-from-Chandra] = fans, community, social networks
Despite crippling addictions, health crisis, multiple marriages, children, divorces, tax problems, relationship upheavals, and an active additional fine-arts avocation -- the band kept touring.
Consistent and steady populist-genre [Shani] songwriting, fine-arts painting, books, cinema
[Shani in Bhava-9] rules 6-Kumbha = chronic health imbalances traceable to the paternal line 
[Shani in Bhava-9] rogesha drishti into 3 = illness and addiction related to touring
Shani casts drishti upon
rajyalobha-karaka [ambition] picchala-karaka [slippery]
[for Kanya indriya-lagna]
brilliant displays of illusion
[rhythmic-protective Magha-4][navamsha Rahu-Karkata]
OUTCOMES - RAHU
[Rahu-yuti-Mangala] located in Simha-12 private spaces, hotel rooms = [6th-from-Chandra]
during Ketu-Rahu bhukti
He continued until his death age 53. Among numerous other health challenges, he was also a diabetic heroin addict.
Mangala provides [Sarala Yoga ] and Rahu in 6th-from is protective
Rahu in any 6th-amsha triumphs over animosity, criminal accusation, jail time
Convicted of stealing his mother's car age 17, JG followed the judge's recommendation to avoid jail by enlisting in the US-Army [6th-from]
JG was a frequent patron of detox residential treatment spas 
kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]
[for Kanya indriya-lagna]
[unconcerned with community quarrels]
[scatters the economic conflicts]
[disengaged witness to marketplace imbalances]
[liberated from disagreements within the collectivity]
[disregard toward the complaints of the friends]
[adversaries accuse one of empty achievements]
[dismisses the nervous ailments]
[apathetic toward systematic arguments]
[social-ordering, class-conscious Varuna-2] [navamsha Ketu-Makara]
OUTCOMES - KETU
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