COHORT Formerly married with
born 11 months after
born seven months before
born 14 months before
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Dramatist Fashion Model Philanthropist Entertainment Media Commercial Producer a.k.a. Jennifer Joanne Aniston Earth-birth Tuesday-11-Feb-1969 |
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cinema fashion drama commerce 1969 - Jennifer Aniston birth information from https://en.wikipedia.org/wiki/Jennifer_Aniston tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = generated by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Feminine Public-Figure Examples Citthirai - Visvakarma - Azinech - Alaraph - Arista - Dana BPL COMMENTARY For Chitra - Tvastri births of a feminine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome. For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential. Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs. Designs + Arrangements [Competitive Champion Kuja]-ruled Vismakarma ladies are blessed with direct, muscular physical and sexual energy. They are often found in environments where beautiful designs plus physical agility are valued. Chitrani drawing skills often place them into garment-making and decoration. They typically excel in competitive, vitality -focused fields such as fashion modeling , cinematic acting, musical performance, choreography and dance, and athletics which emphasize balanced movement. Kanya pada 1-2 expresses Kuja's rulership of 3-writing-commerce + 8-secret transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Budha's Writing skills may emerge in pada 1-2. Kanya-Chaitra are often found in media communications and commercial aspects of design work , where their pro-active process management is distinctive. Trust and relationship integrity may be growth-challenging. [Tula - Vanika] Pada 3-4 emphasizes Kuja's rulership of 2-collections, treasuries + 7-contracts, alliances. Shukra's bargaining behavior and financial skills rise in pada 3-4 due to the pleasant attractions of Shukra-Mangala. Ladies often enjoy considerable wealth via face, voice, marriage, and family lineage. In music, arts, and partnership-craft, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. In the arts, entertainment, beauty, and design industries, their contractual deals may be luxuriously beneficial. Themes of competitive movement , agile beauty, dynamic design, and financial equity may contextualize Chaitra's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Chitra - Spica |
QUOTATION Chitra from Shil-Ponde.[1939] . Hindu Astrology Joytisha-Shastra . p 96 . " An expensive and luxurious person.
She likes to change costumes several times a day
Variety is the spice of life to this woman
Many actresses, musicians, artists and opera singers have Chitra rising. If she is born on the day before the New Moon, with this asterism rising,
[end quote] BPL COMMENTARY WRT Shil Ponde's prognosis for Chitra ladies born on the day before the New Moon traditional language of die four years later reflects an older worldview BPL modernized update: pattern of divorce[s] after brief alliance due to pernicious influence of mother. Likelihood of children should be double-checked according to Chandra and Guru.
Jennifer Aniston before television stardom - Jennifer Aniston age 17, high school |
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Estranged mother of Jennifer Aniston, the actress Nancy Dow [photo 2011] . |
The father of Jennifer Aniston = dramatist Mr. Giannis Anastasakis [professional stage name John Aniston] born July 24, 1933. Photo Feb-2012 |
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JA in 2015 [age 46] with her second husband, dramatist Justin Theroux [m. 2015-2017] |
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Biographical events matched to the
Vimshottari Dasha
[Budha Mahadasha] [age birth until age 7-months]
11-Feb-1969 Earth-birth in Sherman Oaks, California , USA * Budha-Shani bhukti * Shani activates 5-drama [ Ketu Mahadasha] [age 7-months until age 7.7]
[Shukra Mahadasha] [age 7.7 until age 27.7]
1979 [JA age 10] parents' divorce * Shukra-Shukra svabhukti [Shukra-yuti-Shani] shukra enables rogesha Shani ++ gochara R-K Kanya-Meena indriya-lagna 1980 [JA age 11] one of her school paintings was displayed at the Metropolitan Museum of Art in NYC * Shukra-Surya bhukti * Surya activates 10th-from-Chandra Dec-1984 until Dec-1987 Janma Sade-Sati Vṛścika
1987 [JA age 18] earned diploma from N.Y. High School of Performing Arts * Shukra-Guru bhukti * Guru activates 4th-from-4th diploma 1989 [JA age 20] first television acting role * Shukra-Shani bhukti * Shani activates 5-performing arts Sep-1994 [JA age 25] begin popular Friends TV drama * Shukra-Budha bhukti * Budha lagnesha + karmesha https://en.wikipedia.org/wiki/Friends [Surya Mahadasha] [age 27.7 until age 33.7]
29-Jul-2000 [JA age 31] consecration of marriage-1-of-2 with dramatist Brad Pitt - Surya-Shani bhukti * Shani activates Kumbha navamsha-7 ++ gochara Rahu-Ketu via Mithuna-Dhanus [Chandra Mahadasha] [age 33.7 until age 43.7]
May-2004 [JA age 35] complete the 10-years ongoing, career-making, popular Friends television drama * Chandra-Rahu bhukti
Mar-2005 [JA age 36] divorce from alliance-1 Brad Pitt - Chandra-Rahu bhukti ++ Rahu-Return [Mangala Mahadasha] [age 43.7 until age 50.7]
Nov-2014 until Jan-2017 Janma Sade-Sati Vṛścika
Aug-2015 [JA age 46] consecration of marriage-2-of-2 with fellow dramatist, Justin Theroux * Mangala-Shani bhukti * Shani rules Kumbha navamsha-7 ++ gochara R-K Kanya-Meena contact R-K ++ dvithya Sade-Sati 25-May-2016 [JA age 47] grieved the decease of alienated mother * Mangala-Budha bhukti * Budha activates 7th-from-matribhava ++ dvithya Sade-Sati 2017 [JA age 48] divorce-2 legally concludes alliance-2 with Theroux * Mangala-Ketu bhukti * Ketu collapse ++ dvadasa Sade-Sati [Rahu Mahadasha] [age 50.7 until age 68.7]
11-Nov-2022 [JA age 53] [dad age 89] grieved the decease of father, television dramatist John Aniston [a.k.a., Yannis Anastassakis]. [Guru Mahadasha] [age 68.7 until age 84.7]
[Shani Mahadasha] [age 84.7 until age 103.7]
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Distinctive Features of the Nativity
[Sparkling Splendid Surya] pitri-karaka [father] jyoti-karaka [light] [svabhava] [contemplative-retreating vyaya-pati for Kanya indriya-lagna] [svabhava] [bright focus of political hierarchy] [lawfully entitled to attention from creative artists] [splendidly certain about imaginary games] [charmingly cautious private romance] [confidently displays conventional intelligence] [socially ranked, center-stage fashionable roles] [father = self-dramatizing, class-conscious, courtier, speculative, entitled] ... [ministering-complaining Dhaniṣṭha-2] [navamsha Surya-Kanya] intuitively confident forward-moving imbalanced assistance [ātmakāraka solipsism, center-stage roles, fashion, drama, certainty, glamour, radiance, gamesmanship] [Dhaniṣṭha-Surya-yuti-Budha-Uttarāṣāḍha]
OUTCOMES - MAGNIFICENT MARTANDA self-reflexively ceremonial, brightly intelligent, charmingly creative, regal style of celebration, scholarly focus, radiantly demonstrative, politically speculating, splendidly romantic [Surya in bhava-5] rules
CAREER - SPARKLING SURYA
[Surya in bhava-5] rules the emotionally familiar, career-focused 10th-from-Chandra = Simha drama FATHER Dad = Yannis Anastassakis = John Aniston = long-serving daytime soap-opera television dramatist [Surya in bhava-5] radiant theatre parents' adversarial divorce was long hidden from JA, caused extended non-contact with the dad [Surya-yuti-Budha] television Budha = communications media
matrikaraka [mother] * garha-karaka [village] [nīcha] [friendly-economic vriddhi-pati for Kanya indriya-lagna] check Kuja + Kuja-drishti to source Chandra's penetrating feelings, rejuvenating rhythms, invasive sensibilities [comforted by explaining mysterious secrets] [sensitive to prying conversations] [calmed by control via planning schedules itineraries] [soothed by revolutionary announcements] [empathetic with traumatized audiences] [busy sensitive catalytic discovering manager] [needs economically profitable dangerous exploration projects] [talks about evolutionary threats to foundational culture] [sentimentally fluctuating occult mentality] [psychicly manipulative mother may be concealing shopkeeper, undisclosing manager, hidden handcrafter, disguised businesswoman, obtrusive media-messenger] ... [imaginative-charitable Jyeṣṭha -4] [navamsha [Chandra-Meena] intuitively sensitive visionary-contemplative imagination [nīcha-Jyeṣṭha-Somana-yuti-Kuja-Visaka] [Chandra rules Arudha lagna-Karkata-9 = celebrity, fortune]
OUTCOMES - ANCESTRAL CHANDRA sensitively talkative, protectively managing, routinely interactive, parentally explanatory, rhythmically scripted, conducts customary commerce, predictable teamwork, culturally neighborlike, emotionally collaborative, needs to describe and signal [Chandra in classroom-3] rules
CAREER - CARETAKING CHANDRA
[Chandra in classroom-3] rules marketplace-gains = 11. Revenues from television, advertising, scripts, sales, ensemble performance. Arudha lagna -Karkata-9 = celebrity, fortune Chandra's nakshatra is Mula, which adds complications of emotional disregard for consequences, and to some degree implicit expectation of catastrophe MOTHER Mom = Nancy Dow, afashion model + actress. [nīcha] chandra activates 11-economics, material goals and achievements. Somana-yuti-Kuja = a yoga for profitability and income. [nīcha] Chandra is often a jealous mother. Daughter and mother suffered a high-profile, contentious relationship reported in the press. Mom attacked her daughter's reputation in television interviews. Most of daughter's adult life spent in a ,maternal no-contact status due to mom's emotional volatility When nichha, Somana-yuti-Kuja may suggest invasive aggressions. Without daughter's permission, mom wrote a gossip book " From Mother and Daughter to Friends" . Mom was not invited to the wedding ceremonies. Dad was welcomed. Speaking of her mother Nancy Dow, JA mentioned
MARRIAGE partnership emotional equity support expectations
[Guru-Kanya] -- [Guru in bhava-1] -- [Guru-yuti-Ketu]
8th-from- [7th-from-Chandra-3] = [2nd-from-Chandra]
PARENTS Both of JA's parents were professional dramatists. Relationships with the two parents = described as markedly different.
[Competitive Champion Kuja] bhratru-karaka [brother] virya-karaka [virile] [svakshetra] [collaborative-communicative sahaja-pati for Kanya indriya-lagna] [mysterious-discovering randhresha for Kanya indriya-lagna] ... [protective-habitual Viśākha-4] [navamsha Kuja-Karkata-nīcha ] intuitively forward-moving emotional conquest [Viśākha-Kuja-yuti-Chandra-Jyeṣṭha-nīcha ]
OUTCOMES - MOVING MANGALA promotionally communicative, engineer of scripted explanations, energetically instructional, administratively pushy, forcefully broadcasting, muscularly managing, driven to document, producer of media-messaging, maker of meetings, pro-actively publishing, aggressively announcing [Mangala in bhava-3] rules
CAREER - MOTIVATED MANGALA [Mangala in bhava-3] management, business, administration rules the adversarial, jealous, accusing activates 6th-from-Chandra [nīcha]. Associated with addiction seeking stress-relief. Ms. Aniston is a long time cigarette smoker JA's divorces [6] = embedded into her personality. The divorce from her first husband, widely reported as a miserable and unwanted event for the actress, and emotionally excruciatingly painful , created a national narrative of betrayal and infidelity. Dara-karaka [Jaimini] = the graha which holds the 7th-from-the-highest degree within the radical kundali. This graha = a significator of spouse and of the social relationship of marriage. For Ms. Aniston, the dara-karaka = Mangala-Vṛścika-1 at zero-degrees, .holding also zero-degrees in Karkata navamsha-7. Spousal partners are somewhat powerless [dead state] to fulfill partnership roles and that additionally the function of partners is usurped by the self because Kuja-1 lagnesha svakshetra svabhava is deeply focused on The earthen body and the social individuality which is antithetical to concerns of union and trust. [Busy Bantering Budha] jamayah-karaka [sibling] sandesha-karaka [message] * shisya-karaka [student] [energizing-identifying lagnesha for Kanya indriya-lagna] [dutiful-hierarchical karmesha for Kanya indriya-lagna] ... [imaginative-guiding Uttarāṣāḍha-4] [navamsha Budha-Meena-nīcha ] intuitively explaining describing visionary conceptual imaginative dreamworld [Uttarāṣāḍha-Budha-yuti-Surya-Dhaniṣṭha]
OUTCOMES - BANTERING BUDHA conversationally entertaining, articulately political, collaboratively romantic, mentally creative, analytically speculative, cleverly dramatic, instructionally idealistic [Budha in bhava-5] rules
CAREER - BUSY BUDHA [Budha in bhava-5] rules
moudhya-dosha Budha suggests that when off-script, JA may struggle to speak articulately. However, when on-script, shani-7 ruler of Budha-5 favors orderly, on-script dramatic speaking. [Generous Growing Guru] dhava-karaka [husband] bahuta-karaka [variety] [dikbala] [kendra-adhipati-dosha] [homebound-anchoring bandesha for Kanya indriya-lagna] [bargaining-balancing yuvati-pati for Kanya indriya-lagna] heck Budha + Budha-drishti to source Brihaspati's broadly logical, extensively aggrieved, cheerfully analytical complaint [multiple charitable ministering personality attributes] [embodiment of logical philosophical beliefs] [identified with a specific analytical credenda] [iconic personification of service-oriented worldview] [embodied appearance exemplifies working-class ideology] [paragon of laboring cheerfulness] [preacher-and-teacher may symbolize the wisdom of remediation strategies] [expansive argumentative bargaining skills with an individualized understanding of relationship imbalances] [generous benefactor to marginalized or stigmatized folk] [A wifely nativity may be identified with the beliefs of a precisely deal-making, strategically property-securing husband] ... [champion-innovative Hasta-1] [navamsha Guru-Mesha] intuitively expansive physicalized forward-moving philosophical worldview [Hasta-Guru-yuti-Ketu-Aryaman]
OUTCOMES - GENEROUS GURU expansively active, abundantly energized, jovial competitor, multiple identities, numerous offspring, optimistic innovator, generous grower of children-partnerships-worldview, broad-scope of embodied inspiration [Guru in bhava-1] rules
CAREER - BENEVOLENT BRIHASPATI [Guru-yuti-Ketu] occupies the kārakāmsha Kanya-1 physical appearance signifying Economic gainfulness and fan-clubs [Guru-yuti-Ketu] rules the drama-seeking 5th-from-Chandra and the family-seeking, lineage-values 2nd-from-Chandra [also 2nd marriage, afflicted by Ketu] within a wifely nativity, dhava-karaka Guru-yuti-Ketu profiles the husband [s] Das/Behari commentary upon Guru in Kanya:
Brihaspati also receives drishti of His enemy [uchcha] Shukra. Shukra's drishti upon 11 = amplified by Rahu and Shani, increases revenues and fan-club [Sweetly Suave Shukra] svadu-karaka [sweet] kalatra-karaka [wifely companion] [uchcha] -- [svabhava] [collecting-preserving dhanesha for Kanya indriya-lagna] [philosophical-believing dharmesha for Kanya indriya-lagna] [karaka bhavo nashto for wife-partner-advisors] [dhanayoga = uchcha-Shukra dhanesha occupies 11th-from-9] [dreamlike fantasy philosophical relationships] [harmoniously aligned feet] [spouse concerned with acquisitions and doctrinal belief] [privately balanced contractual arrangements] [feminine partner may be imaginatively guiding counselor-adviser-middleman] [favors brokerage and artistic education] ... ... [secretive-eruptive Uttarabhadra-4] [navamsha Shukra-Vrischika] intuitively harmonizing contractual secretive sudden-changing agreements [uchcha-Andromeda-Shukra-yuti-Shani-Revati] [uchcha-Andromeda-Shukra-yuti-Rahu-Andromeda]
OUTCOMES - SWEETENING SHUKRA sensually balancing, appreciative of equity, harmoniously arranging, aesthetically pairing, financially contractual, musical-artistic partnerships, bargaining purpose of relationships, advocates for fairness, sweetly adjusting, diplomatic negotiator [Shukra-7] rules
CAREER - BRIGHT BHRIGU ambitious relationships uchch-Shukra amplified by Rahu Suave Shukra activates the privacy-seeking, meditative 12th-from-Chandra + + the relationship-seeking [7th-from-Chandra] QUOTATION Das/Behari commentary WRT Shukra-Meena
[Sober Structural Shani] duro-karaka [endurance] * jara-karaka [Jahre, years] [dikbala] [witty-creative vidya-pati for Parthya indriya-lagna] [inimical-medicating rogesha for Parthya indriya-lagna] check Guru + Guru-drishti to source Shani's visionary legalism, dreamlike strictures, vaguely-conceptual systems [conflicted, rigidly contractual, complaining, dissatisfied but unmoving, mature, unyielding, political, dramatic, romantic, fantasizing lifepartner] ... [charitable-imaginative Revatī-4] [vargottamsha] [navamsha Shani-Meena] intuitively structured change-resistant fearful lawful visionary imagination [Revatī-Shani-yuti-Shukra-Andromeda-uchcha] [Revatī-Shani-yuti-Rahu-Andromeda]
OUTCOMES - STRUCTURAL SHANI formally promising, agreement-maintaining, rigidly contractual, alliance constricting, relationship regulating, orthodox marrying, conventionally matched, equitably responsible, systematically bargaining, trust-imposing, lawfully pledging, seriously oath-taking [Shani in Bhava-7] rules
CAREER - SOBER SHANI Shani-7 provides loyalty to the contract. Shani generally produces a mixed experience for Kanya nativities, since He activates 5-creaativity, celebrity, romance ++ 6-broken promises, accusation, addiction, pollution, disagreement Stoic Shani activates the ensemble-working, emotionally motivated evangelical communicative cohort instructive descriptive team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra and the emotional comfort-seeking [4th-from-Chandra] which also indicates the maternal grandmother. The mother's mother would have also been gifted in drama, gambling, politics, and charismatic celebrity. Shani-yuti-Rahu =Amatya-karaka = another indicator of complex relationship with a talented, but attention-seeking mother [Risk-rewarding Rāhu] rajyalobha-karaka [ambition] picchala-karaka [slippery] [for Kanya indriya-lagna] [Rahu-7 casts passionately bargaining Other-identified drishti into 11-1-3] check Guru for defining source of Rahu's broad philosophical inclusiveness passion for partnership, craving for leverage ... [calculating-complaining Uttarabhadra-2] [navamsha Rahu-Kanya] intuitively over-reaching analytical reasoning is both criticizing of errors, and helpful to the disadvantaged [Andromeda-Rahu-yuti-Shukra-Andromeda-uchcha] [Andromeda-Rahu-yuti-Shani-Revatī]
OUTCOMES - RISK-REWARDING RAHU [Collapsing unshackling Ketu] kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum] [Kanya indriya-lagna] check Budha + Budha-drishti to source Ketu's dispassionate analysis, witnessing logic, distanced criticism [disregards logical identity conventions] [eccentric assisting movements] [incoherently ministerial appearance] [empty individual services] [medically liberating disconnected behaviors] [scattered criticizing personality] [passively fixated on ambitiously imaginative-symbolic Rahu-Meena-7 risk-rewarding partner-advisers] ... [fantasizing-guiding Uttaraphalgunī-4] [navamsha Ketu-Meena] intuitively dreamlike disconnection from the problematics of life [Aryaman-Ketu-yuti-Guru-Hasta]
OUTCOMES - EVACUATING KETU |
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