Fine Arts and Architecture
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Statue of Leonardo da Vinci in front of the Uffizi Gallery in Firenze, italia
polymath musician + painter sculptor + architect draftsman + engineer scientist + inventor a.k.a. Leonardo di ser Piero da Vinci hailing from Vega [abhijita] in the constellation of Lyra. Vega civilization is famed for its celestial warfarer. Earth-birth Saturday 15-Apr-1452 dematerialization 02-May-1519 [age 67] |
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Polymath engineer designer painter sculptor writer 1452 until 1519 CE Leonardo di ser Piero da Vinci birth data from https://en.wikipedia.org/wiki/Leonardo_da_Vinci tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama born in "the third hour of the night" = near midnight, 3 hours following compline [9pm] |
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Leonardo da Vinci Annunciation |
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Rising Nakshatra Masculine Nativity Pūrvāṣāḍhā - Apah Asadhash - Pooraadam - Purvasharha - AmbudaivaBPL COMMENTARY For Pūrvāṣāḍhā births of a masculine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Beautiful Bhrigu may considerably affect the outcome. Due to the definitive influence of kalatra-karaka Shukra, gentlemen born into the realms of Bharani - Yamya, Pūrvaphalgunī - Yonī, or Pūrvāṣāḍhā may find that their worldview is greatly shaped by the character of the feminine companion(s). For those born into the Shukra-ruled paradigm of Ambudaiva, feminine figures such as sisters, aunts, and wives, along with partnerships, sensual pleasures, arrangements, valuation, pricing, equity, bargains, trades, treaties, trusts, adjustments, justice, finance, artistic beauty, treasuries, storage, align ment, attunement, harmonies, and music , may be especially influential. Instructional guidance is provided by emissaries from the civilizations of Sinnuntu. Their purpose is expansion of inspirational beauty and melodious sound. Inspirational diplomatic grace Pūrvāṣāḍhā are often musical entertainers and poets, with a gift for playing many instruments and making lyrical arrangements that appeal to everyday folks. Typically, apah-born are attracted to sacred doctrine. They are self-indulgent and pure of heart. Their complexion may feature a Guru-golden glow. Masculine births in Asadhash tend toward a discordant costume sense representing the incommensurable agenda of Shukra vs. Guru. In addition to Shukra endowments in diplomacy, beauty, and musical arrangements, their Guru-influenced humanism and compassion often includes inspirational roles that benefit women, musicians, and creative artists. Like all Shukra-governed births, apah-born must take care to avoid the misuse of drugs and alcohol. Ambudaiva's true purpose is inspirational guidance. Yet, shukra's sweet-seeking may also attract the false balance of intoxication. Themes of generous arrangements, affluence, favor, harmony, blessing, beauty, artistry, and luxurious indulgence may contextualize Apah's terrestrial experience. Applies also to Chandra in Pūrvāṣāḍhā - Apah |
QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 86 " ... corresponds to rather a low type of character . One who does not wish for and does not get the gracious things out of life.
Quarrelsome and low in appearance and manner.
He vainly considers himself above his station in life
[end quote]
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Biographical data matched with
Vimshottari Dasha
bhukti
[Guru Mahadasha] [age birth until age 3.6] 15-Apr-1452 Earth-birth in Vinci, Etruskana, italia . According to his paternal grandfather's diary, born in "the third hour of the night" [near midnight, in the medieval system] * Guru-Chandra bhukti [Shani Mahadasha] [age 3.6 until age 22.6] 1457 [LdV age 5] moves out of his mother's peasant home, into the more grand home of his noble father * Shani-Shani svabhukti * Shani rules 12th-from-4, dissolution of maternal home 1466 [LdV age 14] under the supervision of Andrea del Verrocchio in Firenza, begins an enduring apprenticeship involving the crafts of leatherwork, metalwork, woodwork, drawing, color painting, and stone-sculpting * Shani-Surya bhukti * Surya rules 9-patronage, theory, first principles, higher learning 1472 [LdV age 20] Officially became a master artist in the Guild of Saint Luke and opened his own workshop [3] Dad paid for the new studio. * Shani-Guru chidra-dasha * Guru rules 4-license, diploma [Budha Mahadasha] [age 22.6 until age 38.6] 1474 [LdV age 22] completes Annunciation * Budha-Budha svabhukti * Budha karmesha reputation, public visibility 1479 [LdV age 27] started Adoration of the Magi [unfinished due to wars] * Budha-Shukra bhukti* Shukra -6 = ongoing territorial wars 1481 until 1499 [LdV age 30] reinvented himself as a military engineer, producing designs for weaponry. Begins 17-year court tenure under patronage of Ludovico Sforza, duke of Milan * Budha-Surya bhukti * Surya rules 9-patronage, entitlement, fortune 1490 [LdV age 38] completes the celebrated fine-arts painting, Lady with an Ermine * Budha-Shani chidra-dasha * Shani rules 3-handcraft [Ketu Mahadasha] [age 38.6 until age 45.6] 1494 [LdV age 42] grieved the decease of mother, caterina * Ketu-Rahu bhukti [Shukra Mahadasha] [age 45.6 until age 65.6] 1499 [LdV age 47] Milan is invaded by the French army. Leonardo leaves Ludovico's Sforza's court and goes to other cities, where he has friends. * Shukra-Shukra svabhukti* Shukra -6 conflict, shukra rules 11-friends 09-July-1504 [LdV age 52] grieved the decease of father, piero Fruosino di Antonio da Vinci * Shukra-Chandra bhukti * Chandra rules 12th-from-pitristhana 1506 [LdV age 54] young artist-apprentice Francisco Melzi [age 14] joins DaVinci's household. Melzi will be da Vinci's student and closest companion until death * Shukra-Rahu bhukti 1513 [LdV age 61] after many years of tinkering, finally finishes the Mona Lisa * Shukra-Shani bhukti * Shani rules 3-handcraft 1516 travels to France for new appointment with King Francis-1, who held daVinci in great personal esteem. * Shukra-Budha bhukti * Budha karmesha, professional appointments [Surya Mahadasha] [age 65.6 decease age 67] 02-May-1519 [LdV age 67] blessed liberation from the Earthen-body. buried in the Chapel of Saint-Hubert, château d'Amboise, France. * Surya -Chandra bhukti [Somana-yuti-Budha] Makara Budha rules Ketu-7 |
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Distinctive features of the Nativity
[Sparkling Splendid Surya] pitri-karaka [father] * jyoti-karaka [light] [uchcha] उच्च [svabhava] [philosophical-doctrinal dharmesha for Dhanus - Haya indriya-lagna] check Mangala and Mangala-drishti for the defining source of Surya's forward-pushing aristocratic championship [competitively intelligent centre-stage certainty] [dominantly entitled expression of globalist beliefs] [radiant self-displaying political championship] [brilliantly confident celebrity performance] [father-figure may be speculator, entitled, gambler, dramatist, entertainer, politician] ... [calculating-strategic Bharani-2] [navamsha Surya-Kanya]
OUTCOMES - SURYA self-reflexively ceremonial, brightly intelligent, charmingly creative, regal style of celebration, scholarly focus, radiantly demonstrative, politically speculating, splendidly romantic [Surya in bhava-5] rules
CAREER - SURYA dharmesha [Surya in bhava-5] [uchcha] creates a fortunate, vigorous, sexualized, brilliant, competitive, dominating, and regal engineering warrior being. Dharmesha [uchcha-Surya in bhava-5] occupies 9th-from-9 [Surya-Mesha] [uchcha] rules 5th-from-5
FATHER Dad = Messer Piero Fruosino di Antonio da Vinci, aFlorentine legal notary. Dad hailed from a lineage of notaries. Dad was a wealthy gentleman who served the court as a notary. In modern terms, da Vinci's dad would be called a contract lawyer. Paternal Grandfather LdV's dad's dad [Antonio di Piero, represented by Rahu-Pūrvāṣāḍhā-1] was a notary-attorney and commercial trader. Grandad, LdV's guardian, did business in Spain and Morocco. Dad's marriages and Leonardo's many, but distant, siblings Following Leonardo's birth to a 15-year-old peasant mom, dad married four times to various ranked ladies. Offspring were produced by dad's marriages 3-and-4. As a result, Leonardo had 12 step-siblings. The brothers-and-sisters were as much as 40 years younger than him, and Leonardo had little contact with them beyond occasional legal wrangling about money. [3rd-from-Chandra = Shukra-6 financial disagreements.] [Comfortable Caretaking Chandra] matrikaraka [mother] * garha-karaka [village] [dikbala] [svabhava] [mysterious-initiatory randhresha for Dhanus - Haya indriya-lagna] check Guru + Guru-drishti for the scope of Chandra's broadly imaginative worldview [comforted by stable habitual private reflection] [culturally sensitive to transformative imaginative vision] [needs to sense the fluid pulse of intuitive guidance] [protector of the ancestral sanctuaries] [emotionally aligned to entrancing meditative rhythms] [environmentalist feelings attuned to watery lake-dwelling deva] [anchoring mother may be a charitable, secret-keeping schoolteacher, householder, gardener, grower ] ... [algorithmic-oceanic Pegasus-4] [navamsha Karkata Chandra ] intuitively sensitive ancestrally rhythmic worldview [Pushkara Pada]
OUTCOMES - CHANDRA sensitively parental, protecting the ancient ways, routinely stabilizing, sustaining the household, rhythmically seasonal, needs a garden,predictable habits, culturally situated, customary guardian, emotionally caretaking, needs to defend the security of the vulnerable [Chandra in classroom-4] rules
CAREER-CHANDRA
Typical of [Chandra-4] da Vinci was known was known for being a person of place, national character, tuscan parochial identity
Public Familiarity Profile Purvashadha the Uplifting Musical Artist = kalpasthana. Da Vinci's beauty-loving, philosophical character and his passion for the visual pleasures of the human body [Rahu-Pūrvāṣāḍhā-3, double Shukra-ruled] would constitute the publically familiar profile [10th-from-Chandra, familiar to public]. MOTHER Mom = Caterina di Meo Lippi, a15-year-old peasant orphan of the Vinci settlement. MARRIAGE partnership emotional equity support expectations
As a gay man belonging to the artistic-engineering communities of the Franco-Italian Renaissance , daVinci would have been welcomed into the homosocial realms of design, architecture, finance, trade, and military. DaVinci was known to have formed important personal and professional relationships with numerous men in his environment. However, acombination of Shani in 10th-from-Chandra plus [Ketu in classroom-7] does suggest that LdV would have been unconcerned with marriage as a lifestyle. the 2-12 angle of Chandra-Guru shows a preincarnational plan that does not favor children. Marriage would thus have limited-or-no utility for LdV's life purposes. Shukra-6 indicates attraction to servants, and two of his apprentice-servants did become life companions. [Competitive Champion Kuja] bhratru-karaka [brother] * virya-karaka [virile] [creative-displaying vidya-pati for Dhanus indriya-lagna] [meditative-imaginative vyaya-pati for Dhanus indriya-lagna] ... [arranging-bargaining Dhaniṣṭha-3] [navamsha Mangala-Tula] pioneering, innovation, advancement, masculine energy, force, engineering, championship]
OUTCOMES - MANGALA competitively scripted, vigorously discussing, energetically commercial, creatively productive, imaginatively signaling, kinetically handcrafting, pro-actively managing, dominatingly teamworking, champion of popular media communications [Mangala in bhava-3] rules
CAREER - KUJA [Kuja-yuti-Guru] lagnesha Annunciation 1452-1519 logic Leonardo daVinci ldV conducted his life as a competitive, sexualized, military engineering campaign that promoted new ideas, achieved high status, designed new weapons. A dominating if brilliant personality, LdV frequently attacked his competitors. [Which was required evidence of ability within the patronage culture of the time.] [Kuja-yuti-Guru] occupies the private, imaginative, sanctuary-seeking [12th-from-Chandra] [Busy Bantering Budha] jamayah-karaka [sibling] * sandesha-karaka [message] * shisya-karaka [student] [nīcha] [balancing-bargaining yuvati-pati for Dhanus - Haya indriya-lagna] [dutiful-commanding karmesha for Dhanus - Haya indriya-lagna] check Guru + Guru-drishti for defining source of Budha's abstract imagining worldview ... [profitable-connected Revatī-3] [navamsha Budha-Kumbha]
OUTCOMES - BUDHA talkative parents and caretakers, at-home instruction, discusses security, describes cultural foundations, articulates familiar rhythms, describes habitual places, repeats routine conversations, communicates about household, explains the folkways, follows a customary mental pathway [Budha in bhava-4] rules
[Generous Growing Guru] dhava-karaka [husband] * bahuta-karaka [variety] [energizing-identifying lagnesha for Dhanus - Haya indriya-lagna] [homebound-anchoring bandhesha for Dhanus - Haya indriya-lagna] check Shani and Shani-drishti to see the community systems which distribute Guru's abundance [multiple broadly-connected businesses] [many community-linked doctrinal announcements] [numerous marketplace publications] [many announcements about property ownership-stewardship ] [much patriotic bluster] [imaginative interpretation of ancestral customs] ... [systematic-collectivist Varuna-3] [vargottamsha] [navamsha Guru-Kumbha]
OUTCOMES - GURU expansively describing, abundantly publishing, multiple teamworks, naumerous projects, optimistic manager, many itineraries, broad-scope of collaborative interaction [Guru in bhava-3] rules
CAREER - BRIHASPATI manufacturing, handcraft, commerce [Guru in bhava-3] rules
[Sweetly Suave Shukra] svadu-karaka [sweet] * kalatra-karaka [wifely companion] [svakshetra] [inimical-medicating rogesha for Dhanus - Haya indriya-lagna] [friendly-gainful labha-pati for Dhanus - Haya indriya-lagna] [luxurious imbalance-seeking-a-remedy] [financial adjustment achieves toxic harmony] [feminine lifepartner may have well-resourced service ministry] [sensual pleasure from self-medication] [satisfying relationships with servants] [wealth gained from medicine, military, assistance to women, artists, financiers] ... [imaginative-charitable Kṛttikā-4] [navamsha Shukra-Meena-uchcha]
OUTCOMES - SHUKRA sensually conflicted, appreciative of assistance, harmoniously laboring, aesthetically complaining, financially exploitive, musical-artistic narrative of servitude, unbalanced relationships, advocates for workers, sweetly argumentative, aggrieved negotiator [Shukra-6] rules
CAREER - SHUKRA Shukra rules Purvashadha Da Vinci was an accomplished musician. He played the lyre at a high level of artistic and technical proficiency. At his first introduction to the prestigious court of Milano, young Leonardo was presented as a musician, not as a fine artist. Shukra-6 occupies skilled, designing, handcrafting 3rd-from-Chandra Shukra rules 8th-from-Chandra discovery/rediscovery Among LdV's engineering designs including new-or-rediscovered concepts [at the time] and improvements upon existing designs. He likely had access to some classical Greek inspirations such as Archimedes' prototype drawings. Naturally in context of his patronage sources being aristocratic strongmen and warriors, many of his designs had military purpose.
Skilled craft identities which Leonardo demonstrated were said to include
[Sober Structural Shani] duro-karaka [endurance] *jara-karaka [Jahre, years] [svabhava] [collecting-banking dhanesha for Dhanus - Haya indriya-lagna] [teamworking-managing sahaja-pati for Dhanus - Haya indriya-lagna] ... [calculating-logistical Chitra-2] [navamsha Shani-Kanya] [vargottamsha] intuitively ordering hierarchical class-conscious duty to serve [Atmakaraka structure, skeleton, architectonic, system, regulatory apparatus, lawcourts]
OUTCOMES - SHANI formally commanding, systematically ordering, rigorously rule-imposing, lawfully hierarchical, class structured seniority, respected public duty, sober conventional regulator, mature social authority, change-resistant boss, responsibly time-conscious leadership [Shani in Bhava-10] rules
CAREER - SHANI [Risk-rewarding Rahu] rajyalobha-karaka [ambition] * picchala-karaka [slippery] [for Dhanus - Haya indriya-lagna] [Rahu-1 casts passionately unique individualizing drishti into 5-7-9] check Guru + Guru-drishti for defining source of Rahu's apparently generous, philosophical convictions [entrancing cult of wisdom-preaching personality] [identified with prestige of righteous beliefs] [vital embodiment of fascinating divine inspiration] [appears as a uniquely special doctrinal guide] [potential for fraudulently or fabulously exaggerated omniscience, in matters of physicality, embodiment, innovation, style of movement, athletic prowess, vitality, unique identity, personality integrity, or conditions of birth] ...... [designing-balancing Pūrvāṣāḍhā-3] [navamsha Rahu-Tula]
OUTCOMES - RAHU [Collapsing unshackling Ketu] kavandha-karaka [headless] * chidra-karaka [gaping] * vasana-karaka [vacuum] [for Dhanus - Haya indriya-lagna] check Budha for defining source of Ketu's ambivalently announcing, apatheticly discursive conversations [absence, disappointment, disorientation within fairly-bargained, process-managing relationships] [dispersed engagement with business partnership] [dissolution of commercial advocacies] [surrenders useless publishing contracts] [dispassionately forgives the trespass of disoriented chattering companions] [abandons unsustainable detailed deals] [absent from empty information-exchange alliances] [provisional administrative arrangements] [disregards explanatory discourse conventions] [eccentric clerical-secretarial communications] [passively fixated on ambitiously opportunistic inspirational-dogmatic Rahu-Dhanus-1 fabulous physical embodiment] ... [inventive-dominating Punarvasu-1] [navamsha Ketu-Mesha]
OUTCOMES - KETU |
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Qur'an 20:114 * Surah Ta-Ha |