Writing and Publishing

Philosophy and Science

Drama-Song

Fine Arts and Architecture

Statue of Leonardo da Vinci

in front of the Uffizi Gallery in Firenze, Italia

commons.wikimedia.org/wiki/File:Statue_of_Leonardo_da_Vinci_in_Florence.jpg

polymath

musician + painter + sculptor + architect

draftsman + engineer + scientist + inventor

Leonardo da Vinci

a.k.a. Leonardo di ser Piero da Vinci

hailing from Vega

[abhijita] in the constellation of Lyra.

Vega civilization is famed for its celestial warfare

Earth-birth = Saturday 15-Apr-1452

bio-decease = 02-May-1519 [age 67]

Leonardo di ser Piero da Vinci

1452 until 1519-CE

polymath + engineer + weapons designer

fine-arts painter + sculptor + writer

birth data from en.wikipedia.org/wiki/Leonardo_da_Vinci

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star - www.vedicsoftware.com

- adapted y BP Lama

Some biographers claim to have seen LdV's paternal grandfather's diary, from which they cite = born in "the third hour of the night" [which would be 3 hours following medieval office of compline [7pm] = so, near 10pm, in Euro-medieval system

however 10pm is not supportable in rectification ;

actual BT is likelier near to midnight-am, which would be approx 3 hrs after nightime Vigil prayer = 3am in some Euro-medieval monasteries

1474-CE, by Leonardo da Vinci

Annunciazione

Rising Nakshatra

Masculine Learner

QUOTATION Pūrvāṣāḍhā

from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra. p 86

" ... corresponds to rather a low type of character .

One who does not wish for and does not get the gracious things out of life.

• Stupid, yet ostentatious and vulgar ,

• with very few educational advantages .

Quarrelsome and low in appearance and manner.

• While he must, because of educational handicaps,

  go through life as a servant or at best an underling ,

He vainly considers himself above his station in life

• and will be harsh and dominating

• but ineffectual if put in authority ."

[end quote, Shil Pondey, 1939]

• Annunciazione 1452-1519 Renaissance light Leonardo daVinci

[Guru Mahadasha] = [age birth until age 3.6]

• [Guru-Kumbha] = [Guru in bhava-3]

1451 [LdV age pre-natal] [Caterina age 14] in their peasant dwelling, death of his maternal grandmother, the mother of LdV's mother, the 14-yr old serf Caterina. * Guru-Chandra bhukti * Chandra rules 2nd-from-4th-from-4 = bio-decease of maternal grandmother

Sat-15-Apr-1452 = Earth-birth in Vinci, Etruskana, Italia * Guru-Chandra bhukti * Chandra randhresha identity transformation

[Shani Mahadasha] = [age 3.6 until age 22.6]

• [Shani-Kanya] = [Shani in Bhava-10]

1457 [LdV age 5] moves out of his mother's peasant home, into class-stratified home of his feudal-nobility land-heir bio-father * Shani-Shani svabhukti * Shani formality rules 12th-from-4, leaving mother's home

1466 [LdV age 14] under supervision of Andrea del Verrocchio in Firenza, begins enduring apprenticeship involving crafts of leatherwork, metalwork, woodwork, drawing, color painting, and stone-sculpting * Shani-Surya bhukti * Surya-5 rules 9-priesthood, higher learning

1472 [LdV age 20] officially credentialed master artist in the Guild of Saint Luke [10, respect] Opened his own workshop. Dad paid for new studio. * Shani-Rahu bhukti * Rahu-1 identity ruler = Guru-3 workshops

1474 [LdV age 22] Along with three other young men, at least one a member of the noble Medici family, LdV accused of Bibilical crime of sodomy involving a male prostitute. Due to Medici influence, legal charges are dropped. The stigma remained with LdV, although he seemed not to care. * Shani-Guru chidra-dasha * Guru-yuti-Mangala = Kuja rules 12, clandestine activities, dissolved charges

1474 [LdV age 22] completes celebrated painting, Annunciazione * Shani-Guru chidra-dasha * Guru rules 4-completion, end-of-things

[Budha Mahadasha] = [age 22.6 until age 39.6]

• [Budha-Meena] = [Budha in bhava-4]

1479 [LdV age 27] started Adoration of the Magi [unfinished due to wars] * Budha-Shukra bhukti * Shukra beauty-arts but Shukra rogesha, wars

1482 [LdV age 30] After his atelier collapsed during territorial wars, LdV re-invented himself [8] as military engineer, producing designs for weaponry. Begins 17-year court tenure under patronage of Ludovico Sforza, Duke of Milan = 1481 until 1499 * Budha-Chandra bhukti * Chandra rules-8 self-reinvention = Chandra Randhresha + Budha Karmesha

1490 [LdV age 38] completes the celebrated fine-arts painting, Lady with an Ermine * Budha-Shani chidra-dasha * Shani-10 reputation rules 3-handcraft, projects

[Ketu Mahadasha] = [age 39.6 until age 46.6]

• [Ketu-Mithuna] = [Ketu in classroom-7]

1493 [LdV age 41] [mom age 56] LdV's widowed mother, Caterina, comes to stay with LdV in Milan * Ketu-Chandra bhukti * Matrikaraka Chandra

1494 [LdV age 42] [mom age 57] grieved bio-decease of mother, Caterina di Meo Lippi. LdV pays funeral expenses. * Ketu-Mangala bhukti * Kuja rules 2nd-from-matrikaraka Chandra

[Shukra Mahadasha] = [age 46.6 until age 66.6]

• [Shukra-Urisha] = [Shukra-6]

1499 [LdV age 47] Milan is invaded by the French army. Leonardo leaves Ludovico's Sforza's court and goes to other cities, where he has friends. * Shukra-Shukra svabhukti * Shukra rogesha, war, imbalance + Shukra rules 11-friends

09-Jul-1504 [LdV age 52] grieved bio-decease of father, entreasured legal notary, Piero Fruosino di Antonio da Vinci * Shukra-Chandra bhukti * Chandra rules 12th-from-pitristhana

1506 [LdV age 54] young artist-apprentice Francisco Melzi [age 14] joins DaVinci's household. Melzi becomes da Vinci's student, heir, and closest companion until the Master's death * Shukra-Rahu bhukti

1513 [LdV age 61] after many years of tinkering, finally finishes Mona Lisa * Shukra-Shani bhukti * Shani rules 3-handcraft, projects

1516 [LdV age 64] Leonardo travels to France for new appointment via his patron, King Francis-1, who held daVinci in great personal esteem. * Shukra-Budha bhukti * Budha-4 security rules 7-contracts, arrangements

[age 66.6 until bio-decease age 67]

02-May-1519 [LdV age 67] blessed liberation from Earthen-body, via cerebral hemorrhage. Enterrée dans la chapelle Saint-Hubert, au sein du château de Saint Amboise, France. * Surya-Chandra bhukti * Chandra-yuti-Budha = maraka Budha rules-7

Distinctive features of the Nativity

• Annunciazione 1452-1519 Renaissance light Leonardo daVinci

[Sparkling Splendid Surya]

pitri-karaka [father] -- jyoti-karaka [light]

= [uchcha] = [svabhava]

[philosophical-doctrinal dharmesha for Dhanus - Haya indriya-lagna]

• check Mangala + Mangala-drishti to source Surya's forward-pushing certainty, noble entitlements, competitive displays

[competitively intelligent centre-stage uchcha self-certainty]

[dominantly entitled expression of globalist beliefs dharmesha]

[sparkling knightly contests of bright theatrical pageantry]

[radiant self-displaying political championship]

[brilliantly confident conquesting celebrity performance]

[blazing solipsistic genius combative ideologue dharmesha]

[aristocratic fatherly-figure may be entitled warrior, nobly virtuous gambler, athletic dramatist, innovative entertainer, supremacist priestly dharmesha royal courtier ]

...

[calculating-strategic Bharani-2] = [navamsha Surya-Kanya] intuitively confident ministry of service, aid to suffering, remedial assistance, humble laboring, political servitude

• [Surya-Mesha] Suryaya - the supreme one ** brightly charismatic confidence of Center-stage Surya radiates through the vital competitive dominating rashi of Mangala

• [Surya in bhava-5] center of sparkling entitlements * poetic romance * literary-artistic intelligence * splendid speculations * radiates brightly political celebrity * focus on glamour * genius for dramatic entertainments * eye on smart gambling * brilliant in games * glittering star of creative performance * fatherly-figure may be dramatist, speculator, politician, showman, poet

OUTCOMES - MAGNIFICENT MARTANDA

self-reflexively ceremonial, brightly intelligent, charmingly creative, regal style of celebration, scholarly focus, radiantly demonstrative, politically speculating, splendidly romantic [Surya in bhava-5] rules

• 9-ideology , paradigm of belief, profession of faith, principled convictions, higher understanding, fatherly-figures, priestly patronage, preaching, patriarchal entitlements, philosophical convictions, theory, public spiritual guidance, celebrated doctrines, sangha, sacred teachings, credenda, globalism, dharma, worldview, weltanschauung, mother's health

CAREER - SPARKLING SURYA

ruler of 5th-from-5 = occupies-5 - intellect, genius, radiant creativity

dharmesha [Surya in bhava-5] = [uchcha] creates a fortunate, vigorous, sexualized, brilliant, competitive, dominating, and regal engineering warrior being.

Dharmesha [uchcha-Surya in bhava-5] occupies 9th-from-9, patronage, patriarchal authority

[Surya-Mesha] = [uchcha] rules 5th-from-5 Simha flamboyant confidence, entertainments, games, theatre

• rules 9-fortune, philosophy, worldview, father
• exalted ruler of 9 residing in 5 is a recipe for brilliant success in politics and entertainment

[Surya-Mesha] =[Surya in bhava-5]

intakes super-drishti into 5 + 7 + 9

from [Rahu-Dhanus] [Rahu in bhava-1] = 10th-from-Chandra

assists philosophy, comprehensive confident worldview

-- but uchcha-karako bhavo nashto for father

• Leonardo was born "illegitimate" thus deprived of material inheritance from his affluent father's landed estate

although his father was effectively an attorney-at-court [called Notary, or contract-lawyer] nevertheless his father refused to pursue a legal paperwork process of Legitimation.

This witness-signed ceremony with attestation was commonly performed by entreasured merchants and nobility who wished to pass their assets to offspring from relationships not sanctified by public formal weddings.

• However uchcha-karako bhavo nashto Dad intentionally excluded son Leonardo from what would have been a substantial inheritance

FATHER

Annunciazione 1452-1519 Renaissance light Leonardo daVinci [calculating-strategic Bharani-2]

• LdV was the son of a gentlemanly contract lawyer. In medieval terms, dad was called a notary. He worked in the aristocratic courts of Tuscany. Dad's political [uchcha-Surya] connections helped Leonardo to navigate the patronage system.

• Dad bought Leonardo's first atelier, and dad arranged for letters of introduction to precede his son's arrival in the princely courts. Being charismatic and rather theatrical [uchcha-Surya] LdV usually received a warm welcome.

Dad = Messer [Ser] Piero Fruosino di Antonio da Vinci,

dad's primary weapon-and-toolkit was the inkpot and quill-pen

occupies handcrafting 3rd-from-Chandra

Surya-uchcha-12 occupies 3rd-from-Chandra-10 governance, elites

Dad = Florentine legal notary. For magistrates of the city and other businessmen, Ser Piero authenticated [Surya] and witnessed legal contracts. Effectively, father = contract-attorney in Florence during the 1400's.

Like his own father before him, LdV's Dad hailed from a lineage of notaries. Dad = entreasured gentleman who served the legal documentation needs of traders, bankers, and nobility of the court.

Paternal Grandfather

LdV's dad's dad [Antonio di Piero, represented by Rahu-Pūrvāṣāḍhā-5] = notary-attorney and commercial trader. Grandad, LdV's guardian, conducted business in Spain and Morocco.

Dad's four marriages + Leonardo's many, but distant, siblings

Following Leonardo's birth to a 15-year-old peasant mom, dad married four times to various status-ranked ladies. Offspring were produced by dad's marriages 3-and-4.

As a result, Leonardo had 12 step-siblings. The brothers-and-sisters were as much as 40 years younger than him, making Leonardo a fatherly-figure to them [9]

LdV had little contact with these much-younger siblings, beyond occasional legal wrangling about revenues = Chandra in 11th-from-Surya

[Comfortable Caretaking Chandra]

matrikaraka [mother] -- garha-karaka [village]

= [dikbala] = [svabhava]

[mysterious-initiatory randhresha for Dhanus - Haya-born Learners]

• check Guru + Guru-dristi for defining source of Chandra's broad imaginative worldview

[comforted by stable habitual private reflection]

[culturally sensitive to transformative randhresha imaginative vision]

[needs to sense the fluid pulse of interior guidance]

[protector of ancestral sanctuaries]

[emotionally aligned to entrancing randhresha meditative rhythms]

[randhresha deeply mystical environmentalist feelings attuned to watery lake-dwelling deva]

[anchoring withdrawn mother may be charitable localist, secret-keeping randhresha contemplative schoolteacher, dreamlike householder, sleepy gardener, claircognizant protector of ancient rituals]

...

[rhythmic-protective Pūrvābhādra-4] = [Pushkara Pada] = [navamsha Karkata Chandra] intuitively sensitive routinized customary nourishing rhythmic ancestral undulating protective patriotic home-anchored caretaker, cultural defender

+ [Pūrvābhādra-Somana-yuti-Budha-Revatī]

• [Chandra-Meena] comforted by ancestral guidance * settled into rhythmic intuition * needs contemplative sanctuary

• [Chandra in Pūrvābhādra- Pegasus] soothed by expansive understanding * protectors of philosophical doctrine * preaches a broad perspective on human needs

• [Chandra in classroom-4] = [dikbala] comfortable with familiar routines * calmed by caretaking * seeks continuous oscillating motion * sensitive to ethnic folkways * contented by ancestral rituals * soothed by customary habits * tranquilized by rhythmic waves * needs pulsation * nurtured by gardening * primal need for transport via landcraft, watercraft, aircraft * impulse toward policing, fencing, boundary-defense * follows local pathways * feels rooted into the land * settled into home-keeping * undulating patriotism * mother may be farmer, fisher, builder, schoolteacher, border-defender

• [Somana-yuti-Budha] emotionally communicative * sensitive to sibling figures * sheltered by workmates * calmed by a chatty cohort * talkative mother * needs to evangelize * makes empathetic gestures * soothed by conversation * feels like a messenger

OUTCOMES - ANCESTRAL SOMA

sensitively parental, protecting the ancient ways, routinely stabilizing, sustaining the household, rhythmically seasonal, needs a garden,predictable habits, culturally situated, customary guardian, emotionally caretaking, needs to defend the security of the vulnerable [Chandra in classroom-4] rules

• 8-unexpected eruptions of regenerating force, occult initiation, mystical revelation, shocking intervention, opaque empowerments, invasive surgery, intensive healing, evolution, violent explosion, sudden identity change, rejuvenation, recycling, rebirth, hidden assets, upheaval, undisclosed secrets, transformative events, discovery, in-laws of first marriage, health of younger sibling-cousin

CAREER - CARETAKING CHANDRA

• [folk reputation 10th-from-Chandra = habitual public responsibilities are conducted in the Dhanus-1 style = uniquely inspirational, optimistic individuality, appears to have higher understanding, philosophical embodiment]

Somana-yuti-Budha- occupy bhava-4 homelife, security, shelter, familiar routines, mealtime, ritual. LdV's home was also his workshop, and his apprentices lived there also. Budha supplies companionship and conversation in the home, while apprentices behave much like younger siblings.

Chandra Randhresha

• LdV created a compelling visual narrative of the re-emergence of Mediterranean civilization after the longest, darkest centuries of Kali Yuga.

• LdV's magnificent renderings of beauty of daily life were mixed with drawings of future machines. More than 500 years later, LdV oeuvre is still considered to be a peak representation of re-awakening Renaissance Europe.

Public Familiarity Profile

Purvashadha the Uplifting Musical Artist

Da Vinci's beauty-loving, philosophical character and his passion for the visual pleasures of the human body [Rahu-Pūrvāṣāḍhā-3, double Shukra-ruled] would constitute the publically familiar profile [10th-from-Chandra, familiar to public].

+ [Pūrvābhādra-Somana-yuti-Budha-Revatī] = Two mother-figures

bio-Mom = Caterina di Meo Lippi = 15-year-old peasant orphan of the Vinci settlement.

1457 [LdV age 5] * Shani-Shani svabhukti = Leonardo removed from his mother's hut and relocated into his father's nearby larger, more opulent home. However, LdV remained deeply emotionally aligned to his mother Caterina until her death, his age-42 = mom's age 56.

[Chandra-Meena] = [dikbala] = [svabhava]

• Unmarried mom may have started as an incidential asset yet acquired more status eventually, due to being the mother of the acknowledged eldest son of a prominent citizen.
• when Caterina was elderly near death, Leonardo cared for her in his own home.

Somana-yuti-Budha = Bonus-Mom

Additionally, LdV enjoyed a supportive, communicative relationship with the first of his four step-mothers. Her name was Albieri Amadora.

• Childless until her death, bonus-mom-1 had sufficient social status to received a formal marriage troth. She was reckoned a generous and benevolent influence upon Leonardo's education and upbringing. = Budha rules 10 + 10th-from-10

Later bonus-moms were not so beneficial. # 3 + # 4 of his dad's wives were younger than Leonardo.

MARRIAGE partnership emotional equity support expectations

[7th-from-Chandra-04]

• Kanya contains class-stratified ruler of 2+3, [Shani-Kanya][ātmakāraka]
• 10 = public reputation, social duties, commanding responsibilities

As a gay man belonging to the artistic-engineering communities of the Franco-Italian Renaissance , daVinci would have been welcomed into the homosocial realms of design, architecture, finance, trade, and military.

DaVinci was known to have formed important personal and professional relationships with numerous men in his environment who spanned a broad age-range and wide social spectrum.

Although not conventional spouses with connubial contracts, LdV's partners both personal and professional would have been men of recognized social influence, often hailing from the leading families of his generation.

[Competitive Champion Kuja]

bhratru-karaka [brother] -- virya-karaka [virility] =

[creative-displaying vidya-pati for Dhanus indriya-lagna]

[meditative-imaginative vyaya-pati for Dhanus indriya-lagna]

• check Shani + Shani-drishti to source Kuja's disciplined community-connections, systematic engineering, economic forward-push

[celebrated vidya-pati forward-pushing proletarian instruction]

[management technique promotes mass-participation]

[energeticly pushes into crowd-sourced discourse]

[delivers commonplace commentary using plebian dialog format]

[invisibly vyaya-pati pursues fundraising communications]

[forcefully networked collaborative process]

[may address inter-group messaging with friendly vigor]

[scripted narratives appeal to productive interlinked ensemble]

[socialite brother-cousin or team-mate may be pushy distributor, behind-the-scenes connector, planner of assemblies]

[actively gridworked neighbors]

[competitively associative theatrical vidya-pati cohort]

...

[arranging-trading l Dhaniṣṭha-3] = [navamsha Mangala-Tula] intuitive designer for balancing sports, gracious fighting, beautifully engineering, fairly arranged forward-thrust, competitive artistic drive, proactive contract negotiation

+ [Dhaniṣṭha-Kuja-yuti-Guru-Vāruṇa]

• [Mangala-Kumbha] vigorous community activism = warrior for economic progress = proactive linking = push toward regulated systems = pursues profitable roles = spearhead of mass interconnectivity = futuristic thrust = dominating energy in social networking = conquest of marketplace interactions = champion of distributed associations

• [Mangala in bhava-3] drive toward commerce = push toward scripted communication = active touring = vigorous pronouncements = invasive management = energized process = hyperactive mentality = athletic sibling-figures = promotional sales = photographs of the muscular physique = dynamic marketing = champion of teamwork = pursuit of business

• [Kuja-yuti-Guru] multiple competitions = many brother-figures = energized growth = dynamic generosity = masculine force joins optimistic expansion = champion of philosophy = potential for aggressive preaching = promotes broad worldview = indoctrinating actions

OUTCOMES - MOVING MANGALA

competitively scripted, vigorously discussing, energetically commercial, creatively productive, imaginatively signaling, kinetically handcrafting, pro-actively managing, dominatingly teamworking, champion of media communications [Mangala in bhava-3] rules

• 5- Politics, center-stage roles, theatre, demonstration, display, charming brilliance, genius, poetry, choice-making, showmanship, gambling and gamesmanship, romantic idealism, creativity, fashion-shows, flamboyance, celebrity entitlements, confidence, artistic performance, drama, children, financial speculation, intelligence, entertainments, fun

• 12 enclosures, bed, fantasies, privacy, interior spiritual guidance, clandestine undertakings, intuitive awareness, non-linear conceptual undertanding, concealment, seclusion, invisibility, dissolved identity, meditation, contemplation, dreamworlds, astral plane, imaginary scenarios, sanctuary sleep, distant lands, distress of the avowed partner

CAREER - COMPETITIVE KUJA

Mangala rules designing, engineering Chitra svamsha

+ [Vāruṇa-Guru-yuti-Mangala-Dhaniṣṭha] [3-workshop, atelier, handcraft, cohort]

pioneering, innovation, advancement, masculine energy, force, engineering, championship

daVinci = workshop-managing businessman in addition to being a legendary craftsman and inventor

Imagination, clairsentience

Mangala-3 rules [12, invisibility, ghostliness, seclusion] ++ occupies the private, imaginative, sanctuary-seeking [12th-from-Chandra] = of world-view imagination

= [uchcha] creates a fortunate, vigorous, dominating, and actively engineering warrior being.

Mangala-3 drishti into 6 + 9 + 10

LdV conducted his life as a forward-pushing, structurally informed, competitive, sexualized, military engineering campaign. He embodied the lifestyle of discovery [Kuja] -- promoting new ideas, achieving high status via vigorous demonstrative performance of his skills. He designed new weapons.

Attacking the Artistic Competitors - a fact of funding life

Reckoned as a brilliant and actively curious, pursuing personality, LdV was obliged to battle other artists for entreasured patronage funding. The aristocratic, financially endowed patronage culture of the time required all artists to provide evidence of their ability.

Like his sculptor peer Michelangelo and everyone else scrambling for arts money, LdV frequently attacked his competitors as incompetent and inferior. He was successful in these volleys and generally well-subsidized throughout life.

[Busy Bantering Budha]

jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student]

• = [nīcha] = [potentially nīcha-bhaṅga if yuti uchcha-Shukra + in kendra from indriya-lagna or in kendra from Chandra-lagna]

[balancing-bargaining samatā-pati for Dhanus - Haya indriya-lagna]

[dutiful-commanding karmesha for Dhanus - Haya indriya-lagna]

• check Guru + Guru-drishti to source Budha's abstractly intuitive conversation, dreamy reflective discourse, imaginative descriptions

[balancing samatā-pati symbolic rhetoric on national security]

[talks vaguely about boundaries and oceanic defense]

[describes karmesha structurally anchoring reflectively meditative domestic routines]

[mentally grounded through inner-guided rhythms]

[abstractly explains dreamlike government karmesha protections of life-basis]

[uses detailed dialog to intuitively comprehend underlying ethnic habits]

[curious inquiry into local clairsentiently interpreted documents]

[imaginative application of vibrational algorithms]

[communicates in wholisticly informed style about visionary uses for land-use, vehicles, real-estate]

[childhood home managed by contemplative parents quietly expressing harmonious samatā-pati discourse of private understanding]

[poetic sibling-cousin, neighbor, co-worker may be marine schoolteacher, waterways property-owner, charitable farmer]

...

[profitable-connected Revatī-3] = [navamsha Budha-Kumbha]

+ [Revatī-Budha-yuti-Chandra-Pūrvābhādra]

• [Budha-Meena] intuitive communications * articulation of private spiritual guidance * imaginative pronouncements * explains the astral patterns * abstract conversations * symbolic information * foggy thinking * psychic instructions * meditative messages * describes visionary procedures * fuzzy logic * hands-arms-shoulders send dreamlike gestures

• [Budha in bhava-4] narrative of cultural roots * skillfully describes parochial routines * delivers ritual instructions * discusses protective caretaking * talks in rhythmic comfortable style * analysis of foundational security * conversations about defense * skilled handcraft of fenced shelters * explainer of homeland customs * patriotic slogans * detailed communication about nourishment * team collaboration in farming-and-fishing * transportation scheduling * seasonal planning * familiar sibling conversations

• [Budha-yuti-Chandra] explainer of feelings * mentalized caretaking * communicative parenting * familiar rhythmic phrasing * ancestral instruction * writes sensitive speeches + songs * soothed by scheduling * sensitive merchandising * needs to plan * describes the comfortable routines * responsive siblings * intuitively talkative mother

OUTCOMES - BANTERING BUDHA

talkative parents and caretaker s, at-home instruction, discusses security, describes cultural foundations, the Founders, articulates familiar rhythms, describes habitual places, repeats routine conversations, communicates about household, explains the folkways, follows a customary mental pathway [Budha in bhava-4] rules

• 7-covenant, promise, trust, contractual relationships, social justice, advocacy, legal judgments, lawcourts, appeals, representation, equity, diplomacy, partners, justice, marriage, legal and formal partnerships, negotiation, alliance-crafting, match-making, fair arrangements, even deals, advocacy, trading, bargaining, brokerage, haggling, go-between, middleman, meddler

• 10-career, profession, dignity, regulatory roles, governance duties, social authority, symbolic recognition, iconic visibility, leadership responsibility, top status, reputation, commanding positions, honor, high regard, public respect, executive power, elite rank, lawful imposition, organizational director

CAREER BUSY-BUDHA

Budha occupies Revati = nakshatra of Budha

The Hands

received constant instruction from providential astral voices and produced culturally celebrated masterpieces of art and engineering [Budha Meena rules Kanya-10]

Da Vinci was ambidextrous, = his right hand and his left hand were equally capable of writing and painting. He was reckoned by contemporaries as showing paranoid behaviors, and by modern standards he might be considered dyslexic.

[Budha in bhava-8] = secret scripts

According to peer accounts, LdV could draw in a forward direction with one hand while writing in a backward direction with the other hand. One of LdV's signature skills = a mirror-image cursive Roman-alphabet script, which he personally could read and he taught his apprentices to read, but which baffled most others.

Budha-ruled Navamsha-Kanya contains empowered Chitra-Mangala

[drafting skills, design] + Shani-Surya

• LdV's pre-eminent skill was drawing. As a draftsman, he produced voluminous sketches for a broad range of ideas, inventions, and possibilities.

[Generous Growing Guru]

dhava-karaka [husband] -- bahuta-karaka [variety]

[energizing-identifying Lagnesha for Dhanus - Haya indriya-lagna]

[homebound-anchoring bandhesha for Dhanus - Haya indriya-lagna]

• check Shani + Shani-drishti to source Brihaspati's systematic expansion, distributive inclusiveness, community-connected abundance

[identified Lagnesha with multiple broadly-connected businesses]

[many community-linked doctrinal announcements]

[numerous marketplace transactions]

[much airy chatter about gainful principled administration]

[many group discussions about bandhesha landscapes and waterways]

[much friendly bluster]

[systematic interpretation of bandhesha ancestral convictions]

[merchant's faith in economic participation]

[goal-achieving instructions expand commonly believed earnings dogma]

[profitable guidance by generous media-handlers, administrators, scribes]

[distributed communications mark optimistic collective management style]

[broad-scope arrayed personalized Lagnesha documents may direct project cohort]

[indoctrinated mentality of cheerfulness in the assembly]

[local bandhesha gathering for humanistic scripted presentations]

[abundant descriptive networked conversational detail] [philosophy of interactive commercial association]

[many daily discussions define gridworked worldview]

[For esperant interknitted Wifely Learners, socialite husbandly-companion may be nervous task-manager, electrical retailer, crowd messenger]

...

[systematic-collectivist Vāruṇa-3] = [vargottamsha] = [navamsha Guru-Kumbha]

+ [Vāruṇa-Guru-yuti-Mangala-Dhaniṣṭha]

• [Guru-Kumbha] much networking * hope for the future * many marketplaces * optimistic about big associations * permission to connect * scientific beliefs * doctrine of economic linkage * propagation of interwoven arrays * distributed guidance * expands the scope of social participation * multiple communities * diversity of friendships

• [Guru in bhava-3] many messages * extensive commerce * many photographs * numerous publications * several collaborators * multiple transactions * many tours * frequent business trips * many sales * numerous discussions * much detailed interaction * extensive planning operations * variety of ensemble performances * evangelistic growth * so many meetings * patron of communications technologies * For Wifely Learners, husbandly-companion may be jovial businessman, cheerful writer, optimistic announcer

• [Guru-yuti-Mangala] bhratri-karaka * multiple brotherly-figures * permission to compete-and-win * expansive conquests * progressive philosophy * large-scale invasive actions * vigorous champion of optimistic belief

OUTCOMES - GENEROUS GURU

expansively describing, abundantly publishing, multiple teamworks, numerous projects, optimistic manager, many itineraries, broad-scope of collaborative interaction [Guru in bhava-3] rules

• 1- distinctive attributes of personality, dense material incorporation, individual personification, earthen embodiment, physical integrity, kinetic energy, dance, style of movement, athletic prowess, muscular mobility, unique character, kinetic vitality, circumstances of birth, forward push, tangible appearance, coherent social identity

• 4 cultural foundations, the Founders, property boundaries, way of Life, protection, defense , homeland, household, routines, rituals, mother, parents, customary rhythms, caretaker s, socialization schooling, gardens, waterways, transportation, housing, social security, sense of place, environmentalism, citizenship, belonging, ethnic basis, ethno-religion, patriotism, real-estate, farming, land-ownership, burial, predictability, health of the elder sibling

CAREER - BENEVOLENT BRIHASPATI

+ [Vāruṇa-Guru-yuti-Mangala-Dhaniṣṭha] [3-workshop, atelier, handcraft, cohort]

Guru-3 lagnesha + rules bhava-4 homelife, security, shelter, familiar routines, mealtime, ritual

[Sweetly Suave Shukra]

svadu-karaka [sweet] -- kalatra-karaka [wifely companion]

= [svakshetra] = [Daridra Yoga]

[inimical-medicating rogesha for Dhanus - Haya indriya-lagna]

[friendly-gainful labha-pati for Dhanus - Haya indriya-lagna]

[luxurious imbalance seeks fruitful labha-pati remedy]

[financial adjustment achieves rogesha toxic harmony]

[Learner may suffer from compromised banking equity]

[sensually indulgent relationship arrangements help ailing partner]

[sweetly serves disadvantaged storytelling wives-and-sisters with delicious foods]

[may prefer lawsuits against rogesha unfair use of heritage assets]

[lavish taste for expensive self-medication]

[may offer financial assistance to visually lovely women friends labha-pati]

[satisfying yet unequal relationships with precious servants]

[preservatives and sugars may saturate kidney-pancreas]

[for appreciative husbandly-Learner, beautiful musical yet sickly wifely-companion may have affluently endowed service ministry]

...

[imaginative-charitable Kṛttikā-4] = [navamsha Shukra-Meena -uchcha]

• [Shukra-Urisha] valuable arrangements * attuned to capital resources [including human capital] * appreciates wealth * pleased by worthy collections * attracted to beautiful sounds * acquisitive sensuality * cherished accruals * financial harmony * richly historic environments * delighted by precious goods * prefers luxury-loving partners

• [Shukra-6] seeks pleasure via self-medication * satisfied by service * ministry of aid to womenfolk * imbalanced agreements * feminine employees * attracted to animals * valuable servants * appreciation of enemies * lovely designs to adorn the lower abdomen * toxicity from sugars * aesthetic of slavery * pleasant self-medication * unfair contracts * financial exploitation * sweet pollutions * criminal bargains * accepts injustice * accommodates poverty * adjusts to war * for husbandly Learners, wifely-companion may be pharmacist-clinician-servant-helper-aide

OUTCOMES - SWEETENING SHUKRA

sensually conflicted, appreciative of assistance, harmoniously laboring, aesthetically complaining, financially exploitive, musical-artistic narrative of servitude, unbalanced relationships, advocates for workers, sweetly argumentative, aggrieved negotiator [Shukra-6] rules

• 6-ministries of service, dehumanization, misconduct, war, jail, slavery, pollution, argumentation, healthcare workers, ailment, injury, medical treatment, hypocrisy, crime, cheating, animosity, toxins, complaints, accusation, litigation, blaming, scapegoat, aid workers, helpers. imbalanced conditions, injustice, betrayed promises, servants, laborers, hostility, animosity, disagreement, dehumanization

• 11-fruitful revenues, interconnected income, profits, material achievement, social networking, friendships, community linkage, fan-clubs, mass participation gatherings, collectivism, marketplace gridworks, distribution, association, populism, economic systems, fundraising, gains-and-goals, awards for work accomplished, health of the enemies

CAREER - BRIGHT BHRIGU-TANAYA

Shukra rules Pūrvāṣāḍhā indriya-lagna

partnerships [Shukra-6] [Shukra-Urisha]

LdV's partners were typically student-servants, subordinate status = friends but not equals [Shukra-6 rules 11] not partaking in the glow surrounding the Master

most enduring partnership with ever-loyal Francisco Melzi, his cherished companion and servant [Shukra-6 loves the servants] Melzi entered da Vinci's household as an apprentice artist.

Relationship began when Francisco was 14 and Leonardo was 54, ending after 13 years with Leonardo's death age 67, Francisco age 27. Melzi inherited much of LdV's estate consisting of unfinished paintings and notebooks.

Although LdV was financially solvent during his final three years in Amboise, France, he had almost no ready cash. Melzi therefore inherited no luxury but rather continuing labor [6] of finishing undone artworks and looking for buyers of remaining artifacts.

occupies the mercantile, emotionally talkative, communicative cohort instructive descriptive team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra

7200 pages of Notebooks [Rahu in designing-arranging Pūrvāṣāḍhā-3] LdV wrote thousands of pages in notebooks, which were entrusted to his loyal servant-companion Melzi, and eventually published. Much of the information was in the form of drawings. Melzi = Shukra-6 cherished servant

enjoyed the company of many gifted artists and musicians, was mentioned as strikingly beautiful in appearance, and rarely suffered financial indignity

= color = values, historical knowledge, scientific knowledge

- expert player of the Lyre

Da Vinci = accomplished musician. He played the lyre at a high level of artistic and technical proficiency. At his first introduction to the prestigious court of Milano, young Leonardo was presented as a musician, not as a fine artist.

3rd-from-Chandra publication

Shukra also rules Tula = 8th-from-Chandra = rediscovered designs

Among LdV's engineering designs including new-or-rediscovered concepts [at the time] and improvements upon existing designs. He likely had access to some classical Greek inspirations such as Archimedes' prototype drawings. Naturally in context of his patronage sources being aristocratic strongmen and warriors, many of his designs had military purpose.

• armored tank
• prototype airplane
• repeating rifle
• swinging bridge
• automated paddle boat
• scythe-defended chariot
• pile driver
• revolving crane
• pulleys for military and theatrical use
• lagoon dredge
• flying ship
• floating snowshoes
• breathing device for underwater exploration
• marine life preserver
• diving bell for undersea marine warfare

Skilled craft identities which Leonardo demonstrated were said to include

• painter
• draftsman
• sculptor
• cartographer,
• mechanical engineer
• musician [lyre]
• singer
• romantic poet
• computational mathematician
• physicist
• botanist
• anatomist
• geologist
• geographer
• architect and urban planner

[Sober Structural Shani]

duro-karaka [endurance] -- jara-karaka [Jahre, years]

= [svabhava]

[collecting-banking dhana-pati for Dhanus - Haya indriya-lagna]

[teamworking-managing sahaja-pati for Dhanus - Haya indriya-lagna]

• check Budha + Budha-drishti to source Shani's dutiful arguments, orderly explanations, materialist logic

[social regulators may argue for imposed service duties]

[institutional obligation to accept unfair elite roles]

[must endure polluted conditions in leadership office]

[responsibility often exceeds authority in unbalanced commanding positions]

[makes necessary organizational decisions via logical analysis]

[consistently applies disciplined methods of executive time sahaja-pati management]

[soberly governs despite problematizing mentality]

[may be required to deliver medical announcements about family or sahaja-pati siblings]

[staunchly withstands litigious accusation and public criticism]

[rigid resistance to heavy supervisory labor]

[must undergo socially visible illness or injury]

[work stress while holding prominent portfolio may afflict the digestive health]

[mandatory corrective corporate efforts in dhana-pati financial regulation and workforce sahaja-pati management]

[top bosses may face intractability or scarcity of assistants and servants]

...

[calculating-logistical Chitra-2] = [vargottamsha] = [navamsha Shani-Kanya]] intuitively ordering hierarchical class-stratified duty to serve

= [ātmakāraka ]

• [Shani-Kanya] overburdened accusations * obliged to sustain litigious disagreements * rigidly persistent disease conditions * mandatory argumentation * structural compression upon colon + digestive tract * must normalize exploitation * weighty subordinate tasks * hierarchical conditions of enforced servitude ** must work within master-slave systems * must respect antiquated physicians * slow-acting remedies * intractable servants * stubborn employees * insufficient pharmacy * must work with dried medications * must continue to minister to the suffering * scarce service resources * maintainer of old arguments

• [Shani in Bhava-10] steady time-structured rulership * must regulate the old order * maintains dignified reputation * grim determination to sustain governance * burdensome top-of-pyramid roles * typically responsibility exceeds authority * chronic weighty executive duties * heavy decision-making portfolio * upholds conventional hierarchies * oppressed by lack of freedom to choose social policies * resistance to new organizational rules * intolerance for institutional innovation * leadership fatigue * elders maintain high ranking duties

OUTCOMES - STRUCTURAL SHANI

formally commanding, systematically ordering, rigorously rule-imposing, lawfully hierarchical, class structured seniority, respected public duty, sober conventional regulator, mature social authority, change-resistant boss, responsibly time-conscious leadership [Shani in Bhava-10] rules

• 2-capital assets, family legacy, tradition, language, preserved memory, banking, collections, entreasurement, herd-hoard, accrued amounts, knowledge of history, speech-song, heritage values, color-sound, arts-and-music, face-voice-eyes-teeth-hair, database, libraries, storage, warehouse, genetics, food, reserves

• 3-communications, messaging, sermons, scripts, radio-television, media-products, Writing and Publishing, letters of correspondence, announcements, cinema, planning, schedules, sales, marketing, documentation, reporting, cohort, entourage, committee-work, iterative stepwise process, manufacturing, commercial business, instruction, explanation, discussion, diagrams, labeling, event management, signage, training, itinerary, tours

CAREER - SOBER SHANI

[vargottamsha Shani-10] = ātmakāraka rules 2+3

Shani-10 rules

[2, family tradition, lineage history, accumulated storage, color values, visual beauty]

3-handcraft, workshops, manual skills, cohort, management, commerce

[Risk-rewarding Rāhu]

rajyalobha-karaka [ambition] -- picchala-karaka [slippery]

= [for Dhanus - Haya-born Learners]

• check Guru + Guru-drishti to source Rahu's apparently generous, fascinatingly wise, shimmering mirage of philosophical conviction

[entrancing preacher actively indoctrinating with astonishing uplifting desire]

[identified with prestige of righteous beliefs]

• [Rahu-1 casts passionately individualizing, ardently lively drishti into 5-7-9]

[inspirational appearance shimmers with mesmerizing guidance glamour]

• [potential for fabulously or fraudulently exaggerated wisdom, in matters of physicality, embodiment, innovation, style of movement, athletic prowess, vitality, unique identity , personality integrity, or conditions of birth]

[doctrinal embodiment of fascinating philosophy]

[seems like important preceptor of divine empowerments]

[personal passion for esperant over-reach of sacred understanding]

[exhilarating patronage of principled catechism]

[ambitious enthusiasm for patronage]

[enchanting aura of sacerdotal faith]

......

[designing-balancing Pūrvāṣāḍhā-3] = [navamsha Rahu-Tula]

• [Rahu-Dhanus] shimmering illusion of wisdom * craving for philosophical principle * mirage of generous patronage * extraordinary theory * extravagant preaching * unorthodox approach to higher truth * mask of global humanism* fascinating doctrine * over-reaching catechisms * fabulous proselytism * seeks special importance via apparent [but perhaps not authentic] attributes of philosophical belief * seeks privilege via guru-roles

• [Rahu in bhava-1] passion for prestige appearance * in svabhava of Competitive Kuja, the Shadowy Specter seeks privilege via glamorous physical visage * extraordinary athletic action * outsider who cleverly insinuates into a noble identity * smoky, oily aura * desires competitive advantage * exceptionally recognizable appearance * exhilarating force of nature * thrilling champion of non-standard lifestyles * social mobility sought via dynamic movement * entranced by one's own personality * innovative behavior challenges existing norms * culturally mixed self-image * embodies exciting new energies * self-promotion via blood-and-birth * double agent * over-reaching ambition for empowered individuality * craves personal importance * trespasses cultural limitations of race-class-creed-gender * fascinating figure * may represent a cult of personality

OUTCOMES - RISK-REWARDING RAHU

[Rahu-Dhanus] [Rahu in bhava-1] = 10th-from-Chandra

His unique personality, appearance, and style of movement comprised the structure of da Vinci's social reputation.

[Collapsing unshackling Ketu]

kavandha-karaka [headless] -- chidra-karaka [gaping] -- vasana-karaka [vacuum]

= [for Dhanus - Haya-born Learners]

• check Budha + Budha-drishti to source Ketu's spacey sentences, vague instructions, disinterested discourse

[disorienting process management within fairly bargained relationships]

[dispersed engagement within detailed business partnership]

[dissolution of informative reciprocal commercial advocacies]

• [material relationship to spouse, especially but not exclusively the first spouse, may mentally or communicatively dissolve. The mirroring spiritual relationship remains intact. Outcome depends upon any other graha-in-7]

[surrenders useless media-publishing contracts]

[dispassionately forgives the trespass of vacuous gesturing, chattering companions]

[may abandon negotiated but unsustainable transactional buy-sell deals]

• [may be passively fixated upon ambitiously principled, opportunisticly inspirational, fascinatingly dogmatic Rahu-Dhanus -1 fabulously inspirational physiques, sanctified athletes, righteous warriors, believing exemplary personalities]

[absent from empty explanatory instructional alliances]

[vague, provisional administrative arrangements]

[may disregard obsolete definitions and descriptions during mutual discourse]

[eccentric clerical-secretarial communications may scatter the loyally avowed evangelical agenda]

[may ignore chattering middlemen such as attorneys, traders, brokers, dealers]

[unreliable data-handling counselors may give ungrounded reporting advice, dissipated documentation assurances, collapsing cohort oaths]

...

[inventive-dominating Punarvasu-1] = [navamsha Ketu-Mesha]

• [Ketu-Mithuna] dissociates from conversation * incomplete messages * explains the ineffable * empty instructions * absent from discussion * martyr to commerce * wandering mentality * fragmented signals * not limited by conventional talk * dialog of liberation * ignores normal business * forgives the sibling-cohort * incoherent scripts * releases a plant-green cloud of explanatory gestures into the misty abyss

• [Ketu in classroom-7] equably ambivalent toward agreements * absentee advocates * disregards contractual loyalties * disinterested in mutuality * wanders from the middle-balance * empty arrangements * irrelevance of equity * surrenders alliances * abandons the usual covenants * ignores advice * incoherent promises * liberation via surrendered negotiations * unless other graha in 7, may prefer to live free from partners

OUTCOMES - EVACUATING KETU

Like most working artists of his era, da Vinci moved from patronage to patronage, and city to city. In his final phase of life, LdV moved quite far away to France, where he died.

At age 4, LdV was taken out of his mother's hut and moved into his father's larger, more prestigious home. Mom was of humble peasant origin but her relationship with Ser Piero = source of abundance.

Budha-1 bandesha would identify LdV more decidely with his father's noble status [Rahu-10] and the paternal treasuries [uchcha-Surya-2].

Despite not living with his mom, bandesha Budha-1 identified him with his maternal basis and Shani in 4th-from-4 signals social obligation to maintain a low-resource relationship. LvD did keep loose contact with his mom. Caterina di Meo Lippi died when her eldest son, Leonardo da Vinci, was 43 y-o.

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