COHORT born 11 months after
born two months after
born 11 months before
born 20 months before
1930's movie card, featuring Ginger Rogers
Swing Time 1911-1995 dance theatre Ginger Rogers and frequent dance partner Fred Astaire - shown in the musical cinema, Top Hat , 1935 |
Ginger Rogers, RKO studio promotional photo Golden Age of Hollywood celebrated dancer choreographer musical theatre star cinema dramatist singer writer a.k.a. Virginia Katherine McMath "backwards and in high heels" Earth-birth Sunday 16-Jul-1911 dematerialization 25-Apr-1995 [age 83]
Ginger Rogers [age 32] in the 1943 movie, Tender Comrade. |
|
dramatist - comedienne dancer - choreographer activist - writer 1911-1995 - Ginger Rogers birth data from https://en.wikipedia.org/wiki/Ginger_Rogers
tentatively rectifiedby BP Lama Jyotishavidya charts, graphs and tables = generated by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
||
Rising Nakshatra Feminine Public-Figure Examples Citthirai - Visvakarma - Azinech - Alaraph - Arista - Dana BPL COMMENTARY For Chitra - Tvastri births of a feminine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome. For those born into the Mangala-ruled paradigm of Visvakarma, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, builders, drivers, drillers, diggers, exploders, aggressors, pursuers, competitions and battles may be especially influential. Guided by instructors from civilizations of Spica. Their purpose is architectural engineering and crafting of beautiful, functional, and artistic alliances, arrangements, and designs. Designs + Arrangements [Competitive Champion Kuja]-ruled Vismakarma ladies are blessed with direct, muscular physical and sexual energy. They are often found in environments where beautiful designs plus physical agility are valued. Chitrani drawing skills often place them into garment-making and decoration. They typically excel in competitive , vitality -focused fields such as fashion modeling , cinematic acting, musical performance, choreography and dance, and athletics which emphasize balanced movement. Kanya pada 1-2 expresses Kuja's rulership of 3-writing-commerce + 8-secret transformations, while also displaying the frustrating tension of chatty Budha versus active Kuja. Budha's Writing skills may emerge in pada 1-2. Kanya-Chaitra are often found in media communications and commercial aspects of design work, where their pro-active process management is distinctive. Trust and relationship integrity may be growth-challenging. [Tula - Vanika] Pada 3-4 emphasizes Kuja's rulership of 2-collections, treasuries + 7-contracts, alliances. Shukra's bargaining behavior and financial skills rise in pada 3-4 due to the pleasant attractions of Shukra-Mangala. Ladies often enjoy considerable wealth via face, voice, marriage, and family lineage. In music, arts, and partnership-craft, they pursue harmonious arrangements. They often play stringed instruments, and write beautiful songs. In the arts, entertainment, beauty, and design industries, their contractual deals are often luxuriously beneficial. Themes of competitive movement , agile beauty, dynamic design, and financial equity may contextualize Chaitra's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Chitra - Spica. |
QUOTATION Tvastri from Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra . p 96 . " An expensive and luxurious person.
She likes to change costumes several times a day
Variety is the spice of life to this woman
Many actresses, musicians, artists and opera singers have Chitra rising. ...... [end quote from Shil Pondey]
Ginger Rogers in c. 1930 |
|
[GR age 30] Photo of Ginger Rogers from the March 1941 issue of International Photographer |
mom-ager Lela Emogene Owens [1891–1977] with daughter Virginia [a.k.a. Ginger Rogers] in 193x |
|
. |
Slogan used to describe GR's precision dance-drama performance: "she can do everything that the best male dancers can do -- - but backwards, and in high heels". |
|
Biographical data matched to Vimshottari Dasha timeline
[Guru Mahadasha] [age birth until age 3.7]
16-Jul-1911 Earth-birth as Virginia Katherine McMath in Independence, Missouri, USA * Guru-Chandra bhukti 1913 [GR age 2] During a contentious divorce from her mom, GR's father kidnapped toddler GR. Mom notified the court about this paternal behavior, and the judge granted exclusive child custody to mom. Although he died at her age 11, GR never saw her dad again. * Guru-Rahu chidradasha [Shani Mahadasha] [age 3.7 until age 22.7]
1922 [GR age 11] decease of estranged bio-father * Shani-Ketu bhukti 03-Dec-1926 [GR age 15] coached by her mom, GR won the highly publicized Texas State Charleston dance contest. Prize was a four-week Vaudeville entertainment contract. GR's career had begun * Shani-Chandra bhukti * Chandra rules 11- awards for work accomplished, goals-achieved 1928 [GR age 17] first nationwide vaudeville dance tour, accompanied by Mother * Shani-Rahu bhukti 29-Mar-1929 [GR age 17] consecration of marriage 1-of-5 with childhood friend and entertainer, Jack Culpepper. In less than 3 months, teenage GR returned to her mother * Shani-Rahu bhukti ++ samchara Rahu-Ketu via Mesha-Tula contact natal R-K ++ Rahu-Return 1929 [GR age 17] first minor cinema roles * Shani-Rahu bhukti * Rahu-yuti-Kuja - Kuja rules 3-cinema++ Rahu-Return 1929 begin the Great Depression * Shani-Rahu bhukti 25-Dec-1929 [GR age 18] opening day of GR's Broadway debut in the musical Top Speed * Shani-Rahu bhukti * Rahu-yuti-Kuja - Kuja rules 3-cinema ++ Rahu-Return 11-Jul-1931 [GR age 20] legal divorce-1, officially ending alliance-1-of-5 * Shani-Rahu bhukti Rahu-8-identity-change 1931 [GR age 20] * Ginger becomes an overnight star in the Broadway musical, Girl Crazy * Shani-Rahu bhukti Rahu-8-identity-change 1933 [GR age 22] as culturally accepted roles for women began to expand, during an era when actresses were often considered as prostitutes [6] national recognition for her dramatic role in the popular film 42nd Street * Shani-Guru chidradasha * Guru rules 10th-from-10 reputation [Budha Mahadasha] [age 22.7 until age 39.7]
14-Nov-1934 [GR age 23] Consecration of wedding-2-of-5 with television and cinema actor, Lew Ayres * Budha-Budha svabhukti * Budha rules Kanya svamsha ++ samchara Rahu-Ketu via Makara-Karkata contact navamsha Chandra-Karkata 1936 [GR age 25] release of Swing Time , the immensely popular and exquisitely choreographed dance-musical, featuring GR and her legendary dance partner, Fred Astaire. Their precision footwork, costuming, and song earned the adoration of Depression audiences. Simultaneously GR enjoys a passionate romance with the film's celebrated director, George Stevens. * Budha-Budha svabhukti * Budha rules Kanya svamsha * Budha lagnesha-karmesha ++ dvadasa Sade-Sati Feb-1937 until Apr-1939 Janma Sade-Sati Meena
1939 [GR age 28] on-off companion, the eccentric movie-producer and millionaire, Howard Hughes, proposes marriage with a five-carat emerald. GR accepts, despite finding Hughes to be insanely controling. Tabloid press coverage keeps GR in the headlines for months. GR continues to live with her mom. * Budha-Shukra bhukti * Shukra rules 8th-from-Chandra emotional upheaval ++ janma Sade-Sati 1940 [GR age 29] returning a box of extravagant jeweled gifts to paranoid narcissist Hughes, GR cancels their engagement * Budha-Shukra bhukti * Shukra rules 8th-from-Chandra emotional upheaval ++ dvithya Sade-Sati 1940 [GR age 29] receives cherished Academy Award for Kitty Foyle . Ranked as highest paid actress in Hollywood * Budha-Surya bhukti * Surya-yuti-Budha lagnesha-karmesha + Surya-11 awards, achievements ++ dvithya Sade-Sati 1940 [GR age 29] GR buys a 1000-acre ranch for herself and her mother, near the Rogue River, in Oregon. GR lived there for 50 years, until 1990. * Budha-Surya bhukti * Surya-yuti-Budha rules 4th-from-Chandra-matrikaraka ++ dvithya Sade-Sati 20-Mar-1941 [GR age 30] due to legal work supplied by Hughes' lawyers, GR secures a long-delayed divorce-2, officially ending alliance-2 -of-5 * Budha-Surya bhukti * Surya rules 6th-from-7 broken promise 16-Jan-1943 [GR age 32 ] consecration of marriage-3-of-5 with bit-part cinema actor, Jack Briggs [Benjamin Katz] * Budha-Mangala bhukti * Mangala-yuti-Rahu ++ samchara Rahu-Ketu via Simha-Kumbha contact navamsha R-K 07-Sep-1949 [GR age 38] following earlier separation, finalized divorce-3, officially ending alliance-3-of-5 * Budha-Shani chidradasha * Shani rogesha divorce [ Ketu Mahadasha] [age 39.7 until age 46.7]
07-Feb-1953 [GR age 42] consecration of marriage-4-of-5 with dramatic actor and businessman, Jacques Bergerac [1927-2014] * Ketu-Surya bhukti * Surya-yuti-Budha rules Kanya svamsha ++ samchara Rahu-Ketu via Karkata-Makara 07-Jul-1957 [GR age 46] divorce-4, officially ending alliance-4-of-5 * Ketu-Budha chidradasha [Shukra Mahadasha] [age 46.7 until age 66.7]
16-Mar-1961 [GR age 50] consecration of marriage-5-of-5 with executive cinema producer, William Marshall * Shukra-Shukra svabhukti ++ samchara Rahu-Ketu via Simha-Kumbha contact navamsha R-K Apr-1966 until Jun-1968 Janma Sade-Sati Meena
1971 [GR age 60] divorce-5, officially ending alliance-5-of-5 * Shukra-Shani bhukti * Shani rogesha divorce ++ dvithya Sade-Sati 25-May-1977 [GR age 66] grieved the decease of beloved mother * Shukra-Ketu chidradasha [Surya Mahadasha] [age 66.7 until age 72.7]
[Chandra Mahadasha] [age 72.7 until age 82.7] 1991 [GR age 79] publication of GR's popular autobiography Ginger, My Story * Chandra-Budha bhukti * Budha publications [Mangala Mahadasha] [age 82.7 until decease age 83]
25-Apr-1995 [GR age 83] blessed liberation from the Earthen-body, via heart-attack * Mangala-Rahu bhukti ++ dvadasa Sade-Sati Jun-1995 until Apr-1998 Janma Sade-Sati Meena
|
||
Distinctive Features of the Nativity
[Sparkling Splendid Surya] pitri-karaka [father] jyoti-karaka [light] [retreating-contemplative vyaya-pati for Kanya indriya-lagna] check Chandra + Chandra-drishti to source Surya's rhythmic certainty, sensitive radiance, soothingly confident display [usually is the eldest child] [bright center of national community] [charismaticly protective roles in mass-participation gatherings] [radiant icon of customary socializing] [bright attention focused in ancient connecting pathways] [self-confidence in familiar friendships] [folksy solipsistic style of ethnic boundary defense] [social collective demonstrates caretaking guardianship] [displays gridworked wholistic stewardship of lands and waters] [safeguards marketplace boundaries] [may radiate a quiet but confident style of interlinked parenting intelligence] [sheltering father-figure may be patriotic socialite, gainful warden of local economy, profitable homeland custodian] ... [protective-rhythmic Punarvasu-4] [vargottamsha] [navamsha Surya-Karkata] confident theatrical announcements planning communications [Punarvasu-Surya-yuti-Budha-Pushya]
OUTCOMES - SURYA self-reflexively interlinked, brightly connected, charmingly friendly, regal style of maintaining community, intelligently goal-focused, creatively independent earnings, radiantly achieving, politically networked, splendidly associative, center-stage socialite icon [Surya in bhava-11] rules
CAREER - SURYA independent earner [Surya in bhava-11] [celebrity entertainment sparkle drama romance] [Surya-yuti-Budha] rules
GR was married-and-divorced five times
FAMOUS PAYCHECK LAWSUIT [6] GR launched an unprecedented lawsuit against her cinema-studio employers, for cheating her of due wages [6, fraud] . Also remarkable for a woman in that era, and celebrated [5] by entertainers nationwide, she won [5]. After prevailing in court, GR became the highest-paid woman in Hollywood. FATHER During a divorce drama, GR's father kidnapped her as a tiny toddler. When her parent's marriage was legally dissolved, dad disappeared completely. GR's Surya rules 12-disappearance rogesha dad was an independent person, not disposed toward compromising for family life Meena - Antya and Chandra-Meena often have a Learning Pathway which requires adversarial behavior on the part of the father. GR's father was an electrical engineer [Surya in bhava-5] . During GR's Shani-Ketu bhukti, in the drama of dad's separation [6] from mom, dad was sensationally accused of kidnapping his toddler daughter, Virginia Katherine McMath [6, crime]. Following her parents' high-conflict divorce, GR lived with her maternal grandparents and never saw dad again [Ketu]. Her estranged father died during GR's Shani-Rahu bhukti. [Comfortable Caretaking Chandra] matrikaraka [mother] * garha-karaka [village] [friendly-gainful vriddhi-pati for Parthya indriya-lagna] check Guru + Guru-drishti to source Chandra's optimistic feelings, humanistic rhythms, global sensibilities' [intangible sensitivity to equity in the collective dreamworlds] [comforted by relationship with contemplative goal-oriented mother] [soothed by friendly partnership in intuitively wholistic arrangments] [culturally attuned to symbolic imagery] [needs to feel balanced pulse of ritualized interior guidance] [advocating protector of visionary ancestral agreements] [environmentalist feelings attuned to cetacean sounds and misty water-element deva] [conceptually understanding mother may be sleepy advisor, vague meddler, reflective broker, foggy mediator, clairsentient match-maker] ... [rhythmic-protective Purvabhadra-4] [navamsha Karkata Chandra ] intuitively sensitive ancestrally rhythmic, familiar folk worldview
OUTCOMES - CHANDRA sensitively adjusting, protectively harmonious, routinely bargaining, parentally equalizing, rhythmically arranging, customary middleman, predictably meddling, culturally agreeable, emotionally adjudicating, needs to hold mediating positions [Chandra in classroom-7] rules
CAREER - CHANDRA
[Chandra-7 rules economic, interlinked, community-activism [Punarvasu-Surya-yuti-Budha-Pushya] [11] 11 earnings, gains, achievement, income, revenue, friendship, social network Dramatized [5] the new // Working Girl // model for modern American women. Vigorous supporter of American military. Her mom Lela had been a USA-Marine in WW-1. Five-decade top caliber entertainment career in dance-theatre has lasting sentimental appeal to the American audience. Managed by her mother Lela Rogers, GR dazzled and distracted sad audiences during the Great Depression, bringing a ray of sunshine to many during that dark time of fearfully scarce-earnings. GR was by far the leading actress-choreographer-dancer of 20th century Hollywood musicals. Her entertainment career began at GR's age 14. She worked in burlesque, cinema, television, and wrote a popular memoire. She was also an independent marketplace investor [11] who built a fortune from her earned capital by making her own investment decisions. [a rare expression of womanly self-determination and independence in her era] MOTHER Mom = Lela Emogene Owens [1891–1977] Mom = journalist, film producer, film editor, executive secretary to RKO studio bosses, acting teacher, and screenwriter. At age 17, mom married GR's dad. Parents divorced when little Virginia was age-3. Protective chaperon and stage-manager, mom was the single most influential person in GR's long and complex biography [Chandra in classroom-7] [Chandra flow]. The mother-daughter pair enjoyed stability and affection, emotionally patriotic-defensive political views [5] and anchoring religious principles. Only 18 years elder to her daughter, mom was Ginger's most comfortable companion. [Chandra in classroom-7] rules
Mom wrote theatre-critic articles for newspapers [Chandra rules Budha-5]. During Ginger's early childhood, mom moved to Hollywood, where she wrote movie scripts and worked as executive secretary to a top cinema-studio boss at RKO Pictures. Mom also taught acting classes at RKO. [5, theatre] A classic stage mother, mom pushed and promoted Ginger's talent from daughter's age 14. Perhaps not surprisingly due to mom's insider privilege, Ginger was contracted to RKO Pictures. The legendary precision dancer, Fred Astaire, also worked at RKO. Mom's political orientation defined Ginger's own convictions [Chandra rules 5]. Mom was a political activist [5] and her defensive views were virulently anti-Communist [Surya-5 rules 6-enemies]. A cinema-studio insider due to her employment, mom was recruited into the bullying regime of J.Edgar Hoover . Mom was invited to Washington D.C. in order to Blacklist suspected Communists in Hollywood. Ginger and Lela Like mom, Ginger was a lifelong political conservative and strict adherent of Christian Science doctrine. Except for living with maternal grandparents during early childhood and during short periods at the beginning of each of her five marriages, GR lived and traveled with her mother. After 1940, mother and daughter quietly resided at GR's expansive ranch in southwest Oregonr. MARRIAGE partnership emotional equity support expectations [7th-from-Chandra-7] lifepartnership 1-of-5 lifepartner-1 = Jack Culpepper [1902-1979] vaudeville dancer, radio entertainer, singer, comedian, musician, naightclub manager, cinema-TV dramatist.
Ruler of Kanya-7 = Budha-11 earnings, friendship [Puna-Surya-yuti-Budha-Pushya] = marriage to a dear friend According to GR memoires, the teenage couple were unprepared for marriage, and felt more comfortable as a sibling pair [Budha teenagers, cohort]
2nd-from-[7th-from-Chandra-7]= lifepartnership 2-of-5 lifepartner-2 Lew Ayres [1908-1996] had a 6-decade career as a TV-cinema actor
Wedding-2 during Budha-Budha svabhukti = Bidha lagnesha-karmesha rules Kanya svamsha
9th-from-[7th-from-Chandra-7] = lifepartnership 3-of-5 lifepartner-3 = Jack Briggs [a.k.a. Benjamin Katz] [1920-1998] = dashingly handsome minor dramatist, 9-yrs her junior
Marriage with 23-yo Briggs, USA-Marine veteran, was said to have been staged by Ginger's frenetically patriotic and pro-military stage-mother, Lela. During WW-2, Ginger's waning popularity was boosted by celebrated publicity photos of Ginger with Briggs looking sharp in military-uniform [Mangala-Mesha]
4th-from [7th-from-Chandra-7] = lifepartnership 4-of-5 lifepartner-4 = Jacques Bergerac [1927-2014] = dramatic actor + executive director [10] for the Revlon Cosmetics corporation [Urisha beauty, finance]
Ruler Shukra-Simha-12 = foreign lands, imagination, dissolution
11th-from [7th-from-Chandra-7] = lifepartnership 5-of-5 lifepartner-5 = executive cinema producer, William Marshall
Nicha Shani directly or indirectly controls marriages 2, 3, and 5
Lifepartner-5 = William Marshall, an erstwhile cinema producer. With Marshall, GR created a joint venture production company in Jamaica. [5, entertainment; Makara, legal entity] All of GR's marriages were business partnerships [lagnesha-karmesha Budha rules 7th-from-Chandra]. GR divorced Marshall but as typical for her ex-es, the pair remained friendly [Budha-11]. Singlehood Although rare in the day, independent-minded GR had her own capital assets and brokered her own investments [Guru-2 capitalization with no-limits Ketu = rules 7-brokerage]
Following divorce 5-of-5, GR for the fifth time returned to her primary relationship, with mom [Chandra-7] for the next 14 years [Shani cycle] 1963-1977. GR and mom were both veterans of the entertainment industry. They shared a principled lifestyle based in Christian Science doctrine and conservative Republican politics. Mom lived until GR's age 66. Ginger's dependable, protective relatonship with her mom proved to be far more reliable than any of her five marriage partnerships. Following mom's decease, GR lived happily and wealthily as a single woman for the remaining 25 years of her incarnation. All of her previous husbands spoke of her with friendliness and respect [Competitive Champion Kuja] bhratru-karaka [brother] virya-karaka [virile] --- [svakshetra] -- [svabhava] [collaborative-communicative sahaja-pati for Kanya indriya-lagna] [mysterious-discovering randhresha for Kanya indriya-lagna] [dynamic exploration of secret occult assets] [vigorously athletic pursuit of hidden sexual empowerments] [innovative forward-pushing initiations] [champion of sudden healing discoveries] [pioneering signaler of masked threats] [explains energetic rejuvenating muscular movements] ... [collaborative-cinematic Aśvini-3] [mūlatrikoṇa] [navamsha Kuja-Mithuna] champion promoter commerce innovation in business [Aśvini-Kuja-yuti-Shani-Bharani] [Aśvini-Kuja-yuti-Rahu-Bharani]
OUTCOMES - MANGALA progressively discovering, competitively exploring, energized transformation, pro-active disaster response, dives deep into secrets, reveals hidden power, innovative initiations, vigorously identity-changing, kinetically traumatic, pursuing rejuvenation, promotes sudden eruption, champion of revolutionary renewal [Mangala in bhava-8] rules
CAREER - MANGALA GR was one of the first -- and is still -- a respected role-model for women performing artists taking transformative leadership roles in the entertainment industry [Busy Bantering Budha] jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student] [bargaining-balancing jaya-pati for Meena indriya-lagna] [homebound-anchoring bandhesha for Meena indriya-lagna] ... [regenerating-discovering Pushya-4] [navamsha-Budha-Vrischika] [Pushya-Budha-yuti-Surya-Punarvasu]
OUTCOMES - BUDHA friendly discussion, articulate distributor, community communicator, busy profitable networking, mercurial revenues, associatively gesturing, mass-participation messenger, fundraising conversations, chatty socialite, economic explainer [Budha in bhava-11] rules
CAREER - BUDHA choreographer, writer, ensemble performer, businesswoman cinema, commercial production, ensemble drama, dance-choreography, advertising 1 friendship, social networking, aims-and-goals, fundraising [Budha in bhava-5] rules
CAREER - BUDHA 76 years of unbroken career in media-messaging performance Her iconic dance-drama career began GR age 14, when her prize for winning a dance contest was a Vaudevillw contract. GR's final act was writing an applauded, popular autobiography and attending the television talk-show circuit to promote her book, age 80. [Budha Mahadasha] [age 14.8 until age 31.8] [1926-1943]
Budha Mahadasha = development of GR talents in choreography, ensemble drama Represented in contract negotiations by her theatre-critic mom [Budha rules 4, parent] [vidyapati Chandra-1] GR started getting contracts [7] at age 14, when she won a dance contest and performed her first stage-role as a last-minute substitute. The Ranch [4]
[Generous Growing Guru] dhava-karaka [husband] bahuta-karaka [variety] [homebound-anchoring bandesha for Kanya indriya-lagna] [bargaining-balancing yuvati-pati for Kanya indriya-lagna] check Shukra + Shukra-drishti for Guru's expansively diplomatic, compromising adjustability ... [hierarchical-regulatory Arcturus-2] [navamsha Guru-Makara-nīcha ] intuitively expansive broad-scope optimism materialism lawful development [Arcturus-Guru-yuti-Ketu-Arcturus] amplifying-expanding mutual drishti Rahu-2 ++ Guru-8
OUTCOMES - BRIHASPATI expansively enriching, abundantly knowledgeable, multiple family lineages, numerous traditions, optimistic accumulator, jovial speaking-and-singing, broad-scope of historical understanding [Guru in bhava-2] rules
CAREER - GURU bhava-4 security, homestead, household, sense of belonging, real-estate, foundations Dhanus beliefs, philosophy, life principles ruler [Guru-yuti-Ketu] credenda, ideology, patronage Meena imagination, visions, inner guidance, conceptual comprehension bandhesha Guru-2
[sarala yoga [prevents untoward consequences of randhrasthana [Guru-yuti-Ketu] in bhava-8 signifies the revolving-door of GR's five brief marriages, which would normally have been stigmatized in the 1930's and 1940's when GR's career was most active.
[Sweetly Suave Shukra] svadu-karaka [sweet] kalatra-karaka [wifely companion] [collecting-preserving dhanesha for Kanya indriya-lagna] [philosophical-believing dharmesha for Kanya indriya-lagna] check Surya + Surya-drishti to source Shukra's glittering advocacy, dramatized bargains, self-central arrangements [womenfolk may have deeply contemplative, speculative intuition for regal-political matters] [celebrated visionary may have brightly creative imaginative intelligence] [applauded as a delightfully wise, solipsistic philosophical guide] [enjoys secluded romantic retreats] [pleasantly arranged clandestine roles involve dreamlike theatrical display] [valuable backchannel position for charming partners and peer advisors] ... [entertaining-celebrated Pūrvaphalgunī-1] [vargottamsha] [navamsha Shukra-Simha]
OUTCOMES - SHUKRA pleasantly meditative, aesthetically contemplative, privately sensual, seeking balanced invisible arrangements, musically intuitive, harmoniously researching, prefering luxurious bedrooms, wealth-via-contractual agreements, attracted to imaginative companions [Shukra-12] rules
CAREER - BHRIGU
HEALTH Much of the potentially withdrawing influence of Shukra-12 has been reduced by
Both GR and her mom [Chandra] were devout members of Mary Baker Eddy's Christian Science fellowship.
Nevertheless, GR lived with diabetes for decades [Shukra in 6th-from-Chandra = emotionally sourced sugar-imbalance]
Eventually, the disease triggered her peaceful-but-painful disembodiment during Rahu-Rahu svabhukti, age 83 [Rahu-2 maraka]. [Sober Structural Shani] duro-karaka [endurance] * jara-karaka [Jahre, years] [nīcha] -- [Harsha Yoga] [witty-creative vidya-pati for Kanya indriya-lagna] [inimical-medicating rogesha for Kanya indriya-lagna] check Kuja + Kuja drishti to source Shani's pushy rigidity, instinctive survivalism, primitive laws [blood-and-brain pressure may impose sudden identity change] [survives physical threats to muscular vitality] [continues rigidly competitive initiation systems] [must resist sudden eruptions of frightening evolutionary force] [must endure hidden burdens of noble birth] [must maintain dangerous fiery weapons] [obliged to fight with camouflaged aggressive engineering during fearful emergencies] [steady pursuit of championship during upheavals of occult transformation] [elders may require unexpectedly harsh duties of secret warriorship] ... [explosive-evolutionary Bharani-4] [navamsha Shani-Vrischika] [ātmakāraka work ethic, duty, hierarchy, social position, resistance to innovation,materialism, pragmatism, common sense] [nicha-Bharani-Shani-yuti-Mangala-Aśvini] [Bharani-Shani-yuti-Rahu-Bharani]
OUTCOMES - SHANI lawfully transformative, camouflaged disasters, orderly evolution, frozen discovery, slow rebirth, systematically revolutionary, emergency protocol, structured healing, mature acceptance of catastrophic change [Shani in Bhava-8] rules
CAREER - SHANI ------ Behari commentary = Shani-Mesha-8 "Increased longevity, but educational career, happiness from children, physical health and conjugal relationships are very much afflicted." -------------------- Shani rules the 5-world of dramatics, politics, entitlement, creativity, performance, romance, sparkle [ātmakāraka ] [nīcha-Shani in bhava-8] rules
[Shani-yuti-Mangala] + [Shani-yuti-Rahu] combines the rulers of 2 + 9 + 11 + 12 amplified by Kuja-energized Rahu CAREER - SHANI GR was an iconic stage-and-screen actor and dancer, as well as an accomplished writer and television figure.
Dhanayoga [Rahu-amplified nīcha-Shani in bhava-2 + 2nd-from-Chandra] rules 11 + 11th-from-Chandra
Shani-yuti-Mangala] + [Shani-yuti-Rahu] [2] occupies 2nd-from-Chandra
[Risk-rewarding Rāhu] rajyalobha-karaka [ambition] picchala-karaka [slippery] [for Kanya indriya-lagna] [Rahu-8 casts passionately secretive revelatory drishti into 12-2-4] check Kuja + Kuja-drishti to source Rahu's apparently conquering, mesmerizingly dynamic, mirage of fiery energy [passion for active identity transformation] [seeks prestige physical initiations] [ambitious embodied discoveries] [fascinating evolutionary energy] ... [celebrity-displaying Bharani-1] [navamsha Rahu-Simha] intuitively dramatic, fascinating theatrics [Bharani-Rahu-yuti-Mangala-Aśvini-] [Bharani-Rahu-yuti-Shani-Bharani-nicha]
OUTCOMES - RAHU [Shani-yuti-Mangala] + [Shani-yuti-Rahu] combines the rulers of 2 + 9 + 11 + 12 amplified by Kuja-energized Rahu CAREER - RAHU "The Working Girl" Challenging beliefs about feminine movement [Kuja] and limitations [Shani] GR's enduring, iconic entertainment career developed a new [Kuja] social model called "the Working Girl" [Shani work].
GR played important roles and starred in promotional materials that highlighted working women in action. She helped to prove to a generation that social limitations [nīcha-Shani] upon personal independence [Mangala-Mesha]
RAHU-BHARANI - FINANCIAL INDEPENDENCE GR's storied financial success [Rahu-Bharani] eventually pushed the envelop [Kuja] of culturally acceptable action for women [Mesha independence]. [Bharani-Shani rigid old financial rules]
GR became a highly capitalized woman through her own independent investing decisions [Surya-5 intelligent personal decisions].
Stock-brokers and other self-appointed nay-sayers claimed that GR simply "lacked the brains" [nīcha-Shani brain issues] to handle stock-market gamesmanship [5, speculative finance]
However, GR proved them all to be rigidly outdated and culturally misogynistic via her winning combination of
+++ amplified by Rahu-Bharani-2 drishti
[Collapsing unshackling Ketu] kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum] [for Kanya indriya-lagna] check Shukra + Shukra-drishti to source Ketu's ambivalently agreeable, unsustainable promises [apathetic toward brokered financial contracts] [ambivalent toward heritage peer relationships] [surrenders outdated historical agreements] [releases unnecessary bargained valuation arrangements] [dissolves useless legal contracts for asset-preservation] [typically disconnected from deal-making family-of-origin] [peculiar diplomatic speech style] [ambivalent toward sweetly dry food-and-drink] [second marriage, if any, may be disengaged, distant, or spiritualized although of a bargaining nature] [passively fixated on ambitiously competitive-challenging Rahu-Mesha-8 healers, explorers, transformers] ..... [profitable-systematic Arcturus-3] [navamsha Ketu-Kumbha] [Arcturus-Ketu-yuti-Guru-Arcturus]
OUTCOMES - KETU bhava-2 face-voice-eyes, values, historical knowledge, family-of-origin, finance [ Ketu Mahadasha] [age 31.8 until age 38.8] |
||
[How Readings Work] -- [Sample Sacred Jewels Ratna Recommendation] -- [Seva] |
file update = 11-Oct-2024 [Copyright © 1994-2024 by Barbara Pijan Lama] -- [Contact] -- [How to Request a Jyotishavidya Reading] Barbara Pijan Lama Jyotishavidya Vedic Astrology Surya Sun Chandra Moon Mangala Mars Budha Mercury Guru Jupiter Shukra Venus Shani Saturn Rahu Ketu Graha Planets Dasha Timeline Calendar Nakshatra Navamsha Marriage Children Treasury Career Spiritual Wisdom Cycles of Lightbody-Lift-off Death and Rebirth The information on barbarapijan.com , including all readings and reports, is provided for educational purposes only. Wishing you every happiness and continuing success in studies! |