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COHORT

born 11 months after

born two months after

  • POTUS-40 American Life 1911-2004 American Life 1911-2004 Ronald Reagan


born 11 months before

born 20 months before


RogersAstaire_TopHat_1935.jpg

Swing Time 1911-1995 dance theatre Ginger Rogers and frequent dance partner Fred Astaire - shown in the musical cinema, Top Hat , 1935r.


RogersGinger_TenderComrade1943.png

Ginger Rogers [age 32] in the 1943 movie, Tender Comrade.


RogersGinger_moviecard_193x.jpg

1930's movie card, featuring Ginger Rogers

RogersGinger_RKOstudio.jpg

Ginger Rogers, RKO studio promotional photo


Golden Age of Hollywood

celebrated dancer

choreographer

musical theatre star

cinema dramatist

singer

writer


Ginger Rogers

a.k.a. Virginia Katherine McMath

// backwards and in high heels //


Earth-birth Sunday 16-Jul-1911

dematerialization 25-Apr-1995 [age 83]


RogersGinger_SilverYears_Signa.jpg

Slogan used to describe GR's precision dance-drama performance:

"she can do everything that the best male dancers can do

- but backwards, and in high heels".

RogersGinger_23h35m_d1d910.png

dramatist

comedienne

dance

choreographer

activist

writer

1911-1995 - Ginger Rogers


birth data from https://en.wikipedia.org/wiki/Ginger_Rogers

tentatively rectifiedby BP Lama Jyotishavidya

charts, graphs and tables = generated by Shri Jyoti Star - www.vedicsoftware.com

- adapted by BP Lama

Rising Nakshatra

Feminine Public-Figure Examples

Revati - Pausan

Pashu - Pushana-vana - Antyabha


BPL COMMENTARY

For Revatika births of a feminine valence, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing, evangelical Kumara may considerably affect the outcome.

Pashu the Pastor is delicately attuned to the signals of the animal kingdom. Hearing [Budha] the voices of mineral, plant, animal, and human worlds, Antyabha-born often work for the welfare of all creatures. Many veterinarians and animal-welfare activists are Revatī-born. These way-showers are also found in all aspects of music and dancing, producing melodies, beats, and lyrics.

Whatever the Pashu folk say, others will follow and believe.

For those born into the Budha-ruled paradigm of Antyabha, siblings, cousins, schoolmates, bandmates, team-mates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts -- and beasts of every description - may be especially influential.

Instructional guidance is provided by emissaries from the civilizations of stars clustered near Zeta Piscium. Their purpose is to shepherd the flocks in safe passage, calling them to follow with an imaginative, sweet sound and rhythm


The Way-Shower

Revatika ladies expresses the natural tension between Busy Bantering Budha and Guiding Generous Guru. Commercially oriented Budha is a master of writing, reporting, cinema, and detailed communication. Kumara naturally matches the vibration of chatty students and a younger audience. Yet, Brihaspati much prefers to preach on broad-scope topics, ideology and inclusive doctrine.

Revatī-born often find themselves in shepherding roles that require delivering a message to their herd of followers. The usual delivery style is musical, oratorical, or imagistic-imaginative, but any method of Showing the Way may be chosen. Pashu the Pastor combines a broad humanistic vision with a beckoning repeating signal frequency such as a slogan, a jingle, or a melody.

Themes of pastoral guidance, musical or imagistic messaging, and benevolent outreach to all creatures may contextualize Revatika's terrestrial experience. Applies also to Chandra in Revatī - Pashu .

RogersGinger_c1935.png

QUOTATION from Shil-Ponde (1939). Hindu Astrology Joytisha-Shastra. p 101


" ... defect in hearing.

the native is a person of clean morals

  • and is popular with her own sex.

She is fond of pets and animals.

She is a very good housekeeper

  • and likes interior decoration and design .

Her face is laughing, always with dimples,

  • and she usually has black or dark brown eyes with curly hair."

[end quote]


RogersGinger_194x.jpg


RogersGinger_1941.jpg

Photo of Ginger Rogers from the March 1941 issue of International Photographer [GR age 30]

RogersGinger_c1930.png

Ginger Rogers in c. 1930

RogersGinger_momLela_193x.jpg

mom Lela Emogene Owens [1891–1977] with daughter Virginia [a.k.a. Ginger Rogers] in 193x

Biographical data matched to Vimshottari Dasha timeline


Shani Mahadasha [age birth until age 14.8]

16-Jul-1911 Earth-birth as Virginia Katherine McMath in Independence, Missouri, USA * Shani-Budha bhukti

1913 [GR age 2] During a contentious divorce from her mom, GR's father kidnapped toddler GR. Mom notified the court, and the judge granted exclusive child custody to mom. GR never saw her dad again. * Shani-Ketu bhukti

1922 [GR age 11] decease of estranged bio-father * Shani-Rahu bhukti


[Budha Mahadasha] [age 14.8 until age 31.8]

03-Dec-1926 [GR age 15] coached by her mom, GR won the highly publicized Texas State Charleston dance contest. Prize was a four-week Vaudeville contract. GR's career had begun * Budha-Budha svabhukti * Budha rules 7-contracts

1928 [GR age 17] first nationwide vaudeville dance tour, accompanied by Mother * Budha-Budha svabhukti * Budha entourage * Budha rules 10th-from-10 career

29-Mar-1929 [GR age 17] consecration of marriage 1-of-5 with childhood friend and entertainer, Jack Culpepper. In less than 3 months, teenage GR returned to her mother * Budha-Ketu bhukti * Ketu unsustainable marriage * [Guru-yuti-Ketu] Guru rules Meena svamsha ++ samchara Rahu-Ketu via Mesha-Tula contact radical R-K ++ Rahu-Return

1929 [GR age 17] first minor cinema roles * Budha-Shukra bhukti * Shukra rules 3-cinema ++ Rahu-Return

1929 begin the Great Depression

25-Dec-1929 [GR age 18] opening day of GR's Broadway debut in the musical Top Speed * Budha-Shukra bhukti * Shukra rules 3-cinema ++ Rahu-Return

11-Jul-1931 [GR age 20] divorce from alliance-1-of-5 * Budha-Shukra bhukti * Shukra rules 8-sudden identity-change

1931 [GR age 20] * Ginger becomes an overnight star in the Broadway musical, Girl Crazy * Budha-Shukra bhukti * Shukra rules 3-cinema + 8 identity-change overnight star

1933 [GR age 22] as culturally accepted roles for women began to expand, during an era when actresses were often considered as prostitutes [6] national recognition for her dramatic role in the popular film 42nd Street * Budha-Chandra bhukti * vidyapati Chandra rules 5-entertainment, stardom

14-Nov-1934 [GR age 23] Neverthless, an unmarried woman was exposed to criticism [6] prompting GR to remarry. Consecration of marriage-2-of-5 with Lew Ayres, a television and cinema actor * Budha-Mangala bhukti * [Kuja-yuti-Rahu] ++ samchara Rahu-Ketu via Makara-Karkata

1936 [GR age 25] release of Swing Time , the immensely popular and exquisitely choreographed dance-musical, featuring GR and her legendary dance partner, Fred Astaire. Their precision footwork, costuming, and song earned the adoration of Depression audiences. Simultaneously GR enjoys a passionate romance with the film's celebrated director, George Stevens. * Budha-Rahu bhukti ++ dvadasa Sade-Sati

Feb-1937 until Apr-1939 Janma Sade-Sati Meena

  • [1-personality, physique, movement, kinetic energy, embodiment]
  • [age 26-29]

1939 [GR age 28] on-off companion, the eccentric movie-producer and millionaire, Howard Hughes, proposes marriage with a five-carat emerald. GR accepts, despite finding Hughes to be insanely controling. Tabloid press coverage keeps GR in the headlines for months. GR continues to live with her mom. * Budha-Guru bhukti * Guru lagnesha-karmesha, public visibility ++ janma SSade-Sati

1940 [GR age 29] won Academy Award for Kitty Foyle . Ranked as highest paid actress in Hollywood * Budha-Guru bhukti * Guru lagnesha-karmesha + Guru rules 9th-from-Chandra ++ dvithya Sade-Sati

1940 [GR age 29] GR buys a 1000-acre ranch for her and her mom, near the Rogue River, in Oregon. GR lived there for 50 years, until 1990. * Budha-Shani chidradasha * Shani-2 rules 11-investments ++ Shani-2 dhanayoga ++ dvithya Sade-Sati

1940 [GR age 29] returning a box of extravagant jeweled gifts to paranoid narcissist Hughes, GR cancels their engagement * Budha-Shani chidradasha * Shani rules 6th-from-7 ++ dvithya Sade-Sati

20-Mar-1941 [GR age 30] due to legal work supplied by Hughes' lawyers, GR is finally able to secure a long-delayed divorce from alliance-2 -of-5 * Budha-Shani chidradasha * Shani rules 6th-from-7

16-Jan-1943 [GR age 32 ] consecration of marriage-3-of-5 with bit-part cinema actor, Jack Briggs [Benjamin Katz] * Budha-Shani chidradasha * [Shani-yuti-Rahu] ++ samchara Rahu-Ketu via Simha-Kumbha contact navamsha R-K


[Ketu Mahadasha] [age 31.8 until age 38.8]

07-Sep-1949 [GR age 38] following earlier separation during Ketu-Shani bhukti, finalized divorce from alliance-3-of-5 * Ketu-Budha chidradasha * Budha rules 7-legal settlements


[Shukra Mahadasha] [age 38.8 until age 58.8]

07-Feb-1953 [GR age 42] consecration of marriage-4-of-5 with Jacques Bergerac [1927-2014] dramatic actor, businessman * Shukra-Shukra svabhukti ++ samchara Rahu-Ketu via Karkata-Makara

07-Jul-1957 [GR age 46] divorce from alliance-4-of-5 * Shukra-Rahu bhukti

16-Mar-1961 [GR age 50] consecration of marriage-5-of-5 with executive cinema producer, William Marshall * Shukra-Guru bhukti * Guru rules Meena svamsha ++ samchara Rahu-Ketu via Simha-Kumbha contact navamsha R-K

Apr-1966 until Jun-1968 Janma Sade-Sati Meena

  • [1-personality, physique, movement, kinetic energy, embodiment]
  • [age 56-59]

[Surya Mahadasha] [age 58.8 until age 64.8]

1971 [GR age 60] divorce from alliance-5-of-5 * Surya-Rahu bhukti


[Chandra Mahadasha] [age 64.8 until age 74.8]

25-May-1977 [GR age 66] grieved the decease of beloved mother * Chandra-Mangala bhukti * matrimaraka Mangala rules 2nd-from-Chandra


[Mangala Mahadasha] [age 74.8 until age 81.8]

1991 [GR age 79] publication of popular autobiography Ginger, My Story * Mangala-Shukra bhukti * Shukra rules 3-publications entertainments


[Rahu Mahadasha] [age 81.8 until age decease age 83]

25-Apr-1995 [GR age 83] liberation from the Earthen-body by heart-attack * Rahu-Rahu svabhukti * Rahu-2-yuti-Mangala-rules-2++ dvadasa Sade-Sati

Jun-1995 until Apr-1998 Janma Sade-Sati Meena

  • [1-personality, physique, movement, kinetic energy, embodiment]
  • [age 86-89]

Distinctive Features of the Nativity



[Sparkling Surya]

pitri-karaka [father] jyoti-karaka [light]

[svabhava]

[inimical-medicating rogesha for Meena - Antya indriya-lagna]

[bright center of customary entertainments]

[intelligence for ancient rhythms]

[celebrated entitlement to protect a way-of-life]

[political focus on patriotism ]

...

[protective-rhythmic Punarvasu-4] [vargottamsha] [navamsha Surya-Karkata] confident theatrical announcements planning communications

  • [Surya-Karkata] Bhanu - ray of light * brightly charismatic confidence of Center-stage Surya radiates through the nourishing caretaking rashi of Chandra

  • [Surya in bhava-5] [svabhava] center of sparkling entitlements * poetic romance * literary-artistic intelligence * splendid speculations * radiates brightly political celebrity * focus on glamour * genius for dramatic entertainments * eye on smart gambling * brilliant in games * bright center of creative performance * father may be a dramatist-speculator-politician

  • [Surya-yuti-Budha] confidently conversational * brightly explaining messenger * entitled to discuss * creatively intelligent sibling-cohort * discursive father-figure * gestures conduct the spiritual rays of the Sun * radiantly descriptive * articulate in drama * skillful game-player * self-confident announcements * talks about ideals * narrative of power-politics * recites love poems * describes divine romance

OUTCOMES - SURYA

self-reflexively ceremonial, brightly intelligent, charmingly creative, regal style of celebration, scholarly focus, radiantly demonstrative, politically speculating, splendidly romantic [Surya in bhava-5] rules

  • 6-ministries of service, dehumanization, misconduct, war, jail, slavery, pollution, argumentation, healthcare workers, ailment, injury, medical treatment, hypocrisy, crime, cheating, animosity, toxins, complaints, accusation, litigation, imbalanced conditions, injustice, betrayed promises, servants, laborers, hostility, animosity, disagreement, dehumanization

CAREER - SURYA

confidently self-referential, brilliantly creative, blazingly intelligent, romantic, poetic, artistically performing, genius [Surya in bhava-5]

independent [Surya in bhava-5]

[celebrity entertainment sparkle drama romance]

[Surya-yuti-Budha] rules

  • 6-disagreements, misbehavior, mistreatment, illness, exploitation, injustice, disputes, service to others, helpfulness

GR was married-and-divorced five times

  • Simha drama, celebrity, artistic performance, sparkle
  • contains the [vargottamsha] [Shukra-Singha] in [entertaining-gambling Pūrvaphalgunī-1]

FAMOUS PAYCHECK LAWSUIT [6]

GR launched an unprecedented lawsuit against her cinema-studio employers, for cheating her of due wages [6, fraud] .

Also remarkable for a woman in that era, and celebrated [5] by entertainers nationwide, she won [5]. After prevailing in court, GR became the highest-paid woman in Hollywood.

FATHER

rogesha dad was an independent person, not disposed toward compromising for family life

Meena - Antya and Chandra-Meena often have a Learning Pathway which requires adversarial behavior on the part of the father.

GR's father was an electrical engineer [Surya in bhava-5] .

During GR's Shani-Ketu bhukti, in the drama of dad's separation [6] from mom, dad was sensationally accused of kidnapping his toddler daughter, Virginia Katherine McMath [6, crime].

Following her parents' high-conflict divorce, GR lived with her maternal grandparents and never saw dad again [Ketu]. Her estranged father died during GR's Shani-Rahu bhukti.


[Comfortable Chandra]

matrikaraka [mother] * garha-karaka [village]

[witty-creative vidya-pati for Meena indriya-lagna]

...

[ceremonial-political Andromeda-1][navamsha-Chandra-Simha] intuitively sensitive dramatizing entertaining political display

  • [Chandra-Meena] comforted by ancestral guidance * settled into rhythmic intuition * needs contemplative sanctuary

  • [Chandra in Uttarabhadra - Andromeda] soothed by wisdom systems * compassionate protectors of hierarchical rules * needs to provide orderly guidance

  • [Chandra in classroom-1] comfort in glowing incandescent embodiment * familiar with kinetic energy * feels the beating pulse of muscular movement * accustomed to body-based emotional response * needs rhythmic energy flow * attuned to oceans * feels like a pioneer * soothed by championship * sensitive to new birth * seeks calming routine activities * undulating personality * mother may be a life-protector, a sea-farer, a midwife, sentimental

OUTCOMES - CHANDRA

[Chandra-Meena] [1] rules

  • 5- entertainment, creativity, drama, romance, theatrical performance, gamesmanship, idealism, celebrity artistic genius, gambling, contains [Surya-yuti-Budha]
  • 5th-from-Chandra
  • 5th-navamsha

CAREER - CHANDRA

[folk reputation 10th-from-Chandra = high-visibility cultural leadership, inspirational optimistic dogmatic Dhanus-10]

[Chandra-1 rules 5-dazzling glitter = Surya-yuti-Budha]

Dramatized [5] the new // Working Girl // model for modern American women. Vigorous supporter of American military. Her mom Lela had been a USA-Marine in WW-1.

Five-decade top caliber entertainment career in dance-theatre has lasting sentimental appeal to the American audience. Managed by her mother Lela [Chandra-1] Rogers dazzled and distracted sad audiences during the Great Depression, bringing a ray of sunshine to many during that dark time.

GR was by far the leading actress-choreographer-dancer of 20th century Hollywood musicals. Her entertainment career began at GR's age 14. She worked in burlesque, cinema, television, and wrote a popular memoire.

She was also an independent financial speculator [5] who built a fortune from her earned capital by making her own investment decisions.

MOTHER

Mom = Lela Emogene Owens [1891–1977]

Mom = journalist, film producer, film editor, executive secretary to RKO studio bosses, acting teacher, and screenwriter. At age 17, Mom married GR's dad. Parents divorced when little Virginia was age-3.

Protective chaperon and stage-manager, Mom was the single most influential person in GR's long and complex biography [Chandra in classroom-1] [Chandra flow].

The mother-daughter pair enjoyed stability and affection, emotionally patriotic-defensive political views [5] and anchoring religious principles. Only 18 years elder to her daughter, Mom was Ginger's most comfortable companion.

[Chandra in classroom-1] rules

  • 5-world of dramatics, politics, entitlement, creativity, performance, romance, sparkle
  • Karkata household, repeating rhythms, stability, parenting, protection, Old Ways, ruts-routines

Mom wrote theatre-critic articles for newspapers [Chandra rules Budha-5]. During Ginger's early childhood, Mom moved to Hollywood, where she wrote movie scripts and worked as executive secretary to a top cinema-studio boss at RKO Pictures. Mom also taught acting classes at RKO. [5, theatre]

A classic stage mother, Mom pushed and promoted Ginger's talent from daughter's age 14. Perhaps not surprisingly due to mom's insider privilege, Ginger was contracted to RKO Pictures. The legendary precision dancer, Fred Astaire, also worked at RKO.

Mom's political orientation defined Ginger's own convictions [Chandra rules 5].

Mom was a political activist [5] and her defensive views were virulently anti-Communist [Surya-5 rules 6-enemies]. A cinema-studio insider due to her employment, Mom was recruited into the bullying regime of J.Edgar Hoover . Mom was invited to Washington D.C. in order to Blacklist suspected Communists in Hollywood.

Ginger and Lela

Like mom, Ginger was a lifelong political conservative and strict adherent of Christian Science doctrine.

Except for living with maternal grandparents during early childhood and during short periods at the beginning of each of her five marriages, GR lived and traveled with her mother. After 1940, mother and daughter quietly resided at GR's expansive ranch in southwest Oregonr.


MARRIAGE partnership emotional equity support expectations

[7th-from-Chandra-1] lifepartnership 1-of-5

  • bhava-7 marriage, contracts, equity, bargains, relationship agreement
  • Kanya service, unfairness, imbalance, ministry, helping, argumentation
  • Ruler of Kanya-7 = Budha-5 entertainment + [Surya-yuti-Budha]

lifepartner-1 = Jack Culpepper [1902-1979] vaudeville dancer, radio entertainer, singer, comedian, musician, nightclub manager, cinema-TV dramatist.

  • Married age 17, just like her mom. Consecrated during Budha-Ketu bhukti, the union endured for only a few months before GR returned to her mother. As they matured, the young divorcees maintained a friendship.

According to GR memoires, the teenage couple were unprepared for marriage, and more of a sibling pair [Budha teenagers, cohort].

2nd-from-[7th-from-Chandra-1] lifepartnership 2-of-5

  • bhava-2 face-voice-eyes, values, historical knowledge, family-of-origin, finance
  • Mesha direct action. behavioral challenges and resistance to ending an unsuitable relationship.

another financially framed alliance

lifepartner-2 = Lew Ayres [1908-1996] had a 6-decade career as a TV-cinema actor

  • 1934 until 1941 [GR age 23-30]. GR reported considerable difficulty in achieving her divorce from Ayres. Although the couple separated after only a few months, their legal union gragged on for seven years [Shani resistance, nicha-Shani warlike endurance]

9th-from-[7th-from-Chandra-1] lifepartnership 3-of-5

  • bhava-9 father-figures,sangha, globalism, ideology, paradigmatic belief, doctrine
  • Vrischika mysteries, secrets, occult knowledge, sudden transformations, rebirth, rejuvenation

another financially framed alliance

lifepartner-3 = Jack Briggs [a.k.a. Benjamin Katz] [1920-1998] a dashingly handsome minor dramatist, 9-yrs her junior

Marriage with 23-yo Briggs, a US-Marine veteran, was said to have been staged by Ginger's frenetically patriotic and pro-military stage-mother, Lela. During WW-2, Ginger's waning popularity was boosted by celebrated publicity photos of Ginger with Briggs looking sharp in military-uniform [Mangala-Mesha]

  • Placeholder. Legally married 1943-1949 [GR age 32-39] Jack Briggs faded into obscurity. He had no other marriages to women.

4th-from-[7th-from-Chandra-1] lifepartnership 4-of-5

  • bhava-4 security, homestead, household, sense of belonging, real-estate, foundations
  • Urisha values, heritage, collections, beauty, evaluation, worth, assessment

lifepartner-4 = Jacques Bergerac [1927-2014] dramatic actor + executive director for the Revlon Cosmetics corporation [Urisha beauty, finance]

  • GR was on the beach [4] during a Riviera holiday, when she met the handsome, photogenic law student, 16 years her junior. Legally married 1952-1957 [GR age 41-45] . Although brief, the alliance provided entreasurement and anchoring.

11th-from-[7th-from-Chandra-1] lifepartnership 5-of-5

  • 11 friendship, social networking, aims-and-goals, fundraising
  • Makara social position, propriety, sobriety, hierarchy
  • another financially framed alliance, ruler of 11 = Shani-2 dhanayoga.
  • [Shani-yuti-Mangala] + [Shani-yuti-Rahu]

lifepartner-5 = executive cinema producer, William Marshall

  • Separation 1963 during during Shukra-Shani bhukti [Shani rules 12] Legally married 1961-1969 [GR age 50-58]. According to GR memoire, Marshall's alcoholism sabotaged their joint commercial goals.

Singlehood

Following divorce 5-of-5, GR for the fifth time returned to her mom [Chandra in classroom-1] for the next 14 years [Shani cycle] 1963-1977.

GR and mom were both veterans of the entertainment industry. They shared a doctrinally guided lifestyle based in Christian Science and conservative Republican politics.

Mom lived until GR's age 63, far outlasting all of GR's marriages and divorces. Following mom's decease, GR lived happily and wealthily as a single woman for the remaining 25 years of her incarnation.




[Competitive Kuja]

bhratru-karaka [brother] virya-karaka [virile]

[svakshetra]

[svabhava]

[collecting-preserving dhanesha for Meena indriya-lagna]

[believing-preaching dharmesha for Meena indriya-lagna]

...

[collaborative-cinematic Aśvini-3] [mūlatrikoṇa] [navamsha Kuja-Mithuna] champion promoter commerce innovation in business

[Kuja-yuti-Shani-Bharani]

[Aśvini-Kuja-yuti-R-Bharani]

  • [Mangala-Mesha] vigorous pursuit of dominance * straightforward dynamic actions * competitive winner * propulsive battering weaponry * push toward conquest * pioneering vitality * hot yang-energy * thrusting force * forward-driving movement * champion of innovation

  • [Mangala in bhava-2] vigorous orator * loudly lectures on values * pursuit of treasuries * competitive financial actions * innovative knowledge * energized face-voice-song * memorable speeches * Sings and shouts * champion of literacy-reading * historic pronouncements * prone to shouting * forward drive toward capitalization * promotes conservation * hyperactive family dynamics * acquisitive conquests

  • [Kuja-yuti-Shani] repressed movements * constant tension between sexual energy vs social rules * dynamic structuring * competitive force must cooperate with disciplined hierarchies * potential for punitive reactions to change * required containment of natural forces * military officer * musculo-skeletal challenges.

  • [Kuja-yuti-Rahu] thrill of muscular action * competitive ambition * passion to win * fascinating physicality * compulsive drive toward heroic battle * dynamic desires * champion of culture-clash * forward thrust toward opportunity * forceful pursuit of privilege

OUTCOMES - MANGALA

financially competitive, verbally assertive, forthrightly spoken, proactively acquisitive family lineage, champion of the capitalized [Mangala in bhava-2] rules

  • 2-acquisition, family legacy, tradition, language-lexicon, preserved memory, banking, collections, entreasurement, herd-hoard, containment, financial capital, accrued amounts, asset evaluation, knowledge of history, speech-song, heritage values, color-sound, arts-and-music, face-voice-eyes-teeth-mouth-hair, genetics, stored resources, health of the father

  • 9-ideology , paradigm of belief, principled convictions, higher understanding, father-figures, priestly patronage, preaching, patriarchal entitlements, philosophical convictions, theory, public spiritual guidance, celebrated doctrines, sangha, sacred teachings, credenda, globalism, dharma, worldview, mother's health

CAREER - KUJA

[Shani-yuti-Mangala] + [Shani-yuti-Rahu] combines the rulers of 2 + 9 + 11 + 12 amplified by Kuja-energized Rahu

[Mangala in bhava-2] rules

  • bhava-2 remarriage, heritage, finance, banking, language, face, voice, hair, song, speech, storytelling
  • bhava-9 father-figures,sangha, globalism, ideology, paradigmatic belief, doctrine

[Bantering Budha]

jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student]

[bargaining-balancing jaya-pati for Meena indriya-lagna]

[homebound-anchoring bandhesha for Meena indriya-lagna]

...

[regenerating-discovering Pushya-4] [navamsha-Budha-Vrischika]

  • [Budha-Karkata] comfortable communications * hand-arm-shoulders make protective gestures * rhythmic articulation of root culture * discusses ancestral morality * prescriptive routines * argues for foundational stability * describes protective fencing * parochial talk * converses about caretaking * environmental wardens * issues customary pronouncements * delivers land-use information * patriotic declarations * habitually chats about the local settlement

  • [Budha in bhava-5] narrative of splendid signaling * discusses entitlements * self-referential conversations * describer of divine intelligence * explainer of romance * delivers political instructions * writes poetry * proclaims love * defines creative literature * plays games * discusses fame * lectures about idealism * debates with royalty * chats with children * publishes unique opinions * articulator of artistic performance * declaims with radiant confidence

  • [Budha-yuti-Surya] amusing explanations * entertaining chatter * central roles in communication * brightly clear descriptions * dramatic enunciation * confidently delivers instruction * articulation of radiant certainty * political messenger * talkative father-figures

OUTCOMES - BUDHA

conversationally entertaining, articulately political, collaboratively romantic, mentally creative, analytically speculative, instructionally idealistic [Budha in bhava-5] rules

  • 4 cultural foundations, property boundaries, Way of Life, protection, defense , homeland, household, routines, rituals, mother, parents, customary rhythms, caretakers, socialization schooling, gardens, waterways, transportation, housing, social security, sense of place, environmentalism, citizenship, belonging, ethnic basis, ethnoreligion, patriotism, real-estate, farming, land-ownership, burial, predictability, health of the elder sibling

  • 7-covenant, promise, trust, contractual relationships, social justice, advocacy, legal judgments, lawcourts, appeals, representation, equity, diplomacy, partners, justice, marriage, legal and formal partnerships, negotiation, alliance-crafting, match-making, fair arrangements, even deals, advocacy, trading, bargaining, brokerage, haggling, middleman

CAREER - BUDHA

choreographer, writer, ensemble performer, businesswoman

cinema, commercial production, ensemble drama, dance-choreography, advertising

[Budha in bhava-5] rules

  • bhava-4 security, homestead, household, sense of belonging
  • bhava-7 contracts, bargains, agreement, negotiation, arrangements

CAREER - BUDHA

76 years of unbroken media-messaging performance

Her iconic dance-drama career began GR age 14, when her prize for winning a dance contest was a Vaudevillw contract.

GR's final act was writing an applauded, popular autobiography and attending the television talk-show circuit to promote her book, age 80.

[Budha Mahadasha] [age 14.8 until age 31.8] [1926-1943]

  • 1928 [GR age 17] first nationwide vaudeville dance tour, accompanied by Mother * Budha-Budha svabhukti * Budha entourage * Budha rules 10th-from-10 career

Budha Mahadasha = development of GR talents in choreography, ensemble drama

Represented in contract negotiations by her theatre-critic mom [Budha rules 4, parent] [vidyapati Chandra-1] GR started getting contracts [7] at age 14, when she won a dance contest and performed her first stage-role as a last-minute substitute.

The Ranch [4]

  • By the end of Budha Mahadasha, GR had been working on stage for seventeen years
  • She had amassed enough capital to buy a 1000-acre ranch [Budha rules 4, land-properties]
  • GR and her mom lived at the 4R-ranch for decades.

[Generous Guru]

dhava-karaka [husband] bahuta-karaka [variety]

[energizing-identifying lagnesha for Meena - Antya indriya-lagna]

[dutiful-commanding karmesha for Meena - Antya indriya-lagna]

[multiple negotiated diplomatic secrets]

[many diverse public identity-changes]

[wide scope of hidden brokered arrangements]

...

[hierarchical-regulatory Arcturus-2] [navamsha Guru-Makara-nicha] intuitively expansive broad-scope optimism materialism lawful development

[Guru-yuti-Ketu] apathetic husbands

amplifying-expanding mutual drishti Rahu-2 ++ Guru-8

  • [Guru-Tula] many trades * variety of exchanges * optimistic negotiations * believes in justice * doctrine of contractual exchange * multiple alliances * permission to bargain * diversity of arrangements * equable guidance * widens the scope of balanced design

  • [Guru in bhava-8] great rejuvenation * many sudden changes * many confidences * faith in rebirth * numerous identity transformations * generous in-laws * extensive tantra * expansion of undisclosed forces * abundance of initiations * many mysteries * regenerative emergencies * secret guidance * hidden inspiration * believes in invasive healing * multiple surgeries * in a wifely nativity, husbandly-companion may be a revolutionary, disaster-responder, or trauma-healer

  • [Guru-yuti-Ketu] multiple options for severance * broad permission to abandon unsustainable connections * diverse wanderings * many occasions of surrender * philosophy of impermanence * large-size vacuums * many holy pilgrimages

OUTCOMES - GURU

[Guru-Tula] [8] rules

  • 1 physical movement, dance, athletic prowess
  • Meena imagination, visions, inner guidance, conceptual comprehension
  • 10 -career, public recognition, respect, symbolic-iconic social roles, dignity, public visibility, leadership, reputation
  • Dhanus beliefs, philosophy, life principles ruler [Guru-yuti-Ketu] credenda, ideology, patronage

CAREER - GURU

Karmesha Guru-8

GR was one of the first and still a respected role-model for women performing artists taking transformative leadership roles in the entertainment industry

[sarala yoga [prevents untoward consequences of randhrasthana

[Guru-yuti-Ketu] in bhava-8 signifies the revolving-door of GR's five brief marriages, which would normally have been stigmatized in the 1930's and 1940's when GR's career was most active.

  • However, GR upheld a sanitized public profile framed by her unswerving devotion to the Christian Science doctrine of Mary Baker Eddy.
  • She sold war-bonds and maintained a public facade of conservative patriotic political conviction.

[sarala yoga]

  • benefits both Shukra and Guru, protecting against damage from unsavory discoveries or scandal.

[Suave Shukra]

svadu-karaka [sweet] kalatra-karaka [wifely companion]

[sarala yoga]

[busy-messaging sahaja-pati for Meena - Antya indriya-lagna]

[mysterious-revealing randhresha for Meena - Antya indriya-lagna]

[self-medication]

[verbal empowerments from imbalanced pleasures]

[politically unfair financial arrangements]

[explosively but not harmfully dramatized sensuality]

...

[entertaining-celebrated Pūrvaphalgunī-1] [navamsha Shukra-Simha] [vargottamsha]

  • [Shukra-Singha] appreciation of regal confidence * likes admiration * enjoys applause * prefers creative partners * attracted to artistic performers * bargains to play radiant central roles * delighted by celebrity * charmed by romantic pleasures * pleased by ceremonial display * brightly theatrical arrangements

  • [Shukra-6] seeks pleasure via self-medication * satisfied by service * ministry of aid to womenfolk * imbalanced agreements * feminine employees * attracted to animals * valuable servants * appreciation of enemies * lovely designs to adorn the lower abdomen * toxicity from sugars * aesthetic of slavery * pleasant self-medication * unfair contracts * financial exploitation * sweet pollutions * criminal bargains * accepts injustice * accommodates poverty * adjusts to war * in a husbandly nativity, wifely-companion may be a pharmacist-clinician-servant-helper-aide * in a husbandly nativity, wifely-companion may be a pharmacist-clinician-servant-helper-aide

OUTCOMES - SHUKRA

[Shukra-6] rules

  • 3-cinema, scripts, choreography, ensemble drama, tours , writing filmscripts, comedy routines, memoire, merchandising

  • 3 commerce, communications, management, media-messaging, handcraft, reporting
  • Urisha finance, song, face, values, capital
  • 8-secrecy, transformative identity change, upheaval, shocking discoveries - protected by [sarala yoga]

  • Tula bargaining, trades, balance, pledge, adjudication, twosome

HEALTH [Shukra-6]

Much of the potentially pernicious medication-related influence of Shukra-6 has been reduced by

  • Surya-5 ruler of 6 occupies 12th-from-6 = drains the energy of 6 into Surya [problematic father]

Both GR and her mom [Chandra] were devout members of Mary Baker Eddy's Christian Science fellowship.

  • GR completely eschewed the smoking and alcohol-drinking habits that were nearly universal in the Hollywood culture

Nevertheless, GR lived with diabetes for decades [Shukra-6 = sugar-sickness]

  • GR refused to take medical insulin, due to her faith.
  • GR was able to manage her diabetes with exercise, diet and prayer
  • As a professional dancer she naturally exercised vigorously. A top amateur tennis player, GR also exercised for sport.
  • However, in her later years, diabetic toxicity and inflammatory obsesity became severe. [Simha heat-driven inflammation]

Eventually, the disease triggered her peaceful-but-painful disembodiment during Rahu-Rahu svabhukti, age 83 [Rahu-2 maraka].


[Sober Shani]

duro-karaka [endurance] * jara-karaka [Jahre, years]

[nīcha]

[gainful-friendly labha-pati for Meena - Antya indriya-lagna]

[contemplative-visionary vyaya-pati for Meena - Antya indriya-lagna]

[Dhanayoga Shani-2 rules-11]

...

[explosive-evolutionary Bharani-4] [navamsha Shani-Vrischika]

[Atmakaraka work ethic, duty, hierarchy, social position, resistance to innovation,materialism, pragmatism, common sense]

[Shani-yuti-Mangala]

[Shani-yuti-Rahu]

  • [Shani-Mesha] harsh old blood-feuds * brain cramp * blocked bloodflow * muscle seizure * limits innovation * overburdened aggressions * fierce resistance * freezes new ideas * law of the winners * proletarian battles * must enforce dominance * contempt for independence * burdened by championship * cruel competitions * endurance contests * at times, survival requires great effort * obligation to fight * normalizes war * structural pressure upon head-brain * lurching forward push * conquest brings oppressive duty * must sustain physical supremacy * constricted vitality * maintainer of bitter old competition-for-resources

  • [Shani in bhava-2] steady time-structured values-fulfillment * scarcity of precious resources * must preserve historic traditions * must gather * must catalog * obstructionist family-of-origin * must remember * cautious use of words * boney face * tense eyes * class-conscious speech * speakers' fatigue * chronic financial insufficiency * undernourished eye-teeth * must use old libraries * cold dried food hoard * limited sight * ossified heritage * language regulator * appreciates ignorance * maintains treasuries of proven knowledge * hierarchies impose know-nothing rules * elders hold center of family

  • [Shani-yuti-Mangala] social resistance to competitive action * pragmatic pursuits * cautious innovation * limited pace of progress * delayed [but not denied] championship * physical discipline * constraints on instinctive movement * conventionally regulated sports * tension from contradictory push-pull impulses.

  • [Shani-yuti-Rahu] stiff resistance to unbridled ambition * formally regulated cultural mixing * disciplined thrills * class-based limitations upon privilege * blocked ambitions * repressed quest for intriguing importance * socially constrained opportunism * shimmering illusion of systematic conformity * irregular achievements * over-reaching elders * restricted risks

OUTCOMES - SHANI

[Atmakaraka] [nicha-Shani in bhava-2] rules

  • 11 earnings, gains, achievement, income, revenue, friendship, social network
  • 12interiority, imagination, distance, seclusion, invisibility

[Shani-yuti-Mangala] + [Shani-yuti-Rahu] combines the rulers of 2 + 9 + 11 + 12 amplified by Kuja-energized Rahu

CAREER - SHANI

GR was an iconic stage-and-screen actor and dancer, as well as an accomplished writer and television figure.

  • GR rarely stopped working. [Atmakaraka -nicha-Shani-yuti-Kuja-yuti-Rahu]

Dhanayoga [Rahu-amplified nicha-Shani in bhava-2 + 2nd-from-Chandra] rules 11 + 11th-from-Chandra

  • After winning pay-discrimination lawsuits, GR became the highest-paid female movie star of her day.
  • Her financial investments bore fruit, and GR's later-decades featured entreasurement resulting from her earlier-decades relentless work [Shani]

Shani-yuti-Mangala] + [Shani-yuti-Rahu] [2] occupies 2nd-from-Chandra

  • media messaging signal gesture communication
  • ensemble performance
  • cinema, scripting, the production processes of drama
  • GR's mom was a Hollywood scriptwriter

[Risk-taking Rahu]

rajyalobha-karaka [ambition] picchala-karaka [slippery]

[for Meena indriya-lagna]

[Rahu-2 casts passionately enriching capitalizing drishti into 6-8-10]

check Mangala for defining source of Rahu's dynamic energy

...

[celebrity-displaying Bharani-1] [navamsha Rahu-Simha] fascinating theatrics

[Rahu-yuti-Mangala]

[Rahu-yuti-Shani]

  • [Rahu-Mesha] shimmering illusion of championship * craving for superiority * exotic use of dominating force * mask of competitive action * mirage of first-arrival pioneer * over-reaching urgency * extraordinary birth * extravagant muscularity * mesmerizing forward movement * unusual athleticism * fascinating conquests * marvelous warriorship * seeks special importance via apparent [but perhaps not authentic] attributes of heroic action * seeks privilege via innovator-roles

  • [Rahu in bhava-2] passion for precious treasuries * in svabhava of Suave Shukra, the Shadowy Specter seeks glamorous goods * mesmerizing memories * risk-rewarding finance * fascinating voice * entranced by one's own face-eyes-mouth * craving for important sound values * intriguing genetics * outsider who cleverly insinuates into prestige heritage * extraordinary recollection * mesmerizing speech-and-song * intermingled historical traditions * unconventional speech * shadowy interlopers infiltrate the family line * potential for opportunistic second marriage * mother's elder sibling exotic qualities * thrilling surge of storytelling * remarkable libraries * unusual alimony * ambitious hoard * mixed-language vocabulary * over-reaching evaluator roles * exotic foods * non-native breeds *captivating collections * social mobility sought via privileged knowledge

  • [Rahu-yuti-Mangala] amplified competition * magnified championship * exotic pursuits * tricky innovation * opportunistic brother-warriors * fascinating [but perhaps illusory] appearance of dynamic energy * hypnotic attack * passion for engines * craves hot movement * invasive force of cross-cultural mixing

  • [Rahu-yuti-Shani]] amplified public formality * pragmatic exaggeration * exotic social conventions * slippery hierarchies * tricky rules * opportunistic elders * fascinating [but perhaps illusory] strict conformism * regulated risk-taking * hypnotic outsider insinuates normalcy * orderly cross-cultural mixing * thrilling legitimations

OUTCOMES - RAHU

[Shani-yuti-Mangala] + [Shani-yuti-Rahu] combines the rulers of 2 + 9 + 11 + 12 amplified by Kuja-energized Rahu

CAREER - RAHU

"The Working Girl"

Challenging beliefs about feminine movement [Kuja] and limitations [Shani]

GR's enduring, iconic entertainment career developed a new [Kuja] social model called "the Working Girl" [Shani work].

  • Rahu's singular challenge to old social stereotypes was that Working Girls had their Own Money [Rahu-2]

GR played important roles and starred in promotional materials that highlighted working women in action. She helped to prove to a generation that social limitations [nicha-Shani] upon personal independence [Mangala-Mesha]

  • could be personally overcome [warrior Kuja]
  • albeit cautiously and responsibly [Shani]
  • with fascinating results [Rahu fascinating]

RAHU-BHARANI - FINANCIAL INDEPENDENCE

GR's storied financial success [Rahu-Bharani] eventually pushed the envelop [Kuja] of culturally acceptable action for women [Mesha independence].

[Bharani-Shani rigid old financial rules]

  • According to conventional [atriarchal wisdom, women could not rationally manage money.
  • Still she persisted [Shani] .

GR became a highly capitalized woman through her own independent investing decisions [Surya-5 intelligent personal decisions].

  • Her insistence on selecting [5] her own preferred corporate stock and real-estate investments was extremely rare for American women in the 1940's.
  • Old-school male financial experts were appalled.

Stock-brokers and other self-appointed nay-sayers claimed that GR simply "lacked the brains" [nicha-Shani brain issues] to handle stock-market gamesmanship [5, speculative finance]

  • These men predicted that GR would suffer dire financial consequences [Shani-2] for her gender over-reaching challenge to social boundaries [Rahu].

However, GR proved them all to be rigidly outdated and culturally misogynistic via her winning combination of

  • Bharani-Shani-2 rules-11 dhana-yoga
  • Mangala dhana-pati

+++ amplified by Rahu-Bharani-2 drishti

  • into Shukra-6
  • into Guru-8 = amplifying-expanding mutual drishti Rahu-Guru
  • into 10 career recognition and public role-modeling

[Collapsing Ketu]

kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]

[for Meena indriya-lagna]

[beneficial placement]

[passively fixated on ambitiously competitive-challenging Rahu-Mesha-2 treasuries, store-holds, family-members, bankers, memory-collectors, warehousers, knowledge-preservers, or second-spouse]

.....

[profitable-systematic Arcturus-3] [navamsha Ketu-Kumbha]

[Ketu-yuti-Guru]

  • [Ketu-Tula] justly dissociates from negotiation * wanders away from compromise * eccentric alliances * martyr's diplomacy * abandons agreements * apathetic trades * surrenders trust * ignores restriction on match-making * releases a pale pastel cloud of fair deals into the misty abyss

  • [Ketu in classroom-8] forsaken by intimidators [beneficial] * passively dissolves barriers hiding secret knowledge * ambivalent toward initiations * disregards occult boundaries * Witness to cycles of death-and-rebirth * fearless toward catastrophic upheaval * absent from spouse's family * vacuous obscurities * irrelevance of non-disclosure rules * dissolves psychic filters * free from terror * ignores threats * dissolves obfuscations * unless other graha in 8, may prefer to live free from in-laws

  • [Ketu-yuti-Guru] misunderstandings * unsustainable convictions * abandons empty theories * believes in non-existence * vacuous catechism * wandering teachers * apostasy * wisdom of surrender * incomplete comprehension * doctrines of impermanence * Other-Worldly viewpoint * walks away in disbelief * liberating philosophy * for wifely nativities, Ketu may release the dhavakaraka husbandly-companion. .

OUTCOMES - KETU

[Ketu Mahadasha] [age 31.8 until age 38.8]

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