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COHORT former husband of
born 14 months after
born 12 months after
born 11 months after
born 11 months before
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cinema producer dramatist doctrinal figure a.k.a. Thomas Cruise Maypother Earth-birth = Tuesday-03-Jul-1962 |
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" One should be careful in speech, restrained in one's thoughts and do no wrong with one's body." ~~ Pema Chodron |
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dramatist cinematic producer doctrinal figure 1962- Thomas Maypother Cruise birth information from en.wikipedia.org/wiki/Tom_Cruise tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = generated by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Masculine Public-Figure Examples Vasu - Slaviztha - Avittam - Hrsikesha BPL COMMENTARY For Dhaniṣṭha births of a masculine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome. For those born into the Kuja-ruled paradigm of Vasava, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, drivers, drillers, diggers, exploders, aggressors, pushers, invaders, pursuers, competitions and battles may be especially influential. Dhaniṣṭha-born often respond to a deep inner fear [Shani] which manifests as aggressive survival-driven competition [Kuja]. The result = orderly, direct, empowered, and dynamic structured action. Instructional guidance is provided by emissaries from the civilizations of Delphinus. Their purpose is social engineering, economic competition, and achievement of dominant positions. Hierarchical Power Climber Kuja-ruled Vasu-born fellows endure acute Shani-Mangala tension. They are intensely competitive. In no uncertain terms, these men play to win. Goal-directed and often ruthless, their playing fields are typically located in the corporate-institutional hierarchies of Shani, where they strive for alpha-dominant positions. Operating in orderly Shani-controlled environments of Makara and Kumbha, Vasu champions are surrounded by lawful, systematic, and often timid folks who rarely resist Hrsikesha's powerful ascent to the peak of the hierarchy. Dhaniṣṭha + Sraviiṣṭha are a pair, similar to the Purva-Uttara pairs. Like genteel śrāviṣṭha, those born within Dhaniṣṭha are highly sensitive to rhythm, pace, and tone. They can develop successful careers in music and dance performance. When Dhaniṣṭha fellows choose an entertainment career, it is often full of drumming, loud singing, vigorous dance, sexual strutting, and dominated by men. Unlike demure Soma-ruled śrāviṣṭha, those born into Kuja-ruled Dhaniṣṭha favor athletic, competitive movement. These men thrive where the blood-stirring beat of the war-drums is pulsing, energizing, and strong. They set high-achievement goals. Dhaniṣṭha are determined to win the contest, at any cost. Makara pada 1-2 express Kuja's control of 4-lands-roots + 11-earnings. Pro-actively patriotic (4) and driven to achieve profits (11), they are often found in real-estate (4) education (4) agriculture (4) transportation (4) police + defense industry (4) minerals + mining (4) or in any marketplace where the path to economic gain (11) is open to Kuja's dominating, goal-oriented, competitive vigor. Since Mangala activates a 6/8 pair, their Achilles Heel = economic protectionism (4-11). Outcome depends upon the character of Mangala. Kumbha pada 3-4 express Kuja's control of 3-commerce + 10-leadership. Any commercial endeavor suits the pada 3-4 Hrsikesha-born, so long as they find a path toward governing power. Gifted in manufacturing (3) programming and process (3) sales-marketing (3) and all business functions, this breed competes aggressively for leadership. ... Themes of band-of-brothers, survival, vitality, forceful movement, controlled explosion, exploration, winning, pioneering, discovery, invention, drilling, penetration, invasion, intimidation , sexual pursuit, and conquest may contextualize Vasu's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Dhaniṣṭha |
QUOTATION Dhaniṣṭha from: Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra. p 87 " Two entirely different types are born with Dhaniṣṭha rising. It depends on the part of this asterism, which lies on the Rising Point, as to which type predominates.
They both have thick necks and heavy thighs.
[end quote, Shil Pondey, 1939] ... (see later Pada descriptions).
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Biographical events matched to the Vimshottari Dasha timeline
[Shani Mahadasha] = [age birth until age 4.7]
Tue-03-Jul-1962 = Earth-birth in Syracuse, New York, USA * Shani-Rahu bhukti [Budha Mahadasha] = [age 4.7 until age 21.7]
1974 [TC age 12] mom divorces her abusive husband [= TC's volatile father]. Mom and 3 kids leave their home in Ottawa, Canada, stealth-moving overnight to maternal grandparents' home in Lousiville, KY * Budha-Surya bhukti * Surya randhresha = sudden identity change ++ dvadasa Sade-Sati [via- divorce, conflict] Jul-1975 until Sep-1977 Janma Sade-Sati Karkata
1976-1977 [TC age 14-15] following a religious devotional impulse [Pushya-Somana-yuti-Rahu-Aśleṣā] TC attends Roman-Rite seminary school in Cinncinati OH. Completes early-stage preparation for RC priesthood * Budha-Rahu bhukti ++ janma Sade-Sati 1977 [TC age 15] family house-shift to New Jersey, with siblings and mom * Budha-Rahu bhukti ++ janma Sade-Sati [via 7 = 4th-from-4 household] 1978 [TC age 16] mom enters 24-yr remarriage * Budha-Rahu bhukti * Somana-yuti-Rahu ++ dvithya Sade-Sati [via-8] 1981 [TC age 18] beginning of Hollywood cinema career * Budha-Guru bhukti * Guru rules 3-cinema 09-Jan-1984 [TC age 21] [dad age 49] grieved bio-decease of father in hospital, via cancer * Budha-Shani chidra-dasha * Ketu-yuti-Shani [Ketu Mahadasha] = [age 21.7 until 28.7]
09-May-1987 [TC age 24] [MR age 32] consecration of wedding-1-of-3 with dramatist-businesswoman, Mimi Rogers = 8-yrs his senior. Only TC's mother and one witness attended the publicity-blocked ; ceremony. * Ketu-Rahu bhukti ++ gochara R-K via Meena -Kanya contact Kanya Svamsha Feb-1990 [TC age 27] finalization of divorce-1 marks official conclusion of marriage-1 with dramatist Mimi Rogers * Ketu-Shani bhukti * Shani rules 8th-from-7 ++ gochara R-K via Makara-Karkata contact Chandra-Karkata 24-Dec-1990 [TC age 27] consecration of wedding-2-of-3 with Hollywood dramatist, Nicole Kidman * Ketu-Budha chidra-dasha * Budha rules Kanya Svamsha ++ gochara R-K via Makara-Karkata contact Chandra-Karkata [Shukra Mahadasha] = [age 28.7 until 48.7]
1992 [TC age 29] adoption of child-1 [daughter] * Shukra-Shukra svabhukti + Shukra rules 5-children 1995 [TC age 32] adoption of child-2 [son] * Shukra-Chandra bhukti + [Aśleṣā-Shukra-yuti-Chandra-Pushya] * Chandra rules 7 = 2nd-child Feb-2001 [TC age 39] filed divorce-2 to legally conclude ten-year alliance-2-of-3 with fellow dramatist Kidman * Shukra-Rahu bhukti + [Pushya-Somana-yuti-Rahu-Aśleṣā] Sep-2004 until Nov-2006 Janma Sade-Sati Karkata
19-Apr-2006 [TC age 44] celebrated birth of child-3 = bio-daughter, Suri * Shukra-Budha bhukti * Budha rules 9-children
Nov-2006 [TC age 44] Cruise + business partner acquire United Artists production corporation * Shukra-Shani bhukti * lagnesha Shani rules 2-capital, finance 18-Nov-2006 [TC age 44] [KH age 28] consecration of wedding-3-of-3 . Cruise = 16-yrs older than his bride, television dramatist, Katie Holmes. * Shukra-Shani svabhukti * Shani elder ++ gochara R-K via Meena -Kanya contact Kanya Svamsha [Surya Mahadasha ] = [age 48.7 until age 64.7] Jun-2012 [TC age 50] divorce-3 filed, initiates official closing of alliance-3 with television dramatist Katie Holmes * Surya-Rahu bhukti + [Pushya-Somana-yuti-Rahu-Aśleṣā] 07-Feb-2017 [TC age 54] [mom age 80] grieved bio-decease of mother Mary Lee Pfeiffer [1936-2017] * Surya-Shukra chidra-dasha ++ gochara R-K via Kanya-Meena contact Kanya Svamsha * Shukra rules 2nd-from-matribhava [Chandra Mahadasha] = [age 64.7 until age 74.7]
Jul-2034 until Aug-2036 Janma Sade-Sati Karkata
[Mangala Mahadasha] = [age 74.7 until age 81.7]
[Rahu Mahadasha] = [age 81.7 until 99.7]
Aug-2063 until Oct-2065 Janma Sade-Sati Karkata
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Distinctive features of the Nativity
[Sparkling Splendid Surya] pitri-karaka [father] -- jyoti-karaka [light] = [Sarala Yoga] [shocking-transformative randhresha for Makara - Draco indriya-lagna]
[bright managing center of planning ministry] [political discussions about helping the stigmatized or marginalized] [mentally attracted to dangerous conflict, yet ultimately unharmed = Sarala Yoga] [communicative intelligence for media-messaging medicine] [disguised randhresha programming for aid to the disadvantaged] [hidden randhresha power arising from administrative interventions] [self-certain announcements of conflicted evolutionary lifestyles] [confidently verbalizing exemplar of self-reinvention randhresha in commerce] [explains the process of intentional change to enemies and victims] ... [imaginative-charitable Arudra-4] = [navamsha Surya-Meena ] intuitively dreamlike, inspirationally withdrawn, abstract poetic intelligence
OUTCOMES - MAGNIFICENT MARTANDA self-reflexively ministering, brightly in service, charmingly disagreeable, regal style of complaining, victim focused, radiantly litigious, politically aggrieved, splendidly argumentative, center-stage helper [Surya in bhava-6] rules
CAREER - SPARKLING SURYA Surya rules Simha bhava-8 = camouflage, hidden, evolutionary change, undiscovered, masked FATHER When Tom Cruise = child, his dad worked as a tradesman electrician. Dad referred to himself as an electrical engineer. According to TC, his deeply narcissistic dad had a turbulent personality [Surya randhresha] involving many job changes and house moves. TC called his dad "a merchant of chaos" [8] [Comfortable Caretaking Chandra] matrikaraka [mother] -- garha-karaka [village] [balancing-bargaining śapathā-pati for Makara - Draco indriya-lagna] [comforted by mutual caretaking relationships] [sensitive to parenting contracts] [needs to protect the ancestrally stabilizing arrangements śapathā-pati] [soothed by defensive negotiations] [lifepartner may be culturally-sensitive match-making advocate] [routinized mother may be sheltering adviser, nourishing meddler, rhythmic mediator] ... ... [transformative-secretive Pushya-4] = [navamsha Chandra-Vṛścika-nīcha] intuitively sensitive exploration, empathetic uncovering
+ [Pushya-Somana-yuti-Shukra-Aśleṣā] + [Pushya-Somana-yuti-Rahu-Aśleṣā]
OUTCOMES - ANCESTRAL SOMA sensitively adjusting, protectively harmonious, routinely bargaining, parentally equalizing, rhythmically arranging, customary middleman, predictably meddling, culturally agreeable, emotionally adjudicating, needs to hold mediating positions [Chandra in classroom-7] rules
CAREER - CARETAKING CHANDRA
+ [Pushya-Somana-yuti-Shukra-Aśleṣā] + [Pushya-Somana-yuti-Rahu-Aśleṣā] = combined rulers of 5 + 7 + 10 + Rahu
MOTHER Mary Lee Pfeiffer [1936-2017] = special-education teacher, advocate
As TC's career developed, his mom's career shifted into brokerage, intermediary, support roles [Chandra-7] within his entertainment businesses
MARRIAGE partnership emotional equity support expectations [Shukra-Karkata] = [Shukra-7] + [Aśleṣā-Shukra-yuti-Chandra-Pushya] + [Aśleṣā-Shukra-yuti-Rahu-Aśleṣā] = three marital unions.
= lifepartnership-1-of-3 = Hollywood dramatist Mimi Rogers
8th-from - [7th-from-Chandra-7] = [2nd-from-Chandra] = lifepartnership-2-of-3 Hollywood dramatist Nicole Kidman
3rd-from - [7th-from-Chandra-7] = lifepartnership-3-of-3 = Hollywood television enactor = drama-commerce 1978- Katie Holmes
[Competitive Champion Kuja] bhratru-karaka [brother] -- virya-karaka [virility] [homebound-anchoring bandesha for Makara - Draco indriya-lagna] [gainful-friendly labha-pati for Makara - Draco indriya-lagna]
[vigorously traditional political campaigns for local concerns bandesha] [energetically musical stage performance] [dynamic theatrical enactment of enrichment] [expresses dramatic creativity with energized speech and song] [promotes demonstrations of evaluating action] [praised for pro-actively gainful labha-pati f conservative initiatives] [physicalized drive to orate while playing romantic poetic games] [may battle over financial entitlements with one's own children or students] [endowed brother-figures or co-workers may be profitably labha-pati capitalized speculators, showy bankers, gambling collectors] .... [regulatory-hierarchical Kṛttikā-2] = [navamsha Mangala-Makara-uchcha] intuitively competitive forward-pushing regulatory class-stratified social-ordering lawfulness + [Kṛttikā-Kuja-yuti-Budha-Mriga]
OUTCOMES - MOVING MANGALA energetic center-stage performer, brightly kinetic dramatist, champion of romantic pursuit, vigorously gambling, dynamically creative, competitively political, sparkling entertainer, pioneering displays, dominant winner in gambling and games [Mangala in bhava-5] rules
CAREER - COMPETITIVE KUJA ;for decades, top performer in theatrical entertainment = action-hero roles Top Gun 1962 cinema producer Tom Cruise cinema hero = famed for his remarkable stunts + capable singer. + [Kṛttikā-Kuja-yuti-Budha-Mriga]
[Busy Bantering Budha] jamayah-karaka [sibling] -- sandesha-karaka [message] -- shisya-karaka [student] [inimical-accusing rogesha for Makara - Draco indriya-lagna] [believing-principled dharmesha for Makara - Draco indriya-lagna]
... [calculating-strategic Mriga-2] = [navamsha Budha-Kanya-uchcha] intuitively communicating legalistic detailed logical argumentation + [Mriga-Budha-yuti-Mangala-Kṛttikā]
OUTCOMES - BANTERING BUDHA conversationally entertaining, articulately political, collaboratively romantic, mentally creative, analytically speculative, cleverly dramatic, instructionally idealistic [Budha in bhava-5] rules
CAREER - BUSY BUDHA ātmakāraka Budha rules Kanya Svamsha rules Kanya-9 karakamsha ātmakāraka Budha rules bhava-9 = beliefs, patronage, worldview, life-principles, sacred understanding FATHER-FIGURES Budha-5 pitristhana-pati located in 9th-from-9 ++ Mangala suggests potential for two father-figures. Budha = duplicator [two} TC = bio-dad + bonus-dad + patronage of many priests during his period of Catholic sacerdotal formation. Then famously, numerous patriarchal figures from religious hierarchy of the S-cult. [Generous Growing Guru] dhava-karaka [husband] -- bahuta-karaka [variety] [busy-collaborative sahaja-pati for Makara - Draco indriya-lagna] [retreating-interior vyaya-pati for Makara - Draco indriya-lagna]
[writing-publishing sahaja-pati marketplace assessor of values] [believes in wisely connecting imaginatively vyaya-pati capitalized collections] [permission to engage in financial hoarding within family network] [generous collectivist narrative of heritage humanism] [optimistic gridworking of widespread traditions] [speak s inspirationally of faith in friendship] [distribution of accruals from storage ecologies] [proclaims systematicly upon remembered historical knowledge] [principled speeches about mass-participation in conserved memory] [guided by gainful acquisitive worldview] [family-of-origin may be cheerfully discursive sahaja-pati, inclusively interlinked] [for wifely Learners, husbandly-companion may be economical banker, socialite collector, scientific librarian, associative warehouser, populist financier, interwoven linguist, proletarian master of dialog] ... [visionary-charitable Vāruṇa-4] = [navamsha Guru-Meena ] intuitively expansive broad scope of futuristic economic vision
OUTCOMES - BENEVOLENT BRIHASPATI expansively enriching, abundantly knowledgeable, multiple family lineages, numerous traditions, optimistic accumulator, jovial speaking-and-singing, broad-scope of historical understanding [Guru in bhava-2] rules
CAREER - GENEROUS GURU Guru occupies the emotionally turbulent, perpetually transformative, trauma-inducing, discovering, revealing, danger-seeking 8th-from-Chandra
Guru rules bhava-3 cinema, commerce, scripts, sibling-cousin, collaborator, communication, management [Sweetly Suave Shukra] svadu-karaka [sweet] -- kalatra-karaka [wifely companion] = [svabhava] [yogakaraka displaying-creative vidya-pati for Makara - Draco indriya-lagna] [yogakaraka dutiful-exective karmesha for Makara - Draco indriya-lagna]
[dignified karmesha caretaking relationships] [beautifully aligned chest-stomach-breasts] [householding spouse concerned with vidya-pati theatrics and karmesha social visibility]
[ritualized negotiation for secure boundaries ] [gracious brokerage of agricultural and marine arrangements] [agreeable settlements from culturally familiar judges] [architecturally balanced dwellings and pathways] [protective exchanges of ancestral vows and promises] [karmesha iconic folkways representation of patriotic displays vidya-pati] [for husbandly Learners, placidly domestic wifely-companion may be shipping attorney, environmentalist advocate, parental meddler] ... [profitable-networked Aśleṣā-3] = [navamsha Shukra-Kumbha] intuitively harmonizing proletarian popularity + [Aśleṣā-Shukra-yuti-Chandra-Pushya] + [Aśleṣā-Shukra-yuti-Rahu-Aśleṣā ]
OUTCOMES - SWEETENING SHUKRA sensually balancing, appreciative of equity, harmoniously arranging, aesthetically pairing, financially contractual, musical-artistic partnerships, bargaining purpose of relationships, advocates for fairness, sweetly adjusting, diplomatic negotiator [Shukra-7] rules
CAREER - BRIGHT BHRIGU-TANAYA Shukra rules Tula-10 = Arudha Lagna + [Aśleṣā-Shukra-yuti-Chandra-Pushya] + [Aśleṣā-Shukra-yuti-Rahu-Aśleṣā ] = combined rulers of 5 + 7 + 10 + Rahu
Shukra-7 karmesha rules bhava-10 public image, reputation, social visibility, executive decisions career empowerment = ruler of 10 occupies 10th-from-10 [Sober Structural Shani] duro-karaka [endurance] -- jara-karaka [Jahre, years] = [svakshetra] = [Śaśaya Yoga] [energizing-identifying lagnesha for Makara - Draco indriya-lagna] [conserving-evaluating dhana-pati for Makara - Draco indriya-lagna]
[lawful resistance from entrenched social regulators] [must speak under pressure from institutional agents] [restrained physical normalization] [identified lagnesha with institutional order and family tradition dhana-pati] [mandatory conformance with public behavioral rules] [heavy workload may reinforce muscular independence] [respectful self-disciplined embodiment of heritage values dhana-pati] [naturally receives social approval due to conventional conduct] [structural vitality and speech may be limited by fear of legal bureaucracy] [individual character may be shaped by class-stratified elders, who hail from survival-fear lineage dhana-pati] ... [cinema-management Śrāvaṇa-3] = [navamsha Shani-Mithuna] + [exact conjunction] [Śrāvaṇa-Shani-yuti-Ketu-Śrāvaṇa]
OUTCOMES - STRUCTURAL SHANI dutifully earth-embodied, identified as a diligent worker, responsibly innovative, mature appearance, must regulate the physical attributes, structured style of movement, slowed vitality, burdensome required maintenance the incarnate form [Shani in Bhava-1] rules
CAREER - SOBER SHANI rules-2 [2, family, genetics, tradition, lineage, finance, food, language, historical knowledge, storytelling] Stoic Shani rules Kumbha = science, economics, marketplace linkages, social networks, communities, connections [Risk-rewarding Rāhu] rajyalobha-karaka [ambition] -- picchala-karaka [slippery] [for Makara - Draco indriya-lagna]
[Rahu-7 casts passionately bargaining Other-identified drishti into 11-1-3] [if Rahu-7 = yuti-other-graha, suggests multiple householding marriages] [spouse may be extraordinary caretaker with prestigious ritual status or unusual cultural background in land-use ] [exceptional, unorthodox, protective partnerships] ... [indoctrinated-optimistic Aśleṣā-1] = [navamsha Rahu-Dhanus] intuitively over-reaching passion for inspirational belief + [Aśleṣā-Rahu-yuti-Soma-Pushya] + [Aśleṣā-Rahu-yuti-Shukra-Aśleṣā]
OUTCOMES - RISK-REWARDING RAHU
; [Collapsing unshackling Ketu] kavandha-karaka [headless] -- chidra-karaka [gaping] -- vasana-karaka [vacuum] [for Makara - Draco indriya-lagna]
[disregards obsolete hierarchical identities] [eccentricly energized natural conformist movements] [incoherent stiffly stony dismissal of normalized conditions of birth]
[ghostly individualized dry-and-boney appearance] [scattered conventional personality] [kineticly fragmented individualized lawfulness] [exemplifies disinterest in class-stratification] [abandons personal attributes of specific fixed status] [restless behavioral apathy toward disintegration of social structures] [may ignore untenable governance abilities] [focused upon domestic caretaking partner, may project nebulizing disinterest toward independent orderly regulatory activities] ...... [commercial-managing Śrāvaṇa-3] = [navamsha Ketu-Mithuna] + [Śrāvaṇa-Ketu-yuti-Shani-Śrāvaṇa]
OUTCOMES - EVACUATING KETU |
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