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Phil Collins

a.k.a. Philip David Charles Collins

Earth-birth Wednesday-30-Jan-1951



commercially dominant songwriter-vocalist


professional recordings producer

multi-instrumentalist musician

dramatic actor


Phil Collins

data from

tentatively rectified by BP Lama Jyotishavidya

charts + graphs + tables = produced by Shri Jyoti Star * adapted by BP Lama

Rising Nakshatra

Masculine Nativities

Dhaniṣṭha - Delphinus

Vasu - Slaviztha - Avittam - Hrsikesha

BPL commentary

For Dhaniṣṭha births of a masculine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome.

For those born into the Kuja-ruled paradigm of Vasava, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, drivers, drillers, diggers, exploders, aggressors, pushers, invaders, pursuers, competitions and battles may be especially influential.

Dhaniṣṭha-born often respond to a deep inner fear [Shani] which manifests as aggressive survival-driven competition [Kuja]. The result = orderly, direct, empowered, and dynamic structured action.

Instructional guidance is provided by emissaries from the civilizations of Delphinus. Their purpose is social engineering, economic competition, and achievement of dominant positions.

Hierarchical Power Climber

Kuja-ruled Vasu-born fellows endure acute Shani-Mangala tension. They are intensely competitive. In no uncertain terms, these men play to win. Goal-directed and often ruthless, their playing fields are typically located in the corporate-institutional hierarchies of Shani, where they strive for alpha-dominant positions.

Operating in orderly Shani-controlled environments of Makara and Kumbha, Vasu champions are surrounded by lawful, systematic, and often timid folks who rarely resist Hrsikesha's powerful ascent to the peak of the hierarchy.

Dhaniṣṭha + Sraviztha are a pair, similar to the Purva-Uttara pairs. Like genteel śrāviṣṭha, those born within Dhaniṣṭha are highly sensitive to rhythm, pace, and tone. They can develop successful careers in music and dance performance. When Dhaniṣṭha fellows choose an entertainment career, it is often full of dumming, loud singing, vigorous dance, sexual strutting, and dominated by men.

Unlike demure Soma-ruled śrāviṣṭha, those born into Kuja-ruled Dhaniṣṭha favor athletic, competitive movement. These men thrive where the blood-stirring beat of the war-drums is pulsing, energizing, and strong. They set high-achievement goals. Dhaniṣṭha are determined to win the contest, at any cost. ...

Kumbha pada 3-4 express Kuja's control of 3-commerce + 10-leadership. Any commercial endeavor suits the pada 3-4 Hrsikesha-born, so long as they find a path toward governing power. Gifted in manufacturing (3) programming and process (3) sales-marketing (3) and all business functions, this breed competes aggressively for leadership.

Kumbha pada 3-4 = famed as dominating, irascible, intimidating personalities who may have been bullied in their youth. Their innovative actions may change the course of civilization. Since Kuja activates a 6/8 pair, their Achilles Heel = micro-management (3-10). Outcome depends upon the characteristics of Mangala. Like all Kumbha-born, their wealth expands via globalist, philosophical Brihaspati.

Themes of band-of-brothers, survival, vitality, forceful movement, controlled explosion, exploration, winning, pioneering, discovery, invention, drilling, penetration, invasion, intimidation , sexual pursuit, and conquest may contextualize Vasu's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Dhaniṣṭha

QUOTATION from: Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra. p 87

" Two entirely different types are born with Dhaniṣṭha rising.

It depends on the part of this asterism, which lies on the Rising Point, as to which type predominates.

  • The key notes of both are optimism and ambition .

They both have thick necks and heavy thighs.

  • But there the similarity stops." [end quote]


Collins first wedding in 1975, life-partner-1 with toddler


Collins with second lifepartner, actress Jill Tavelman


Phil Collins with third life-partner, entrepreneur Orianne Cevey in 200x

Biographical Events matched to Vimshottari Dasha bhukti

[Rahu Mahadasha] [age birth until age 9.6]

Tues-30-Jan-1951 Earth-birth in Putney Hospital, Chiswick, Middlesex, London, England * Rahu-Budha bhukti [Budha atmakaraka] * dvadasa Sade-Sati

Nov-1952 until Nov-1955 Janma Sade-Sati via Tula

  • [9, father, celebrity, charity, international fortunes]
  • age 2-5

[Guru Mahadasha ] [age 9.6 until age 25.6]

1970 [PDCC age 19] joined the soon-to-be-world-famous musical band, Genesis * Guru-Shukra bhukti * Shukra-1 singer rules 9-celebrated creativity

Apr-1971 until Jun-1973 = Shani Ashtamsha via Urisha

  • [4-home, security, routines]
  • Urisha 7th-navamsha

25-Dec-1972 [PDCC age 21] grieved the decease of father * Guru-Chandra bhukti * pitrimaraka Chandra rules 7th-from-Surya -Makara

1975 [PDCC age 24] consecration of marriage -1-of-3 with childhood friend from drama school, Andrea Bertorelli * Guru-Rahu chidradasha * gochara R-K Vṛṣa-Vṛścika contact Vṛścika svamsha

1975 [PDCC age 24] adopted daughter from lifepartner-1 previous marriage * Guru-Rahu chidradasha

1975 [PDCC age 24] when the hired lead singer drops out, PDCC temporarily becomes the lead singer of Genesis - Guru-Rahu chidradasha * Rahu-2 song

14-Sep-1976 [PDCC age 25] celebrated the birth of child-1, son Simon * Guru-Rahu chidradasha

[Shani Mahadasha]] [age 25.6 until age 44.6]

1980 [PDCC age 29] bitter accusations and divorce from lifepartner-1 * Shani-Budha bhukti * Budha randhesha divorce contains lagnesha Shani-8 + Rahu-Return + dvadasa Sade-Sati via-8-Kanya

13-Feb-1981 [PDCC age 30] release of PDCC's first solo album, the highly popular Face Value * Shani-Budha bhukti * Budha rules 5-artistic performance, prizes ++ dvadasa Sade-Sati

1982 [PDCC age 32] second solo album, Hello I Must be Going, earns international praise and top sales in the youth-pop-ballad sector.* Shani-Budha bhukti * Budha rules 5-artistic performance, prizes ++ dvadasa Sade-Sati

Oct-1982 until Dec-1984 Janma Sade-Sati via Tula

  • [9, father, beliefs, celebrity, charity, international fortunes]
  • age 31-34

1984 [PDCC age 33] [JT age 28] consecration of marriage- 2-of-3 with dramatist Jill Tavelman * Shani-Shukra bhukti * gochara R-K Vṛṣa-Vṛścika contact Vṛścika svamsha ++ janma Sade-Sati

1985 [PDCC age 34] popular audience success continues. Next album, No Jacket Required, ascends the sales charts * Shani-Shukra bhukti * Shukra-1 artistic personality rules 9-fortunes

[Budha Mahadasha] [age 44.6 until age 61.6]

08-Oct-1996 [PDCC age 45] following a string of weak releases, the album Dance into the Light = critical and sales failure. Commentators opine that PDCC's celebrity performance career is dead. * Budha-Budha svabhukti * Budha randhresha, shock rules Shani, termination

1996 [PDCC age 45] finalized divorce from lifepartner-2 * Budha-Budha svabhukti * Budha randhresha, divorce, identity-transformation

1999 [PDCC age 48] consecration of marriage-3-of-3 with translator, marketer, events-mgt + jewelry-design businesswoman, Orianne Cevey * Budha-Shukra bhukti * gochara R-K via Karkata-Makara contact navamsha Makara Chandra

27-Mar-2000 [PDCC age 49] wins Academy Award for best original song, for the movie Tarzan * Budha-Shukra bhukti * Shukra-1 singer rules 9-celebrated creativity

Jun-2000 until Jul-2002= Shani Ashtamsha via Urisha

  • [4-home, security, routines]
  • Urisha 7th-navamsha

2006 [PDCC age 55] announced separation from lifepartnership-3 * Budha-Rahu bhukti

2006 [PDCC age 55] reuniting with two former Genesis bandmates, PDCC organizes a musical tour. The aging performers garner critical and sales success * Budha-Rahu bhukti * Rahu-1 fascinating musicians [Shukra-yuti-Rahu]

2007 [PDCC age 56] broke neck vertebra while performing onstage during a Genesis musical concert * Budha-Rahu bhukti

2007 [PDCC age 56] begins new 9-year lifepartnership [not sanctified] with journalist beloved * Budha-Rahu bhukti

2008 [PDCC age 57] announced finalization of divorce from lifepartnership-3. The award to aggrieved spouse-with-children was the largest divorce penalty [£25M ] in UK legal history at that time * Budha-Guru bhukti * Guru rules 6th-from-Chandra grievance + 2-finance

Nov-2011 until Nov-2014 Janma Sade-Sati via Tula

  • [9, father, beliefs, celebrity, charity, international fortunes]
  • age 31-34

Nov-2011 [PDCC age 60] [mom's age 98] grieved the decease of mother , theatrical representative, Winifred June Strange Collins * Budha-Shani chidradasha * Shani rules 4th-from-Chandra = decease of elderly parent [age 98] ++ janma Sade-Sati

[Ketu Mahadasha] [age 61.6 until age 68.6]

2013 [PDCC age 62] announces retirement from active performing, citing health concerns * Ketu-Ketu svabhukti

Jan-2016 [PDCC age 65] announced a reunification with lifepartner-3 and their shared sons * Ketu-Rahu bhukti * Rahu-1

Oct-2016 [PDCC age 65] announces a new musical tour, which succeeds financially [2] although PDCC must be helped to the stage in a mobility-chair * Ketu-Guru bhukti * Guru rules 2-music + 11 revenues

2017 + 2018 [PDCC age 65-66] significant health challenges result in multiple hospitalizations * Ketu-Shani bhukti* Shani rules 12-dissolution, isolation, retreat, hospitalization

[Shukra Mahadasha] [age 68.6 until age 88.6]

Oct-2020 [PDCC age 69] marital reunification attempt fails, as the tabloid press reports financial lawsuits amid wife's secret remarriage * Shukra-Shukra svabhukti [Shukra-yuti-Rahu] * Shukra rules volatile 8th-from-Chandra

Mar-2022 [PDCC age 71] having sung to appreciative live audiences from a mobility-chair, due to illnesses traced to a 2007 broken vertebra, during final date of a long tour ending in London, PDCC announces the conclusion of Genesis onstage live performances * Shukra-Shukra svabhukti [Shukra-yuti-Rahu]* Shukra rules identity-change 8th-from-Chandra

Aug-2029 until Jun-2032 = Shani Ashtamsha via Urisha

  • [4-home, security, routines]
  • Urisha 7th-navamsha
phil-collins_2010.jpg Prominent Features of the Nativity


pitri-karaka [father] jyoti-karaka [light]

[contractual-bargaining jaya-pati for Kumbha indriya-lagna]

[bright focus of interior imagination]

[confidently displays conventional interior guidance]

[center-stage roles in private relationships]

[class-conscious father may be representative-broker-contract attorney]


[musical-enriching Śrāvaṇa-2] [navamsha Surya-Urisha] intuitively confident singer-financier

  • [Surya-Makara-Draco] Savitra * the stimulator * brightly charismatic confidence of Center-stage Surya radiates through the hierarchical structuring rashi of Shani
  • [Surya in bhava-12] center of Other-Worlds * brightly contemplative * focus on seclusion * invisible light-source provides private guidance * intuitive entitlements * brilliant in research * backroom politics * intelligence for interior prayer * eye on creative imagination * sparkling center of the sanctuary * radiant clairsentient drama * father may be a researcher, or be isolated or unavailable


PDCC's oevre of modern popular ballads express the theme of catalysis, sudden unexpected change, romantic [Surya] shock, traumatic discoveries, call to rejuvenation


[Surya in bhava-12] rules

  • 7-contracts, negotiations, arrangements = 8th-from-Surya
  • a lifelong theatrical performer, PDCC's presentation style = distinctively plebian, average-guy, conventional balding middle-aged man [Makara]
  • yet the songs he sings contain narratives of intensive transformation, disastrous calamity, terrifying discoveries, catastrophic change, and upheaval [8] within relationships [7]


Dad worked as an home-insurance agent. [Surya in bhava-12] rules 7-contracts, representation, brokerage


matrikaraka [mother] * garha-karaka [village]

[inimical-medicating rogesha for Kumbha indriya-lagna]


[class-conscious Arcturus-2] [navamsha Chandra in Makara] intuitively sensitive hierarchically regulated social ordering

  • [Chandra-Tula] comforted by ritual negotiation of agreements * sensitive to balance * needs to trade
  • [Chandra in Svati - Arcturus] soothed by risky agreements * guardians of culturally-mixed harmony * fascinating bargains * opportunistic arrangements
  • [Chandra in classroom-9] comfortable with paradigmatic belief * emotionally attuned to sacred doctrine * accustomed to priesthood * maternal piety * soothed by globalist perspective * sentimentally righteous holiness * feels the pulse of preaching * calmed by a broad worldview * acculturated to principled understanding * needs a familiar catechism * protective patrons * habitually seeks guidance * settled into philosophical habits * undulating convictions * mother may be devout, philosophical, a disciple, a proselyte


[Chandra in classroom-9] rules

  • 6 conflict, pharmacy, distrust, medical situations, litigation, divorce


[Chandra in classroom-9] activates Karkata-6 = 10th-from-Chandra

Collin's career is based in emotionally evocative 6-narratives of divorce, distress, distrust, accusation, and suffering.

He famously writes and performs a battery of songs which exemplify the themes relationship break-ups disagreements, and emotional disorientation due to absence of trust

Karkata familiar, emotional relationships


The powerfully creative cluster [Kuja + Shukra + Guru + Rahu] occupy 5th from Chandra = emotionally-driven dynamic, direct, competitive, innovative artistic performance

  • Collins has five children from three marriages

  • among them, nearly all are entertainers [5] including daughter Lily Collins, fashion model and dramatist


Winifred June Strange Collins. Mom was a theatrical agent and media producer. Recognized in the London drama world [9] Mom promoted people and ideas, including materials for and about her famous son Phil.

[Chandra in classroom-9] rules 10th-from-Chandra, career.

  • PDCC is best known for his high-profile contentious divorces
  • and his extensive songwriting to document and rhythmically lyricize those break-ups.

Chandra being [inimical-medicating rogesha for Kumbha indriya-lagna] suggests that the mother-son relationship may have been unbalanced

[Shukra-1] ruler of the matristhāna-4, shows mom's identity with artistic performance, similar to PDCC's children.

MARRIAGES partnership support expectations

Multiple marriages predicted due to Shukra's companion graha. Four weddings likely.

the sequence of Shukra-profiled wifely lifepartners ordered by degree of graha

  1. Shukra = 5 deg.
  2. Mangala = 13 deg.
  3. Guru = 17 deg.
  4. Rahu = 26 deg.

[7th-from-Chandra-9] lifepartnership 1-of-3

  • 3-business management, sibling-communication, cohort
  • Mesha championship, getting-started, new, first-arrival
  • lifepartner-1 = childhood friend from drama-school, Andrea Bertorelli

8th-from- [7th-from-Chandra-9] lifepartnership 2-of-3

  • 10-public reputation, social visibility, career
  • Vṛścika transformation, secrecy, healing, hiding, penetrating insights, initiations
  • lifepartner-2 = actress Jill Tavelman

3rd-from- [7th-from-Chandra-9] lifepartnership 3-of-3

  • 5-creativity, children, intelligence, theatre, romance
  • Mithunaya business, marketing, sales, communications
  • lifepartner-3 = marketing, events-mgt, + jewelry-design businesswoman, Orianne Cevey

OCC = met PDCC when she worked as an event manager + language translator on one of his world concert tours [Kumbha].

  • PDCC paid USD_25-million to OCC in divorce settlement
  • Following a bitter divorce, the couple reunited and re-split during PDCC 's Shukra-Shukra svabhukti = Shukra rules 5th-from-5 [idealism] ++ 12th-from-5 [retreat, withdrawal]


bhratru-karaka [brother] virya-karaka [virile]


[collaborative-communicative sahaja-pati for Kumbha indriya-lagna]

[dutiful-regulating karmesha for Kumbha indriya-lagna]

[Kuja Dosha for alliance-1]


[social-ordering, class-conscious Varuna-2] [navamsha Kuja-Makara-uchcha] intuitively regulated lawful competition




  • [Mangala-Kumbha] vigorous community activism * warrior for economic progress * proactive linking * push toward regulated systems * pursues profitable roles * spearhead of mass interconnectivity * futuristic thrust * dominating energy in social networking * conquest of marketplace interactions * champion of distributed associations
  • [Mangala in bhava-1] forward fighter * muscular champion * competitive winner * drive toward performance vitality * embodied action * primal sexuality * pursuit of progress * direct movement * physical engineering * thrusting vigor * dominating personality * pushy * dynamic innovator * energized conquests * athletic body
  • [Kuja-yuti-Guru] multiple competitions * many brother-figures * energized growth * dynamic generosity * masculine force joins optimistic expansion * champion of philosophy * potential for aggressive preaching * promotes broad worldview * indoctrinating actions
  • [Kuja-yuti-Shukra] dual sexuality * energized bargaining * dynamic trading * masculine force joins feminine allure * kinetic sensuality * productive arrangements * competitive mating * vigorously balance-seeking in partnership * pursues diplomatic resolutions * innovative arrangements
  • [Kuja-yuti-Rahu] thrill of muscular action * competitive ambition * passion to win * fascinating physicality * compulsive drive toward heroic battle * dynamic desires * champion of culture-clash * forward thrust toward opportunity * forceful pursuit of privilege


Kuja + Shukra + Guru + Rahu occupy 5th from Chandra

  • emotionally-driven dynamic, direct, competitive, innovative creativity

Mangala activates Vrischika = 2nd-from-Chandra

  • face song acquired wealth family lineage knowledge treasuries:

[Mangala in bhava-1] activates

  • 3- songwriting and music production business
  • 10-public visibility, symbolic roles, leadership, enduring positions, reputation, command

Within the remarkable Kumbha cluster, Mangala adds a dynamic, inventive, muscular, active energy to the intensely romantic, complex relationship [Shukra-Mangala] patterns

[Kuja Dosha] is dramatically enhanced by Ketu-7 intakes Kuja-1 drishti

  • Modern themes of break-up [battering Kuja[ due to unsustainable emptiness and disconnection within relationships


jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student]

[creative-displaying vidya-pati for Kumbha indriya-lagna]

[mysterious-transformative randhresha for Kumbha indriya-lagna]

[systems narrative of marketplace doctrine]

[theoretically principled economic connections]

[talks about philosophy of distributive association]

[brilliant yet secretive friends]

[communicates about romance and transformation]


[arranging-contractual Pūrvāṣāḍhā-3] [navamsha Budha-Tula] intuitively arranging balancing relationship communications

[Atmakaraka writing, lyrics, messaging, event-planning, schedules, touring, entourage, communication, video-audio]

  • [Budha-Dhanus] priestly communications *†theoretical discourse * inspirational conversations * articulation of sacred beliefs * doctrinal pronouncements * sends messages about broad worldview * descriptive philosophical understanding * specifically defined interpretive principles * explains the indoctrination procedure * expertly detailed sermons * ideological programming * hands-arms-shoulders send preaching gestures
  • [Budha in bhava-11] narrative of marketplace information * describes ecological gridwork * calculates economic profit * reports on revenues * describes distributive networks * talks about social participation * Sibling-type friendships * conversations about voluntary connections * announces achievements * delivers interlinking instructions * discussion in large assemblies * defines the webworks of community


[Budha in bhava-11] rules

  • 5 artistic creative stage- performance
  • 8- insurance, hidden assets, catastrophic conditions

[Atmakaraka] Budha the Writer-Writer-Writer and Producer

  • occupies the emotionally talkative, communicative cohort evangelical instructional team-working administrative managerial announcing publishing reporting explanatory conversational lyrical messaging 3rd-from-Chandra

Budha occupies Shukra-ruled Pūrvāṣāḍhā = songs

writing, communications, publications, narrative, lyrics, coupling with special focus on love relationships [Shukra] music tone sounds [Shukra] arrangements, values [Shukra]


dhava-karaka [husband] bahuta-karaka [variety]


[gainful-economic vriddhi-pati for Kumbha indriya-lagna]

[conserving-entreasuring dhanesha for Kumbha indriya-lagna]

[multiple systematic personality attributes]

[embodiment of interconnected philosophical beliefs]

[identified with understanding of assemblies]

[iconic personification of marketplace worldview]

[personality exemplifies collectivist ideology]

[paragon of economically indoctrinated cheerfulness] [preacher-and-teacher may deliver proletarian wisdom]

[expansive speaker-storyteller with a vast social network]

[lagnesha + karmesha = high visibility priest or theorist]

[dhanayoga Guru-1 rules 2 + 11 = abundant capitalized earnings]


[imaginative-guiding Shatataraka-4] [navamsha Guru-Meena] intuitively expansive broad-scope philosophical visionary imagination




  • [Guru-Kumbha] much networking * hope for the future * many marketplaces * optimistic about big associations * permission to connect * scientific beliefs * doctrine of economic linkage * distributed guidance * expands the scope of social participation * multiple communities * diversity of friendships
  • [Guru in bhava-1] much vitality * philosophical personality * permission for unrestricted action * generous disposition * numerous identities * expands the scope of competition * many cheerful sporting activities * believes in birthright * expansive aura * extra height-or-girth * embodiment of tolerant cheer * a patron of personal benefit * in a wifely nativity, husbandly-companion may be an expander-philanthropist-benefactor
  • [Guru-yuti-Mangala] bhratri-karaka * multiple brotherly-figures * permission to compete-and-win * expansive conquests * progressive philosophy * large-scale invasive actions * vigorous champion of optimistic belief
  • [Guru-yuti-Shukra] sodarya-karaka * multiple feminine-figures * permission to make deals * abundant pleasures * blossoming treasures * expansion of art * inspirational music * optimistic diplomatic philosophy * large-scale alignments * broad scope of partnerships * diverse financial arrangements
  • [Guru-yuti-Rahu] mizra-karaka * multiple mix-culture opportunities * permission to bend barriers * many impostors * abundant expedience * wide scope of ambition * craving for expansion * seeks promotional advantage via globalist philosophy * optimistic toward obtainment of privilege


Kuja + Shukra + Guru + Rahu occupy 5th from Chandra

  • emotionally-driven dynamic, direct, competitive, innovative creativity + Guru expansion, inclusion
  • large-scale stadium performance tours

[Guru in bhava-1] rules

  • 2 face, voice, assets, storytelling, narratives, heritage values
  • 11-earning, revenues == contains vidyapati Budha-11

Money-maker Guru typically enriches the Kumbha-born


His HNWI status has endured for decades.

  • PDCC was reported to have paid $US_42_million in divorce settlements [6] .

  • Yet, his total earnings have far exceeded the astounding cost of his divorces.
  • Each one of his traumatic personal break-ups has produced an oeuvre of high-earning songs [Guru-yuti-Rahu]

PDCC remains firmly a member of the HNWI super-earners category in the music industry.


svadu-karaka [sweet] kalatra-karaka [wifely companion]

[yogakaraka believing-guiding dharmesha for Kumbha indriya-lagna]

[yogakaraka homebound-anchoring bandhesha for Kumbha indriya-lagna]

[gainfully arranging personality]

[economic integrity in negotiations]

[graciously balanced friendly appearance]

[electrically attractive physical embodiment]

[valued relationships within scientific community networks]


[transformational-secretive Dhaniṣṭha-4] [navamsha Shukra-Vrischika] intuitively harmonious penetrating invasion




  • [Shukra-Kumbha] appreciation of social networks * likes knitting-knotting * attracted to marketplace revenues * pleased by large-group connectivity * prefers a friendly partner * collectivist arrangements * enjoys regulated systems * sweetly gracious within big crowds * scientific aesthetic * financially balanced economic linkage
  • [Shukra-1] seeks pleasure via handsome embodiment * enjoys the company of women * graciously attractive appearance * active style of balancing * pursues adjustable arrangements * appreciation of muscular vitality * pleasing designs to adorn the head * aesthetic of new life * physical exercise to balance the brain * identified with brokerage * seeks the sweet midpoint of dynamic negotiations * energetic pursuit of equity * identified with acts of diplomacy * bargains vigorously for fair exchange * in a husbandly nativity, wifely-companion may be an athlete-innovator-pioneer
  • [Shukra-yuti-Mangala] sweetened conquests * gracious competition * appreciation for pioneering innovation * aesthetic of sporting interactions * proactive negotiations * musical brother-figure * competitive contracts * accommodating dual sexuality * prefers relationships with energetic partners
  • [Shukra-yuti-Guru] sweetened expansions * gracious diversity * appreciation for philosophical doctrine * adjustable catechism * numerous negotiations * humanistic agreements * generous beauty * balanced patronage * arrangements according to priestly paradigm of belief * prefers relationships with generous partners
  • [Shukra-yuti-Rahu] sweetened adventure * gracious ambition * appreciation for opportunities * thrilling negotiations * passionate sensuality * over-reaching agreements * exceptional beauty * enjoys cultural mixing * barrier-bending relationships * unorthodox arrangements * diplomatic equity balances exhilarating chance * risk-rewarding contracts * unconventionally attractive * pleasantly mesmerizing appearance * prefers exciting partners


Kuja + Shukra + Guru + Rahu occupy 5th from Chandra

  • emotionally-driven dynamic, direct, competitive, innovative creativity = musical, relationship-oriented, harmony-seeking, values-focused and wealth-accumulating creativity

Genesis 1951- songwriter drummer Phil Collins

Shukra activates Collins = master of the lyrical fantasy dirge.

Topics of private [12] narrative of relationship disharmony [12] + bedroom culture, private imagination, dreams + conditions and persons adversarial [6th] to agreement [7th]

[Shukra-1] activates

  • 4-home, security, familiar routines, mother, parents
  • 9-ideology, beliefs, principled worldview
  • Shukra activates traumatic 8th-from-Chandra


duro-karaka [endurance] * jara-karaka [Jahre, years]

[Vimala Yoga]

[energizing-identifying lagnesha for Kumbha indriya-lagna]

[researching vyaya-pati for Kumbha indriya-lagna]

[staunch resistance to change of complaint status]

[imposes chronic argumentation due to undisclosed grievance]

[contested legitimacy of hidden assets]

[burderned by service-class in-laws]

[must regulate dangerous servants]

[imposes normal social inequities during times of catastrophe]

[camouflaged dry hardening of intestinal flow]

[intimidated by toxic hidden forces]

[obliged to keep medical secrets]

[must hide old disagreements]


[fantasizing-conceptual Uttaraphalgunī-4] [navamsha Shani-Meena] intuitively class-conscious disciplined visionary imagination

  • [Shani-Kanya] overburdened accusations * obliged to sustain litigious disagreements * rigidly persistent disease conditions * structural compression upon colon + digestive tract * must normalize exploitation * weighty subordinate tasks * hierarchical conditions of enforced servitude * must work within master-slave systems * must respect antiquated physicians * slow-acting remedies * intractable servants * stubborn employees * insufficient pharmacy * must work with dried medications * must continue to minister to the suffering * scarce service resources * maintainer of old arguments
  • [Shani in Bhava-8] steady time-structured transformations * impedes infinity * must impose order upon dangerous environments * resists the advance of inexorable change * must regenerate while maintaining the system * cautiously conventional initiations * tense renewals * postpones surgery * fear of eruptions * chronic trauma patterns * pressures on the hidden mechanisms of sexual-reproduction * blocks the revelation of mysteries * pushback against emerging new cycles * disaster fatigue * martial law * dry rigidity limits rejuvenation * frugal in-laws * elders preserve undisclosed assets


[Shani in Bhava-8] rules

  • 1-personality, physique, competition, uniqueness
  • 12- sanctuary dreaming imagination, privacy, seclusion.
  • occupies the 12th-from-Chandra, suggesting a degree of blockage or resistance toward freely flowing emotional comfort and security

Shani lagnesha rules Kumbha-1 = theatrical 5th-from-Chandra

  • Collins' performance roles began in childhood. His first singing role was aged five.
  • His mum [Chandra] a theatrical agent, placed Phil into numerous children's singing and drama-acting roles within the extensive London theatre industry. He also had cinema roles, and his income from these performances bolstered the family's finances.

The chronically dissatisfied and criticizing 6th-from-Shani

contains a remarkably powerful Kumbha cluster in bhava-1


rajyalobha-karaka [ambition] picchala-karaka [slippery]


[for Kumbha indriya-lagna]

[Rahu-1 casts passionately unique individualizing drishti into 5-7-9]

[1, crowd-electrifying personality, proletarian outsider attitude, clever networker, shrewdly connected associations, average physical appearance, exceptionally charismatic, creative or political, may also be exceptionally wealthy depending upon Guru]


[collaborative-publishing Purvabhadra-3] [navamsha Rahu-Mithuna] intuitively over-reaching passion for collaborative writing management teamwork




  • [Rahu-Kumbha] shimmering illusion of profitable webworks * over-reaching friendliness * mirage of knitted netting knotwork * fabulous marketplace associations * extraordinary electro-magnetic connections * intriguing ecologies * mask of lawfully interlinked systems * fascinating achievements * culturally mixed social networks * seeks special importance via apparent [but perhaps not authentic] attributes of† scientific futurism * extravagant assemblies * finds opportunity in economic distribution * craves community-linkage * seeks privilege via socialite-roles
  • [Rahu in bhava-1] passion for prestige appearance * in svabhava of Competitive Kuja, the Shadowy Specter seeks privilege via glamorous physical visage * extraordinary athletic action * outsider who cleverly insinuates into a noble identity * smoky, oily aura * desires competitive advantage * exceptionally recognizable embodiment * exhilarating force of nature * thrilling champion of non-standard lifestyles * social mobility sought via dynamic movement * powerful personality * innovative behavior challenges existing norms * culturally mixed self-image * embodies exciting new energies * self-promotion via blood-and-birth * double agent * over-reaching ambition for empowered individuality * craves special importance * trespasses cultural limitations of race-class-creed-gender * fascinating figure * may represent a cult of personality

  • [Rahu-yuti-Mangala] amplified competition * magnified championship * exotic pursuits * tricky innovation * opportunistic brother-warriors * fascinating [but perhaps illusory] appearance of dynamic energy * hypnotic attack * passion for engines * craves hot movement * invasive force of cross-cultural mixing
  • [Rahu-yuti-Guru] amplified generosity * magnified diversity * exotic beliefs * tricky teachings * opportunistic guides * unconventional children * fascinating [but perhaps illusory] appearance of inspired philosophy * hypnotic preaching * expansive worldview * inclusive cross-cultural mixing * optimistic about risk
  • [Rahu-yuti-Shukra] amplified attractions * magnified beauty * exotic taste * tricky partners * opportunistic feminine-figures * fascinating [but perhaps illusory] appearance of luxurious pleasure * Strange-and-wonderful designs * thrilling relationships * barrier-bending brokerage * unusual contracts * hypnotic arrangements * gracious balance of cross-cultural mixing * entrancing music


Kuja + Shukra + Guru + Rahu occupy 5th from Chandra emotionally-driven dynamic, direct, competitive, innovative creativity = extraordinary, ambitious, taboo-challenging creativity

Risk-rewarding Rahu = resides in svakshetra Kumbha=1

Rahu amplifies the rulers of 2 + 3 + 3 + 9 + 10 + 11


kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum]

[for Kumbha indriya-lagna]

[dispersed engagement with creative partnership]

[dissolution of political advocacies]

[surrenders celebrity alliances]

[forgives broken romantic promises]

[abandons unsustainable speculative arrangements]


[believing-optimistic Uttaraphalgunī-1] [navamsha Ketu-Dhanus] intuitively distancing witness detached philosophical inspiration

  • [Ketu-Singha] brightly dissociates from creative performance * fragmented entitlements * eccentric intelligence * peculiar brilliance * not limited by celebrity roles * ignores restriction on political opinion * releases a sparkling crimson cloud of divine charisma into the misty abyss[Ketu in classroom-7] equably ambivalent toward agreements * absentee advocates * disregards contractual loyalties * disinterested in mutuality * wanders from the middle-balance * empty arrangements * irrelevance of equity * surrenders alliances * abandons the usual covenants * ignores advice * incoherent promises * liberation via surrendered negotiations * unless other graha in 7, may prefer to live free from partners


  • Ketu's ruler Surya occupies 6th-from-Ketu in bhava-12, suggesting a constitutional intelligence for contract dissolution
  • Career performance themes of abandonment, despair, exhaustion, disconnection, surrender, loss.


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