![]() |
||
COHORt born six months after
born five months after
born two weeks after
born four months before
|
songwriter musician entertainer a.k.a. Philip David Charles Collins Earth-birth Wednesday-30-Jan-1951
|
|
commercially dominant songwriter-vocalist percussionist professional recordings producer multi-instrumentalist musician dramatic actor 1951- Phil Collins data from https://en.wikipedia.org/wiki/Phil_Collins tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = produced by Shri Jyoti Star * adapted by BP Lama |
||
Rising Nakshatra Masculine Nativities Vasu - Slaviztha - Avittam - Hrsikesha BPL commentary For Dhaniṣṭha births of a masculine valence, the condition of kinesthetic, direct, yang-energy, forward-pushing bhratru-karaka Mangala may considerably affect the outcome. For those born into the Kuja-ruled paradigm of Vasava, brother-figures, warriors, hunters, athletes, dancers, champions, challengers, inventors, explorers, dis-coverers, engineers, drivers, drillers, diggers, exploders, aggressors, pushers, invaders, pursuers, competitions and battles may be especially influential. Dhaniṣṭha-born often respond to a deep inner fear [Shani] which manifests as aggressive survival-driven competition [Kuja]. The result = orderly, direct, empowered, and dynamic structured action. Instructional guidance is provided by emissaries from the civilizations of Delphinus. Their purpose is social engineering, economic competition, and achievement of dominant positions. Hierarchical Power Climber Kuja-ruled Vasu-born fellows endure acute Shani-Mangala tension. They are intensely competitive. In no uncertain terms, these men play to win. Goal-directed and often ruthless, their playing fields are typically located in the corporate-institutional hierarchies of Shani, where they strive for alpha-dominant positions. Operating in orderly Shani-controlled environments of Makara and Kumbha, Vasu champions are surrounded by lawful, systematic, and often timid folks who rarely resist Hrsikesha's powerful ascent to the peak of the hierarchy. Dhaniṣṭha + Sraviztha are a pair, similar to the Purva-Uttara pairs. Like genteel śrāviṣṭha, those born within Dhaniṣṭha are highly sensitive to rhythm, pace, and tone. They can develop successful careers in music and dance performance. When Dhaniṣṭha fellows choose an entertainment career, it is often full of dumming, loud singing, vigorous dance, sexual strutting, and dominated by men. Unlike demure Soma-ruled śrāviṣṭha, those born into Kuja-ruled Dhaniṣṭha favor athletic, competitive movement. These men thrive where the blood-stirring beat of the war-drums is pulsing, energizing, and strong. They set high-achievement goals. Dhaniṣṭha are determined to win the contest, at any cost. ... Kumbha pada 3-4 express Kuja's control of 3-commerce + 10-leadership. Any commercial endeavor suits the pada 3-4 Hrsikesha-born, so long as they find a path toward governing power. Gifted in manufacturing (3) programming and process (3) sales-marketing (3) and all business functions, this breed competes aggressively for leadership. Kumbha pada 3-4 = famed as dominating, irascible, intimidating personalities who may have been bullied in their youth. Their innovative actions may change the course of civilization. Since Kuja activates a 6/8 pair, their Achilles Heel = micro-management (3-10). Outcome depends upon the characteristics of Mangala. Like all Kumbha-born, their wealth expands via globalist, philosophical Brihaspati. Themes of band-of-brothers, survival, vitality, forceful movement, controlled explosion, exploration, winning, pioneering, discovery, invention, drilling, penetration, invasion, intimidation , sexual pursuit, and conquest may contextualize Vasu's terrestrial experience. Incoming drishti from Kuja can mobilize their progressive, pioneering actions. Also applies to Chandra in Dhaniṣṭha |
QUOTATION from: Shil-Ponde.(1939). Hindu Astrology Joytisha-Shastra. p 87 " Two entirely different types are born with Dhaniṣṭha rising. It depends on the part of this asterism, which lies on the Rising Point, as to which type predominates.
They both have thick necks and heavy thighs.
Collins first wedding in 1975, life-partner-1 with toddler
Collins with second lifepartner, actress Jill Tavelman
Phil Collins with third life-partner, entrepreneur Orianne Cevey in 200x |
|
|
Biographical Events matched to
Vimshottari Dasha
bhukti
[Rahu Mahadasha] [age birth until age 9.6] Tues-30-Jan-1951 Earth-birth in Putney Hospital, Chiswick, Middlesex, London, England * Rahu-Budha bhukti [Budha atmakaraka] * dvadasa Sade-Sati Nov-1952 until Nov-1955 Janma Sade-Sati via Tula
[Guru Mahadasha ] [age 9.6 until age 25.6] 1970 [PDCC age 19] joined the soon-to-be-world-famous musical band, Genesis * Guru-Shukra bhukti * Shukra-1 singer rules 9-celebrated creativity Apr-1971 until Jun-1973 = Shani Ashtamsha via Urisha
25-Dec-1972 [PDCC age 21] grieved the decease of father * Guru-Chandra bhukti * pitrimaraka Chandra rules 7th-from-Surya -Makara 1975 [PDCC age 24] consecration of marriage -1-of-3 with childhood friend from drama school, Andrea Bertorelli * Guru-Rahu chidradasha * gochara R-K Vṛṣa-Vṛścika contact Vṛścika svamsha 1975 [PDCC age 24] adopted daughter from lifepartner-1 previous marriage * Guru-Rahu chidradasha 1975 [PDCC age 24] when the hired lead singer drops out, PDCC temporarily becomes the lead singer of Genesis - Guru-Rahu chidradasha * Rahu-2 song 14-Sep-1976 [PDCC age 25] celebrated the birth of child-1, son Simon * Guru-Rahu chidradasha [Shani Mahadasha]] [age 25.6 until age 44.6] 1980 [PDCC age 29] bitter accusations and divorce from lifepartner-1 * Shani-Budha bhukti * Budha randhesha divorce contains lagnesha Shani-8 + Rahu-Return + dvadasa Sade-Sati via-8-Kanya 13-Feb-1981 [PDCC age 30] release of PDCC's first solo album, the highly popular Face Value * Shani-Budha bhukti * Budha rules 5-artistic performance, prizes ++ dvadasa Sade-Sati 1982 [PDCC age 32] second solo album, Hello I Must be Going, earns international praise and top sales in the youth-pop-ballad sector.* Shani-Budha bhukti * Budha rules 5-artistic performance, prizes ++ dvadasa Sade-Sati Oct-1982 until Dec-1984 Janma Sade-Sati via Tula
1984 [PDCC age 33] [JT age 28] consecration of marriage- 2-of-3 with dramatist Jill Tavelman * Shani-Shukra bhukti * gochara R-K Vṛṣa-Vṛścika contact Vṛścika svamsha ++ janma Sade-Sati 1985 [PDCC age 34] popular audience success continues. Next album, No Jacket Required, ascends the sales charts * Shani-Shukra bhukti * Shukra-1 artistic personality rules 9-fortunes [Budha Mahadasha] [age 44.6 until age 61.6] 08-Oct-1996 [PDCC age 45] following a string of weak releases, the album Dance into the Light = critical and sales failure. Commentators opine that PDCC's celebrity performance career is dead. * Budha-Budha svabhukti * Budha randhresha, shock rules Shani, termination 1996 [PDCC age 45] finalized divorce from lifepartner-2 * Budha-Budha svabhukti * Budha randhresha, divorce, identity-transformation 1999 [PDCC age 48] consecration of marriage-3-of-3 with translator, marketer, events-mgt + jewelry-design businesswoman, Orianne Cevey * Budha-Shukra bhukti * gochara R-K via Karkata-Makara contact navamsha Makara Chandra 27-Mar-2000 [PDCC age 49] wins Academy Award for best original song, for the movie Tarzan * Budha-Shukra bhukti * Shukra-1 singer rules 9-celebrated creativity Jun-2000 until Jul-2002= Shani Ashtamsha via Urisha
2006 [PDCC age 55] announced separation from lifepartnership-3 * Budha-Rahu bhukti 2006 [PDCC age 55] reuniting with two former Genesis bandmates, PDCC organizes a musical tour. The aging performers garner critical and sales success * Budha-Rahu bhukti * Rahu-1 fascinating musicians [Shukra-yuti-Rahu] 2007 [PDCC age 56] broke neck vertebra while performing onstage during a Genesis musical concert * Budha-Rahu bhukti 2007 [PDCC age 56] begins new 9-year lifepartnership [not sanctified] with journalist beloved * Budha-Rahu bhukti 2008 [PDCC age 57] announced finalization of divorce from lifepartnership-3. The award to aggrieved spouse-with-children was the largest divorce penalty [£25M ] in UK legal history at that time * Budha-Guru bhukti * Guru rules 6th-from-Chandra grievance + 2-finance Nov-2011 until Nov-2014 Janma Sade-Sati via Tula
Nov-2011 [PDCC age 60] [mom's age 98] grieved the decease of mother , theatrical representative, Winifred June Strange Collins * Budha-Shani chidradasha * Shani rules 4th-from-Chandra = decease of elderly parent [age 98] ++ janma Sade-Sati [Ketu Mahadasha] [age 61.6 until age 68.6] 2013 [PDCC age 62] announces retirement from active performing, citing health concerns * Ketu-Ketu svabhukti Jan-2016 [PDCC age 65] announced a reunification with lifepartner-3 and their shared sons * Ketu-Rahu bhukti * Rahu-1 Oct-2016 [PDCC age 65] announces a new musical tour, which succeeds financially [2] although PDCC must be helped to the stage in a mobility-chair * Ketu-Guru bhukti * Guru rules 2-music + 11 revenues 2017 + 2018 [PDCC age 65-66] significant health challenges result in multiple hospitalizations * Ketu-Shani bhukti* Shani rules 12-dissolution, isolation, retreat, hospitalization [Shukra Mahadasha] [age 68.6 until age 88.6] Oct-2020 [PDCC age 69] marital reunification attempt fails, as the tabloid press reports financial lawsuits amid wife's secret remarriage * Shukra-Shukra svabhukti [Shukra-yuti-Rahu] * Shukra rules volatile 8th-from-Chandra Mar-2022 [PDCC age 71] having sung to appreciative live audiences from a mobility-chair, due to illnesses traced to a 2007 broken vertebra, during final date of a long tour ending in London, PDCC announces the conclusion of Genesis onstage live performances * Shukra-Shukra svabhukti [Shukra-yuti-Rahu]* Shukra rules identity-change 8th-from-Chandra Aug-2029 until Jun-2032 = Shani Ashtamsha via Urisha
|
|
![]()
[Surya] pitri-karaka [father] jyoti-karaka [light] [contractual-bargaining jaya-pati for Kumbha indriya-lagna] [bright focus of interior imagination] [confidently displays conventional interior guidance] [center-stage roles in private relationships] [class-conscious father may be representative-broker-contract attorney] ... [musical-enriching Śrāvaṇa-2] [navamsha Surya-Urisha] intuitively confident singer-financier
OUTCOMES - SURYA PDCC's oevre of modern popular ballads express the theme of catalysis, sudden unexpected change, romantic [Surya] shock, traumatic discoveries, call to rejuvenation CAREER [Surya in bhava-12] rules
FATHER Dad worked as an home-insurance agent. [Surya in bhava-12] rules 7-contracts, representation, brokerage [Chandra] matrikaraka [mother] * garha-karaka [village] [inimical-medicating rogesha for Kumbha indriya-lagna] ... [class-conscious Arcturus-2] [navamsha Chandra in Makara] intuitively sensitive hierarchically regulated social ordering
OUTCOMES - CHANDRA [Chandra in classroom-9] rules
CAREER [Chandra in classroom-9] activates Karkata-6 = 10th-from-Chandra Collin's career is based in emotionally evocative 6-narratives of divorce, distress, distrust, accusation, and suffering. He famously writes and performs a battery of songs which exemplify the themes relationship break-ups disagreements, and emotional disorientation due to absence of trust Karkata familiar, emotional relationships Children The powerfully creative cluster [Kuja + Shukra + Guru + Rahu] occupy 5th from Chandra = emotionally-driven dynamic, direct, competitive, innovative artistic performance
MOTHER Winifred June Strange Collins. Mom was a theatrical agent and media producer. Recognized in the London drama world [9] Mom promoted people and ideas, including materials for and about her famous son Phil. [Chandra in classroom-9] rules 10th-from-Chandra, career.
Chandra being [inimical-medicating rogesha for Kumbha indriya-lagna] suggests that the mother-son relationship may have been unbalanced [Shukra-1] ruler of the matristhāna-4, shows mom's identity with artistic performance, similar to PDCC's children. MARRIAGES partnership support expectations Multiple marriages predicted due to Shukra's companion graha. Four weddings likely.
the sequence of Shukra-profiled wifely lifepartners ordered by degree of graha
[7th-from-Chandra-9] lifepartnership 1-of-3
8th-from- [7th-from-Chandra-9] lifepartnership 2-of-3
3rd-from- [7th-from-Chandra-9] lifepartnership 3-of-3
OCC = met PDCC when she worked as an event manager + language translator on one of his world concert tours [Kumbha].
[Kuja] bhratru-karaka [brother] virya-karaka [virile] [svabhava] [collaborative-communicative sahaja-pati for Kumbha indriya-lagna] [dutiful-regulating karmesha for Kumbha indriya-lagna] [Kuja Dosha for alliance-1] ... [social-ordering, class-conscious Varuna-2] [navamsha Kuja-Makara-uchcha] intuitively regulated lawful competition
OUTCOMES - MANGALA Kuja + Shukra + Guru + Rahu occupy 5th from Chandra
Mangala activates Vrischika = 2nd-from-Chandra
[Mangala in bhava-1] activates
Within the remarkable Kumbha cluster, Mangala adds a dynamic, inventive, muscular, active energy to the intensely romantic, complex relationship [Shukra-Mangala] patterns [Kuja Dosha] is dramatically enhanced by Ketu-7 intakes Kuja-1 drishti
[Budha] jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student] [creative-displaying vidya-pati for Kumbha indriya-lagna] [mysterious-transformative randhresha for Kumbha indriya-lagna] [systems narrative of marketplace doctrine] [theoretically principled economic connections] [talks about philosophy of distributive association] [brilliant yet secretive friends] [communicates about romance and transformation] ... [arranging-contractual Pūrvāṣāḍhā-3] [navamsha Budha-Tula] intuitively arranging balancing relationship communications [Atmakaraka writing, lyrics, messaging, event-planning, schedules, touring, entourage, communication, video-audio]
OUTCOMES - BUDHA [Budha in bhava-11] rules
[Atmakaraka] Budha the Writer-Writer-Writer and Producer
Budha occupies Shukra-ruled Pūrvāṣāḍhā = songs writing, communications, publications, narrative, lyrics, coupling with special focus on love relationships [Shukra] music tone sounds [Shukra] arrangements, values [Shukra] [Guru] dhava-karaka [husband] bahuta-karaka [variety] [dikbala] [gainful-economic vriddhi-pati for Kumbha indriya-lagna] [conserving-entreasuring dhanesha for Kumbha indriya-lagna] [multiple systematic personality attributes] [embodiment of interconnected philosophical beliefs] [identified with understanding of assemblies] [iconic personification of marketplace worldview] [personality exemplifies collectivist ideology] [paragon of economically indoctrinated cheerfulness] [preacher-and-teacher may deliver proletarian wisdom] [expansive speaker-storyteller with a vast social network] [lagnesha + karmesha = high visibility priest or theorist] [dhanayoga Guru-1 rules 2 + 11 = abundant capitalized earnings] ... [imaginative-guiding Shatataraka-4] [navamsha Guru-Meena] intuitively expansive broad-scope philosophical visionary imagination
OUTCOMES - GURU Kuja + Shukra + Guru + Rahu occupy 5th from Chandra
[Guru in bhava-1] rules
Money-maker Guru typically enriches the Kumbha-born PDCC
His HNWI status has endured for decades.
PDCC remains firmly a member of the HNWI super-earners category in the music industry. [Shukra] svadu-karaka [sweet] kalatra-karaka [wifely companion] [yogakaraka believing-guiding dharmesha for Kumbha indriya-lagna] [yogakaraka homebound-anchoring bandhesha for Kumbha indriya-lagna] [gainfully arranging personality] [economic integrity in negotiations] [graciously balanced friendly appearance] [electrically attractive physical embodiment] [valued relationships within scientific community networks] ... [transformational-secretive Dhaniṣṭha-4] [navamsha Shukra-Vrischika] intuitively harmonious penetrating invasion
OUTCOMES - SHUKRA Kuja + Shukra + Guru + Rahu occupy 5th from Chandra
Genesis 1951- songwriter drummer Phil Collins Shukra activates Collins = master of the lyrical fantasy dirge. Topics of private [12] narrative of relationship disharmony [12] + bedroom culture, private imagination, dreams + conditions and persons adversarial [6th] to agreement [7th] [Shukra-1] activates
[Shani] duro-karaka [endurance] * jara-karaka [Jahre, years] [energizing-identifying lagnesha for Kumbha indriya-lagna] [researching vyaya-pati for Kumbha indriya-lagna] [staunch resistance to change of complaint status] [imposes chronic argumentation due to undisclosed grievance] [contested legitimacy of hidden assets] [burderned by service-class in-laws] [must regulate dangerous servants] [imposes normal social inequities during times of catastrophe] [camouflaged dry hardening of intestinal flow] [intimidated by toxic hidden forces] [obliged to keep medical secrets] [must hide old disagreements] ... [fantasizing-conceptual Uttaraphalgunī-4] [navamsha Shani-Meena] intuitively class-conscious disciplined visionary imagination
OUTCOMES - SHANI [Shani in Bhava-8] rules
Shani lagnesha rules Kumbha-1 = theatrical 5th-from-Chandra
The chronically dissatisfied and criticizing 6th-from-Shani contains a remarkably powerful Kumbha cluster in bhava-1
[Rahu] rajyalobha-karaka [ambition] picchala-karaka [slippery] [svakshetra] [for Kumbha indriya-lagna] [Rahu-1 casts passionately unique individualizing drishti into 5-7-9] [1, crowd-electrifying personality, proletarian outsider attitude, clever networker, shrewdly connected associations, average physical appearance, exceptionally charismatic, creative or political, may also be exceptionally wealthy depending upon Guru] ... [collaborative-publishing Purvabhadra-3] [navamsha Rahu-Mithuna] intuitively over-reaching passion for collaborative writing management teamwork
OUTCOMES - RAHU Kuja + Shukra + Guru + Rahu occupy 5th from Chandra emotionally-driven dynamic, direct, competitive, innovative creativity = extraordinary, ambitious, taboo-challenging creativity Risk-rewarding Rahu = resides in svakshetra Kumbha=1 Rahu amplifies the rulers of 2 + 3 + 3 + 9 + 10 + 11 [Ketu] kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum] [for Kumbha indriya-lagna] [dispersed engagement with creative partnership] [dissolution of political advocacies] [surrenders celebrity alliances] [forgives broken romantic promises] [abandons unsustainable speculative arrangements] .... [believing-optimistic Uttaraphalgunī-1] [navamsha Ketu-Dhanus] intuitively distancing witness detached philosophical inspiration
OUTCOMES - KETU
|
||
[How Readings Work] [Sample Sacred Jewels Ratna Recommendationn] [Seva] |
[Copyright © 1994-2024 by Barbara Pijan Lama] [Contact] [How to Request a Jyotishavidya Reading] Barbara Pijan Lama Jyotishavidya Vedic Astrology Surya Sun Chandra Moon Mangala Mars Budha Mercury Guru Jupiter Shukra Venus Shani Saturn Rahu Ketu Graha Planets Dasha Timeline Calendar Nakshatra Navamsha Marriage Children Treasury Career Spiritual Wisdom Cycles of re-Death and re-Birth The information on barbarapijan.com , including all readings and reports, is provided for educational purposes only. Wishing you every happiness and continuing success in studies! |