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EP in high school in Mississippi COHORT father of
husband of
born 9 months after
born four months after
born 7 months before
born 10 months before
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Singer Songwriter Musician Cinema dramatist Rockabilly Cultural Icon "Elvis the Pelvis" Earth-birth Tuesday-08-Jan-1935 dematerialization 16-August-1977 [age 42] ![]() eulogy for Elvis Presley, delivered by POTUS-39 Talking Peace 1924- Jimmy Carter " Elvis Presley's death deprives our country of a part of itself. He was unique and irreplaceable. More than 20 years ago, he burst upon the scene with an impact that was unprecedented and will probably never be equaled. His music and his personality, fusing the styles of white country and black rhythm and blues, permanently changed the face of American popular culture. His following was immense, and he was a symbol to people the world over of the vitality, rebelliousness, and good humor of his country." |
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Rockabilly musical entertainer songwriter dramatist 1935-1977 Elvis Aaron Presley
birth data from https://en.wikipedia.org/wiki/Elvis_Presley
tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = produced by Shri Jyoti Star - adapted by BP Lama |
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Rising Nakshatra Masculine Nativities Jyeṣṭha - Antares - Kita - Thrikketta BPL commentary For Jyeṣṭha births of a masculine valence, the condition of conversational, discursive, explanatory, instructional, argumentative, commercializing, evangelical Kumara may considerably affect the outcome. For those born into the Budha-ruled paradigm of Varta, siblings, cousins, schoolmates, bandmates, team-mates, entourage, ensemble, neighbors, managers, cohort, coterie, collaborative group, publishers, messengers, merchants, commercial agents, reporters, writers, scripts, plans, schedules, instructions, radio-television-internet, news-media, conferences, committees, discussions, travel itineraries, and texts may be especially influential. Instructional guidance is provided by emissaries from the civilizations of Antares. Their purpose is to communicate a forceful, dynamic, healing regeneration cycle via sexual energy transfer and discovery of secrets. Penetrating Communications [Budha] -ruled Jyeṣṭha gentlemen are typically outspoken, incisive and decisive, competitive, descriptive, and energetic communicators. Thrikketta-born maintain a deep sense of mental seniority. Capable writers, Ketta men are quick-witted and skilled in handcraft. Articulate and pro-active to the point of verbal aggression, they find a ready audience on topics of a mysterious, apocryphal, hidden, or forbidden nature. Thriketta fellows may be handlers of secrets of a sexual, psychological, political, military, engineering, or financial nature. Masters of verbal control and manipulation, Zakra chaps are often found in politics. Due to the influence of nakshatra-pati Budha, often Jyeṣṭha -born use words to manage an ever-transforming experience of power. In the process of channeling these mysterious and compelling kinetic energies, Thriketta men may engage in sexual intrigue and dangerous liaisons. Ketta-born are natural psychologists. Jyestha can become transformative healers when their sexual energy consciousness evolves. Themes of verbal contest, sexual energy transfer, and healing discovery may contextualize Jyeṣṭha 's terrestrial experience. Also applicable to Chandra in Jyeṣṭha - Antares |
QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra .p 85 " A dark and sensitive nature ...
On the surface they are respectable, law abiding citizens, ostensible church-goers,
Smooth, oily, and suave to all appearances,
Teenage Elvis in 1950's, before his manager convinced EP to wear black hair dye |
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" American pop singer, one of the most famous entertainers in modern history whose notoriety became worldwide. With a carnal sneer and a Memphis bop-suit, he swiveled across the stage on hot-wired legs. He had 107 top-40 hits (more than twice the total of the Beatles) and 41 gold LPs, the most successful recording artist ever . EP's persona touched billions of fans, and years after his death, he is still an icon with a huge following.
His records continue to sell at a $7 million-per-year clip, his
33 films still spin off the racks of video stores, and some 150 licensed products bearing his name or image account for $50 million in retail sales annually.
His fans still visit his Memphis home, Graceland."
quoted verbatim from
https://www.astro.com/astro-databank/Presley,_Elvis
BPL comments
Elvis and Religious Music
EP served as a powerful icon of American social change by integrating into a single dynamic personal music-and-dance style,
the historic African rhythms of southern American
blacks with the Appalachian rhythms of southern Bible-Belt whites.
As well, EP conjoined the
sacred and secular music strands of rural Christian culture
(Ketu-9 disregard for doctrinal boundaries).
His music set a cultural precedent for the USA Civil Rights movement
which was soon to be spearheaded by USA Civil Rights 1929-1968 Rev.
Martin Luther King
EP's parents-to-be in Tupelo Mississippi, in the Depression Year of 1933. EP's 20-year-old mom worked in a garment factory. His dad was a 17 year old sharecropper who was convicted of bank forgery and served 18 months in prison during EP's childhood.
Elvis in the Whitehouse approximately 1972, hanging out with POTUS-37 Watergate 1913-1994 Richard Nixon. Nixon was an accomplished pianist and music aficionado with a love of creative performance. He met Pat at a community theatre singing audition.
Elvis performing in the final era before his untimely demise, beset by drug toxicity and symptomatic obesity, colon distension, + dental decay [Shukra-yuti-Rahu] occupies the retreating, dissolving, invisibility-seeking 12th-from-Chandra * emotional dissolution via drugs Nishturabashi Yoga in bhava-4 parents-home * also " police badges" Chandra-4 protection of home area * he belonged to the local volunteer police annex
Elvis and Drugs
" .. he always carried a kit of medications that included Dexedrine,
Percodan, Seconal, Nembutal, $10,000 in cash, his drivers license, makeup, jewelry, police badges and some pictures."
quoted from
www.astro.com/astro-databank/Presley,_Elvis
Bodyweight Crisis
"Later in life due to poor eating habits his weight soared to 250 lbs.
He wrapped himself in Saran Wrap before dressing to look slimmer, but this just made it more difficult to breathe."
quoted from
www.astro.com/astro-databank/Presley,_Elvis
Fatal Toxicity
"There were many prescription drugs found on the premises and in his system.
The
... autopsy found EP's liver bloated and his colon to be stretched to twice its normal size,
due to a buildup up of chalky white fecal matter, both signs of severe drug abuse.
The toxicology report found toxic levels of codeine, Quaaludes and six other drugs in his system."
quoted from
www.astro.com/astro-databank/Presley,_Elvis |
Biographical details matched to Vimshottari dasha timeline
[Rahu Mahadasha] [age birth until age 14 Tues-08-Jan-1935 Earth-birth in Tupelo, Mississippi, USA * Rahu-Guru bhukti * Brihaspati activates 2-voice-face +5-celebrity[Guru Mahadasha] [age 14 until age 30 late 1954 [EP age 19] first popular + profitable recording That's All Right * Guru-Budha bhukti * Budha labha-pati-11 26-Mar-1956 [EP age 21] EP signs exclusive contract with music manage-promoter Colonel Tom Parker (a.k.a. Andreas Cornelis van Kuijk) * Guru-Budha bhukti * Budha labha-pati-11 Mar-1958 [EP age 23]drafted into US Army + ships out to US military base in Germany * Guru-Shukra bhukti* Shukra ruler-of-12 distant lands 14-Aug-1958 [EP age 23] grieved the decease of mother * Guru-Shukra bhukti 13-Sep-1959 *[EP age 24, PBP age 14] EP meets American teenager Priscilla Beaulieu at a party while stationed in Germany. * Guru-Shukra bhukti [Shani Mahadasha] [age 30 until decease age 42 Jan-1964 until Dec-1966 = Janma Sade-Sati Kumbha -4 01-May-1967 [EP age 32, PBP age 22] 9:41 am, Las Vegas NV * consecration of marriage-1-of-1 with Priscilla Beaulieu Presley * Shani-Shani svabhukti +++ dvithiya Sade-Sati - R-K gochara Mesha-Tula ++ 01-Feb-1968 [EP age 33] celebrated the birth of child-1, Lisa Marie Presley - Shani-Shani svabhukti +++ dvithiya Sade-Sati * Shani activates Chandra-Shani 1971 [EP age 36] marital separation * Shani-Ketu bhukti Aug-1972 [EP age 37] divorce property settlement concluded 09-Oct-1973 [EP age 38] final divorce decree * Shani-Shukra bhukti* Shukra yuvati-pati-7 property, Shukra rogesha from 7 divorce 1975 [EP age 40] surgical facelift procedure * Shani-Surya bhukti * karmesha public appearances Surya-2 face 16-Aug-1977 2:50 PM CDT, Memphis, TN [EP age 42] dematerialization via heart failure following toxic colon * Shani-Chandra bhukti |
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Distinctive Features of the Nativity
[Surya] pitri-karaka (father) * jyoti-karaka (light) [dutiful-hierarchical karmesha for Vṛścika indriya- lagna] [recognizable bright face-eyes] [brilliantly regal belief-based reputation] [creatively confident in doctrinal public speaking] [ideological understanding of finance] [respected for enunciation of sight-sound-truth values] [father may be philosophical warehouser-collector-financier] [recognizable bright face-eyes] [brilliantly regal reputation] [confident public idealism] ... [mysterious-revealing Pūrvāṣāḍhā-4] [navamsha Surya-Vrischika] intuitively confident mysterious secret empowerment display
OUTCOMES - SURYA FATHER Dad = a struggling young sharecropper. Dad spent 18 months in prison during EP's childhood EP's Dharmesha-9 Chandra activates Ketu-9 but Chandra occupies 6/8 from pitristhāna = father. As EP's commercial success expanded, Dad became road manager of EP's entertainment entourage. Pitrikaraka Surya karmesha ++ Surya yuti vriddhi-pati Budha = Dad's engagement with EP's career (10) and EP's earnings (11) Ketu-9 suggests a distancing behavior which causes Dad to wander. Parents as a Team Nishturabashi yoga, holds an awkward shad-ashtaka 6-8 angle from the absentee father-figure represented by [Ketu in classroom-9] The parents would appear to have been troubled by harsh conditions in their own childhoods, insufficient resources in the home, and fear of social criticism (Shani-yuti-Chandra). Yet Surya-and-Chandra occupy a relative 3-11 angle, suggesting that they were friendly toward each other, cooperative on shared projects (3), and grounded deeply into their local speech values (Surya-2) and agricultural routines including worship (Chandra-4). OUTCOMES - SURYA Surya-Pūrvāṣāḍhā = music-entertainment, often with a sacred, doctrinal element karmesha-10 Surya-2 brought the public eye into bhava-2 music, singing, face, voice Karakamsha = bhava-2 singing . Dhanasthāna contains the musically entertaining charisma + center-stage dynamism Dhanus-Pūrvāṣāḍhā Surya +++ the somewhat doctrinal and mystical messaging of Uttarāṣāḍha-Dhanus Budha (8-11). 2 = speech, song, face, teeth-jaw, hair, money, food stores, hoards of all kinds, family history, historical cultural values of one's people. Elvis was famous for all of these attributes. vriddhi-pati-11 Budha-2 yuti karmesha-10 Surya is a substantial Dhanayoga which became activated during his Guru-Budha bhukti age 19 [Chandra] matrikaraka (mother) * garha-karaka (village) [dikbala] [svabhava] [philosophical-doctrinal dharmesha for Vṛścika indriya-lagna] [comforted by stable habitual friendship networks] [culturally sensitive to fixed marketplace systems] [needs regulated pulse of lawful associations] [protector of the reliable old fayres and mela gatherings] [emotionally aligned to massive local assemblies] [environmentalist feelings attuned to atmospheric electric deva] [anchoring mother may be schoolteacher-householder-local socialite] ... [inspirational-believing Varuna-1] [navamsha Chandra-Dhanus] intuitively sensitive inspirational-guiding
OUTCOMES - CHANDRA CAREER - 10th-from-Chandra MOTHER Mom = garment factory worker, home-maker, church member Soma is deeply oppressed by Shani in childhood home = bhava-4
Chandra occupies a shad-ashtaka 6-8 challenge-angle from both Ketu-9 (father) and Mangala-11 (Elvis) suggesting that the mother was not always in alignment with her son's father or her son Mother = generally holds a conventional doctrinal belief paradigm = customary Chandra = Dharmesha-9 Mother would have had an absentee father or father is incoherent or ill, Ketu-9 occupies [6th-from-Chandra] ruled by Chandra. Likely both of mother's parents somewhat afflicted by poverty and illness. HEALTH - connective tissue EP is retrospectively considered to have suffered from a connective-tissue disease. [Somana-yuti-Shani Kumbha - skin, nerves, gridworked tissue fabric] Shani desiccates, resource-deprives, and retards growth. In early life, the weakly connected tissues produce exceptionally loose, flexible joints, such as distinguished EP's hip-swinging dance moves. As the person matures and the tissues disconnect without rebuilding, movement becomes deeply painful. The inner surfaces such as digestive organs then lose plasticity. His mom [Chandra] had a chronic pain disorder, and EP likely inherited the condition. It is considered to have contributed to or even primarily motivated the complex of iatrogenic over-medication which caused EP's untimely decease. Emotions, Childhood and Vehicles Chandra ruled by Rahu, receiving Parashari drishti of Guru-12. Expansive blessings of homes and vehicles. Elvis was known for his mansion, luxury cars, and private aircraft. Nishturabashi yoga is somewhat neutralized by Guru-drishti but the electro-magnetic emotional issues remain. [Shani-4] * Śaśaka Yoga * typically loyal and persistently dutiful toward the parents and the homeland. Shani activates 3-commerce, touring ++ 4-home-culture Chandra produces a host of emotional conflicts and deep responsibility [Shani] to protect (4) the Old Ways Chandra in bhava-4 [dikbala] Eccentric but not intellectually activated [Chandra in Sadachbia - Varuna] calmed by mixed networks * protectors of universal mingling * soothed by risky marketplaces * needs to make expedient social connections * indicates one who is scientific and intuitive and often in connection with extraterrestrial intelligences, albeit the awareness may be socially oppressed. Elvis was famed for his occult interests but also for his perceived inability to ask for the information he sought, except by passively absorbing easy-reader books for the popular market. MARRIAGE partnership emotional equity support expectations [7th-from-Chandra-4] lifepartner alliance-1-of-1
Since PBP's age 15, she and EP had shared a home in Memphis, TN. Sade-Sati Marriage EP was not monogamous and EP had no stated intention to marry. However, his career manager felt the pressure of public opinion to be mounting. In response, EP undertook the duties of legal marriage in a quickly staged hotel room ceremony. Shani-Shani svabhukti +++ dvithiya Sade-Sati According to biographers, music manage-promoter Colonel Tom Parker issued the command for a photographed wedding ceremony to be undertaken for purpose of meeting public expectations . Orchestrated in a rented function-room of a casino hotel. the brief publicity event was attended primarily by invited press-workers from newspaper, magazine, and television media. [7th-from-Chandra-4] = karmabhava-10. Conventional, socially beholden 10 receives drishti of Shani-Chandra-Rahu, suggesting the instrumental (Rahu-3-publicity) and obligatory [Shani] and customary [Chandra] nature of the alliance avowal. QUOTATION from https://www.astro.com/astro-databank/Presley,_Elvis
Interpersonal compatibility and friendship * EP + PBP Both partners' radical Chandra placements occupy Rahu-ruled nakshatra = substantial mutual understanding and friendship PBP's Chandra-Svatika provides an emotional compatible match for EP's Chandra in Sadachbia - Varuna .Their relationship was said to have remained mutually sentimental Still, Somana-yuti-Shani * nishturabashi yoga * produces guilt in regard to behavior that is apprehended as obligatory or required. According to the autobiographical writings of Graceland 1945- drama-homeware Priscilla Beaulieu Presley, the sexual intimacy of the union ceased within a few months of the ceremony. A divorce dud transpire, but there was no public shaming-scandal. Marriage dignity is protected via [7th-from-Chandra-4] = karmabhava-10. [community-connected Chandra-Kumbha] rules the indebted, adversarial, contentious, conflicted, remedy-seeking, medical, military, polluted, unbalanced, contract-breaking, disappointing, ministry-of-service [6th-from-Chandra] . For this reason, Chandra-Kumbha can be associated generally with indebtedness whether financial, emotional, or general cultural guilt nishturabashi yoga tends to show a pattern of guilt regarding the parents, particularly the mother, toward maintaining the routines of the ethnicity, toward the ancestral rhythms and habits. One may feel required to offer protection and security to others but the sense of obligation feels restrictive and often leads to emotional distress OUTCOMES - CHANDRA CAREER - 10th-from-Chandra [10th-from-Chandra = discovering Vṛścika indriya-lagna] Home-base - Chandra in classroom-4 [dikbala] Chandra-4 almost invariably builds its base close to the cultural roots. Although a nationally recognized entertainer in the popular music and cinema industry, EP did not shift his home-base to Los Angeles or New York as was usually done. EP stayed in his southern-roots regional hub, Memphis Tennessee Personal habits, Emotional Isolation, Self-Protection Eccentric Chandra in Sadachbia - Varuna compounded by Shani
BPL note: Shani-4 or Shani drishti into 4 may result in nightworker jobs. [Kuja] bhratru-karaka (brother) * virya-karaka (virile) [energizing-identifying lagnesha co-ruler of Vṛścika indriya- lagna] [inimical-medicating rogesha for Vṛścika indriya- lagna] ... [managing-tactile Hasta-3] [navamsha Kuja-Mithuna] intuitively physicalized championship communications
OUTCOMES - MANGALA Mangala in bhava-11 activates 1-physical body ++ 6-addictions, exploitation, divorce Kuja-11 provides empowered action in economically profitable roles actively engaged with large assemblies, fan clubs, community networks, social-participation (11) Mangala-movement = ruled by karmesha atmakaraka Budha communications-messaging. [Rahu in bhava-3] opportunistic drishti to Mangala-11 amplifies the themes of thrilling movement, large groups, Mangala-Kanya emphasizes the appeal to the exploited classes. rogesha-6 Mangala = a sexualizer which framed EP's reputation as a hip-swinging provocateur.(Rahu thrilling provocation) Although wildly popular with younger generations during his heyday, EP's behavior was deemed criminal (6) by the punitive judgment of the older generation of cultural-guardian southern folk. Strictly Sober Shani (elder, rigid) is typically threatened by Mangala (younger, movement). Furthermore, Shani occupies 6th-from-Kuja.
Mangala Sexual behavior occupies 6/8 from Chandra emotional stability, needs BPL commentary: the childlike younger-partner-attraction phenomenon is often linked to drug-alcohol abuse, as the native stops maturing emotionally when the substance misuse begins. By this measure, Elvis' drug addiction can be traced to his Shani opposition aged 14 during Rahu-Mangala bhukti where Mangala rogesha-6 indicates addictions and which would have exacerbated his Nishturabashi yoga feelings of emotional isolation and resistance to maternal nurturing. Guru-drishti into Kumbha helps to neutralize the poverty and parochialism of Chandra-Shani-4 but does not alleviate the emotional isolation. [Budha] jamayah-karaka (sibling) * sandesha-karaka (message) * shisya-karaka (student) [mysterious-revealing randhresha for Vṛścika indriya- lagna] [friendly-economic vriddhi-pati for Vṛścika indriya- lagna] [Dhanayoga Budha-2 rules 11] ... [optimistic-dogmatic Uttarāṣāḍha-1] [navamsha Budha-Dhanus] [vargottamsha] intuitively explaining describing principled theoretical inspirational beliefs [Atmakaraka writing, event-planning, tours, scheduling, schematics, communication, cinema] [Budha ashtangata harana]
OUTCOMES - BUDHA [bantering Budha-2 activates the opinionated Jyeṣṭha radical lagna] randhresha-8 atmakaraka Budha-yuti-Surya suggests the hidden, writhing, cataclysmic power of the message. [Guru] dhava-karaka (husband) * bahuta-karaka (variety) [vocal--traditional Viśākha-2]
[Guru Mahadasha] [age 14 until age 30 Generous Guru activates 2-music, voice, face +++ 5 entertainment, artistic creativity, romantic idealism, fun EP began recording music in Nashville during his 19th year, Guru-Budha bhukti. His success in sales of musical recordings, cinema acting, and live performance touring remained spectacularly high during most of Guru Mahadasha. Fantasy Figure EP's gyrating, low-moaning songs filled a fantasy role for many romantic fans. EP's lyrics often referred to bedroom delights, dreams, and private pleasures. Guru in bhava-12 ruled by Rahu-yuti-Shukra in publications-3 [Shukra] svadu-karaka (sweet) * kalatra-karaka (wifely companion) [bargaining-balancing yuvati-pati for Vṛścika indriya- lagna] [contemplative-imagining vyaya-pati for Vṛścika indriya- lagna] ... [networking-collectivist Uttarāṣāḍha-3] [navamsha Shukra-Kumbha] intuitively harmonizing proletarian collective esthetic
OUTCOMES - SHUKRA [Shukra-Makara-Draco] +++Rahu = handsome bone structure [Shukra] + risky relationships [Rahu] Shukra yuvati-pati-7 and ruler-of-12 distant lands * met PBP wife in a distant land (12, Germany) wifely-companion was originally EP's underage (14 yr old) schoolgirl lover. EP was a promiscuous man who favored much-younger girls and short-term liaisons [Shukra-yuti-Rahu] . EP's primary attachment had been to his chronically ill and emotionally turbulent mother. Following her decease, he sought no replacement nishturabashi yoga. EP was essentially forced by his boss to marry the beautiful young Priscilla Beaulieu for reasons of social decorum and to generate publicity. He was 32 and she was 22. According to PBP, their sexual relationship ended after she became a mother (Elvis was interested only in girls). PBP developed a successful, long-lasting career in drama and fashion as indicated by EP' [7th-from-Chandra-4] Kumbha = Simha entertainments. QUOTATION from BV Raman, 300 Combinations 241.
Bhagya Yoga
Definition.
Results. The subject will be
[Shani] duro-karaka (endurance) *jara-karaka [Jahre, years] [Śaśaka Yoga] [svakshetra] [collaborative-communicative sahaja-pati Vṛścika indriya- lagna] [homebound-anchoring bandesha for Vṛścika indriya- lagna] ... [brokering-bargaining Dhaniṣṭha-3] [mulatrikona] [navamsha Shani-Tula-uchcha] intuitively structured regulatory class-conscious negotiating arrangements
OUTCOMES - SHANI [Shani-Kumbha] -4 * mulatrikona * hard worker, disciplined in home and transportation environments, follows orders [Shani Mahadasha] [age 30 until decease age 42 Shani Mahadasha saw a gradual decline in EP's once-super-celebrity. EP's his married-with-child status which began during Shani-Shani svabhukti inhibited the dreamy fantasy attractions which had been so powerful during Mahadasha of Guru-12. The excitement of EP's race-mixing regional American style lost its provocative vigor (Shani lost energy) as the new trending international rhythms-and-themes of Beatles et al overtook the younger generations. After ten years of fighting the exhaustion of constant touring, divorce, and over-management [Shani] rules 3-management , EP's charm was waning. According to the birth time from the Tupelo public records birth certificate, decease Shani-Chandra bhukti. [Rahu] rajyalobha-karaka (ambition) * picchala-karaka (slippery) [for Vṛścika indriya-lagna] [Rahu-3 casts passionately publishing mercantile drishti into 7-9-11] check Shani for defining source of Rahu's social-rank positioning [passion to publish legitimate institutional narratives] [over-reaching use of formally structured conventional details] [may push the boundaries of regulatory policy discussions] [exciting scripts follow lawful announcement protocols] [normalized ambition for socially approved information delivery] [fascinating appearance of hands-arms-shoulders may elevate the social position] [mirage of ordinary management masks taboo-breaking business process] ......... [dreamlike-fantasizing Uttarāṣāḍha-4] [navamsha Rahu-Meena]
CAREER = RAHu [Rahu in bhava-3] Manager, Promoter, Chief of Entourage - Colonel Tom Parker The Master Manipulator during EP's entire career was "The Colonel"
A tightly controlling music promoter who was operating under various aliases, Andreas Cornelis van Kuijk (a.k.a. Parker) was a Dutch national running from polarizing conflict in his homeland. [Surya-yuti-Budha] randhresha-8 identity obscuration. The military title was insinuated from a non-existent militia which was itself a political fabrication of a politician. Rahu insinuation.
Rahu-yuti-Shukra * amplifies music, beauty, women, treasuries Rahu dramatically amplifies Shukra-Makara-Draco ruler of 7-contracts ++ 12-clandestine arrangements, hotels, undercover operations The Colonel = reckoned to have siphoned a considerable portion of EP's creative-performance income, via both legal contracts (7) and shady dealings (12). Exciting, culturally transformative =.Voice-Face-Song
Rahu-yuti-Shukra gives strongest amplification to handsome Makara Shukra. barrier-bending, taboo-twisting Rahu produces the "sweet marriage" and "bedroom fantasy" effect which made young girls swoon over Elvis during his performances and when listening to his recordings. [Rahu in bhava-3] provocative love songs, thrilling lyrics Shukra song-writing
[Shukra-yuti-Rahu] share Uttarāṣāḍha-Makara within one degree (although in different pada)
Music, barrier-bending, taboo-twisting , and Relationships with Women [Shukra-yuti-Rahu] within one degree, in Uttarāṣāḍha-3-4 suggest compelling artistic ability for breaking racial boundary taboo via music and dance Mix and Mottle * Fascinating, Boundary-Blurring Rahu + Sultry Shukra EP's religious hymn singing and his (more dominant) secular musical gyrations poignantly mixed the historic African rhythms of the black south with the white-folk ballads of the European immigrants. EP's rockabilly style was either adored or abhorred, His charisma was so powerful that everyone responded to him in some way.EP is considered sociologically to have been a cultural ice-breaker and artistic predecessor of the sentiments which created Civil Rights for all races and Women's Rights. Commentators opined that with his throaty, moaning voice and swinging hips reminiscent of women's dancing, Elvis also helped to feminize the stiff, masculine, unyielding style of singing-and-dancing so characteristic of self-righteous American bourgeoisie in his day. Elvis recorded considerable amounts of devotional Christian folk music. Yet much of his on-stage performance was overtly unorthodox [Rahu] and flew in the face of conventional race-class-gender morality. At a private level, it is said that he was sexually promiscuous to a remarkable degree - before, during, and after marriage and that he favored much younger partners. [Ketu] kavandha-karaka (headless) * chidra-karaka (gaping) * vasana-karaka (vacuum) [lagnesha * co-ruler of Vṛścika indriya- lagna] ,... [helpful-calculating Pushya-2] [navamsha Ketu-Kanya]
OUTCOMES - KETU Chandra-4 rules [Ketu in classroom-9] EP professed a deeply personal religiosity imbued in him (he said) by his mother. Chandra dharma-pati but Ketu-9 also, and Chandra occupies 8th-from-dharmasthana = beliefs.
Ketu occupies emotionally sourced ailments-addictions = [6th-from-Chandra] " EP's mother suffered from depression and took medications for this and for her weight problem. As a young man he started to take his mother's diet pills and antidepressants." quoted from www.astro.com/astro-databank/Presley,_Elvis |
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