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COHORT born 7 months after
born 5 months after
born 1 month after
born five months before
born 8 months before
acting mentor, friend, and neighbor to
friendships with
Shirley MacLaine, 1950's |
Shirley MacLaine c. 1956 [SM age 22] Shirley MacLaine in 2012 [SM age 78] Dramatic actress Metaphysical topics Writer Political Activist Teacher-Trainer Radio Host Dancer - Choreographer Cinema Director Artistic Producer a.k.a. Shirley MacLean Beaty earth-birth Tuesday-24-Apr-1934 |
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dramatist of stage and screen autobiographical author businesswoman dancer fashion model political activist occult writer 1934- Shirley MacLaine birth data from https://en.wikipedia.org/wiki/Shirley_MacLaine tentatively rectified by BP Lama Jyotishavidya charts + graphs + tables = generated by Shri Jyoti Star - www.vedicsoftware.com - adapted by BP Lama |
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Rising Nakshatra Feminine Public-Figure Examples Pūrvāṣāḍhā - Apah Asadhash - Pooraadam - Purvasharha - Ambudaiva BPL COMMENTARY For Pūrvāṣāḍhā births of a feminine valence, the condition of sweetly musical, artistic, harmony-seeking, negotiating, balancing, arranging, designing, matching, pairing, sensually pleasuring akarshana-karaka Bright Beautiful Bhrigu may considerably affect the outcome. For those born into the Shukra-ruled paradigm of Ambudaiva, feminine figures such as sisters, aunts, and wives, along with partnerships, sensual pleasures, arrangements, valuation, pricing, equity, bargains, trades, treaties, trusts, adjustments, justice, finance, artistic beauty, treasuries, alignment, attunement, harmonies , and music, may be especially influential. Instructional guidance is provided by emissaries from the civilizations of Sinnuntu. Their purpose is expansion of inspirational beauty and melodious sound. Inspirational diplomatic grace Feminine births in Pūrvāṣāḍhā carry a special benevolence for music, beauty, treasuries, ornaments, design, and gracious relationships. Pūrvāṣāḍhā ladies are often dramatists, musicians, and entertainers. Often, they sing beautifully and play stringed instruments. They love to travel and serve as a muse to creative partners. Feminine births in Asadhash tend to benefit from the sweetness and relationship orientation of Shukra. In addition to Shukra endowments in diplomacy, beauty, and finance, they may be splendid singers, theatrical designers, and graceful fashion models. Pūrvāṣāḍhā are often lyricists and poets, with a gift for playing many instruments. Their tonal arrangements may appeal to everyday folks. These ladies are self-indulgent and pure of heart. Brihaspati represents their typically generous husbands and their characteristic faith. Typically, apah-born are attracted to sacred doctrine. Guru-influenced humanism and compassion often expands the range of inspirational roles that benefit women, musicians, and creative artists. Their complexion may feature a Guru-golden glow. Like all Shukra-governed births, Apah-born must take care to avoid the misuse of drugs and alcohol. Ambudaiva's true purpose is inspirational guidance which leads to natural states of balance and pleasure. Yet, Shukra's sweet-seeking may also attract the false balance of intoxication. Themes of generous arrangements, affluence, favor, harmony, blessing, beauty, artistry, and luxurious indulgence may contextualize Apah's terrestrial experience. Applies also to Chandra in Pūrvāṣāḍhā - Apah |
QUOTATION from Shil-Ponde. (1939). Hindu Astrology Joytisha-Shastra . p 99 " Lovely eyes set in a beautiful face,
She is also to be distinguished by the small well-proportioned feet. She has a generous positive character and should be successful in some occupation
She is apt to have been born in an influential family." [end quote]
1983 Out on a Limb = first top-selling book written by Shirley MacLaine
MacLaine: "Fame is a false god. Talent and hard work are not." |
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![]() Biographical events matched to the Vimshottari Dasha timeline
[Shukra Mahadasha] [age birth until age 14.4] Tues-24-Apr-1934 Earth-birth in Richmond, Virginia, USA * Shukra-Chandra bhukti Feb-1937 until Apr-1939 Shani Ashtamsha via Meena [5] [Surya Mahadasha] [age 14.4 until age 20.4] Jul-1948 until Sep-1950 Janma Sade-Sati Simha
1953 [SM age 19] first Broadway dance role within the chorus line * Surya-Budha bhukti * Budha-5 theatre rules 11-goals, revenue 17-Sep-1954 [SM age 20] consecration of marriage-1-of-1 with entertainment producer, S. Parker * Surya-Shukra chidradasha ++ samchara Rahu-Ketu via Dhanus-Mithuna contact Dhanus svamsha [Chandra Mahadasha] [age 20.4 until age 30.4] 1954 [SM age 20] selected for dramatic role by prestigious cinema director Alfred Hitchcock. Winning many awards, this role kick-starts SM's seven-decade performance career. * Chandra-Chandra bhukti * Chandra rules 9-patronage 1955 [SM age 21] with financial proceeds from the prize-winning role, SM buys an apartment building. Here, she and many other dramatists will live safely for more than 60 years * Chandra-Mangala bhukti * Mangala lagnesha rules 4th-from-Chandra security 01-Sep-1956 [SM age 22] celebrated the birth of child-1, Stephanie Sachiko Parker * Chandra-Rahu bhukti 1960 [SM age 26] husband S. Parker, along with her toddler daughter, move to Japan during an amicable marital separation [not divorce] * Chandra-Shani bhukti * Shani rules 12th-from-7th-from-Chandra * Shani distancing, but Shani rules 3 business [Mangala Mahadasha] [age 30.4 until age 37.4]
Apr-1966 until Jun-1968 Shani Ashtamsha via Meena [5] Dec-1970 [SM age 36] following a California State Supreme Court decision, SM wins exemplary lawsuit against Fox Studios for breach of employment contract [still in law-school casebooks] Her tenacity is praised by dramatists nationwide * Mangala-Surya bhukti * Surya rules 10-public law * Makara R-K return [Rahu Mahadasha] [age 37.4 until age 55.4] 1972 [SM age 38] celebrated political-literary publication McGovern: The Man and His Beliefs SM's first book initiates her multi-decade writing career * Rahu-Rahu svabhukti * Rahu-3 passion for publication 1975 [SM age 41] inspirational-genre literary publication: You Can Get There from Here * Rahu-Guru bhukti * [Guru-11 parivartamsha Budha-5-nicha] Budha publications 1977 [SM age 43] legendary cinema performance in The Turning Point wins high accolades * Rahu-Shani bhukti * [Shani-yuti-Shukra] Shani- rules 3-cinema + dvadasa Sade-Sati Sep-1977 until Nov-1979 Janma Sade-Sati Simha
1982 [SM age 48] inspirational-genre literary publication: Don't Fall Off the Mountain * Rahu-Budha bhukti * Budha-5 publication 09-Dec-1982 [SM age 48] legal divorce. Near the 29th wedding anniversary [Shani-return] it came to SM's attention that her long-estranged husband had slowly [Shani] bilked millions of dollars from her accounts , all the while maintaining a pleasant social facade of lawful contractual partnership [Shani-yuti-Shukra in 7th-from-Chandra] * Rahu-Ketu bhukti * Ketu chidrakaraka May-1983 [SM age 49] autobiography Out on a Limb recorded SM's psychic experiences and details of her intimate relationships. The book was controversial yet exceptionally successful financially * Rahu-Shukra bhukti * [Shani-yuti-Shukra] Shani rules 3 ++ Shukra rules 3rd-from-Chandra 09-Apr-1984 [SM age 50] Academy Award bequeathed for acclaimed cinema role = Terms of Endearment * Rahu-Shukra bhukti * [Shani-yuti-Shukra] Shani rules 3-cinema ++ Shukra rules 3rd-from-Chandra 1985 [SM age 51] publication of best-selling metaphysical autobiographyy Dancing in the Light * Rahu-Shukra bhukti * [Shani-yuti-Shukra] Shani rules 3-cinema ++ Shukra rules 3rd-from-Chandra Jan-1987 [SM age 53] grieved the decease of Father * Rahu-Surya bhukti * Surya rules 2nd-from-pitristhana [Guru Mahadasha] [age 55.4 until age 71.4]
1990 [SM age 56] serious knee injury with surgery, prognosis for no further dancing * Guru-Shani bhukti * Shani rules 6th-from-Chandra, emotional distress from injury 26-Feb-1993 [SM age 60] grieved the decease of Mother * Guru-Shani bhukti * matrimaraka Shani rules 7th-from-Chandra Jun-1995 until Apr-1998 Shani Ashtamsha via Meena [5] 2000 [SM age 66] publication of The Camino: A Journey of the Spirit. Celebrated autobiography focused on SM walking the Way of Saint James * Guru-Shukra bhukti -Shukra bhukti * [Shani-yuti-Shukra] Shani rules 3-cinema ++ Shukra rules 3rd-from-Chandra 13-May-2001 [SM age 67] grieved the decease of former husband [via lung cancer] * Guru-Chandra bhukti [Shani Mahadasha] [age 71.4 until age 90.4] Nov-2006 until Sep-2009 Janma Sade-Sati Simha
2012-2013 [SM age 78-79] widely applauded role in Downton Abbey teledrama * Shani-Shukra bhukti * [Shani-yuti-Shukra] Shani rules 3-cinema + Shukra-rules 3rd-from-Chandra emotional scripts Dec-2013 [SM age 79] SM's adult daughter publishes an accusatory tell-all book, Lucky Me: My Life With – and Without – My Mom, Shirley MacLaine * Shani-Shukra bhukti * [Shani-yuti-Shukra] Shukra-rules 6th-from-5th-from-Chandra = complaints of the eldest child 2016 [SM age 82] Quit smoking * Shani-Surya bhukti * Surya rules 8th-from-Rahu-3, transformation of desire for smoking 2016 [SM age 82] starring role in The Little Mermaid * Shani-Chandra bhukti* Chandra-10 rules 9-drama, starring roles [Budha Mahadasha] [age 90.4 until age 107.4] |
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Distinctive features of the nativity
[Surya] pitri-karaka [father] jyoti-karaka [light] [uchcha] [svabhava] [philosophical-doctrinal dharmesha for Dhanus - Haya indriya-lagna] [competitively intelligent centre-stage certainty] [dominantly entitled expression of globalist beliefs] [radiant self-displaying political championship] [brilliantly confident celebrity performance] [father may be gambler-dramatist-entertainer-politician] ... [rhythmic-ancestral Aśvini-4] [navamsha Surya-Karkata] intuitively confident nourishing protective shelter [uchcha-Surya-yuti-Kuja]
OUTCOMES - SURYA self-referential, brilliantly creative, blazingly intelligent, romantic, poetic, artistically performing, genius [Surya in bhava-5] rules
CAREER - SURYA [uchcha=Surya-yuti-Kuja-svakshetra] combined rulers of 5 + 9 + 12 When Surya is extremely strong [Surya-Mesha] as in this nativity, Surya grants a general carte-blanche to assert the competitive personality into the realms of 12 - meditation, psychic guidance, dreamworlds - with virtually no limitation. Parents creative, theatrical [Surya-Mesha] rules 9 while [Chandra-Simha] rules 5. Both parents = intelligent attention seekers, active in creative performance worlds, and needing applause for theatrical display. Despite SM claiming that she never saw a happy marriage , Chandra-Surya hold a 5-9 mutually beneficial trine. Her parents were continuously married for 55 years. FATHER [Surya-yuti-Kuja] combined rulers of 5 + 9 + 12 Dad earned a Ph.D. in psychology [8] However, his main work was administrative [Mangala rules 3, clerical] Dad served as a junior-high-school principal [3] and real-estate agent [3, sales] in the Washington DC region. In the earlier part of his life, dad was a local jazz musician. Surya rules Chandra-Simha in 5th-from-Surya, stage performance. He died age 83. According to SM in her autobiographies, dad was a toxic narcissist [Surya-Mesha] [8] + randhresha [Mangala-Mesha] suggests that Dad sought camouflage in order to enjoy hidden aspects of his life.
[Chandra] matrikaraka [mother] * garha-karaka [village] mysterious-initiatory randhresha for Dhanus indriya-lagna] [comfortable with celebration of mysterious doctrine] [intellectually familiar with transformative philosophy] [needs display of initiatory understanding] [soothed by creative performance of priestly ritual] ... [analytical-helping Pūrvaphalgunī-2] [navamsha Chandra-Kanya] intuitively sensitive ministry criticizing complaining feelings idealistic
OUTCOMES - CHANDRA ideological, patriarchal, doctrinal, believing, optimistic, preachy, priestly [Chandra in classroom-9] rules
CAREER - CHANDRA [folk reputation 10th-from-Chandra = medicine, military, ministries, servitude, complaint, toxicity, mistreatment historical-financial-sonorous valuation Urisha-6] MOTHER + younger sibling Mom was a drama teacher Simha Chandra " I was married for 30 years, but he lived in Japan. I lived with many other men ... Men always wanted to get married, in my experience. So I stayed married to Steve so that I wouldn't marry them. I didn't like the idea of marriage. I find it too compromising, too confining. My parents had a 55-year bad marriage. I never knew anyone in a happy marriage. " -- Sarah Hampson. An Age of Enlightenment. TheGlobeandMail.com. 9/15/2008 " Although MacLaine's relationship with her husband had become increasingly remote, they were virtually separated by the mid-70s she was stunned to hear from a channeler in the early 80s that Parker had bilked her of millions, systematically transferring her money to his girlfriend's account in Tokyo. MacLaine hired a private investigator, who confirmed the charges." ~~ Marjorie Rosen. Darts and Flowers. People.com. 4/17/1995r. MARRIAGE partnership emotional equity support expectations
SM married a financier who was connected into the entertainment industry [Kumbha-6 fundraising] .
Shani accepts separations
Secrecy component of marriage [uchcha-Surya-yuti-combust-mulatrikona-Mangala] [8] hidden assets
One Marriage, Many Relationships
[Kuja] bhratru-karaka [brother] virya-karaka [virile] [svakshetra] [witty-creative vidya-pati for Dhanus - Haya indriya-lagna] [contemplative-clairsentient vyaya-pati for Dhanus - Haya indriya-lagna] ... [publishing-cinema Aśvini-3] [mūlatrikoṇa] [navamsha Kuja-Mithuna] intuitively competitive forward-pushing detailed descriptive communicative thrusi [Kuja-yuti-Surya-uchcha]
OUTCOMES - KUJA [uchcha-Surya-yuti-Kuja] combined rulers of 5 + 9 + 12 [Mangala in bhava-5] rules 12 interiority, private bedroom, enclosures, imagination, conceptual thought, theory, first principles, research, interior guidance, hallucination, Other-Worlds
[Budha] jamayah-karaka [sibling] sandesha-karaka [message] shisya-karaka [student] [nīcha] [balancing-bargaining yuvati-pati for Dhanus - Haya indriya-lagna] [dutiful-commanding karmesha for Dhanus - Haya indriya-lagna] ... [corporate-organizational Revatī-2] [navamsha Budha-Makara-yuti-Ketu] intuitively detail explaining incoherent regulatory structures [Guru-10 parivartamsha Budha-4-nīcha] [Guru-10 mutual-drishti Budha-4-nīcha]
OUTCOMES - BUDHA - esoteric philosophical books, interviews, presentations author of many autobiographies and psychic narrative books Out on a Limb 1934- drama-esoterica Shirley MacLaine [rhythmic-protective Aśvini-4] [uchcha-Surya-yuti-Kuja] SM's autobiographies record her intimate relationships with several well-known politicians [Budha in bhava-4] rules
Ruler of 4th-from-4th occupies 4.Real estate calculations.
Typical of the / missing-steps / [nīcha] Budha, SM's logical arguments failed to provide a scaffolding mechanism by which mainstream readers could understand her claims, and the psycho-intuitive narrative which framed most of SM's books was ridiculed. Meena-Budha fantasy-conceptualism is exacerbated by expansive Guru's parivartamsha + mutual drishti with abstracting Budha. Shani-6 which might serve as the potential common sense corrector cannot help Budha because change-resistant Shani occupies dissolving 12th-from-Budha. Guru ruled Budha-Meena grants a visionary, abstract, dreamlike cosmic viewpoint but this woolly area is a poor habitat for data-detail, precise stepwise argumentation instructional Budha. [nīcha] Budha often lacks the rungs in the ladder or has missing steps in a the scaffolding supports. As a result, [nīcha-Budha] explanations take great leaps without preparing the listener with necessary preparatory information. This liability is much more influential, naturally, when Budha lagnesha. Budha karmesha career in scripts, media, writing, publications, delivering messages, evangelismr. [Guru] dhava-karaka [husband] bahuta-karaka [variety] [Dhanayoga Guru-11 rules-5] [conserving-traditional dhanesha for Vṛścika indriya-lagna] [speculative-theatrical vidya-pati for Vṛścika indriya-lagna] ... [political-theatrical Chitra-1] [navamsha Guru-Simha] intuitively expansive theatrical-political romantic display [Guru-11 parivartamsha Budha-5-nīcha] [Guru-11 mutual-drishti Budha-5-nīcha] [Rahu-3 mutual-drishti with Guru-11]
OUTCOMES - BRIHASPATI teaching, guiding, commanding, exemplifying, leading [Guru in bhava-10] rules
CAREER - GURU [Guru-10 parivartamsha Budha-4-nīcha] ++ [Guru-10 mutual-drishti Budha-4-nīcha] Many decades of writing and publishing of trade-press books, usually profitable in the autobiographical genre [reputable Guru-10 lagnesha]
[Shukra] svadu-karaka [sweet] kalatra-karaka [wifely companion] [inimical-medicating rogesha for Dhanus - Haya indriya-lagna] [friendly-gainful labha-pati for Dhanus - Haya indriya-lagna] ... [face-voice-knowing Purvabhadra-2] [navamsha Shukra-Urisha] intuitively harmonizing musical-arts [Atmakaraka beauty dance relationships finance arrangements equity]
OUTCOMES - SHUKRA Shukra-Urisha occupies 10th-navamsha [Shukra-3] writing rules 3rd-from-Chandra = 11 revenues from writing rules
Shukra rogesha lawsuits, argumentation Shukra-yuti-Shani occupies 7th-from-Chandra attorney, case-law Out on a Limb 1934- drama-esoterica Shirley MacLaine [institutional-regulatory Revatī-2] [nicha-Budha-7 parivartamsha ++ mutual exchange Guru-1] [rulers of 1-4-7-10 combined] As an independent woman actress with a high-school diploma, SM famously won a landmark California State Supreme Court judgment [7] in her favor, against the cinema studio-bosses. The long-running, multi-appeal lawsuit alleged illegal breach of employment contract. SM's 1970 David-and-Goliath win was widely applauded by her fellow actors. [Shani] duro-karaka [endurance] * jara-karaka [Jahre, years] [svakshetra] [acquisitive-evaluative dhanesha for Dhanus - Haya indriya-lagna] [collaborative-communicative sahaja-pati for Dhanus - Haya indriya-lagna] ... [transformative-disguising Dhaniṣṭha-4] [mulatrikona] [navamsha Shani-Vrischika]
OUTCOMES - SHANI Elite decision-making roles in cinema production, literary publications, radio, seminars, touring [Rahu] rajyalobha-karaka [ambition] picchala-karaka [slippery] [for Vṛścika indriya-lagna] [Rahu-3 casts passionately publishing mercantile drishti into 7-9-11] check Shani for defining source of Rahu's social-rank positioning [passion to publish legitimate institutional narratives] [over-reaching use of formally structured conventional details] [may push the boundaries of regulatory policy discussions] [exciting scripts follow lawful announcement protocols] [normalized ambition for socially approved information delivery] [fascinating appearance of hands-arms-shoulders may elevate the social position] [mirage of ordinary management masks taboo-breaking business process] ...... [rhythmic-householding Śrāvaṇa-4] [navamsha Rahu-Karkata] [Rahu-3 mutual-drishti with Guru-11]
OUTCOMES - RAHU [Rahu-2 mutual drishti with Guru-10] [Ketu] kavandha-karaka [headless] chidra-karaka [gaping] vasana-karaka [vacuum] [scattered patriotic friendships] [for Dhanus - Haya indriya-lagna] ... [class-conscious Aśleṣā-2] [navamsha Ketu-Makara-yuti-Budha] surrenders the legitimating status rank, liberated from outdated rules
OUTCOMES - KETU |
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